Architectural Etchings

Detailed architectural etchings and memorial designs featuring ornamental cartouches and ornamental elements, capturing historical artistry.

The Manner in which the American Colonies Declared themselves Independent of the King of England, throughout the different Provinces, on July 4,1776. Artist:? Noble, British Artist, copy after (?): Hugh Douglas Hamilton, British, 1739-1808

A 1804 etching by Johann Adam von Bartsch serving as the title sheet for the drawing cassettes of Herzog Alberts from Saxony-Teschen.

Vierlobbig Cartouche with Shell Journaments, 1579 Vierlobbig Cartouche with shell ornaments. Right and left a tree and a snail. The Cartouche is a fragment of a map of Culiacán and the Antilles. The print is part of an album. Antwerp paper engraving Vierlobbig Cartouche with shell ornaments. Right and left a tree and a snail. The Cartouche is a fragment of a map of Culiacán and the Antilles. The print is part of an album. Antwerp paper engraving

Memorial to Susannah Kidwell from Norwood Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), architectural subject, church, memorial, England, Greater London, London, United Kingdom

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Susannah Kidwell from Norwood Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Beethoven, Ludwig from.

Etching by Wenzel Hollar of a title cartridge from 1650, showing ornamental lettering and decorative design.

Print (France)

Carl Leonard Sandberg (1839-1885); , Frederik on 6th in Lit de Parade, 1839 - 1885

The Manner in which the American Colonies Declared themselves Independent of the King of England, throughout the different Provinces, on July 4,1776. Artist:? Noble, British Artist, copy after (?): Hugh Douglas Hamilton, British, 1739-1808

Print (France)

Decoration on the house of Mr. Frans van Lelijveld on the Nieuwe Rijn in Leiden, 1766, Noah van der Meer (II), 1774 - 1776 print Decoration applied to Mr Frans van Lelijveld's house on the Nieuwe Rijn, between the Herengracht and the Langestaart in Leiden on 8 March 1766 on the occasion of the majority of Prince Willem V. Three separate scenes with inscription: Eendracht makes power. Numbered at the top: VI. Northern Netherlands paper etching / engraving bonfire, fire-works (+ festive decoration ~ festive activities) Leiden

Vigned Met Minerva an Amor, 1728 print Minerva is the pattern of science on a cloud and shows an open book. She has overcome death, which is in the form of a skeleton under her feet. Next to her is Amor with a circular snake that takes his tail in the mouth: a symbol for eternity. Putti on the left in the background that print books. The show is caught in an ornamental frame with, among other things, horns of abundance with books. In the middle of the motto: Vivitur Ingenio, Cetera Mortis Erunt. Amsterdam paper etching / engraving ornaments ~ art. Minerva as patroness. serpent Ouroboros. book

Uitnodigingskaart van de Societé des Amis des Beaux -Arts, Charles Onghena, 1833 - 1886 print prepared paper etching portrait, self-portrait of painter. doves, pigeons. monsters ~ snakes - AA - female human figure (+ body) Ghent

Wish letter with angel and loving pair by a river, 1837 print Wish letter with described cartouche within a decorative framework with representations of an angel and a loving pair by a river with boat. Handwritten message in calligraphy (New Year's letter) by Cornelia Duives to her grandmother and her aunts. Numbered at the top right: No. 17. publisher: Amsterdamprint maker: Netherlands paper. ink etching / pen angels. couple of lovers. river

Print (France & England); engraving on paper; 1902-27-6

Memorial plaque at the 3rd centenary of Leiden redemption 3 oct. 1874. Memorial plaque at the celebration of the 300-year anniversary of Leiden, October 3, 1574-1874. Presentation in the form of an altarpiece with centrally the self-sacrifice of Mayor van der Werff, with the Leiden urban and hope on both sides. Furthermore other historical scenes, different portraits, emergency coins and ornaments.

