Architectural Designs

Detailed sketches of decorative architectural elements and room designs, showcasing ornate features, vases, and classical styles from various historical periods.

In the middle a semicircular niche with an obelisk and two putti. On both sides panels. On the left a pastoral scene with figures in a landscape with a house, a tree, a man in a boat and a mill, panels and niche with putti., draughtsman: anonymous, 1650 - 1800, paper, brush, pen, h 244 mm × w 375 mm

Design for a wall decoration, Design for room decoration with five panels of which the middle one with decorative vase, draughtsman: Abraham Meertens, 1767 - 1823, paper, h 144 mm × w 320 mm

Civil stained glass drawing: Study for an architectural background Prosper Lafaye (1806-1883). Civil stained glass drawing: study for a background of architecture (upper part), between 1845 and 1875.

Cabinet Design 19th century Anonymous, British, 19th century British. Cabinet Design 386599

Bound Print, Ornamented Chimneypiece Design; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

In the middle a semicircular niche with an obelisk and two putti. On both sides panels. On the left a pastoral scene with figures in a landscape with a house, a tree, a man in a boat and a mill, panels and niche with putti., draughtsman: anonymous, 1650 - 1800, paper, brush, pen, h 244 mm × w 375 mm

Interior project: library L. D. Interior project: Library. Feather, Chinese Ink, Red Ink, Pencil, Lavis Gray, Yellow and Rose.

Drawing (France & Italy)

Wilkinson Tracing, Two partial designs for fire surrounds and for mouldings, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Print (France)

Design for a Door Case, Brush and bistre wash, graphite, black crayon on paper, Vertical rectangle. The right half of a design for a door case is shown. Overdoor showing a broken pediment in front of a panel. A putto seated on the cornice supports a shell., Italy, ca. 1750, interiors, Drawing, Drawing

Design for the decoration of three walls of a room, Jurriaan Andriessen, c. 1752 - c. 1819 drawing Design for the decoration of three walls of a room, with stuck variants. paper. watercolor (paint). ink. graphite (mineral) pen / brush

Buffet, Carl von Hasenauer -, draft

Wilkinson Tracing, Design for two sideboards and three wine coolers, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Warsaw. Marble fireplace in the Grand Dining Room beside the Column (Grand, Ball) Room of the Royal Castle - fragment of front view and cross section. Sztolcman, Władysław Roman (1873-1950), draughtsman, cartoonist

Kapitels from the church of St. Sebald in Nuremberg; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Civil stained glass drawing: Saint Joseph holding in his arms the child Jesus Prosper Lafaye (1806-1883). Stained glass drawing: Saint Joseph holding in his arms the Child Jesus with in his right hand a lys, on an architectural background (upper part), between 1845 and 1875.

Print (France)

Drawing (France & Italy)

Print (France)

This 'Skizzenblatt' by Rudolf Weyr, executed in pencil on transparent paper, illustrates his approach to layered compositions and detailed figure studies, highlighting his meticulous draftsmanship.

Panels and niche with putti. Draughtsman: anonymous. Dating: 1650 - 1800. Measurements: h 244 mm × w 375 mm. Museum: Rijksmuseum, Amsterdam.

Elevations of a Door, Door Frame, Overdoor, and Adjoining Wall Panel, Mauro Antonio Tesi, Italian, 1730 - 1766, Red chalk on paper, Vertical format elevations of a door, door frame, overdoor, and adjoining wall panel. Somewhat more than the right half of the door and the left half of the wall panel are shown. Three panels are suggested for the door decorated with crossed boughs, a circular medallion displayed between them, in the central panel. A displayed eagle upon a base formed as a capital, shown upside down, forms the overdoor., Italy, late 18th century, architecture, interiors, Drawing, Drawing

Print (France)

Excluded the motive with the prince's body from the painting "The murder of Prince de Guise in Chateau de Blois in 1588"; Czachórski, Władysław (1850-1911), Desclaux, Mathieu Théophile (1808-1884), Delaroche, Paul (1797-1856); 1870 (1870-00-00-1870-00-00);

