Architectural Designs

Detailed sketches and designs for architectural elements, illustrating classical styles from Italy and Britain across different centuries.

French Crown, Paris, Neufforge, Jean François de, Fifth Volume, Architectural Collection, 50th Cayer Models for Trumeaux for the Use of Apartments, Pour un Porte, Doors with Medallions and Horns of Plenty, stamped on the reverse, An ornamented door with rocailles and garlands. Above it a medallion with a portrait of a woman in profile, horns of plenty and two seated figures with garlands. Print number 298., print, ornamental print, prints, ornamental prints, height 361 mm, width 225 mm, 1714 - 1791-12-19, print maker, printmaker, 1763 - 1763, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, granter of privilege

Design for a Mirror. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 14 15/16 x 11 in. (38 x 28 cm). Date: 1841-1900. Museum: Metropolitan Museum of Art, New York, USA.

Design for an Altar. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 10-3/16 x 4-5/8 in. (25.9 x 11.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Architectural project for door. 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Architectural project for door. 365520

Study for a Mantel and Overmantel. Artist: Laurent Hubert (French, died ca. 1780). Dimensions: 14 1/8 x 7 7/8 in. (35.9 x 20 cm.). Former Attribution: Formerly attributed to Juste Aurèle Meissonnier (French, Turin 1695-1750 Paris). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Eetkamer, Unknown, After François de Cuvilliés (Sr.), 1745 print Wall decoration for a dining room. An ornamented wall table with girandoles in the shape of a vase, above it a panel with monkeys and fruit. Germany paper etching / engraving dining-room. table. chandelier, candelabrum

Design by Enea Vico after Antique Paintings. Édouard Baldus (French, born Germany, 1813 - 1889)

Draft for a closet or a box, Carl von Hasenauer -, draft

At the bottom is a Frisian with a winged sea creature in an oval, Hans Sibmacher, after Jacques Androuet, c. 1525 - 1594 print Equal -sided copy to the print by Jacques Androuet Ducerceau, derived from a flat decoration of Enea Vico. Leaf from series with architecture fantasies and grotes' with fable areas, garlands, candelabers and mascarons. print maker: Germany (possibly)after print by: France (possibly)publisher: Netherlands (possibly) paper etching monsters ~ swimming mammals

Cabinet; Oficina Arcvlaria (...), Bovticqve Menvseries (...), Schriner Load (...), Schrinckers Winckel (...). With variant for the decoration of the right half. The cupboard has three pillars, on the left an ionic column, in the middle a male herme and on the right a female herme. At the bottom is a plan of the closet to see and the dimensions are on the right.

Design for a Fireplace Wall, Plan and Elevation, Plate 4, Jean Mariette, 1660-1742, Engraving on paper, Design for a fireplace wall shown in plan and elevation. Plate 4., France, ca. 1660-1742, Print, Print

Print (France)

Gothic doors with ornaments (15th century); Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Drawing, Two fenders; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash, graphite; Image: 27.5 x 19.6 cm (10 13/16 x 7 11/16 in.)

Design for a secretary, Carl Wilhelm Marckwort (attributed to), c. 1820 - c. 1823 Deep -deep fields, with a map in two. Berlin paper. ink pen

Design for a garden ornament, Daniël Marot (II), 1705 - 1769

Armory, mask and a garland, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, At top, the exterior of an armory. Middle, a highly detailed mask with embellishments. Bottom, a garland above and next to a doorway., France, ca. 1759-70, ornament, Drawing, Drawing

Drawing, Design for Gate; Designed by William Hunt Diederich (American, b. Hungary, 1884-1953); USA; graphite on tracing paper; 28 x 21.5 cm (11 x 8 7/16 in.)

Panelen; Single panel; Kasten, panelen in lambiseringen; 29th notebook.A Wall with Rectangular Panels. Print Number 172.

2 fireplaces and an ornamental panel with grotesks, sphinxes, masks, mythological figures and leaf motifs

Wilkinson Tracing, Design for a blind arcade, with a horizontal drawing of part of a church wall, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Drawing, Renaissance architectural detail; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper; 1977-110-4-2

Deur en Panelen puts medallion, Jean Pelletier, after just Nathan François Boucher, 1772 - 1779 print Wall decoration with a door with floral motifs and panels on either side. At the top a panel with an oval medallion and tibs. Print number 131. Paris paper etching / engraving panelling. door. ornament ~ medallion

Alberti Leon Battista (1404-1472), San Francesco, Rimini (without dat.): Monument to the ancestors and descendants of the Sigismund Malatesta. Photo, 38.7 x 24.4 cm (including scan edges)

Drawing, Project for cast metal and colored folding doors; France; pen and ink, brush and watercolor on paper; 37.6 × 19.8 cm (14 13/16 × 7 13/16 in.) Image: 37.6 × 18.7 cm (14 13/16 × 7 3/8 in.)