Print (France)

. Medallion with the series title in Latin and a ring with the twelve signs of the zodiac. The print has a frame in which Ceres, Bacchus, Boreas and Venus with Amor symbolize the four seasons.

Design for Ticket or an Invitation 19th century Anonymous, German, 19th century German. Design for Ticket or an Invitation 335732

Drawing, Title Page: America; Attributed to Marten de Vos (Flemish, 1532-1603); Netherlands; graphite, pen and brown ink, red chalk, brush and gray wash on white paper lined with heavy laid paper; 25.3 x 31 cm (9 15/16 x 12 3/16 in.)

Design for a title page, Pieter Serwouters, 1601 - 1657 print Design for a title page. At the top a medalion with the head of Alexander the Great, decorated with a garland of leaves and fruits. His name has been filled in in Pren. Below that is a flat open to the title of the book. To the left is Minerva, Mars on the right. Amsterdam paper. ink etching / engraving / pen specific aspects, allegorical aspects of Mars; Mars as patron. specific aspects, allegorical aspects of Minerva; Minerva as patroness

Board game over the patriots, 1788; Nêerlands Zongkertich throw game. MDCCLXXXVIII. Cartoon on the patriots in the form of a board game, 1788. Disciping print with a standing scholar like free-folded front, with eight-line fresh. Inside historical shows and cartriders on the patriots as the boxes of the board game numbered 1-35. The central representation is a transparent or throughout the patriot that, when held against the light, is hung by the devil to a gallows. Almost all performances are reduced copies to the original prints.

Napoleon I. Bonaparte, Emperor of the French.

Louis Crépy after Antoine Watteau, Gilles Gilles

Masonic Invitation, Engraving with black ink on white paper, Vertical rectangle. An arch above a pair of Corinthian columns. Emblems surround the archway: 'Brother you are desired to meet the Master, and Brethren of No. Ancient York-Masons...', France and USA, Philadelphia, Pennsylvania, USA, ca. 1800, Print, Print

Portrait of the BVRChardVs

Stone tablet flanked by obelisks with hieroglyphs; Vestigi della Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. Dedication Print with the text shown on a stone, flanked by an obelisk with hieroglyphs. Two vases on the stone. Two putti with a mirror and sword and besides measuring instruments and books hold a coat of arms. The print is part of an album.

Portret van Voltaire, Johann Elias Haid (possibly), 1783 print Portrait of Voltaire with under a scene from the poem La Henriade. Augsburg paper etching historical persons. siege. writer, poet, author

Design for a border with Cymbals and Tambourines 1809-65 Carl Alexander von Heideloff German. Design for a border with Cymbals and Tambourines 335347

Print, Derrière du Premier Carrosse doré; Designed by Bernard Picart (1673-1733); France; engraving on laid paper

Cartouche surrounded by four personifications of the seasons, at the top of a portrait of Saturn in a medallion, Daniel Nikolaus Chodowiecki, 1788 print print maker: Berlinafter own design by: Berlinpublisher: Lauenburg paper etching ornament ~ cartouche. year divided into four seasons. (story of) Saturn (Cronus) - attributes. sun represented as face, wheel, etc.

Memorial to Gideon and Frances Guichenet and their Daughter Sarah also to Silvester Cote, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 3/16 × 10 7/8 inches (38.6 × 27.6 cm), architectural subject, church, memorial, England, Greater London, London, St Marys Church, Stoke Newington, United Kingdom

Vase and wreath; D 4th Suite d'Arabesques.a vase with flowers, a wreath with the serene title at the bottom.

