Architectural Engravings and Designs

Intricate engravings of architectural elements and decorative motifs, capturing the grandeur of historical buildings and artistic details.

Matham, Jacob, Haarlem, Crucifixion with Mary and John, engraved, in oval cartouche with four representations in medallions: at the top the Resurrection, on the left the Outpouring of the Holy Spirit, on the right the Coronation of Mary and at the bottom the Birth of Christ. Around this four angels with passion instruments and the Veronica cloth., print, prints, verso lower left - stamped, J.Maetham Inventor sculptor et excud., Reverendo in Christo Patri..., height 440 mm, width 303 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1600 - 1600, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Upper part of a retable; Fountains, water wells, chimney jackets, capitals, windows and retabels; Title page and 11 sheets of "Architectura und auftsheilung der V Senln (...)" 1593. At the top Stands in a niche Maria with the child on the crescent moon. One of 20 blades from a series (Architectura. Von Ausztheilung, Symmetria und Proportion of Fünff seul ...) consisting of 193 sheets and 5 title sheets, spread over five books. This is a second, extensive edition of the series described under Orn Cat I-319.

Grandes Cheminees a laRomaine. Artist: Jean Le Pautre, French, 1618-1682

Grandes Cheminees a laRomaine. Artist: Jean Le Pautre, French, 1618-1682

Design for Mantlepiece, from 'Cheminées a la Modern', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1660, Print, Print

Matham, Jacob, Haarlem, Crucifixion with Mary and John, engraved, in oval cartouche with four representations in medallions: at the top the Resurrection, on the left the Outpouring of the Holy Spirit, on the right the Coronation of Mary and at the bottom the Birth of Christ. Around this four angels with passion instruments and the Veronica cloth., print, prints, verso lower left - stamped, J.Maetham Inventor sculptor et excud., Reverendo in Christo Patri..., height 440 mm, width 303 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1600 - 1600, paper, papier, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Paris, Tavernier, Melchior, France, Barbet, Jean, Bosse, Abraham, Livre d' Architecture et d' Autels, Altar with the resurrection of Christ, print, ornamental print, prints, ornamental prints, height 210 mm, width 140 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1638 - 1643, second quarter 17th century, paper, etching, etchings, Work conception, 1605 - 1654, after a design by, Publication (Event), Publication, South Netherlands, 1564 - 1641, publisher

Bacchus under a pergola, 1551 - 1580 print At the bottom is a Latin text. From a later edition of series with flat decorations of gods and goddesses in a frame of grotesken with fantastic creatures, animals, garlands and mascarons. France (possibly) paper engraving

Alkoof met Pelias, Jean Lepautre, c. 1662 - c. 1670 print Pelias is murdered by his daughters. At the bottom are three lines of text. From series of 6 magazines. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching the daughters of Pelias kill their father in his bed; Medea plunges his body in boiling water

Colloredo, Hieronymus Graf.

Alcove with Joseph fleeing from Potiphar's wife. On the right are soldiers with shields and lances. Numbered 4 at lower right. Third edition, Alcove with Joseph and Potiphar's wife Alcoves a la Romaine , print maker: Jean Lepautre, Jean Lepautre, publisher: Pierre Mariette (II), print maker: France, (possibly), France, (possibly), publisher: Paris, after 1657 - before 1716, paper, etching, h 151 mm × w 217 mm

Tabernakel with crucifixion and Maria Magdalena, Jean Lepautre, c. 1666 - c. 1693 print At the top right is the letter b. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Submary, shaft decorated with Minerva, Abraham Bosse, After Jean Barbet, After 1638 - Before 1643 print Chimney soul with Minerva with the attributes of painting. Page 17 from the second edition of series. The numbering of the prints only partially corresponds to that of the first edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Augsburg, Hertel, Johann Georg (I), Nilson, Johann Esaias, Setletzky, Balthasar Sigmund, Nero and Falaris, Nero, verso - stamped, On the right in a rocaille frame stands Emperor Nero. He points to the scene in the background where a young man cuts the veins in the feet of the blindfolded Seneca. Top left in the frame sits a female personification of prudence with a snake and a mirror. In the bottom margin two four-line German and Latin texts. Publisher's number 22., print, ornament print, prints, ornament prints, height 322 mm, width 211 mm, 1695 - 1771-06-21, print maker, printmaker, 1731 - 1771, paper, papier, etching, engraving, graveren (drukprocedé), Duits, 1721-11-02 - 1788, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Design for title print of a religious book. Draughtsman: anonymous. Draughtsman: Pieter de Jode (I) (rejected attribution). Dating: 1608. Measurements: h 272 mm × w 175 mm. Museum: Rijksmuseum, Amsterdam.

