Architectural Etchings

Moody etchings showcasing dramatic architectural interiors and scenes, featuring detailed textures and shadow play, evoking a sense of history and depth.

Atelier, Floris Verster, 1890 print Atelier interior with stove, fireplace and flower vase. paper etching workshop, studio of the artist (in general). flowers in a vase. heating stove

Carceri, V: The LionBas-Reliefs. Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Paysanne des environs de Boulongne, dite 'La femme au panier.' , Peasants, Baskets, Alphonse Legros (1837-1911)

Waterlootse Poort in Delft, Jacobus Ludovicus Cornet, 1825 - 1882 print Waterlootse Poort in Delft with an open water fence. A woman has picked up water from the river. paper etching Waterlootse Poort

Carceri, IV: The GrandPiazza. Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Two figures at a staircase. .

Tangier, Seated Arabs. Artist: Mariano Fortuny Marsal (Spanish, Reus 1838-1874 Rome). Dimensions: sheet: 9 15/16 x 6 7/16 in. (25.2 x 16.3 cm)image: 3 3/4 x 2 3/4 in. (9.5 x 7 cm). Date: 19th Century. Museum: Metropolitan Museum of Art, New York, USA. Author: Mariano Fortuny Marsal.

Atelier, Floris Verster, 1890 print Atelier interior with stove, fireplace and flower vase. paper etching workshop, studio of the artist (in general). flowers in a vase. heating stove

Prisoners on a projecting platform.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Prisons, Capricci, Prisoners

The Prisons: A Vast Gallery with a Group of Prisoners, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching;

Sous la lampe (Under the Lamp), from Stéphane Mallarmés translation of Edgar Allan Poes The Raven. Artist: Édouard Manet, French, 1832-1883

Figures on the street in a Belgian village; Belgian village, fantasy. In the background the silhouette of a church.

A Boat Tied to a Pier 1892 Norway. Brush and black and gray wash, over touches of graphite, on tan wove paper . Edvard Munch

Félix Hilaire Buhot, Title Page for Lettres de Mon Moulin, c 1885 Title Page for Lettres de Mon Moulin

Robin's court ,. Sir David Young Cameron (1865-1945). Prints

Ex-Libris Edwin Edwards , Coats of arms, Greyhounds, Houses, Alphonse Legros (1837-1911)

Giovanni Battista Piranesi, The Smoking Fire, published 1800 1809 The Smoking Fire

The Pier with Chains, from Carceri d'invenzione (Imaginary Prisons) ca. 1749-50 Giovanni Battista Piranesi Italian. The Pier with Chains, from Carceri d'invenzione (Imaginary Prisons) 362799

Home Sweet Home Cottage No. 3, Easthampton. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 8 7/8 x 11 in. (22.6 x 28 cm)Sheet: 12 1/2 x 14 13/16 in. (31.8 x 37.7 cm)Frame: 16 x 21 in. (40.6 x 53.3 cm). Date: 1928. Museum: Metropolitan Museum of Art, New York, USA.

Prison Scene n.d. Francesco Piranesi Italian. Prison Scene 366153

Classic ruin in Rome. Draughtsman: Thomas Cool. Dating: 1861 - 1904. Measurements: h 193 mm × w 97 mm. Museum: Rijksmuseum, Amsterdam.

Blick in das Innere der Katholische Pfarr-Kirche St. Peter in Mainz. Halm, Peter von (1854-1923), graphic artist

God with the book with the seven stamps; Paste your fish, Dance La Main Droite The Celui Qui Était Assis Sur Le Trone, UN Livre Écrit Dedans et DeHors, Scellé de Sept Sceaux; Apocalypse the Saint-Jean; Revelation of John. Imagination of the Bible verse at 5: 1, "then I saw this: the one who was on the throne in his right hand had a scroll that was described on both sides and sealed with seven stamps". God sitting on a throne, on his right knee resting the book. On his right hand a lion, on his left the eagle (two of the four apocalytical beings). For him another lion, from the tribe of Judah, who can open the book. Proof pressure for the second print out and series of twelve, made for an album.

Saint Germain l'Auxerrois Chahine, Edgar (1874-1947)

Title Page from Imaginary Prisons 1750-1760 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

Excavations, 42nd Street and Park Avenue, New York , Excavation, Hoisting machinery, Cities & towns. Joseph Pennell (1857-1926). Prints and Drawings

Breton well; Rubczak, Jan (1884-1942); 1907 (1907-00-00-1907-00-00);Witke-Jeżewski, collection

Interior of a liturgical building, Jan Diederikus Kruseman, 1838 - 1918 print In a departure a man walks in a pip. There is an image on the wall and there is a piece of furniture in the corner, possibly a cupboard. Netherlands paper. etching interior ~ representation of a building. print, e.g.: engraving, etching, lithograph

Avenue Theatre , Theaters, Night, City & town life. Joseph Pennell (1857-1926). Prints and Drawings

Georg Primavesi's etching from 1794-1855 shows a river landscape with a stone bridge and a ruin, including trees, hills, and human figures in detailed line work.