Photo production of drawing A drawing of places along the Rhine and the lyrics of the Rheinlied, Becker Gesch., 1893 cabinet photograph Royal winter photographic support. cardboard albumen print drawing, sketch Zeven Mountains. Rhine. Rolandseck

Diploma for the gold medal during the 1900 World Exhibition, Adrien Didier, After Camille Boignard, 1900 print. certificate Diploma for the gold medal during the 1900 World Exhibition for 'L'école Nationale de l'Art Industriel' in Amsterdam. print maker: Franceprinter: Paris paper etching / engraving Distribution of Awards ~ Art Contest. 'Genio' (ripe)

St. Casimirs tomb and altar. Chardon, Francis ainé et Fils (Paryż ; drukarnia ; ca 1821-1880), printing house, Oleszczyński, Antoni (1794-1879), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Consider early, ô youth! The statements of life, / from stairs to stairs: you will be given this printing table (...); Stair of the old age. A staircase of the age: a male and female staircase. On the stairs of the stairs, in the form of a bridge, men and women are around and around, between the age of 0 to 100 years. Under the bridge a representation of the last judgment. Left a putto and the front right. A verse in two columns in the undermaster. Numbered at the top right: No. 79.

Mirabeau, honored Riquetti Comte de.

Allegorical representation with shield, arrows and fries, Pierre Philippe Choffard, 1786 print print maker: Franceprinter: Paris paper etching / engraving / letterpress printing protective weapons: shield. helmet. carrying the sick, wounded and dead off the battle-field

Grave monument for Johannes van den Bergh and his wife Joanna van Teylingen in Leiden, Abraham Delfos, 1757 - 1820 print Epitaaf with Vanitas symbols such as torches and a skull, on either side of a stone with inscription is a mourning child with coats of arms. Leiden paper etching / brush epitaph

Memorial to John Porter, Mrs. Sarah Porter and Mrs. Sarah Porter and Mrs. Martha Cooke from Hendon Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), architectural subject, church, memorial, England, Greater London, Hendon, London, St Mary's Church, United Kingdom

Memorial to Thomas Parsons, his Wife Mary and their Daughters, Ann Hamill and Mary Baunton form Stoke Newington Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 3/8 × 10 7/8 inches (39.1 × 27.6 cm), architectural subject, church, memorial, England, Greater London, London, St Marys Church, Stoke Newington, United Kingdom

The Frontispiece. Henry Herschel Hay Cameron (English, 1852-1911); after W. A. Smith (Unknown, 19th century). Date: 1888-1898. Dimensions: 23.6 × 19.3 cm (image); ; 45 × 36.7 cm (album page). Photogravure, plate 1 from the album "Lord Tennyson and his Friends" (1893), edition 138/140. Origin: England. Museum: The Chicago Art Institute, USA.

Ornamental Cartouche with assignment to the painter Francesco Crescenzi, 1624 - Before 1648 Ornamental cartouche with two men at the bottom install cannons. In the upper corners of female figures and putti. Print is part of an album. Venice paper engraving Ornamental cartouche with two men at the bottom install cannons. In the upper corners of female figures and putti. Print is part of an album. Venice paper engraving

Writer and his muse at Paris. Ornamental cartouche with a representation of the city of Paris and a writer, presumably Nicolas Boileau-Despréaux, who leaves the city with his muse.

Print, Design for a Fireplace for a Grand Cabinet; engraving on paper

My Rest, My Peace of Mind Has Fled (Valentine). George Kershaw; English, 19th century. Date: 1835-1845. Dimensions: 231 × 191 mm (folded sheet). Lithograph with hand-coloring on embossed ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Frontispiece with a group of ornamental wall fragments; Second frontispiece of 'Antichità d'Albano E di Castel Gandolfo'; Archaeological finds from Albano and Castel Gandolfo; Antichità d'Albano e di Castel Gandolfo. .