Design for Tabernacle, from 'Tabernacles', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1660, Print, Print

Subsema with Rond Painting, Jean Lepautre, 1661 print In the painting is the worship of Christ. Leaf 5 from series of 6 sheets. Second edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Monument to General Pichegru, 1795; Eerbuil for the General Pichegru. Allegoric monument for the French General Pichegru. Central a statue of freedom, at the top of Putti with a portrait of Pichegru. On either side cartouches with episodes from the French raid in 1795: crossing the Waal and inner racks from Utrecht and Amsterdam.

Altar with a painting of the resurrection; Retables d'cars à l'Italienne. Altar with a painting of the resurrection of Christ. Under the painting statues of two shocked soldiers. There are several figures at the altar. Print is part of an album.

Semi-round niche and two Dessus-de-Portes, Daniël Marot (I), in or after 1703 print A semi -round niche with flower vase flanked by putti. Below that a panel with flower vase flanked by sphinxes and a panel with a flower vase flanked by music -making putti. Amsterdam paper etching panelling

Waterpomp Met Slangen en Varkskoppen; Johann Jacob Schütler's five-pointing issue of his projecting Wercks, what's presenting Sechserley New Faconirt Water Pumps (...). In A Dome Building There is a Double Water Pump Decorated with Rocaille ornaments, Snakes and Pork Cups. Right A Man Pumps Water. A Five-Line German text in the Undermarr.

Ornamental drawing with five representations in cartouches. In the center a prince on his throne for two parties: on the right Justitia with rich people, on the left Christ () with poor people. Above Temperantia, below a woman brought back to her parents by shepherds. On the left a preaching woman and on the right a preaching man. In the background the humiliation of Nebuchadnezzar. These scenes are framed by mascarons, children and horns of plenty. Possible design for a print, Allegory of Justice, draughtsman: Etienne Delaune, France, 1528 - 1583, parchment (animal material), pen, brush, h 294 mm × w 329 mm

Moses and Aaron for the Pharaoh; Seated putto with a laurel wreath in the hands. Moses and Aaron ask the, Pharaoh on his throne to let the people go Israel to celebrate in the desert party. Pharaoh doesn't let the people go. In the middle of a reference to the Bible text in Ex. 5: 4. The performance is caught in an ornamental list of leaf raft and a mascaron.

Nicolas Boileau-Despréaux on the Parnassus. The writer Nicolas Boileau-Despréaux on the Parnassus with left Pegasus. The performance is caught in an ornamental list of left and right pan, which carries a vase with fruits and plants on its head.

Gloves with Frisian; Vases and gift jugs. On the body is a frieze with putti and a lion.

Cartouche with allegory on the history of the Romans; Title page for: Kornelis Westerbaen, General Histori, 1747. A priest is at a burning sacrifice column. In the foreground putti with paintings on which the bridge over the Danube and the column of Antoninus Pius. In the background Christians being killed. The show is caught in a cartouche with medallions in which the portraits and names of Roman emperors.

Martyrdom of Saint Sebastiaan, Anonymous, After 1530 - 1599 drawing Design for an altar. Low Countries paper. ink pen / brush the martyr Sebastian; possible attributes: arrow(s), bow, tree-trunk - apotheosis, glory, triumph of male saint. architectural detail. violent death by arrow(s)

Alcove with empty bed; Alkoven. On the left is a slave with a vase, in front of the wall are corintic pilasters.

Hoiding water; VARIE INVENTIONI DI VASI DA ACQUA BENEDETTA FATTI AL MODERNO. The hoiding water bin is supported by three putti and six cherubs. The back plate is formed by an oval medallion, held by two angels, with Christ on the cross.

Three Bosnimmen and a young woman at a burial monument, Jacobus Baptist, after Jan Goeree, 1693 - 1704 print On a plaque an image of three forest nymphs and a young woman at a burial monument. On either side of it two Cararians and Ceres opposite a water goddess. Amsterdam paper etching / engraving (story of) Ceres (Demeter). gods of the waters: Neptune and his environment. (Hama)dryads, forest- and tree-nymphs; 'Driadi & Hamadriadi' (Ripa)

Design by Jean le Pautre. Édouard Baldus (French, born Germany, 1813 - 1889)

A 1698 copper engraving by Johann Ulrich Kraus depicting the title page for the monument honoring Ernest Augustus, prince of Brunswick, showing allegorical and commemorative elements.

