Architectural Drawings and Designs

Intricate architectural plans and sketches highlighting details of historical buildings, showcasing design elements through illustrations.

Balthasar Richard (1843-1918), exhibition building. Monthly competition November 1874 (11.1874): cross -section; 2 scale strips. Pencil on cardboard watercolor on the box, supplemented with ink, 42 x 58.5 cm (including scan edges) Balthasar Richard (1843-1918): Ausstellungsgebäude. Monatskonkurrenz November 1874

Alberti Leon Battista (1404-1472), S. Andrea, Mantua. (From: Atlas to the magazine for Building, ed. V. Ministry of Public Works, Jg. 49, 1899): Cuts. Stitch on paper, 42.5 x 56.6 cm (including scan edges)

Balthasar Richard (1843-1918), exhibition building. Monthly competition November 1874 (11.1874): cross -section; 2 scale strips. Pencil on cardboard watercolor on the box, supplemented with ink, 42 x 58.5 cm (including scan edges) Balthasar Richard (1843-1918): Ausstellungsgebäude. Monatskonkurrenz November 1874

N.N.: Conversion of the Halleschen Tor, Berlin-Kreuzberg. Monthly competition December 1850

Johann Merzenich (1840-1913): billiards on the lake. Monthly competition December 1873

Haenel & Adam, Central Station in Frankfurt/Main (without dat.): Facade system 1:50, cut and floor plan of the facade. Ink on cardboard, 75 x 120.5 cm (including scan edges) Haenel & Adam : Hauptbahnhof, Frankfurt/Main

Zwirner & Raschdorff, Domtor, Cologne. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 8, 1858.) (1858-1858): floor plan, view, details. Stitch on paper, 45 x 28.8 cm (including scan edges) Zwirner & Raschdorff : Domtor, Köln. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 8, 1858)

Cross-section of a staircase for the Hofburg conversion and new construction project in Vienna I by Baron Jean Nicolas Jadot, drawn in graphite and black pen, 1748.

Heyden Adolf (1838-1902), Kurhaus. Schinkel competition 1863 (1863): longitudinal section (middle wing); Scale bar. Tusche watercolor on the box, 56.2 x 79.8 cm (including scan edges) Heyden Adolf (1838-1902): Kurhaus. Schinkelwettbewerb 1863

N.N., Lokomotivhaus of the Berlin-Potsdam-Magdeburger Eisenbahn, Berlin. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 15, 1865.) (1865-1865): View from the railway side, details. Stitch on paper, 43.5 x 28.6 cm (including scan edges) N.N. : Lokomotivhaus der Berlin-Potsdam-Magdeburger Eisenbahn, Berlin. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 15, 1865)

Knoblauch & Wex, Parochial Church, Berlin. Remodel: 2 nasty altar. Pencil, ink on paper, 69.9 x 95.5 cm (including scan edges)

Diebitsch Carl von (1819-1869), pavilion, Cairo. () (Without dat.): 2 views and floor plan of a pavilion. Tusche, pencil watercolor on the box, 48.6 x 32.7 cm (including scan edges) Diebitsch Carl von (1819-1869): Pavillon, Kairo ()

Triumphal Arch by Tverskaya Zastava in Moscow by Bove (Bowe), Joseph (Osip Ivanovich) (1784-1834)/ State Tretyakov Gallery, Moscow/ 1826-1829/ Russia/ Pen, brush, watercolour, ink and white colour on paper/ Classicism/ 28,5x46,1/ Architecture, Interior

Baltzer Johannes (1862-1940), representative building (without date): Upper facade. Pencil on transparent, 23.3 x 25.4 cm (including scan edges) Baltzer Johannes (1862-1940): Repräsentatives Gebäude

Höft Friedrich, Kaiserpavillon for a world exhibition (1897): Side view 1: 100. Ink, pencil on cardboard, 52 x 71.5 cm (including scan edges) Höft Friedrich : Kaiserpavillon für eine Weltausstellung