Ornate architectural design 18th century Attributed to Anonymous, German, 18th century German. Ornate architectural design 383342

Etching by an unidentified engraver depicting plans for a double grave for the Magnifici in the Medici Chapel, showing architectural and funerary elements from the 18th to mid-19th century.

Panels with flower motifs and garlands, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print A wall with panels, decorated with floral motifs and garlands at the top. Print number 149. Paris paper etching / engraving panelling. flowers ~ ornament. ornament ~ festoon, garland

'An Architectural Section Drawing and Ornamental Element'. France, 1760s. Dimensions: 17,5x16,5 cm; 11,8x16,7 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

GSELL-Laurent workshop. Album n ° 4; stained glass project for Lourdes; Unique span window: ornaments, sleeping character and angels. Ink of China, watercolor and gouache. Paris, Carnavalet museum. Album Numero 4, Ange, Ink of China, Fenetre, Gouache, Lourdes, Ornament, sleeping character, stained glass project, watercolor

Netherlands, Master W with the Key, Gothic monstrance, Printed from two plates on two sheets, attached to each other., print, prints, height 460 mm, width 113 mm, Southern Netherlands, print maker, printmaker, 1465 - 1485, third quarter 15th century, fourth quarter 15th century, paper, engraving, engraving (printing process)

Project for a Wall Decoration, Graphite, pen and ink, brush and sepia on paper, Right half of a framed panel with grotesques. At center, left is a partial tablet with figures., Italy, late 18th century, ornament, Drawing, Drawing

Print (France)

Stained Glass Design with Flowering Vase late 19th century E. E. Q.. Stained Glass Design with Flowering Vase. E. E. Q. (American, late 19th century). late 19th century. Watercolor and pen and ink

Design for wall panels with putti and flowered garlands second half 19th century Jules-Edmond-Charles Lachaise French. Design for wall panels with putti and flowered garlands 388290

Schick Carl, silver and white wardrobe, Rastatt (1885): View. Ink on cardboard, 43.4 x 32.4 cm (including scan edges)

Design for Interior Wall Decoration with Chair, Johann Michael Hoppenhaupt II, German, 1709-ca. 1778, Etching and engraving on white laid paper tipped into cream laid paper, Interior with throne-like chair at center. Portrait on back of chair framed by halo with flowers and sunrays; chair shaped with leaves, flanked by large escutcheons heavily decorated with plumed helmets, axes, bows and arrows, flags, musical instruments, and putti. Above chair, canopy with draping lines and foliage. All interior framed with curved molding, scenes with putti, and candles., Germany, 1753, interiors, Print, Print

Designs for One Half of a Cartouche in the Rococo style. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Sheet: 7 5/16 x 8 15/16 in. (18.6 x 22.7 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Three Balcony Leans, Daniël Marot (I), 1712 print The middle railing is decorated with a crowned monogram in a list of leaf vines. Leaf 2 from series of 6 blades with gates and handrails in wrought iron .. print maker: Netherlands (possibly)after own design by: Netherlands (possibly)publisher: Amsterdam paper etching

Altar mensa, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Altar mensa., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Drawing, Arabesque Panel; Attributed to Jean Louis Prieur, French (1732 - 1795), Henri Salembier (French, 1753 - 1820); France; pen and brown ink, brush and brown wash, white gouache on white laid paper; 43.1 x 12.4 cm (16 15/16 x 4 7/8 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.)

Wrought iron fencing; II Cahier des desseins (...); Dessoints de la fashion Neuve au Gout Antique (...). Design for wrought iron fencing in arch shape with garlands, floral motifs and medallion with cross.

Draft for the tomb of Cardinal d'Amboise by Johann Julius Romano von Ringe around 1845, executed in pencil and watercolor, showing tomb design, decorative elements, and architectural details.