La mort de Germanicus. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Gabriel Jacques de Saint-Aubin.

Lente, Jeremias Wachsmuth, 1721 - 1771 print Three figures are in a garden, they read and make music. Around a rocaille frame. On the left is a woman with a flower wreath and an escula monkey. On the right a fountain with putti and horses. There are four figures in the foreground, the man on the left plays on a bagpipe. Publishing number 13. Augsburg paper etching spring, 'Ver'; 'Primavera' (Ripa). reading. making music; musician with instrument. Aesculapian sign. garden fountain

Allegory of the earliest history of the Netherlands, Willem Kok, 1790 - 1807 print Oval representation of a temple in which the earliest history of the Netherlands is extensively glorified. Netherlands paper etching symbols of the state (in general)

Schenkkan with griffin as a foot; Vases and gift jugs. Can with a handle in the shape of a dolphin, a griffin as a foot and on the body a putto and a seated man.

Subsema with Keizersbuste, Jean Lepautre, c. 1658 - c. 1670 print The chimney bosom is closed by two shutters. The Keizersbuste is in an oval niche with a putto on either side. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Dordrecht, Braam, Johannes van, Amsterdam, Linden, Gerard onder de, Goeree, Jan, Christ on the cross, Emblem: vinegar, Cartouche with the letter A at the top. A putto on either side of the letter. They are pouring vinegar into a bowl. In the middle of the cartouche an emblem with Christ on the cross. A soldier offers Christ a sponge soaked in vinegar., print, book illustration, prints, width 133 mm, height, 110 mm, 1670-10-20 - 1731-01-04, print maker, printmaker, 1722 - 1722, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher, Noord-Nederlands, 1677-11-01 - 1751-03-01

Paris, Mariette, Pierre (II), Pierretz, Antoine (le jeune), Divers Desseins de cheminées à la royale, Lower bosom with bas-relief, At the top sits a winged woman, with insignia of the prince, in front of a round medallion. From second edition., print, ornament print, prints, ornament prints, height 206 mm, width 133 mm, print maker, 1655 - 1657, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, own design of, Publication (Event), Publication, 1634 - 1716, publisher

Design for an Alter, Leonardo Scaglia, French, active Italy, 1640 - 1650, Leonardo Scaglia, French, active Italy, 1640 - 1650, Pen and bistre, brush and wash on paper, Right half of alter shown. In the center is a sculptural representation of the Adoration of the Kings. In the lateral compartment is a niche with a statue of Saint Roche. Below it is a relief of a female saint., France, ca. 1640-50, architecture, interiors, Drawing, Drawing

Works of Juste-Aurele Meissonier (Oeuvre de Juste- AurPle Meissonier), plate 115: Works of Juste-Aurèle Meissonier: Silver Sculptural Project for a Large Centerpiece and Two Tureens Which Have Been Executed for His Lordship the Duke of Kingston, c. 1735-1737. Gabriel Huquier (French, 1695-1772), after Juste-Aurèle Meissonnier (French, 1695-1750). Etching; sheet: 42 x 66.8 cm (16 9/16 x 26 5/16 in.); platemark: 38 x 64 cm (14 15/16 x 25 3/16 in.). In addition to documenting an important commission, this etching endorses the designers stylish products by associating them with social status. Meissonniers name appears below the image on the left, and the large inscription identifies the illustrious patron, the Duke of Kingston, known well in Parisian society. Perhaps functioning similarly to a magazine advertisement today, the fashionable rococo-style scene invites viewers to imagine themselves as the owners of the luxurious tableware. Contrary to the inscription at the bottom of the sh

Allegory on the elevation of William IV, Prince of Oranje-Nassau, to Erfstadhouder, Jan Caspar Philips, 1753 print Allegory on the elevation of William IV to Erfstadhouder, 1747. He is sitting on a throne and receives the State Board from the Dutch Virgin. In the clouds De Vrede and Fama blows on a trumpet with the banner Historia Belgium. In the foreground putti that refer to the Windhandel of 1720. In the background, Minerva and Mercurius are mourning at the tomb of Prince, who died in 1751. In the lower margin, an eighth -line Dutch text. Amsterdam paper etching / engraving prince. personifications of countries, nations, states, districts, etc.