Schmalz Otto (1861-1915), travel sketches from Pompeii, Naples and Rome (29.03.1887): Rome: Palazzo Falconieri (view from the court side). Tusche watercolor on paper, 42.9 x 30.9 cm (including scan edges)

Genzmer, Felix (1856-1929), Royal Opera in Berlin-Tiergarten (1908): Perspective view from Zeltenallee. Ink on transparent, 62 x 86.6 cm (including scan edges) Genzmer, Felix (1856-1929): Königliche Oper, Berlin-Tiergarten

Schmalz Otto (1861-1906), travel sketches from Austria, Germany and Italy (12.07.1893): Viecht: Kapelle (perspective view, details), Erfurt: department store (perspective view from the courtyard side). Pencil on paper, 29.9 x 21.5 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Österreich, Deutschland und Italien

Architecture de Marot: Le Grand Marot (Set A) 17th century Jean Marot French. Architecture de Marot: Le Grand Marot (Set A). 17th century. Illustrations: engraving

N.N., Polytechnic school, Aachen. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 21, 1871.) (1871-1871): Cut through the staircase. Stitch on paper, 43.9 x 29.3 cm (including scan edges) Cremer Robert (1826-1882): Polytechnische Schule, Aachen. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 21, 1871)

Lehmmübner Paul (1855-1916), town hall in Wernigerode. Conversion (1897): Riss side view 1:50, unfinished drawing. Pencil on transparent, 75.4 x 100.8 cm (including scan edges) Lehmgrübner Paul (1855-1916): Rathaus, Wernigerode. Umbau

Petersburg. Theatre in Hermitage. Longitudinal section with a view of the auditorium. Quarenghi, Giacomo (1744-1817), draughtsman, cartoonist

Knoblauch Eduard (1801-1865), new synagogue, Berlin (after 1872): Cut. Ink, 35.2 x 44.7 cm (including scan edges) Knoblauch Eduard (1801-1865): Neue Synagoge, Berlin

Klomp Johannes Franziskus (1865-1946), unaffected church projects (sketches) (0-0): front view of a basilica. Pencil on transparent, 21.1 x 21.4 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Kirchen-Projekte (Skizzen)

Design for a castle

N.N., elephant house in the zoological garden, Berlin. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 10, 1860.) (1860-1860): floor plan, view from the front, view from behind, cut A B, cut C D. Stitch on paper , 45.6 x 29.5 cm (including scan edges) Ende & Böckmann : Zoologischer Garten, Berlin. Elefantenhaus. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 10, 1860)

Schmalz Otto (1861-1915), princely summer residence. Schinkel competition 1886 (03.1886): Details. Cut 1:50. Ink on cardboard, 84.5 x 63.2 cm (including scan edges) Schmalz Otto (1861-1906): Fürstliche Sommerresidenz. Schinkelwettbewerb 1886

Poelzig Hans (1869-1936), Century exhibition 1913 in Wroclaw (1913): Cut G-H. Pencil on transparent, 40.6 x 62.7 cm (including scan edges)

Dimm Ludwig (1849-1928), Klosterkirche, Neuruppin. Tower building (14.08.1904): cuts through the tower 1: 100, with design sketches. Pencil watercolored, via lithography on paper, 75.5 x 53.6 cm (including scan edges)

An ink drawing of Hermesvilla in Vienna XIII by Carl von Hasenauer, created with a feather pen on paper, dated June 15, 1882, showing architectural design and details.