Stubbe Paul (1849-1874), wrought-iron gate. Monthly competition May 1873 (05.1873): Variant I: View; Scale bar. Pencil watercolored on paper, 41.7 x 26.3 cm (including scan edges) Stubbe Paul (1849-1874): Schmiedeeisernes Tor. Monatskonkurrenz Mai 1873

Study of architectural details of vault ornamentation. Czachórski, Władysław (1850-1911), draughtsman, cartoonist

Pilica (voivodeship L Skie). Synagogue on ul. Azienna - a fragment of the balustrade, according to photography by nature from the collection of Mr. Czekężski from Warsaw; Sztolcman, W Adys Aw Roman (1873-1950); 1915 (before 20.03.1915) (1915-00-00-1915-00-00);

Carved Wood Door for Dining Room, Leighton Hall. Artist: John Gregory Crace (British, London 1809-1889 Dulwich) , and Son. Dimensions: sheet: 20 1/4 x 12 in. (51.4 x 30.5 cm). Date: ca. 1854. Museum: Metropolitan Museum of Art, New York, USA.

Pilaster decoration (view of the whole), from the Logge Di Raffaele Nel Vaticano (PL.4) cycle; Ottaviani, Giovanni (1735-1808), Rafael (1483-1520), Savorelli, Gaetano (Fl. 1772-1791), Camprosi, Pietro (1726-1781); 1772-1777 (1772-00-00-1777-00-00);

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Chimney; Liure de Cheminées. Increase a coat of arms with the monogram of Louis XIV. Title page from series of 6 () Blades.

Design for a wallnis with a standing saint, Pieter Verbruggen (I), 1619 - 1686 drawing Design for a sculpture or wall decoration. paper. pencil. ink pen / brush architectural design or model. architectural detail. wall-covering. piece of sculpture, reproduction of a piece of sculpture. male saints (with NAME) Antwerp

Lower part of decorative pilaster, Giovanni Ottaviani, Pietro Camporesi (I), After Gaetano Savorelli, After Rafaël, in Or Before 1772 - 1779 print On the left a woman with Hoorn of Abundance, two naked men and Fama with two trumpets sitting on a globe. Right garlands of fruits. Lower part of a pilaster. Upper right numbered IV. paper engraving / etching half-column, pilaster ~ architecture

Drawing, Design for a Panel with Two Mirrors; France; pen and black ink, brush and watercolor, graphite on paper; 30.6 × 6.9 cm (12 1/16 × 2 11/16 in.)

Twee arabesken met medaillons; Ontwerpen van arabesken; Cahies d Arabesques.Two vertical arabic designs. Left is a round medallion with an image of two figures surrounded by leaf motifs. On the right, a diamond-shaped medallion with an image of a sealant is worn by a cariathide surrounded by grape vines.

Lehmmübner Paul (1855-1916), Cathedral in Cologne (October 21, 1893): Part of a window, view. Pencil on cardboard, 50.1 x 35.5 cm (including scan edges) Lehmgrübner Paul (1855-1916): Dom, Köln

Looking glass. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Arabesque Panel, Pen and brown ink, brush and brown wash, white gouache on white laid paper, The design springs from two seated female figures with a vase between them, from which rises a column supporting prancing horses. Above, a relief panel and a semi-circular columned niche with a statue of a stand-female figure before a drapery. Atalantes at either side and seated griffins above. At top, a medallion supported by flying half-figures, above which are winged female figures bearing trumpets and wreaths, flanking a lyre. Arabesque tendrils connect the various parts. (RPW'60), Attribution to Prieur made by Leon Decloux., France, France, ca. 1770, ornament, Drawing, Drawing

Design for a room deposit.

Ornamental design for a door panel. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 384 mm × w 247 mm. Museum: Rijksmuseum, Amsterdam.

Design for a Frame. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 15 1/16 x 11 1/16 in. (38.3 x 28.1 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA.

Design for double-lancet window. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 21 1/16 x 7 3/8 in. (53.5 x 18.7 cm)Design: 19 3/8 x 4 15/16 in. (49.2 x 12.5 cm). Maker: Possibly Tiffany Glass and Decorating Company (American, 1892-1902); Possibly Tiffany Studios (1902-32); Possibly Tiffany Glass Company (1885-92). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Wrought iron gate with floral motifs, anonymous, after Johann Samuel Birckenfeld, 1719 - 1749 print The print is part of a series of four prints. Augsburg paper etching gate, entrance. floral interlace ~ ornament

Hand-carved Cabinet. Dated: c. 1937. Dimensions: overall: 35.6 x 27.9 cm (14 x 11 in.) Original IAD Object: 27 1/2" x 36 1/2". Top ornament: 27 7/8 x 6 1/4". Medium: watercolor, colored pencil, gouache, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Vera Van Voris.

Looking glass, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Looking glass., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Objets d'arts et architecture du XIVe. siècle.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Drawing, Design for a Sacristy Gate of a Chapel of the Torlonia Family; brush and watercolor, graphite on paper; 28.5 × 24.5 cm (11 1/4 × 9 5/8 in.)