Herme between two rectangular cartouches, Anonymous, After Jacques Androuet, 1520 - 1584 print The Herme has a basket with fruits on his head and two children on his shoulders. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi after the decoration of the gallery of François 1er by Giovanni Battista Rosso. The series is also known under the title Petits Cartouches de Fontainebleau. France (possibly) paper etching

Wall decoration with two images, 1661 print On the left is an image of Apollo as a hunter. paper etching

Triomf gate established on the cheese juice, 1685; On the dish by BUUERELYCKEN Iver Inde Keesroey by the Stadt-Huys. Triumphoort founded by joint exertion of the residents of the cheese juice at the town hall in Antwerp. Part of the illustrations of the decorations established in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585.

Grotesk Ornament with the goddess Diana in the middle, Anonymous, After Antonio Tempesta, 1624 - 1679 print print maker: Italyafter print by: Italypublisher: Antwerp paper etching ornaments ~ art. attributes of Diana. (story of) Diana (Artemis). caryatids ~ architecture

A fireplace from around 1680 featuring the Brandenburg coat of arms, a leading handle, and a spring mechanism, finished in brown laved.

TITELBLAD: Alcovres à la Francise, Jean Lepautre, 1678 print Alkoof, the rear wall of which is decorated with paintings. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Vase; Modern vases and gift jugs. On the body of the vase is a portrait bust, the handles have the form of tritons.

Underbooling with statue of victory; Cheminées a l'Italienne.

Altarpiece with a Proclamation and on both sides two prophets, Baldassare Peruzzi (follower of), 1534 - 1549, Design for a three-part altarpiece with in the middle a Proclamation and on each side two prophets; crowned above with the coat of arms of Pope Paul III Farnese., draughtsman: Baldassare Peruzzi, (follower of), 1534 - 1549, paper, pen, brush, h 350 mm × w 395 mm

Plate in Nouveaux livres de peintures de salles et descaliers (New Books on Paintings for Rooms and Stairs), Daniel Marot, French, active in the Netherlands and England, 1661-1752, Etching and engraving on white laid paper, Rectangular painted ceiling in trompe loeil effect; with several figures on clouds in the sky. Sculptural figures and garlands cover the area surrounding the sky section. At the bottom, female bust surrounded by putti., Netherlands, ca. 1700, architecture, Print, Print

Gift jug with bacchanal, c. 1650 - c. 1664 print An ornamented jug with bacchanal. The KAN is caught in an ornamental frame with bacchus and naked men. paper etching vase ~ ornament. bacchanal: Bacchus with his wine-flushed train (thiasos)

The Last Judgment and Personifications in force (Fortitudo) and vanity (Vanitas). Printed of multiple blocks, forms one whole through new frame. Also used as a book illustration. Links Personification of the power, woman with demolished column. Right personification of the vanity, woman with mirror and peacock. In the middle judgment.

Title card: Quarts de Plefmon Nouvellement Inve n Tés et gravés p ar I. Le Pautre. Se Vendent Chez P. Mariette, Rue S. Jacq UES a Lesperan CE B.R.; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Grotesque ornament with a triton on a sea monster in the middle; Grotesque ornaments. .

. Landscape with the remnant of a round classic temple left and right a sculpture. In the foreground a figure wades through the water, three figures are met on the side. In the background a triumphal arch and a ship to the quay. To the painted wall panel in the hall of the house of Koopman David Bueno de Mesquita.

Symbolic representation of the mourning of the city of Utrecht after the death of the governor Anna of England.

Ornament plate from Architettura 1598 Wendel Dietterlin, the Elder German. Ornament plate from Architettura 399692

Half Dome and Obelisk; Panels; 3ME Livre C Livre de Paneaux A Divers Usages. Under half a dome there is a picture of a standing man in armor, on either side lions and weapons. Above the dome an obelisk surrounded by angels and putti blowing on bazuinen. At the top a Rocaille frame with the serene title, held by an angel and putti.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), funeral of the emperor Ferdinand II, interior of the church (A. de Vesme 76. Dutuit 52) (Main title), 1637. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Rubens, Peter Paul, Quellinus, Erasmus (II), Southern Netherlands, Galle, Cornelis (I), Allegorical representation of Maria de' Medici and her relationship with her son Louis XIII, verso - stamped, An allegorical figure with a city crown and two lions sits before a balustrade. On either side symbolic representations of peace (dove) and strife (eagle with lightning bolt). On the left Father Time showing Truth, on the right Father Time hiding Envy. Title page for a book about the struggle between Maria de'Medici and her son Louis XIII., print, engraving, title page, prints, height 310 mm, width 185 mm, 1576 - 1650-03-29, print maker, printmaker, 1637 - 1637, paper, engraving (printing process), 1607-11-19 - 1678-11-07, intermediary draughtsman, after drawing by, Work conception, 1577-06-28 - 1640-05-30

Fox of Dornheim, Johann Georg.

