Architectural Etchings

Detailed etchings showcasing grand interiors and significant moments in history, highlighting architectural beauty and societal gatherings.

Luogo magnifico , Theatrical productions, Sets Architectural elements, Allen A. Brown Collection

Medea, or the Marriage of Jason and Creusa, Rembrandt van Rijn, 1648 print paper etching / drypoint marriage of Jason and Creusa (Glauce); possibly with Medea watching the scene

Interior view of the Basilica of St. Peter's in the Vatican, near the Tribune, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1773. Dimensions: 485 x 673 mm (image); 490 x 679 mm (plate); 560 x 784 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Vergadering Met Doge In Paleiszaal, Giovanni Battista Brustoloni, After Canaleto, 1766 print A meeting with the Doge van Venice and masked men in a palace hall of the Dogpaleis. Numbered below: No. 6. print maker: Italyafter painting by: Italypublisher: VeniceVenice paper etching other sovereign: doge. mask. meeting. palace - AA - civic architecture: inside Venice. Dogepaleis

. Reception of Stadholder Willem V and Princess Wilhelmina van Prussen by the Council in the Vroedschapskamer in the town hall on Dam Square in Amsterdam, on 30 May 1768. Part of a print series with title print and 14 plates of the prince and princess in Amsterdam, 30 May - June 4, 1768.

Nis in gangpad, Jean lepautre, c. 1658 - c. 1670 print View of a niche in the aisle of a church with a confessional chair. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Public reading of some psalms in the new frosting, 1773, Reinier Vinkeles (I), 1777 print Public reading of some psalms in the new frosting by the Commission to improve the rhyme psalms, in the meeting room in the Mauritshuis on October 1, 1773. A group sitting at a table and more attendees standing around the table. On the left is a member of the committee to read. Northern Netherlands paper etching / engraving reading to somebody Mauritshuis

Giovanni Battista Brustolon after Canaletto, Reception by the Doge of Foreign Ambassadors in the Sala del Collegio, 1763 1766 Reception by the Doge of Foreign Ambassadors in the Sala del Collegio

Theater decor: De Klooster-Chapel, 1776 print The CoulissenDecor de Klooster-Kapel, with a scene from: the Gijsbrecht van Aemstel. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Leidseplein (1774-1890)

Allegory at the glorious history of the Netherlands. Oval representation of the interior of a temple in which the history of the Netherlands is extensively glorified.

Luogo magnifico , Theatrical productions, Sets Architectural elements, Allen A. Brown Collection

Theater Decor: De Klooster-Kapel, Reinier Vinkeles (I), After Pieter Barbiers (I), 1776 print The CoulissenDecor de Klooster-Kapel, with a scene from: the Gijsbrecht van Aemstel. Part of a series of six theater decors of plays performed in the new Amsterdamse Schouwburg from the years 1775-1777. Amsterdam paper etching stage design. theatre, theatrical performance Schouwburg Leidseplein (1774-1890)

Medea: or the Marriage of Jason and Creusa, 1648, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 9 7/16 x 6 15/16 in. (24 x 17.7 cm) (plate), Etching, The Netherlands, 17th century

unknown, Amsterdam, Smit, Johannes (publisher), Leth, Hendrik de, Laan, Adolf van der, Liender, Paulus van, Punt, Jan, Stage sets of the Amsterdam Theater, ca. 1760, De Gemeene Buurt, Theater with stage set: De Gemeene Buurt, verso - stamped, Theater performance in the Amsterdam Theater on the Keizersgracht with the backstage set De Gemeene Buurt with scene from: Het Verliefde Brechje. The set printed from a separate plate within a passe-partout with the hall, side boxes, orchestra pit and the facade of the stage with columns, garlands and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a series of twelve stage sets., print, engraving, prints, in Amsterdam, by J. Smit, with Privilege., bottom center in the margin - engraved, De Gemeene Buurt., bottom center - engraved, Gaa, Reindert! go with Fijtje and Rijkje free to seek advice... No wound of sorrow is healed by admonitions., height 146 mm, width 268 mm, height 305 mm, width 454 mm, height 43 m