Design for a Wall with Two Windows. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 5 x 3-1/2 in. (12.7 x 8.9 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Southern Netherlands, Frame with Chalice and Host, verso - stamped, A frame with at the top putti adoring the Blessed Sacrament: the chalice and host. Left and right and below symbols for the Eucharist. On the left putti harvesting grain for bread. On the right putti pressing grapes over a bowl., print, prent, prints, height 305 mm, width 208 mm, print maker, printmaker, 1650 - 1750, paper, papier, engraving, engraving (printing process)

Design for a Pair of Doors Joined by an Ornamental Panel. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 8 5/8 x 10 1/4 in. (21.9 x 26.0 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel 1500-1700 Anonymous, Italian, 16th to 17th century Italian. Design for the Bay of an Arcade with Female Figures at the Base and an Arch with a Putto in the Spandrel 343221

Three comtoise clocks and thirteen smaller motifs; Second Liure d'Orgheries. Down there are two ornamental edges in white on a black background. From series of 6 blades with copies to prints from the Second Liure d'Orgeries series, published by Daniel Marot.

Table piece, c. 1830 - c. 1850 Paris paper. graphite (mineral) Paris paper. graphite (mineral)

'Design of a Pedestal for a Clock'. France, 1700s. Dimensions: 42,6x23,1 cm. Museum: State Hermitage, St. Petersburg. Author: Gilles-Marie Oppenort.

Quast Ferdinand von (1807-1877), tombstone with incised double cross in the church in Droyßig near Zeitz (without dat.): Turning the paw cross with nail tip, scale bar (foot Rhld.). Ink on paper, 17.5 x 14.6 cm (including scan edges) Quast Ferdinand von (1807-1877): Grabstein mit eingeritztem Doppelkreuz in der Kirche, Droyßig

Theater Design for a Dining Room, Francesco Nicoletti, 1728 - 1776, Pen and black, brown ink, brush and light brown wash, rose watercolor on white laid paper, mounted on blue-green board with gold ruled lines, Theater design for a dining room of a lower floor and balcony. Lower floor contains 4 ornate corinthain columns with drapes hanging between them, 2 sculptures on either side, a chandelier and a fireplace. Balcony contains columns with caryatids, hanging drapes, and 5 chandeliers., Italy, before 1776, theater, Drawing, Drawing

Academic Architects Berlin (AAVB), sketchbook SS 1902: Choir stalls in the Liebfrauenkirche in Halberstadt (1902): Detail 1: 3.33. Pressure on paper, 39.3 x 29.3 cm (including scan edges) Akademischer Architektenverein Berlin (AAVB) : Skizzenheft SS 1902: Chorgestühl in der Liebfrauenkirche, Halberstadt

Design for Half of a Ceiling Decoration, Fontainbleau. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 14 1/2 x 9 11/16 in. (36.9 x 24.6 cm). Date: 1867. Museum: Metropolitan Museum of Art, New York, USA.

GSELL-Laurent workshop. Album n ° 4; Project for "Grande window du Trocadéro" (Exhibition of 1878); Window with three registers: various scenes, baptism, tournament. Pencil on layer. Paris, Carnavalet museum. Album Numero 4, baptism, pencil on layer, exhibition of 1878, large Trocadero window, stained glass project, various scenes, tournament, three registers

Intended for an intercolumniation between two embedded columns, and in a niche. Between the capitals is a frieze with an escutcheon supported by two flying putti, in front of drapery festoons. Below is a stereobate. The monument has below a pedestal with a high base, and a panel with a relief of figures. Above it stand two female allegories, leaning against the sarcophagus, which has the general shape of an urn upon a high base. Upon the cover kneel, at left a winged putti, in the center a putto and support the oval medallion with a bust portrait, sided by another putto, flying at right. Both putti support with their left hands the crown at top. Date: 1793. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Ornamented column. Draughtsman: Jac van Looij. Dating: 1865 - 1930. Measurements: h 160 mm × w 70 mm. Museum: Rijksmuseum, Amsterdam.

Decorated Monogram IN. Unknown

Blunck Erich (1872-1950), fallen memorial plaque in a church in Lübeck (1921): Perspective view (without a yardstick). Colored pencil over a break on paper, 57.1 x 40.5 cm (including scan edges) Blunck Erich (1872-1950): Gefallenengedenktafel in einer Kirche, Lübeck

Design for a Wall and Ceiling with Frames and Decorations in Stucco ca. 1690-1710 Anonymous, Italian, Bolognese 18th century artist Italian. Design for a Wall and Ceiling with Frames and Decorations in Stucco 406103

Design Elevation for an Interior Door in the Loggia of Pope Julius III.. Artist: Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710-1727). Dimensions: 16-3/8 x 11-1/4 in. (41.6 x 28.5 cm). Date: 1710-27. Museum: Metropolitan Museum of Art, New York, USA.