Villa Giulia, section 16th-mid 16th century Drawn by Anonymous, French, 16th century French. Villa Giulia, section 360501

Wallot Paul (1841-1912), Central Station in Frankfurt/Main (11.1880): Subs view of the middle entrance. Tusche watercolor on the box, 96.3 x 64 cm (including scan edges) Wallot Paul (1841-1912): Hauptbahnhof, Frankfurt/Main

Bramante (1444-1514), S. Maria Presso S. Celso, Milan (without dat.): Facade view. Photo on cardboard, 35.6 x 28.7 cm (including scan edges)

Neckelmann Skjold (1854-1903), museum (without dat.): Floor plan, view. Photo on paper, 23.8 x 35.9 cm (including scan edges) Neckelmann Skjold (1854-1903): Museum

Vilnius. "Chapel at Carmelites, decoration according to the design of J. Hoppen"; Zdanowscy, Edmund and Boles; Before 1939 (1930-00-00-1939-00-00);

Maksymilian in Krasnystaw; unknown, Sierakowski, Józef (1765-1831); before 1860 (1801-00-00-1860-00-00);Branicki, Aleksander (1821-1877), Branicki, Aleksander (1821-1877)-collections, Branicki, Władysław (1848-1914), Branicki, Władysław (1848-1914)-collections, collection from Sucha-collection, Krasnystaw (voivodeship Lubelskie), Tarnowska, Anna (1876-1953), Tarnowska, Anna (1876-1953)-collections, Tarnowski, Juliusz (1864-1917), Tarnowski, Juliusz (1864-1917)-collections, Tarnowski, Juliusz Gabriel (1901- 1989), Tarnowski, Juliusz Gabriel (1901-1989) - collections, prisons

Small theater, front view, Otto Wagner -, architect

Pencil and watercolor draft by Emerich Alexius Swoboda depicting a monument. The work emphasizes architectural design, composition, and color study.

Elevation of a church, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Klomp Johannes Franziskus (1865-1946), St. Felizitas (extension), Lüdinghausen (November 14, 1904): Floor plan of the porch, front view, cuts 1: 100. Pencil over light break on paper, 45.1 x 66 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Felizitas, Lüdinghausen. Erweiterung

Titz Erich, Theater (without dat.): View of the head buildings of the side wings. Ink on paper, 15.9 x 25.6 cm (including scan edges) Titz Erich : Theater

Interieur Van de San Miniato al Monte in Florence, Giorgio Sommer, c. 1860 - c. 1880 stereograph San Miniato al Monte photographic support. cardboard albumen print interior of church San Miniato al Monte

Belvedere, ideal design, elevation and cut

Sackur Walther (born 1871), facade designs for Lübeck. The result d. Competition, advertised d. d. Association of art lovers to Lübeck, edit. v. Richard Landé, Leipzig 1 (1901-1901): View, facade cut. Pressure on paper, 42.8 x 32.8 cm (including scan edges)

Part of Quadrangle, Arundel Castle; Bas-relief of Alfred Granting Trial by Jury. Samuel Buckle (British, 1808 - 1860)

Warth Otto (1845-1918), Central Station in Frankfurt/Main (1880): cross-section of the hall. Tusche watercolor on the box, 74 x 136.7 cm (including scan edges) Warth Otto (1845-1918): Hauptbahnhof, Frankfurt/Main

Throne barrier: elevation of the entrance. Charles Rohault de Fleury (1801-75). National Atlas of the City of Paris. Throne barrier: elevation of the entrance. Feather and black ink, red, brown, gray and blue lavis. Early nineteenth century.

A pencil and feather drawing in brown and gray by Johann Bernhard Fischer von Erlach depicting design F of the casino from the Codex Montenuovo, mounted on a glued sheet.

Vogel Ewald (born 1873), large bath house in Bad Nenndorf (1902-1902): Perspective view. Pencil on transparent, 19.9 x 37.4 cm (including scan edges) Vogel Ewald (geb. 1873): Großes Badehaus, Bad Nenndorf

Licht Hugo (1841-1923), concert restaurant in the zoological garden in Cologne (without dat.): Longitudinal section. Ink watercolor, white heighted on the cardboard, 50.2 x 77 cm (including scan edges)

Internal cloisters at the Jesuit College in Połock Gruber, Gabriel (1740 1805), love, Gottlob August (1746 1819)