Alkoof with dying Germanicus, Jean Lepautre, After 1657 - Before 1716 print Alkoof with Germanicus lying on a bed with draperies and angels with laurel wreath above it. There are sad soldiers around. Numbered at the bottom right. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Plafond met cartouche, Cornelis Galle (II), after Jean Lepautre, after c. 1650 - before 1678 print The cartouche has been awarded a mask. From series of 6 sheets with opposite copies to a series of without title by Jean Lepautre, spent for the first time around 1650. print maker: Antwerpafter design by: France (possibly)publisher: Antwerp paper etching

Wierookbrander Met Putto; Different Kerkelijke Voorwen; Different drawings invented and outlined by Giovanni Giardini da Forlì ..

. In an oval frame decorated with ornaments a representation of a mother who breasts her child. In addition to her two other children. One of them lets her read something from a book, while the other beats a drum. Children play games in the background. The print has a Latin and French caption.

In love couple dancing and kissing, Gottlieb Friedrich Riedel, 1778 - 1779 print A coast in love and dances for a ruin in the open air. Around the show a frame with garlands. A German text in the lower margin. Publishing number 7. Augsburg paper etching pastorals, Arcadian scenes. (lovers) kissing each other. one pair dancing; man and woman dancing as a couple

Ceiling, from 'Grands Carts de Plafons', Jean Le Pautre, French, 1618-1682, Etching on paper, France, 1661, Print, Print

Allegory on the establishment of the Hollandsche Maatschappij der Sciences, 1752. Allegory on the creation of the Hollandsche Maatschappij der Sciences in Haarlem on May 21, 1752. Above Minerva with a portrait of the Prince Willem V patron, in the background a meeting of scientists. Under the sides of a memorial tensation with naked truth with sun on head, a palm branch and in the right hand keep an olive wreath in the left hand; In background View of the city of Haarlem at the Spaarne, down the city pavement of Haarlem. Reverse: Two women sitting at altar, representing religion with flame on head and leaning on Bible and the Netherlands with coat of arms and freedom hat on spear. Design for a print.

The Sight of the Tombstone of Admiral Michiel de Ruyter (1607 1676) Inside the Church Nieuwe Kerk in Amsterdam (by Rombout Verhulst, from 1681). Mulder, Joseph

The upper table is shown in perspective, with the lower table top is shown upright, on both sides four masks are shown, Daniël Marot (I), Dating after 1703 - before 1800

History gives painting a writing spring to record the histories of the Dutch princes, Bernard Picart, in or before 1732 print Allegorical representation in which history gives painting a writing spring in hand to draw up the histories of the Dutch princes. She points to a carpet on which the Dutch Virgin, accompanied by freedom, faith, Thetis, Mars and Mercury and along the edges of medallions in which the portraits of Dutch princes. Left in the background a battle. With a seven -line caption in Dutch. prepared paper etching / engraving 'Historia'; 'Historia' (Ripa). 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). personifications of countries, nations, states, districts, etc.

Oval mirror with Apollo and CypaRissus, Jean Lepautre, c. 1660 - c. 1670 print The right variant of the table has a putto as a leg. From series of 6 magazines. Paris (possibly) paper etching homosexual love

Oval mirror with Apollo and Cyparissus; Livre de Miroirs Tables et guéridons. The right variant of the table has a putto as a leg. From series of 6 sheets.