Designs for Gothic Tables, Augustus Welby Northmore Pugin, 1812-1852, British, Augustus Charles Pugin, 1762-1832, French, undated, Graphite and pen and blue ink on moderately thick, smooth, cream wove paper, Sheet: 8 1/2 x 4 1/4 inches (21.6 x 10.8 cm), architectural subject, decoration, designs, Gothic (Medieval), tables (support furniture)

Rohscan

Album n � 1. VITRAIL PROJECT FOR VILLE-EVRARD (Decorative Reasons) Gsell-Laurent workshop. Album n � 1. Vitauil project for Ville-Evrard (decorative motifs). Pencil and gouache on layer paper.

Nich on pedestal, worn by Hermen, 1557 print Niche on a pedestal, worn by Hermen and a naked boy. A smoking burner hangs in the niche. On either side of the niche a saat who carries a beam. A cave rests on the beam with a performance of Vulcanus in his forge. Belongs to series consisting of a title page, a text top and 14 magazines with grotesken with rolling work, saters, garlands, trophies, animals and fantasy scenes. Netherlands (possibly) paper etching stylistic and formal differentiation of art. pedestal of a piece of sculpture (perhaps in the form of a herm). Vulcan in his smithy

Wszyscy Święci w MNK Cercha, Maksymilian (1818 1907), Artistic and Little Institution of the Scientific Society

Stüler August (1800-1865), The New Museum in Berlin by Stüler, Potsdam 1853 (1853): Tafel 20. Details: Cupboards for the Majoliken of the Kunstkammer. Pressure on paper, 72.6 x 52.9 cm (including scan edges) Stüler Friedrich August (1800-1865): Das Neue Museum in Berlin von Stüler, Potsdam 1853

Windows, Bourges. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 5 3/4 × 3 1/8 in. (14.6 × 7.9 cm)Sheet: 5 3/4 × 3 1/8 in. (14.6 × 7.9 cm). Date: 1888. Museum: Metropolitan Museum of Art, New York, USA.

William Wickham, born ca.1750, British, Unidentified House for Giles Hudson, Putney, Surrey: Elevation of Drawing Room Fireplace, undated. Graphite, pen and black and brown ink, watercolor on moderately textured, moderately thick, cream laid paper.

Herms Supporting and Overdoor with Portrait Oval 17th century Anonymous, Italian, 17th century Italian. Herms Supporting and Overdoor with Portrait Oval 389371

Marches Macerata San Severino Marche S. Agostino, Cathedral8. Hutzel, Max 1960-1990 Exterior views of the 15th-century facade with its gothic portal. Views also of the oratory and baroque portal. The interior, restored in 1776 and 1827, is neoclassical. Views in prints H-6 and H-9 show a small barrel-vaulted chapel with a modern main altar painting of the Last Supper. This is either the oratory or a misidentifed church interior. Other views include: wooden crucifixes; an intarsia door to the sacristy and intarsia panels by Indivini; various altar paintings; a silver statue of St. Severino with a crozier, a painting of the Madonna and Child with angels and a kneeling donor by Pinturicchio; a reliquary; a silver plate; a small painted ceramic statue of the Pieta; and a series of sketches from an album of an artist from San Severino Marche. Object Notes: Hutzel photo campaign date: April 8, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the ear

Spiege Baven Consoleteaf, Anonymous, After Victor Léon Michen Quén, 1878 - In Order 1904 print A mirror above a consolet table in the Louis XVI style. Print from 84th Livraison. paper table. mirror

Designs for three windowed storeys. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 14 15/16 x 10 7/16 in. (37.9 x 26.5 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Schmalz Otto (1861-1915), travel sketches from Italy (04.05.1887): Bologna: S. Vitale e Agricola (view of an altar wall of a chapel). Tusche watercolor on paper, 30.8 x 42.4 cm (including scan edges)

Fake architecture with columns and two paintings depicting sea landscapes in the upper part, Herculaneum, Campania, Italy, engraving by Carlo Nolli from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume III, plate 56, 1757-1787, Naples.

A pencil sketch by Emerich Alexius Swoboda depicting a monument, showing figures, layout, and architectural elements.

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