Latwerkpaviljoen, Pierre Lepautre, 1670 - 1703 print Latwerk pavilion with fountains in niches, rebellion and plan, with four details of the crown element. From series of 6 magazines, second edition. paper etching

Lehmmübner Paul (1855-1916), health and Siechenhaus in Brüssow. Valid draft execution. Fence and entrance gate (1899-1899): fence and driveway for the front, view, floor plan 1:50. Ink on transparent, 29.4 x 45 cm (including scan edges) Lehmgrübner Paul (1855-1916): Kranken- und Siechenhaus, Brüssow. Gültiger Ausführungsentwurf. Zaun und Einfahrtstor

N.N.: Cemetery portal. Monthly competition June 1832

Sir Charles D'Oyly, 1781-1845, British, active in India, Album of 30 Views in the Tyrol and Italy: View of the Doge's Palace and Church of St. Mark, Venice 4th Nov.r 1840. Pen, brush and black ink over graphite.

Baum Philipp (1849-1886), Dofflein residential building, Mainz (January 19, 1884): Street view 1:25. Tusche watercolor on the box, 122.6 x 79.8 cm (including scan edges)

Unknown artists, reconstruction drawing of the interior of the pantheon in Rome (before 1890): wall view in a reconstruction drawing of the pantheon in Rome. Photo on paper, 32.5 x 48.7 cm (including scan edges) N.N. : Rekonstruktionszeichnung des Inneren des Pantheons, Rom

Entrance Screen at Stowe House, Buckinghamshire: Elevation and Plan, William Kent, ca.1686-1748, British, ca. 1733, Graphite, pen and black ink, brown wash, and gray wash on medium, slightly textured, cream laid paper bar scale of 1/6 inch to 1 foot, Sheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm), architectural subject, garden structures, gateways, Palladian, Buckingham, Buckinghamshire, Chiswick, England, Europe, Greater London, Stowe house, United Kingdom

, Triesterstraße - Evangelischer Friedhof - chapel for the cemetery of the Evangelical Community - Rissing back, Theophil von Hansen -, Architect, Questionable, Andreas Groll -, Photographer

An Interesting Romanesque Treatment, San Giovanni, Pistoia, c. 1896, Architectural Studies, graphite, overall: 33.2 x 48.1 cm (13 1/16 x 18 15/16 in.), John Russell Pope (artist) American, 1874 - 1937

N.N., Crosses of Entre-Sol, rue du Cherche-Midi, Paris. (AUS: Historical motifs of architecture and degreet sculpture, HRSG.V. César Daly, BD.2, Paris (1870-1870): Ansicht, Schnitte Vertikal. Stich Auf Paper, 31.7 x 44.9 cm (Inkl. Scanränder). You archikturmuseum inv. Nr. B 1925,024.

Stiehl Otto (1860-1940): Sketch and photo album 5: St. Stefan, Bologna. Cathedral, Ferrara

Langhans Carl Ferdinand (1782-1869), Stadttheater, Leipzig. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 20, 1870.) (1870-1870): Return view. Stitch on paper, 42.7 x 57 cm (including scan edges) Langhans Carl Ferdinand (1782-1869): Stadttheater, Leipzig. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 20, 1870)

Stadsplein with a round fountain; Artis Perspectivae (...). Stadsplein with a round fountain surrounded by a balustrade with two entrances. The basin is worn by putti with a fish tail. This print is part of an album.

Plan and facade of the baths at Eastbury Park, Dorset, United Kingdom, designed by John Vanbrugh, engraving by Henry Hulsbergh from a drawing by Campbell, from Vitruvius Britannicus or The British Architect, containing the plans, elevations and sections of the regular buildings both public and private in Great Britain, Volume III, by Colen Campbell, 1725, London.