Call for involving the guard at the Schutterij van Amsterdam, February 1788, Theodoor Koning, 1788 print The Amsterdam Stedemag is against a monument with the weapon of the Prince of Orange leaned with the loss of freedom in her hand. On the left the town hall on Dam Square. On the ground different weaponry. On the monument a call for the involvement in the company of Capitein Pieter Alex Hasselaar to J.D. Duurveldt by Corporal G. van Diest. Schutters note of the 'De Eed der Oude Constitution' militia (located 15 February 1788) in Amsterdam. Amsterdam paper etching personification of a city, town-patron(ess) City Hall of Amsterdam (1655-1808). Amsterdam

A double cartouche with the image of the eagle and an inscription board. unknown

Console with weaponry; Numismata virorum illustrium ex Barbadica Gente. A console with weaponry, such as a kuras and helmet, cannon and cannonballs, powder keg, spear, halberd, banners and a signal trumpet. The print is part of an album.

Harlekijns Love, Johann Esaias Nilson, 1731 - 1788 print In a stage setting, the masked Harlequin holds Columbina's hand. On the left and right of them are Scaramouche, Pantalone and Moulin. On top of a cloud is a putto with bow and arch. The performance rests on a rocaille pedestal with four -line French text. Publishing number XVI. Tall paper etching / engraving theatre, theatrical performance. types in 'commedia dell'arte': Harlequin. types in 'commedia dell'arte': Colombine

Grafinus, Count of Nassau, and his wife, Anonymous, c. 1848 - c. 1849 print Grafinus and his wife. At the top left his weapon and the top right the weapon of his wife. Located in the bottom left are his helmet and the gloves of his armor. Twelve lines of Dutch text in a frame. print maker: Netherlandsprinter: Amsterdam paper

Vazen in Arabesken, Laurent Guyot, After Jean Michel Moreau, After Etienne de Lavallée-Pousin, 1810 print Three vases with flowers surrounded by arabesks and at the top garlands. There are smaller vases on pedestals on either side of the middle vase. after drawing by: Romepublisher: Paris paper etching vase ~ ornament. ornament ~ arabesque

122 / Historical explanation / medals of Louis XV. (IT)

Cartouche with title flanked by a woman and a putto, Gerrit Visscher, 1690 - 1720 print Amsterdam paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'. ornament ~ cartouche

Fontrait de Fiumiani, (accur) Fantress of Castles, Ascert. Card from screws (verso). Charles Photographic Reutleer (1816-1880). Draw on albuminum paper. 1870-1890. Paris, Carnavalet museum.

Long Leeve Oranje / Willem de VDE, 1761 - 1804 print Bridle portrait of Willem V in an oval decorative frame of Oranjeboom branches. In the middle of a coat of arms. Under the show a twelve -line verse in two columns. Numbered at the top right: No. 60. paper letterpress printing equestrian state-portrait. armorial bearing, heraldry

Wish letter with activities on the street, 1824 print Wish letter with described cartouche within a decorative framework with performances of activities on the street, such as people who sing street songs and children who peek in a viewing box. Handwritten message in calligraphy (fair price) by A.J. Visser to her uncle and god. Numbered at the top right: 110. Netherlands paper. ink etching / pen peep-show. vocal music, singing - CC - out of doors

Scholar in his library. A scholar is in his library behind a desk, through the window view of a nearby city. The performance is caught in a graceful frame and crowned with a coat of arms that is decorated with olive branches.

Object design by Joan Baptista Matons, 18th century. 'Llibres of Passsanties', Silversmith's Guild. Museum: Museo de Historia, Barcelona.

Fieubet, Gaspard de.

Schäfer Carl (1844-1908), Restoration Heidelberg Castle. Friedrichsbau (1900): View glass window with coat of arms: Neustadt/Haardt. Tusche, pencil watercolor on the box, 82.9 x 61.4 cm (including scan edges) Schäfer Carl (1844-1908): Restaurierung Heidelberger Schloss. Friedrichsbau

The Painted Ceiling over the Picture of the Old Theatre in Aliff Street, James Stow, ca. 1770-after 1820, British, after William Capon, 1757-1827, British, And after William Oram, active ca. 1747, died 1777, British, 1820, Engraving