Netherlands, Vinkeles, Abraham, Inauguration of the sovereign prince, in the Nieuwe Kerk, in Amsterdam, Inauguration of Willem Frederik, Prince of Orange as sovereign prince, 1814, verso - stamped, Prince Willem Frederik inaugurated as sovereign prince in the Nieuwe Kerk in Amsterdam on 30 March 1814. The prince takes the oath on the constitution standing between his two sons., print, engraving, prints, Frederik Muller Historieplaten, height 221 mm, width 145 mm, 1790-09-26 - 1864, print maker, printmaker, 1814 - 1816, paper, papier, etching, engraving (printing process)

Gallery of the Duke of the Vrillière used at the General Assembly of shareholders of the Banque de France. Paris (1 arr.). Anonymous photography. Gelatino-silver-bromide draw. Paris, Carnavalet museum. 144182-17

Hearing hall in Felix Meritis, 1789, Reinier Vinkeles (i), after Jacques Kuyper, after Pieter Barbiers (i), 1794 print Visitors in the hearing hall in the building of the Felix Meritis Maatschappij in Amsterdam, inaugurated in 1789. Amsterdam paper etching / engraving learned society, academy of sciences Amsterdam. Happy merits

VISIT OF THE KING OF THE FRENCH TO QUEEN VICTORIA

Paris. Exhibition of lottery lots of the Franco-Spanish lottery, at the Palace of the Industry (Northeast Pavilion).

A View of the Inside of a Church, Print made by Georges François Blondel, 1730-ca. 1791, French, after Georges François Blondel, 1730-ca. 1791, French, 1765 to 1767, Mezzotint, Sheet: 22 3/8 x 16in. (56.8 x 40.6cm), Rome

Cabinet with Schouw, Johann August Corvinus, after Johann Jakob Schübler, in or after 1724 print A cabinet with an ornamented fireplace, a lavoir (a laundry room), a table and two chairs. In the lower margin a three -line German text. Augsburg paper etching / engraving interior of the house. open hearth, fire-place. jug and basin; wash-basin

The curiosity room of Levinus Vincent, Gerrit Rademaker, 1680 - 1711 drawing pencil. paper. ink. chalk pen / brush art collecting. vestibule, hall

Amsterdam, Marot, Daniël (I), Netherlands, Nouveaux Liure de Pintures de Salles et d'Escalliers, Decoration for a staircase with a fountain with cascade, Sheet from a series of painted wall decorations for rooms and staircases., print, ornamental print, prints, ornamental prints, height 275 mm, width 193 mm, 1663 - 1752-06-04, print maker, printmaker, 1712 - 1712, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

The theater scene in the form of fancy architectural scenery celebrating the engagement of Prince Frederick August II (August III Sasa) with Maria Józefa. Pfeffel, Johann Andreas (1674 1748), Bibiena, Giuseppe Galli (1696 1757)

Kabinet met schouw; Johann Jacob Schüblers Zweyte Ausgab seines vorhabenden Wercks, Vorstellend Unterschiedliche Cabinets und Alcoves (...).A cabinet with an ornamented fireplace, a lavoir (a laundry room), a table and two chairs. A three-legged German text in the sub-margin.

Lottery Drawing, Coopers Hall February 1, 1809 Designed and etched by Thomas Rowlandson. Lottery Drawing, Coopers Hall. Microcosm of London, pl. 53. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). February 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

. Three figures in the interior of the large room of the Royal Palace on Dam Square.

The scene decor the upholstered room with scene from: the discovered sheardow. Only the decor printed from a separate plate, so without the passe-partout. Part of a series of 12 stage decorors from the Amsterdamse Schouwburg on the Keizersgracht.

Fire on the scene of the Amsterdamse Schouwburg, 1772, Simon Fokke, 1772 print View in the room at the start of the blazing fire in the theater. The audience flees in a panic. Part of a group of illustrations about the fire in the Amsterdam Schouwburg on 11 May 1772. Northern Netherlands paper etching / engraving on fire, ablaze. theatre, theatrical performance Schouwburg Keizersgracht (1637-1772)

Funeral in a fantasized classicist interior, Jacques François Blondel, 1715 - 1774 drawing paper. ink pen / brush funerary ceremonial

Kiosk built for Hemet-Ali, by the architect Charles Duval, France, drawing by Renard, engraving by Fessart, illustration from L'Illustration, Journal Universel, No 494, Volume XX, August 14, 1852.