Fireplace Design 19th century Anonymous, British, 19th century British. Fireplace Design. Anonymous, British, 19th century. 19th century. Graphite

French Crown, Treuttel & Würtz, Lenoir, Alexandre, Paris, Guyot, Laurent, Rome, Lavallée-Poussin, Etienne de, Moreau, Jean Michel, Nouvelle Collection D'Arabesques, Propres A La Décoration Des Apartemens, First booklet of Arabesques and decorations propres aux Artistes de ce'genre, Vases and arabesques, verso - stamped, Three vases with flowers surrounded by arabesques and garlands at the top. On either side of the middle vase are smaller vases on pedestals., print, ornamental print, title print, prints, ornamental prints, height 211 mm, width 287 mm, Frans, 1756 - 1806, print maker, printmaker, 1810 - 1810, paper, papier, etching, etchings, aquatint, Work conception, 1741-03-26 - 1814-11-30, after a design by, 1733 - 1793-11-18, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher, uitgever, 1761-12-27 - 1839-06-11, granter of privilege

Project for the entrance wall of a salon with alternative suggestions, Jean-Charles Delafosse, French, 1734-1791, Pen and ink, brush and rose and brown washes, graphite on white paper, The left and right halves suggest different details. Three shallow niches. In the center is the folding door with a musical trophy as overdoor. At left: A fountain at the foot of a looking glass. At right: a fountain with two mermen and a flower vase. Boardering strip and line., France, 1760-70, architecture, interiors, Drawing, Drawing

Hoffmann Emil (1845-1901), Palazzo del Tè in Mantua (25.07.1894): interior. Pencil watercolored on paper, 28 x 26.3 cm (including scan edges) Hoffmann Emil (1845-1901): Palazzo del Tè, Mantua

A study by Rudolf Weyr depicting architectural elements, showing structure, form, and design principles in a preparatory sketch.

Sketch sheet with architectural detail studies, draughtsman: Johannes Bosboom, 1827 - 1891, paper, pen, brush, h 516 mm × w 385 mm

Ornamental division of the leaf into ten planes with simple ornamental frames, Ornamental division into ten planes, draughtsman: anonymous, Italy, c. 1550 - c. 1563, paper, pen, h 435 mm × w 343 mm

By a gate. Kostrzewski, Franciszek (1826-1911), draughtsman, cartoonist

A draft by Moritz von Schwind from 1864-1867 in pencil and brown pen for the final apotheosis scene of Tamino and Pamina from Mozart's Magic Flute, designed for the loggias of the Vienna State Opera.

Design for an interior wall with two arched doorways and wall panel depicting a group of women.. Cotte, Robert de, 1656-1735. Prints, Drawings, Design drawings. 1875 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Architectural

Ref, The Cathedral of St, Stephan in Vienna, St, Stephan, Statues Duke Rudolfs IV and the Katharina of Bohemia, capitals of the western gallery, Georg Christoph Christian Wilder -, drawer

Album n � 4; Stained glass project for Magny-en-Vexin; WINDOW TO THREE TRAVIES: SAINTE HELENE, Saint Charles Borromee, Saint Louis Gsell-Laurent workshop. Album n � 4; Stained glass project for Magny-en-Vexin; Three span window: Saint H�l�ne, Saint Charles Borromee, Saint Louis. Pencil on layer.

Marechaux Hall of France Aux Tuileries in 1851 Charles Bertolini. Hall of the Mar�chaux de France to the Tuileries in 1851.

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 8 13/16 x 3 7/16 in. (22.4 x 8.7 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Tureen, Graphite on paper, Tureen with lion paw feet and pilaster legs. Scrolling handles above pilasters. On body, lion masks with drop rings. Finial., Europe, 1775-1800, tableware designs, Drawing, Drawing

Rudolf Weyr sculpture representing a monument, highlighting structure, relief elements, and composition.