Allegorical figures around a door frame, draughtsman: Cornelis Schut (I), (possibly), draughtsman: anonymous, 1630 - 1670, paper, pen, brush, h 302 mm × w 372 mm

The triumphal arch of Philip (rear); Entry of Ferdinand in Antwerp in 1635 (no. 14), 1639 - 1641 print The triumphal arch of Philip on the corner of the Hintevetterstraat and the Meir (back). In the central performance the marriage between Philip de Schone and Johanna van Castile in 1496. At the top of the personification of the Habsburg monarchy surrounded by the signs of the zodiac. Marked top left: p. 33a. Page no. 14 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on 17 April 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving triumphal arch Antwerp

Adraste beats Hippias. Adraste and Hippias fight on the battlefield. Above them in a cloud, the death is in the form of a skeleton with a zeis. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow. Numbered at the top right: No. III.

. From series with Dutch on-sided copies to blades from two Series of Jean Lepautre: Chaires the predicators and a series without title.

Allegory of the Glory of the Dauphin 1680 France. Etching on cream laid paper . Antoine Coypel

Salvation of the ancient art treasures by the gods, Cornelis Galle (I), after Peter Paul Rubens, in Or Before 1645 print Father Time and Death, the representatives of the ancient cultures put in an abyss. The gods save the ancient art treasures. Mercury lifts a Roman image from a pit, Hercules passes a basket with old coins and Minerva helps a man to receive the basket. In the middle a bust of the personification of the antique, with laurel wreath and book. Proef pressure for a title page of a book about the ancient art treasures. Southern Netherlands paper engraving classical antiquity (historical epoch). Father Time, man with wings and scythe. Death as man. (story of) Hercules (Heracles). (story of) Mercury (Hermes). (story of) Minerva (Pallas, Athena)

Allegory with poetry on a throne; Decturetical reflections; Title page for: Jan Pieter Broeckhoff, dense and sense of sense and reflections, 1770. Poetry looks at the personalized divine truth, which is on a cloud. The personification of moderation points to putti that bring books to poetry. A woman with flame above the head (symbol stands for belief) points to a cornucopia. The performance is caught in a cartouche that is decorated with medallions in which virtues are depicted.

Apollo hand out rewards and Minerva crowns the genius of France, Gérard Audran, after Pierre Mignard (1612-1695), 1686 - 1689 print France paper etching / engraving (story of) Apollo (Phoebus). (story of) Minerva (Pallas, Athena). crown (symbol of sovereignty). (decorated) ceiling Versailles

Theater of Mercury; arrival of Ferdinand in Antwerp in 1635 (no. 33); Mercury Abituriens. The scene of Mercury, drawn up on the Sint-Jansbrug. Theater with performances around the theme of trade and maritime. Centrally a representation of the decline of trade due to the constant war. On top of Neptune and Amphitrite. Signature upper left: p. 147a. Leaf No 33 in a set of 43 plates that illustrate the publication of the description of the arrival of the Cardinal Infant Ferdinand in Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

Alkoof with variant for right half, Jean Lepautre, in or after 1665 - Before 1683 print On the right, Judith Holofernes, on the left Joseph flees for Potipars wife. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Funeral monument showing the tomb of Pope Adrian VI, in the Santa Maria dell'Anima in Rome In the center, the pope lies on a sarcophagus a gisant On the tympanum Mary with the Christ Child, flanked by Peter and Paul On either side and crowned with personifications of the seven virtues At top both sides of two coins, one from Mantua and one from the museum of Equitis Francisci Gualdi, taken from the book of Aegidius Sadeler At bottom on a cartouche an eleven-line caption in Latin, Tomb of Pope Adrian VI Hadriani VI Pont Max Monvmenta , print maker: Jan Wandelaar, M. Greuter, (mentioned on object), Johannes Savenier, (mentioned on object), Noord-Nederland, 1727, paper, etching, engraving, h 348 mm × w 244 mm

Sky; Lufft; Four elements. Allegory of the air element. Pastoral scene of people flying and rocking. Rocaille ornaments framed the scene. A four-line German text in the undermarge.

Stained glass window 2 in the Sint -Janskerk in Gouda: Intake of Damiate, Pieter Tanjé, After Julius Caesar Boëthius, After Willem Thibaut, 1738 - 1754 print The second stained glass in the Sint-Janskerk in Gouda with under the presentation of the intake of the city of Damiate through the Haarlem cross knights and the pieces of the chain that closed the harbor, 1219. Above two warriors with the old and new weapon of Haarlem and the year 1596. The city of Haarlem is the donor of the stained glass window on the city of Gouda. Amsterdam paper etching / engraving fortifications, military engineering. church-window, e.g. rose-window Damiate