Sculpted columns in a bazaar in Madurai, Wijnand Otto Jan Nieuwenkamp, 1915 print In the foreground a merchant sitting in the middle of copper work. With this fifth state of the print, a temple gate has been added to the left in the background. paper etching market-hall. column, pillar ~ architecture. piece of sculpture, reproduction of a piece of sculpture Madurai

Peasant Interior in the Haute-Garonne, 1858. Rodolphe Bresdin (French, 1822-1885). Etching; sheet: 34.7 x 27.3 cm (13 11/16 x 10 3/4 in.); platemark: 19.7 x 12.8 cm (7 3/4 x 5 1/16 in.).

Plate 6: Bertoldo hidden in a furnace, from "Bertoldo, Bertoldino, and Cacasenno" 1705-15 Giuseppe Maria Crespi. Plate 6: Bertoldo hidden in a furnace, from "Bertoldo, Bertoldino, and Cacasenno". Giuseppe Maria Crespi (Italian, Bologna 1665-1747 Bologna). 1705-15. Etching. Prints

Drawing by Ferdinand Boberg. Uppland, Örbyhus hd., Tolfta sn., Strömsberg Nordic

Invenzioni Capric di Carceri; Hind 10, First State of Three Giovanni Battista Piranesi (Italian, Venetian, 1720-1778). Invenzioni Capric di Carceri; Hind 10, First State of Three, ca. 1749. Etching on laid paper, 16 1/4 x 21 5/16 in. (41.2 x 54.2 cm). Around 1749-50 Giovanni Battista Piranesi published an ambitious series of fourteen large etchings known as The Imaginary Prisons. These plates depict vast, labyrinthine spaces spanned by vaults and arches, crossed by seemingly endless staircases, and filled with hooks, chains, and ropes that suggest machines of torture. The enormous chambers dwarf the mysterious figures that populate them, evoking an oppressive and unrelenting atmosphere of privation and despair. Piranesi was trained as an architect, and the design of his fantastical dungeons was informed by his knowledge of ancient Roman ruins. Classical architecture was a symbol of Western civilization and its achievements, but here, it represents something dark and irrational. The hu

Access to a fort, Stefano della Bella, 1620 - 1664 print The vaulted entrance to a fort where the guard is held by a sitting soldier. A second soldier is sleeping on the floor. On the wall on the right the weapon of Henri Roger du Persis-Liancourt. A few ruins in the background. print maker: Francepublisher: ParisFranceFrance paper etching fortress. guard duty, keeping sentry

Spinner's Interior. Rodolphe Bresdin (French, 1822-1885). Cliché-verre;

Giovanni Battista Piranesi, The Grand Piazza, 1780s The Grand Piazza

Ruin on a pond, Willem de Zwart, c. 1896 print paper etching / drypoint landscape with ruins. pond, pool Lage Vuursche

Ottoman meat sales. A street with a man wearing a stick with rags on his shoulder in it. Two veiled women in the background.

Ottoman meat seller, Marius Bauer, 1888 print A street containing a man who wears a stick with rag meat on his shoulder. Two veiled women in the background. paper etching butcher, slaughterman Ottoman Empire

The kitchen , Kitchens. James McNeill Whistler (1834-1903). Lithographs

Interior of the Pantheon. Draughtsman: Thomas Cool. Dating: 1861 - 1904. Measurements: h 179 mm × w 130 mm. Museum: Rijksmuseum, Amsterdam.

Depiction of an indefinite scene in a city square in the Weißkunig chronicle of Emperor Maximilian I by Hans Burgkmair the Elder, carved on a wooden stick between 1514 and 1516.

Drain channel from Meer van Albano, Giovanni Battista Piranesi, 1762 print View of the remains of the drain of Lake Albano. Different fishing figures between the remains. Title at the bottom right. Numbered at the top right: Vi. Rome paper etching sewers. lake. ruin of a building ~ architecture More from Albano (Lazio)

The Adoration of the Shepherds, Rembrandt van Rijn, c. 1657 print Japanese paper (handmade paper) etching / drypoint adoration of the Christ-child by the shepherds; Mary and Joseph present

On allume les cierges pour les Morts (They light candles for the dead). Dated: 1878. Dimensions: plate: 17.6 x 11.5 cm (6 15/16 x 4 1/2 in.) sheet: 22.5 x 14.5 cm (8 7/8 x 5 11/16 in.). Medium: etching, drypoint, and roulette in black on Japanese paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Fountain of Pomona in the Gardens of the Villa d'Este, Tivoli. Dated: 1744/1750. Dimensions: sheet: 18.1 x 11.8 cm (7 1/8 x 4 5/8 in.) page size: 42.5 x 27.7 cm (16 3/4 x 10 7/8 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph-Marie Vien.