'Architectural Fragments'. Erroneously attribured to Gilles-Marie Oppenord. France, 18th century. Dimensions: 32,4x25,3 cm. Museum: State Hermitage, St. Petersburg. Author: French painter. 18th century.

Design for a Stage Set 1830-90 Eugène Cicéri French. Design for a Stage Set 387325

Ceiling paintings in the Vatican Museums in Vatican City, c. 1875 - c. 1900 photograph Vatican Museums photographic support albumen print (decorated) ceiling

Munich. Matzevahs - two views ; verso: sketches of cats and figures under umbrella. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Twee tombs, Augustin hay, after Jean Charles Delafosse, 1771 print On the left a tomb with an entrance, two women with torches on either side of a round medallion with portrait and profil, weapons with helmet and crown and an urn. On the right a tomb with a round medallion with portrait and profil, a lauded skull with torches, smoking vessels and an urn. paper etching / engraving grave, tomb

Ornament with a putto (presumably) on the ceiling of Schloss Bruchsal, c. 1875 - c. 1900 photograph Ragsal cardboard. photographic support albumen print cupids: 'amores', 'amoretti', 'putti'. ornaments ~ art. castle. interior ~ representation of a building Ragsal

In the center are three panels, between two doors. In front of the central panel, upon a pedestal, stands a group of two children. Alternative suggestions are made for the latter. The outer panels, as well as the ones between the doors and the corners, are protruding. In front of them, upon pedestals, stand statues of women. The wall has a dado and an entablature. Below the latter are paintings. Date: ca. 1800. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Study for a Stage Set 18th century Jacques de Lajoüe French. Study for a Stage Set 343067

Two photo productions of drawings of wall decoration, c. 1875 - c. 1900 photograph Above (56) a drawing of wall decoration with figures and (presumably) a fireplace, below (57) a drawing of an interior with a fireplace. Europeafter drawing by: Italy cardboard. photographic support albumen print open hearth, fire-place. leaning figure. picture, painting. atlantes ~ architecture Europe

Verso by John Talman, 1677-1726, British, Studies, with Gardens, Possibly for a Talman Family House, undated. Graphite, pen and black ink, and red chalk; (verso) line engraving on thick, textured, cream wove paper.

Hoffmann Willy (born 1878), wall decoration in a café. Monthly competition April 1905 (04.1905): Upper wall view; Scale bar. Pencil watercolor on the box, 48.8 x 73.6 cm (including scan edges) Hoffmann Willy (geb. 1878): Wanddekoration in einem Café. Monatskonkurrenz April 1905

Renaissance interior from the Pomeranian cycle. Noakowski, Stanisław (1867-1928), draughtsman, cartoonist

Design for a wall decoration, Design for room decoration with a bust on a base between two doors and two urns, draughtsman: Abraham Meertens, 1767 - 1823, paper, pen, brush, h 214 mm × w 363 mm

Hauer, Johann Thomas, Paris, Desseins de la Mode neuve au Gout antique, I Cahier par les Maçons, Facade with coat of arms, verso - stamped, Design for a portal with crowned coat of arms, garlands and two vases., print, engraving, ornamental print, prints, ornamental prints, height 203 mm, width 147 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1758 - 1820, paper, papier, etching, etchings, engraving (printing process), Work conception, after own design by

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 359060

Entrance wall of a salon, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Entrance wall of a salon., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Drawing, Stage Design: Side Wing for Garden Architecture; Italy; pen and bistre on paper

Rib vault and a figure in a stairwell, 1819 - 1849 Leaf 19 recto from a sketchbook with 60 sheets. paper. pencil stairwell. vault ~ architecture

Palazzo dei Conservatori, coffered ceiling, ceiling plan and details; Sphinx, perspective view (recto) blank (verso) early to mid-16th century Drawn by Anonymous, French, 16th century French. Palazzo dei Conservatori, coffered ceiling, ceiling plan and details; Sphinx, perspective view (recto) blank (verso) 360453

Chair. .