Title print with allegories on love for poetry and art and science, Rodolphe Bresdin, 1861 Title print for the first edition of literary magazine Revue Fantaisiste with an allegory on the topics that were central to the edition. At the top, Venus with Amor as a personification of love in addition to an open book in which a text refers to the love for science and arts. Venus is displayed as an appearance in heaven and is flanked by two earthly knights. Below that is a monument in the middle with the title of the edition surrounded by three women and a man. The standing woman on the right is possible Minerva. She blows on a horn and next to her is an owl. The shield with the head of Medusa counts as her attribute. On a magazine the text pussy is what refers to poetry. On the left is a woman with a pointed hat, possibly a sorceress or witch. On the left in front of the monument is a woman without an attribute. . etching (story of) Venus (Aphrodite). (story of) Cupid, Amor (Eros). Medusa

Ascension of the Spanish soldiers who die in the fight against the Turks, 1687, Romeyn de Hooghe (attributed to), 1687 print Ascension of the Spanish soldiers who die in the fight against the Turks, 1687. On the left, the Spanish king Charles II is kneeling in his army tent how angels take the bodies of the soldiers from hell and bring them to heaven. Presentation at the center of a monumental frame with weapon trophies, crying putti and allegorical scenes. At the bottom of the text showing that the print was made on behalf of the Marquis of Gastañaga, governor over the Spanish Netherlands. paper etching apotheosis (or ascension) of individuals

Avaritia. Artist: Theodor de Bry (Netherlandish, Liège 1528-1598 Frankfurt). Dimensions: Sheet: 5 3/8 × 4 15/16 in. (13.6 × 12.5 cm)Plate: 2 3/8 × 4 3/4 in. (6.1 × 12.1 cm). Date: 1580-1600.Semi-circular frieze with scenes of avarice, including a demon torturing a man sitting on bags of money (at bottom center) and a pawnbroker (at right), with the title (Avaritia) at top center, on an ornate cartouche. Museum: Metropolitan Museum of Art, New York, USA.

Greeting letter with fisherman and flower vases. Greeting letter with described cartouche inside a decorative frame with performances of a fisherman fishing with a totebel and of large flower vases. Handwritten message in calligraphy (New Year's wish) by Aris Kraan to his parents. Numbered at the top right: No. 14.

Man and his profession , The springs jewelry flowers = Machr, Kranzb, Strohh,fab, etc, Matthias Rudolph Toma -, Printer, publisher, Carl Kari Schustler, Drawer, Dre Aug Dreyer, Lithograph

Daniel Lysons, 1762-1834, British, Memorial to Anna and WIlliam Heigham from East Ham Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Willem V, alive Prince of Orange and Nassau, Stadholder, Capitein General and Admiraal der Nederlanden. Leaf with a ride portrait of Willem V, faced in a decorative frame of floral drinks, vases and putti. Numbered at the bottom right: No. 43.

Friedrich August I, King of Saxony.

Statue of Laurens Jansz. Coster, Johannes George Frans van Arum, after Rombertus Julianus van Arum, after Louis Royer, 1860 print Statue of Laurens Jansz. Coster. There are a number of allegorical objects around, including a globe, a harp, a laurel wreath, a compass and a square. Entirely in an ornamented oval frame with flowers and plants. Amsterdam paper monument, statue. globe. harp. honouring the artist with laurel wreath. compasses. square (drawing-instrument)

Memorial to Jacob Augustus Blondel from Stepney Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm), architectural subject, church, memorial, England, Greater London, London, United Kingdom

Coat of arms of the Barbarigo family and the Trinity, Robert van Audenaerd, 1673 - 1743 print Pedest in the form of a cartouche. Then a medallion with on the front the weapon of the Barbarigo family, with two winged weapons. Above the weapon a crown, a helmet and the motto: Victoria Nomen. A church building on the back. The Trinity around the pedestal. The print is part of an album. paper engraving medal (considered as a piece of sculpture, regardless of its specific function). armorial bearing, heraldry. representations of the Trinity

Fresh for Princess Wilhelmina on the fortieth birthday of Prince William V, 1788. Artist: Wilhelmina van Pruisen (1751-1820) (mentioned on object). Artist: Maria Margaretha la Fargue (mentioned on object). Draughtsman: Maria Margaretha la Fargue (mentioned on object). Dating: 8-Mar-1788. Place: The Hague. Measurements: h 538 mm × w 374 mm. Museum: Rijksmuseum, Amsterdam.