Ninth Movement. .

Hangene in a bell tower, Félicien Rops, 1867 print OPSCHRIFT ONDER DE PRENT: And he hung up the beating of the bell, the one who moves the alarm. Brussels paper. etching violent death by hanging. tower, clock tower ~ monumental adornment. church bell

Design for a Painted Wall Decoration, Walter Shirlaw, American, b. Scotland, 1838-1909, Black, purple, and rose crayons pastel on grey paper, The upper part of design cut out along the outlines, painted on top. Children seated upon the floor and the balustrade of a platform and kneeling upon it playing musical instruments, while other children listen. Winged women stand laterally, their outside wings raised and sheltering cherubim. The platform stands, apparently, before a painted window., USA, 1875-80, mural designs, Drawing, Drawing

I saw a flash of light, large and pale. Artist: Odilon Redon (French, Bordeaux 1840-1916 Paris). Dimensions: sheet: 17 5/8 x 12 1/2 in. (44.8 x 31.8 cm)image: 9 x 6 5/8 in. (22.9 x 16.9 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.

Entrée de la Maison ou est mort de Pierre Corneille le 1er Octobre 1684. Martial Potémont, Adolphe (1828-1883), graphic artist, Cadart, Alfred (1828-1875), publisher

Illustration for The Raven by Edgar Allan Poe, 1875. Edouard Manet (French, 1832-1883). Lithograph;

Bazar. Moran, Thomas, 1837-1926. 1878. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Serenade, c. 1863-65. Mariano Fortuny (Spanish, 1838-1874). Etching;

Copper engraving by Albrecht Altdorfer from around 1515-1518 depicting Saint George killing the dragon (kite), showing figures, gesture, and landscape elements.

The Prisons: An Architectural Medly, with a Man on the Rock in the Foreground, 1745-50. Giovanni Battista Piranesi (Italian, 1720-1778). Etching;

'The Bank of England', 1925. Artist: Nicolai Hammer.

Ommegang in Brussels. .

Hungry dogs , Dogs, Refuse. George Bellows (1882-1925). Prints and Drawings

Depicts Emperor Maximilian I traveling to Gmunden, created as a wooden stick print by Hans Burgkmair between 1514 and 1516.

The Gothic Arch, from Carceri d'invenzione (Imaginary Prisons). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: plate: 16 1/4 x 21 7/16 in. (41.2 x 54.4 cm)sheet: 19 7/16 x 25 1/8 in. (49.4 x 63.8 cm). Publisher: Giovanni Bouchard (French, ca. 1716-1795). Series/Portfolio: Carceri d'invenzione (Imaginary Prisons). Date: ca. 1749-50. Museum: Metropolitan Museum of Art, New York, USA. Author: GIOVANNI BATTISTA PIRANESI.

Félix Hilaire Buhot, La Traversée (The Passage), 1879 1885 La Traversée (The Passage)

The Prisons: A Series of Galleries with Crane-Like Erection of Beams, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching;

Drawing by Ferdinand Boberg. Ångermanland, Ytterlännäs K: a Nordic

Figures in an Outdoor Tavern 1635-52 Jan Asselijn Dutch In this dimly lit nightscape our attention is drawn to a figure in a cloak and hat, standing in the center of the picture plane. His appearance is lit by a source located behind the pillar next to him. Further to the left, various people are huddled together around a table, and in the right background a person is drawing water from a well.Jan Asselijn, to whom this drawing is attributed, was one of the most important Dutch Italianate artists. His paintings and drawings typically show picturesque views of antique ruins in sunlit landscapes or genre scenes set in the Italian countryside. Drawings on blue paper form a distinct group within Asselijns oeuvre. In the past, their authorship has been questioned, as their style shows significant differences with the artists other works. In her catalogue raisonné on the artists drawings, however, Anne Charlotte Steland has identified a core group of twenty-nine drawings on blue paper - i

Odilon Redon, Puis je vis, dans la main droite de celui quietait assis sur le trone, un livre ecritdedans et dehors, scelle de sept sceaux, 1899 Puis je vis, dans la main droite de celui quietait assis sur le trone, un livre ecritdedans et dehors, scelle de sept sceaux (And I saw in the right hand of him that sat on the throne a book written within and on the backside, sealed with seven seals )

The smoking fire.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Prisons, Capricci, Fires

Ruelle du Pêcheur Made 1902 United States. Etching in black on cream wove paper . Donald Shaw MacLaughlan

The Lime-burner, 1859. James McNeill Whistler (American, 1834-1903). Etching;