Design for One Half of a Lunette with a Window and Putto at Left. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Sheet: 6 9/16 x 5 7/8 in. (16.7 x 15 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Design studies for monuments. Artist: Attributed to Anonymous, German, 19th century. Dimensions: sheet: 7 3/8 x 9 3/16 in. (18.7 x 23.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Sallembier, Henri, Juillet, Jacques, IVe Cahier de Vases Boettes De Pendules Tombeaux &c, Two tombs with smoking barrels and standing figures, verso - stamped, Left a tomb with obelisk, flags and weapons, two smoking barrels and two standing figures. On the right a tomb with an obelisk, two standing figures on either side of a medallion with portraits, two smoking barrels, skulls with garlands and two medallions., print, prent, ornament print, prints, prenten, ornament prints, height 241 mm, width 385 mm, 1739 - 1784, print maker, printmaker, 1777 - 1777, paper, papier, etching, etchings, Frans, 1753 - 1820-10-01, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

This work by Alexander Rothaug, created around 1901, includes two composition designs and multiple architectural sketches in pencil, ink feather, and green chalk, highlighting structural forms and layout planning.

Sir Robert Smirke the younger, 1781-1867, British, Antique Fragments In the Capital, 1802-1804. Graphite on thin, moderately textured, beige, wove paper.

Study of architectural decoration of the door; Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);Baroque (crafts), baroque (style), ceiling decoration, wall decorations, doors (architect.), cartouches, putta (iconogr.), artistic crafts, studies (sketches), architectural details studies, interior, interior design, purchase (provenance )

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Design for Stained Glass with Marine Motifs 19th century John Gregory Crace British. Design for Stained Glass with Marine Motifs 363510

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Two variations on an absis, Anonymous, After Mauro Antonio Tesi, 1787 print Print is part of an album. paper etching parts of church interior: apse

Study for The Hall, Carlton House, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1808. Dimensions: 200 × 260 mm. Graphite on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

This pencil drawing by Rudolf Weyr depicts an architectural design, showcasing his skill in capturing architectural forms and details. The work reflects his understanding of architectural composition and his ability to render them with precision.

A man in front of a building with a decorative door in Forstenrzed, next to the bas -relief from the panel above the door; Verso: a kitty with small; Czachórski, Władysław (1850-1911); Before 1911 (1869-00-00-1911-00-00);Doors (architect.), Cats, windows, architectural studies, architectural details studies, characters' studies, men's studies, animal studies, purchase (provenance), animals

A City of Ancient Greece and the Return of a Victorious. Attributed to C. Scott (British, active late 19th century); or possibly after Sir James Dromgole Linton (English, 1840-1916). Date: 1863. Dimensions: 328 × 437 mm. Graphite, with pen and black ink, on cream wove card. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Two Designs for Memorial Tablets. Artist: Anonymous, French, 16th century. Dimensions: sheet: 10 7/8 x 12 5/16 in. (27.6 x 31.3 cm). Former Attribution: Formerly attributed to workshop of Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Bed. .

Castle of Blois, France, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 1/16 × 16 3/8 inches (28.1 × 41.6 cm) and Sheet: 3 3/8 × 5 1/4 inches (8.6 × 13.3 cm)

Unknown architect, title vignette for Spindler in Berlin-Köpenick. Monthly competition March 1880 (03.1880): front view, rear view. Pencil watercolor on the box, 16.4 x 21.3 cm (including scan edges) N.N. : Titelvignette für die Fa. Spindler, Berlin-Köpenick. Monatskonkurrenz März 1880

Interior, c. 1830 - C. 1850 Paris tracing paper. graphite (mineral) Paris tracing paper. graphite (mineral)

A pencil draft by Emerich Alexius Swoboda illustrating a monument with compositional and structural outlines for design planning.