Anaxarete en Iphis, Anonymous, After Jean Lepautre, 1675 - 1711 print A funeral procession passes by a palace. The deceased shepherd Iphis is on the corpse. He committed suicide because the woman he loved, Anaxarete, devoted him. Anaxarete looks through the window to the funeral procession and is still unmoved. That is why Venus turns her into stone. Under the show a four -line verse in Dutch and a reference to the text in the metamorphoses of Ovidius. Amsterdam paper etching / engraving Anaxarete changed into a stone: while looking from her window at Iphis' funeral, Anaxarete is changed into a stone (Ovid, Metamorphoses XIV 753)

Etching and copper engraving by Jan Luyken from 1669-1712 showing Abraham's servant returning to arrange Rebekka's wedding, including figures, camels, and desert landscape.

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens, Print made by Jacob Bonneau, 1741-1786, British, after Samuel Wale RA, 1721-1786, British, and after John Gwynn RA, 1713-1786, British, 1751, Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper, Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm), Plate: 8 7/8 x 10 11/16 inches (22.5 x 27.1 cm), and Image: 8 1/2 x 10 5/16 inches (21.6 x 26.2 cm), animals, arches, architectural subject, canes, chandeliers, children, cloaks, columns, concave mirrors, costume, designs, discussion, dresses, exploring, fans, gardens, hallways, hats, leisure, men, palace, plans, sculpture, statues, talking, windows, women, England, Greater London, Lambeth, London, Southwark, United Kingdom, Vauxhall Gardens

Concert in tuin van versailles, François Chauveau, 1675 print France paper etching / engraving concert hall - AA - open-air performances. presenting a work of art to the public; performing, interpreting, reciting. festivities Versailles. Large Trianon. Little Trianon

Reproduction representing a gala day in the large living room of the town hall. Paris (IVth arr.). Anonymous photography. Albumin paper draw. Paris, Carnavalet museum. 123085-22

Ball organised by the city of La Rochelle for Prince Louis Napoleon, France, engraving by Best and Cie, illustration from L'Illustration, Journal Universel, No 504, Volume XX, October 23, 1852.

Auguste Louis Lepère, Fête donnée aux Tuileries pour l'Exposition de 1867, 1887, woodcut on paper.

On the Kaiserreise, The Hofball in Venice,

Dinner in honor of the entry of Leopold in Brussels, 1686, Romeyn de Hooghe, 1686 - 1687 print Dinner in honor of the entry of Leopold in Brussels, 1686. Large company of women and one man (the host) is at a round table in large, high palace room with large wall decorations with battle scenes. The male guests are around the table. Above the fireplace on the left, a portrait hangs out of a frost. Haarlem paper etching celebration meal, feast, banquet Brussels

Feast in the gardens of Versailles, Israel Silvestre, 1664 print The royal company is at long tables that are in a semicircle. For this there is a row of servants with torches in hand. Other employees walk up and forth with large bowls on the head. In the foreground - behind a cordon soldiers - seen rows of spectators on their backs. Under the show two garlands of fruits above which - left - the inscription "Première" and - right - "Journée". In the middle a cartouche with the title: Festin du Roy ... Quatre Saisons. paper etching / engraving French or architectonic garden; formal garden. banquet of elegant company - CC - out of doors. waiting at table. festivities. king Versailles

The Reichstag Chamber, Meeting room of the Reichstag in the winter riding school on July , Franz Josef Xaver Sandmann -, Lithographer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

Byron, Georges Gordon Lord .

Theater Decor: De Wapenangen Chamber, Jan Punt, After Paulus van Liender, 1760 - 1765 print The wings' Decor out of the wallpaper room with scene: the swaceer. Only the decor of a separate plate, so without the passe-partout. Part of a series of 12 theater sets of the Amsterdam Schouwburg on the Keizersgracht. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Visitors in the Staircase Room in the Mauritshuis, Adolf Carel Nunnink, voor 1879

View of Masquerade Ball, Jean-Charles Delafosse, French, 1734-1791, Pen and black ink, brush and gray wash, watercolor, black chalk on white laid paper, A crowd in fancy dress in a hall, showing a buffet in the center of a peristyle in the rear; the musicians are disposed in balconies left and right; onlookers in galleries above., France, 1770-80, architecture, interiors, Drawing, Drawing