Domical Vaulting of the Renaissance, Renaissance

Hitzig Friedrich (1811-1881), Palais Kronenberg, Warsaw. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 24, 1874.) (1874-1874): Perspective interior view. Stitch on paper, 28.6 x 43.1 cm (including scan edges) Hitzig Friedrich (1811-1881): Palais Kronenberg, Warschau. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 24, 1874)

Giesenberg Edgar (1851-1892), Börse, Amsterdam (1884): cross section A-B 1: 200. Tusche watercolor on the box, 53 x 58.3 cm (including scan edges) Giesenberg Edgar (1851-1892): Börse, Amsterdam

FACHADA MERIDIONAL Y PLANTA IGLESIA DE SAN MIGUEL DE LA ESCALADA (LEON).

Quast Ferdinand von (1807-1877), Church in Jassy, church portal in Colzo , Entry kiosk of the cathedral of Curtea de Arges (arghys), Walachische monasteries in Cozia and Bistritza in R (1871): Five leaves with through drawings: perspective views, after the new sheet, 1871, p. 201 (Colzo) and 185 (arghys) and the Globus XV, p. 291 (C. Tusche on transparent, 35.4 x 29 cm (incl. Scan edges) Quast Ferdinand von (1807-1877): Kirche, Jassy, Kirchenportal, Colzo (), Eintrittskiosk der Kathedrale von Curtea de Arges (Arghys), walachische Klöster, Cozia und Bistritza

Country House for a Literary Gentleman, Mario Asprucci The Younger, Italian, 1764 - 1804, The main building is a cube resting on a high base penetrated by 'fountains of learning.' At the summit is an observatory. Same as 1931-94-535 but printed in brown., Europe, Rome, Italy, 1764-1804, Print, Print

Pen drawing by Alfred Castelliz showing a palace-like building with upstream space design in bird's eye view, illustrating architectural forms, layout, and surrounding space on medium-strong paper.

Top right: the mausoleum. Steps lead up to the portal of a circular structure wit ha dome. The portal has the shape of a triumphal arch. An urn, flanked by crouching figures, is shown on top. Small conical structures project laterally from the main structure. They are topped by rostral columns. Bottom: the fountain. It consists of a central circular pavilion of two stories which is flanked by basins with springing water. A platform with indistinct motifs at the corners serves as a base. Pen scratches. "No 66" is written vertically in the upper right corner. Date: ca. 1790. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Sketch sheet with detailed studies of architecture. Draughtsman: Johannes Bosboom. Dating: 1827 - 1891. Measurements: h 516 mm × w 385 mm. Museum: Rijksmuseum, Amsterdam.

PLANO PARA PROYECTO DE ARCO TRIUNFAL PARA CONMEMORAR LAS VICTORIAS DE CARLOS I, SECCION Y PLANTA, FIRMADO: AMANN (COLECCIÓN ASF IMAGEN DE FOTOGRAFIAS ANTIGUAS, PRINCIPIOS S. XX).

Interimskirche, th variant, cross -section, Otto Wagner -, architect

Schirrmacher Georg Theodor (1833-1864), terrace with three social areas (1855): View. Tusche watercolor on paper, 59.9 x 78.1 cm (including scan edges)

A palace with a conservatory placed in the wings. Garden facade; Quarenghi, Giacomo (1744-1817); 1795-1805 (1795-00-00-1805-00-00), approx. 1800 (1795-00-00-1805-00-00);Nieborów - collection, architecture, classicism (style), conservatory, palaces (archite.)

Italy, Palladio, Andrea, Magesyn of the Italian buildings, Villas of Palladio, Plans and facades of two villas designed by Andrea Palladio, The print is part of an album., print, album sheet, prints, height 311 mm, width 195 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching, Work conception, Italian, 1508-11-30 - 1580-08-19

Hospice of Orphans: rectified cut, second project of 1824 of the chapel Charles Rohault de Fleury (1801-1875). Hospice of orphans: rectified cut, second project of 1824 of the chapel. Drawing from a connected album, made up of drawings mounted, and unmounted. Pencil, feather and black ink, lavis pink.

Drawing of the 19th century element house building.