History of Germany 1820-50 Carl Heinrich Hermann German. History of Germany. Carl Heinrich Hermann (German, Dresden 1802-1880 Berlin). 1820-50. Pen and black ink. Drawings

Milan, Vallardi, Pietro & Giuseppe, Italy, Roccheggiani, Lorenzo, Ruga, Pietro, Inventories of various sacred and profane objects for the use of communities of life, Inventories of various sacred and profane objects, Designs for religious and profane objects, Frame with representation of Cupid and Psyche, a bench and two bowls, The print is part of an album., print, album page, ornament print, prints, height 168 mm, width 219 mm, Italian, print maker, 1817 - 1817, second quarter 19th century, third quarter 19th century, fourth quarter 19th century, paper, etching, intermediary draftsman, after a drawing by, Publication (Event), Publication, publisher

Design for a Portion of Cornice and Ceiling. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Sheet: 7 1/4 x 7 13/16 in. (18.4 x 19.8 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Door of a Tabernacle Intended To Be Executed In Bronze; Italy; pencil, pen, brush, sepia, and grey water color.

Pencil drawing by Rudolf Weyr depicting architectural structures.

Edelfelt, Albert, work, Sketch book, drawing, 10 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Six designs for a decoration wall, Jurriaan Andriessen, c. 1752 - c. 1819 drawing Six designs for a decoration wall (in garden/outside). Design for a room wall. paper. watercolor (paint). ink. graphite (mineral) pen / brush

Design of a Polish pavilion at the International Exhibition in Paris. Drabik, Wincenty (1881-1933), draughtsman, cartoonist

Three sketches of a garden with ornaments, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. pencil garden

This 'Skizzenblatt' by Rudolf Weyr, executed with pencil and watercolor, combines line work and color washes to explore preliminary ideas and compositions in figure and architectural studies.

Tomb of Solon, Gombet-li Kümbet. Prints, Illustrations, Frontispieces. 1842. General Research Division. Turkey, Lydia (Kingdom) , Antiquities, Solon, ca. 630-ca. 560 B.C , Tomb

George Inn, Glastonbury, Somerset: Sign Bracket, unknown artist, (A Beloe), Studio of Augustus Charles Pugin, 1762-1832, French, formerly Augustus Welby Northmore Pugin, 1812-1852, British, 1832, Graphite and pen and black ink with gray wash on moderately thick, slightly textured, cream wove paper, Sheet: 14 3/8 x 10 9/16 inches (36.5 x 26.8 cm), architectural subject, brackets (structural elements), designs, Gothic (Medieval), inns, signs, Glastonbury

Print (France); Published by François Chéreau, the younger (French, 1717 - 1755)

Print (France); Published by François Chéreau, the younger (French, 1717 - 1755)

History of the Corcoran Gallery of Art. Dated: 1890-1891. Dimensions: image (irregular): 13.97 × 9.53 cm (5 1/2 × 3 3/4 in.) sheet: 17.78 × 13.34 cm (7 × 5 1/4 in.) board: 16.51 cm (6 1/2 in.). Medium: pen and black ink on wove tracing paper partially mounted to paperboard. Museum: National Gallery of Art, Washington DC. Author: James Henry Moser.

'Fountain "Adam" in the Lower Garden of Peterhof. Perspective. Draft'. Italy, 1721. Dimensions: 40,5x26 cm. Museum: State Hermitage, St. Petersburg. Author: NICCOLO MICHETTI.

Tomb of the Scipios near Tarragona, Henry Swinburne, 1743-1803, British, 1775 to 1776, Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 1/8 inches (41.6 × 28.3 cm) and Sheet: 4 13/16 × 4 1/16 inches (12.2 × 10.3 cm)

Abklatsch of the drawing on leaf 37 recto. Leaf 36 Verso from a sketchbook with 58 sheets.

Design for Elevation of Gallery Bay, Chteau de Deepdene. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 13 1/8 x 9 1/4 in. (33.3 x 23.5 cm). Date: 1875-79. Museum: Metropolitan Museum of Art, New York, USA.

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