Louis XIV (King of France), Paris, Leblond, Jean (I), France, Lepautre, Jean, Lower bosoms, Lower bosom with round painting, The lower bosom is closed off by panels with masks and stands against a wall with wooden paneling. From a series of 6 sheets., print, ornamental print, prints, ornamental prints, height 300 mm, width 217 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1660 - 1666, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1594 - 1666, publisher, 1638-09-05 - 1715-09-01, granter of privilege

Study for a Garden Capriccio. Artist: Workshop of Gilles-Marie Oppenord (French, Paris 1672-1742 Paris). Dimensions: 17 1/4 x 11 5/8 in. (43.8 x 29.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Design for the Base of the Monument to Andrea Doria, Baccio Bandinelli, Italian, 1488-1560, Pen and brown ink, black chalk on off-white laid paper, Decoration of statuary base for Genoese naval hero and imperial admiral Andrea Doria, whose successes are commemorated in the marine scene seen in the framed relief on the pedestal. Surrounding this scene are two cloaked herms, supporting capitals and the upper portion of the base. Turtles and sphinxes with fishtails and a satyr mask complete the decoration., Italy, mid-1530s, sculpture, Drawing, Drawing

Portrait of a King Frederick IV of Denmark, Pieter van Gunst, After Hendrik Krock, 1659 - c. 1731 print Frederick IV, king of Denmark, leans against his throne. A lion at his feet. Above his wife, Queen Louise van Mecklenburg, is worn by angels to heaven and crowned with a laurel wreath. Eight coat of arms of Danish cities on either side of the performance. The print has a Danish caption in rhyme form. Amsterdam paper etching / engraving beasts of prey, predatory animals: lion (+ animals used symbolically). apotheosis (or ascension) of individuals. angels

Architectural fantasy with ganymedes on the eagle at the top; Leviores et ut videtur Extemporaneeae Picturae Quas Grotteweschas Vulgo Vocant (...). Links Bacchus and right priapus under a canopy on a round base, worshiped by different figures. In the upper part Saters and Hermen. From series of 20 sheets.

Marot, Daniel (I), Epitaphs, Tomb monument in niche, Tomb monument with oval medallion in which a veiled woman holds a skull. To the left and right of the medallion are mourning women., print, ornament print, prints, ornament prints, height 184 mm, width 136 mm, Work conception, 1663 - 1752-06-04, after a design by, 1706 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Netherlands, Valck, Gerard, Paris, Poilly, François de (I), Nouvelles cheminées à paneaux de glace executed in several hotels in Paris, Lower bosom with painting of Narcissus, Various details are depicted on the right., print, ornament print, prints, ornament prints, height 258 mm, width 165 mm, Work conception, French, 1623 - 1693-04-01, after a design by, 1661 - 1726, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1652 - 1726-10-21, publisher

. Theater performance in the new Amsterdam Schouwburg with the Coulis Decor Het Bosch, with scene from the wedding of Kloris and Roosje. The decor printed from a separate plate within a passe-partout with the hall, side loges, pillars with statues and the facade of the stage. In the caption a sixor side. Part of the series of fourteen stage decorors of the new Amsterdamse Schouwburg, 1787-1794.

Print, Vignette; Print Maker: François Joullain (France, 1697 - 1778); France; etching on paper; 1919-10-51

Drawing by Pierre Paul Sevin after Porta Coeli, executed in brown pen, gray-lavated, and watercolor, dated between 1689 and 1698, depicting architectural details of the structure.

Netherlands, Marot, Daniël (I), Novae cheminae, Fireplace in front of a wall, Between the chimney breast and the cornice a frieze is depicted with a sacrificial scene in bas-relief. Above it sit two nymphs next to a smouldering urn. Copy after a print from the series Nouvelles Cheminée faittes en plusieur en droits de la Hollande et autres Prouinces., print, ornamental print, prints, ornamental prints, height 244 mm, width 191 mm, print maker, printmaker, 1703 - 1800, first quarter 18th century, second quarter 18th century, third quarter 18th century, fourth quarter 18th century, paper, papier, etching, etchings, Work conception, 1663 - 1752-06-04, after a design by

Niches with venus image and a vase; Nouveaux Sure de Bersseaux. Et trilliages. Cabinet. The right niche with trellis and a couch awarded a vase, the left with a statue of Venus and Amor. ONSAGE COPY TO LEAF OF SERIES NOUVEAUX LIURE DE BERSSEAUX ET Trillias issued by Daniel Marot.

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