Daniel Lysons, 1762-1834, British, Memorial to James Scott and to Francis Wolley from Fulham Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Exlibris with coat of arms of August Wilhelm von Schlegel

Tomb of the emperor Napoleon to the invalids. (IT)

The chamber of pairs

Decoration in the stock exchange alley, 1795; Neerlands Heil / Meeting of Deputy Denses of Batavian clubs, Some Burgerwyken and Patriotic companies; Fifteen decorations at the Alliantiestief in Amsterdam in 1795. Decoration in the stock market alley, seen from the Rokin, 1795. Founded by a meeting of deputies of the Batavian clubs, Civilians and Patriotic companies in Amsterdam at the Alliance party on 19 June 1795. On the two Chassinets allegories of freedom through France's weapons and human rights, each with a four-line verse.

Decoration in the Beurssteeg, 1795, 1795 print Decoration in the Beurssteeg, seen from the Rokin, 1795. Founded by a meeting of deputies from the Batavian clubs, citizen neighborhoods and national companies in Amsterdam at the Alliantie celebration on June 19, 1795. On the two chassinets allegories of freedom through France's weapons and of Human Rights, each with a four -line verse. paper etching festivities on events of national importance (+ festive decoration ~ festive activities) Amsterdam. Beurssteeg

Design for a diploma for the exhibition of tools for the bookstore, 1881; Early diploma exhibition of tools for the bookstore. Decorative picture frame with above Minerva surrounded by Putti with a still life consisting of books and other objects on either side. Left and right the interiors of a bookseller, a manual binder, a stone printing company and a modern bookbinder. Under the portrait of Laurens Janszoon Coster with a plate printing and a book printing company on the left. Above Coster The coat of arms of Amsterdam.

Heraldic tapestry; Johan Carl Kletsch's workshop (S Onim; Tapiser studio; 1782-1792); 1788 (1788-00-00-1788-00-00);Ciołek (coat of arms), Order of the White Eagle, State Art Collections (Warsaw - 1922-1939) - collections, Polish -Lithuanian Commonwealth (coat of arms), Stanisław August Poniatowski (Polish King - 1732-1798), Herby, interior furnishings

Flag sported at the Town Hall of the Iie Arrondissement. (IT)

Photograph of print: portrait of Stefan Batory, standing, with royal insignia between richly decorated columns. Grodzki, Walenty (1873-1932), photographer

Coat of arms of Nicolaas Warin, Abraham Lion Zeelander, 1815 - 1856 print A coat of arms flanked by angels and crowned with a winged helmet. A bird on the shield. On a banderole the motto: Vivit Post Funera Virtus, which means: Deugd survives death. Coat of arms of Nicolaas Warin, who was elevated in the Dutch nobility in 1815. Amsterdam paper etching / engraving armorial bearing, heraldry

Monument with vase and weapons; Title page for: Hendrik Soeteboom, Oud-Heeden van Zaan-Land Stavoren Grond and Waterland, 1702. Tablet with book title on a tablet above a monument with vase, medallion with eagle and representation of a king next to a seated woman. Various weapons around.

Bound Print, Dessein de lillumination et du feu dartifice donné à Monseigneur le Dauphin à Meudon le 3e septembre 1735 (Design of the Illumination and Fireworks dedicated to His Grace the Dauphin at Meudon, September 3rd, 1735); Designed by Michel de Bonneval (French, d. 1766); Engraved by Charles Nicolas Cochin the younger (1715 - 1790); Published by Menus-Plaisirs du Roi; France; etching and engraving on paper; 61.1 × 91.4 cm (24 1/16 × 36 in.)