Nicklau Rudolf (born 1896), water tower with apartments and museum. Monthly competition March 1927 (03.1927): Perspective view. Ink on cardboard, 37.8 x 30.5 cm (including scan edges)

Stage Design, Imaginary City, Pen and brown ink on paper with uneven edges, lined with cream paper, Horizontal rectangle. Design for a stage set. Broad staircases leading up to a group of classical temples of various shapes (rectangular and round). A large arch spans above the staircases., Italy, early 19th century, theater, Drawing, Drawing

Palais, façade sud-est, vue particulière de la porte M. (voir Pl. 19 et 20), 1867-1870, Félix Thomas (1815-1875)., 1867. Assyria, antiquities & archaeological sites, etchings

N.N., ring-shaped kiln of the patent brick, Scholwin. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 10, 1860.) (1860-1860): View, floor plan, views, cuts of machine buildings. Stitch on paper, 45.4 x 29.3 cm (including scan edges) N.N. : Ringförmiger Brennofen der Patent-Ziegelei, Scholwin. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 10, 1860)

1893 Art Work - Chocolate-Menier Pavilion; World's Colombian Exposition; Chicago; Illinois; Section Sketch Peter Joseph Weber (Architect).

House of Glory San Francisco oder Washington D, Perspektive, Otto Wagner , draft

Academy of Fine Arts, Ehrenhalle, perspective, Otto Wagner -, architect

'Palace of Prince A.A. Bezborodko in St Petersburg. Design of the Dancing Hall. Slit'. Italy-Russia, 1780s. Dimensions: 27x54,3 cm. Museum: State Hermitage, St. Petersburg. Author: GIACOMO QUARENGHI.

Facade and square for the Sint-Pietersbasiliek in Vatican City. The print is part of an album.

Drawing, Stage Design, Group of Temple Buildings; Designed by Angelo Toselli (ca. 1765 - 1826); Italy; pen and sepia ink, brush and wash on paper

World exhibition , Industrial Palace, length view of the arcade section between the corner pavilions of the wing buildings, Carl von Hasenauer -, architect

st, Stubenring-Franz-Josephs goal, postcard, Carl Karl Ledermann jun, Producer

Koch Friedrich (1828-1922), travel studies from Germany 1851-53 (07.03.1853): Paris: Invalidendom (view, details). Pencil on paper, 19 x 22.4 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Deutschland 1851-53

Klingholz Fritz (1861-1921), train station (without date): Perspective view. Ink, pencil on transparent, 11 x 19.1 cm (including scan edges) Klingholz Fritz (1861-1921): Bahnhof

Quast Ferdinand von (1807-1877), Mümpelgard/Mömpelgard Castle (Montbéliard) in Alsace (1871): Personal View of the Renaissance Schlosses, after: Illustrirte Zeitung, 1871, No. 1451. Ink on transparent, 20 x 23 cm (incl. . Scan edges) Quast Ferdinand von (1807-1877): Schloss Mömpelgard, Montbéliard

Uhde Constantin (1836-1905), college building of the Kaiser Wilhelm University in Strasbourg. Competition (1878): Longitudinal section in the front wing 1: 100. Tusche watercolor, white heighted cardboard, 58.9 x 141.1 cm (including scan edges) Uhde Constantin (1836-1905): Kollegiengebäude der Kaiser-Wilhelm-Universität Straßburg. Wettbewerb

Old Paris the new bridge, 1903 Henri Chapelle (1850-1925), French draftsman. Old Paris. The new bridge. Feather, ink of China. Peers (IER ARR.), 1903.

Vicenza, Olympic Theater. Bühne. Architekturstaffage

The Temple of Antoninus and Faustina. Dimensions: overall: 10.1 x 14.6 cm (4 x 5 3/4 in.). Medium: black chalk on paper. Museum: National Gallery of Art, Washington DC. Author: Francesco Piranesi.

A multicolored 1815 chalk and black pen presentation by Ludwig Gabriel von Remy showing the Field Page Onriß for the Outer Burgtor project in Hofburg, Vienna I, with architectural layout and structural details.

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