Forter instruments

The Drawbridge. Dated: 1780s. Dimensions: plate: 54.7 x 41.1 cm (21 9/16 x 16 3/16 in.) sheet: 68.3 x 53 cm (26 7/8 x 20 7/8 in.). Medium: etching, engraving, scratching date should be read as "published 1780s". Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

Facade of the Zocher stock exchange in Amsterdam, George Hendrik Breitner, 1887 - 1889 Page 15 from a sketchbook with 27 magazines. Amsterdam paper. chalk front faí§ade Beurs van Zocher

OVERLOOKING NORTH CHANNEL, From Grand Battery and Laval University, CANADA, NINETEENTH CENTURY ENGRAVING

Teckning av Ferdinand Boberg. Södermanland, Oppunda Hd., Ö. Vingåkers sn., Forsa Nordic

Dresden, Knights Stock Old Franconia, View

The Little Forge Made 1903 United States. Etching in black on cream laid paper . Donald Shaw MacLaughlan

Essay on Stone with Brush and Scraper: Chase on the Winding Staircase, 1851. Adolph von Menzel (German, 1815-1905). Lithograph;

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Study of an interior with stove, print maker: Gerard Jan Bos, (mentioned on object), Antwerp, c. 1878 - c. 1885, paper, etching, h 156 mm × w 122 mm

In the tortured country, Jules De Bruycker, 1916 print Flanders paper etching church bell. Roman Catholic Church. churchyard, cemetery. war Yolder

La Maison Maudite (The House of the Damned). Dated: c. 1883/1885. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

View on the stairs in the Prinsenhof in Delft, Petrus Johannes Arendzen, after Johannes Bosboom, c. 1856 - c. 1886 print View on the stairs in the Prinsenhof in Delft where Prince Willem I was murdered. Netherlands paper etching / drypoint staircase Delft. Prinsenhof

Study of an interior with stove.

Louis Adolphe Hervier, Croquis de Voyage de 1843, gravés sur acier à l'eau-forte (chez Alexis Febure) V: Village au bord de la mer avec barques et deux canots à sec, published 1843; made between 1837 and 1843, etching on chine collé.

Landscape with ditch, Willem Adrianus Grondhout, 1888 - 1934 print On the right several buildings, including a mill. In the background grazing cattle in a meadow. paper etching small canal, ditch

Lwów - Wnętrze Synagogi Złotej Róży. Goryńska, Wiktoria (1902-1945), graphic artist

Wooden panel by Leonhard Beck depicting Sanctus Adelhardus, one of the saints from the Sipp related to Emperor Maximilian I., created in 1517.

The Abbey at Valmont: A Tomb and Studies of Windows (recto); Four Studies of Horses (verso). Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Overall: 6 1/2 x 9 1/2 in. (16.5 x 24.1 cm). Date: 1829-31. Museum: Metropolitan Museum of Art, New York, USA.

Restaurant Cavalier , Restaurants. Sir David Young Cameron (1865-1945). Prints

James McNeill Whistler, The Kitchen, 1858 The Kitchen

The basement vault of a castle, resting on heavy columns In the background, a man with a lantern, Basement Vault, print maker: Jacobus Ludovicus Cornet, Jacobus Ludovicus Cornet, Leiden, 1825 - 1882, paper, etching, h 103 mm × w 128 mm

Le Bas-Hamet. Dated: 1879/1880. Dimensions: plate: 17.5 x 11.4 cm (6 7/8 x 4 1/2 in.) sheet: 23.3 x 16.6 cm (9 3/16 x 6 9/16 in.). Medium: etching, drypoint, roulette, aquatint (dust ground and spirit ground) in black on Japanese paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Landscape with grotesque vase. Landscape with grotesque vase, ruins and other antique remains. Part of group of prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 sheets.

Woman with a bowl of food at the bottom of a staircase, Ben Linnig, 1880 print paper etching / drypoint house personnel, servants

The Adoration of the Shepherds. With respect to the second state of this print, here Rembrandt only altered subtle details, for instance the white border of Marys head covering so that her face would show up better. This impression is printed on Chinese paper, which was warmer in tone than western paper. Rembrandt thus reinforced the suggestion that this nocturnal scene is illuminated by the yellow glow emanating from the lanterns.

The Studio. Pablo Picasso; Spanish, 1881-1973. Date: 1948. Dimensions: 615 x 490 mm (image); 656 x 500 mm (sheet). Lithograph on ivory wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

The Wood Cross Henri Joseph Harpignies (1819-1916). The Wood Cross. Ink of China and Lavis on paper, 1862.

Tombe Van Seti I (KV17) In of Vallei's views of Koning, They (Luxor), C. & G. I missed, C. 1870 - C. 1890 photograph Part of travel album with 80 photos from Egypt. Thebes cardboard. paper. photographic support albumen print grave, tomb. Egyptian hieroglyphs Luxor

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