Clock with the queen on the dial, 1820, 1820 print Clock in which the arms of the queen form the hands, 1820. With other political persons, soldiers and armed French -minded radicals. paper etching clock. political caricatures and satires

unknown, Amsterdam, King, Wilhelmus, Engelbrecht, Martin, Northern Netherlands, Folkema, Anna, Buysen jr., Pieter van, The Callotto resuscitato or Newly Established Two-Wheeled Cabinet, The Marquis of the Great Paruques with his Just-a-Col just above the feet, Hans van Groten hoven Baron van Krulhaar and Nettlecloth Houses, Monsieur Robert von Parukenfeldt Knight of the Long Neck in the Great Galla, The Dwarf Hans van Groten hoven Baron van Krulhaar, 1716, in gala with large wig. In the caption verses in German, French and Dutch. Print within a decorative frame printed from a separate plate with dwarfs and at the bottom a monkey eating porridge. Numbered right center: 18. Part of the Dutch bound edition of 1716 of a series of caricatures with dwarfs, known as Het Dwergentooneel (The Dwarf Theater), copied after an older German example., print, picture, caricature, books, Frederik Muller Historieplaten, height 160 mm, width 105 mm, height 275 mm, width 172 mm, print maker, printmaker, 1

Daniel Lysons, 1762-1834, British, Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Heinrich II of the Zänker, Duke of Bavaria.

Title Page, 'Feuilles de Terpsichore Pour le Clavecia', Jacques Le Roy, French, 1739-1789, Etching and engraving on paper, A bracket with a frame, shown in perspective, has, at top, a garland and an angel sitting on clouds and leaning on the joined coats-of-arms of Louis XVI and Marie Antoinette; at bottom: musical instruments including a clavicord, a violin, and a harp and music books; at center: an ovoidal opening with the title as given and 'Dediées aux Dames / L'on trouvers successivement .' Below the design: 'Ja Le Roy'., France, ca. 1790, Print, Print

The doctor's visit to the Keizer, Cornelis Pronk, in or after 1734 - in or before 1736 drawing Design for a head and saucer with Chinese motif on behalf of the United East India Company. Within a circle in which a six -armed fan shape is included, three men sit on a couch around a table. One of them holds a fish. On the table is a large bowl and on the left a peacock looks up to a bird on the overhanging branch of a tree. The spaces between the six arms are filled with a geometric motif. Above the design, the side view of both the head and the dish is depicted. In addition to a border with a geometric motif, the dish is for the rest of the blank. On the head the performance with the three men is again depicted. paper. watercolor (paint). ink pen / brush nautilus cup

Antwerp, Jode, Gerard de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Bersabee Martino a Cleef . inventore in quatuor fol :, History of David and Bathsheba, Cartouche with scrollwork, Title in cartouche with scrollwork. Title print for a series of prints about the history of David and Bathsheba. Print is part of an album., print, title print, album leaf, prints, height 75 mm, width 132 mm, print maker, printmaker, 1579 - 1579, paper, papier, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Memorial to Maria Hutchinson and Michael Hutchinson from Fulham Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 10 5/8 inches (38.1 × 27 cm), architectural subject, church, memorial, All Saints Church, England, Fulham, Greater London, London, United Kingdom

Jadłospis na uroczystość powrotu żołnierzy z frontu. Menzel, Adolph (1815-1905), graphic artist

Anne Marie de Matignon Funerary Monument, Wife of Henri François de Grace in Saint-Sulpice Anonymous. Anne Marie de Matignon Funeral Monument, Wife of Henri François de Grace in Saint-Sulpice. Paris (Old Arr.). Feather, Lavis Bistur.

Memorial to Mary Heming from Hillingdon Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm), architectural subject, church, memorial, Church of St John the Baptist, England, Greater London, Hillingdon, London, United Kingdom

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