The Hall and Stair Case, British Museum (Microcosm of London, plate 14). Artist: Designed and etched by Thomas Rowlandson (British, London 1757-1827 London); Designed and etched by Auguste Charles Pugin (British (born France), Paris 1768/69-1832 London); Aquatint by John Bluck (British, 1791-1832). Dimensions: Sheet: 11 3/4 × 9 1/2 in. (29.8 × 24.2 cm)Plate: 11 1/16 × 9 5/16 in. (28.1 × 23.6 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Microcosm of London. Date: April 1, 1808. Museum: Metropolitan Museum of Art, New York, USA. Author: Designed and etched by Thomas Rowlandson. Designed and etched by Auguste Charles Pugin. Aquatint by John Bluck.

Salle Valentino, rue St. Honoré, 1850 - 1859, Paris. Lithograph, colored on tinted ground, 19.4 x 29.6 cm. Publisher, imp. par Auguste Bry, 142, r. du Bac, France. 19th century

The founders and benefactors of New College, Oxford. It was originally named St Mary's, but because there was already a college of that name it became known as New St Mary's and thereafter simply as New. Date: 1379

Grand Ball Tuileries, in honor of foreign sovereigns

Initiation of Felix Meritis, 1788, Reinier Vinkeles (I), After Jacobus Buys, 1799 print Initiation of the building of the Felix Meritis Maatschappij in Amsterdam, October 31, 1788. Professor Jan Hendrik van Swinden speaks in the concert hall. Amsterdam paper etching / engraving concert hall. learned society, academy of sciences. address, talk, lecture (~ meeting) Happy merits

The Civil Marriage of the Emperor in the Salle des MarEchaux, at the Tuileries,

Assemblée des Notables, Versailles, 1787 1787 Jean Michel Moreau the Younger French. Assemblée des Notables, Versailles, 1787. Jean Michel Moreau the Younger (French, Paris 1741-1814 Paris). 1787. Pen and black ink, gray wash, over traces of graphite.. Drawings

Theatrical Performances at Windsor Castle - the "Green Room", 1850. Entertainment for Queen Victoria and family at the royal residence, scene showing '...actors dressed for "Charles the XII.," and others who, engaged in the first piece, have doffed their costumes for their usual dresses. "Charles the XII." was preceded by "King Rene's Daughter," translated by the Hon. Edmund Phipps, from the German version of the Danish poem of Henric Herz...the State Ante-room...is noticeable as showing the style in which many of the old state rooms had their ceilings d

Hart, Abraham van der, Andriessen, Jurriaan, Netherlands, Fifteen decorations at the Alliance Festival in Amsterdam in 1795, Image of the Illumination for the House of the Municipality, Upcoming Unity and Indivisibility, of the Batavian Commonwealth and the Alliance, decoration on the Town Hall on Dam Square, 1795, verso - stamped, The Alliance concluded between the French and the Batavian Republic on 16 May 1795 and the Future Unity and Indivisibility of the Batavian Commonwealth Two allegorical decorations on the facade of the Town Hall on the Dam in Amsterdam at the Alliance Festival on 19 June 1795., print, prints, Frederik Muller Historieplaten, height 373 mm, width 488 mm, print maker, printmaker, 1795 - 1795, paper, papier, etching, etchings, hand colouring, Noord-Nederlands, 1742-06-12 - 1819-07-31, after, after painting by, Work conception, Nederlands, 1747-05-27 - 1820-02-01

Grand Reception of the Notabilities of the Nation, at Abraham Lincolns Inauguration. Lithographer: Unknown

Warszawa. Sypialnia ogólna w Szpitalu Ś-go Jana Bożego, według rysunku z natury L. Dymitrowicza ; z: "Kłosy" 1877, t. XXIV, nr 604, s. 61. Wiśniewski, Marceli (fl. 1876-1881), graphic artist, Dymitrowicz, Ludomir (1844-1923), draughtsman, cartoonist

Alliance Allime in Amsterdam, 1786, Pieter Hendrik Jonxis, 1786 - 1792 print The festive meal held on January 27, 1786 in the shrimp goals (handboog goals) in Amsterdam to celebrate the Alliance with France (closed on November 10, 1785). Large company sitting at a table decorated with table pieces. Northern Netherlands paper etching celebration meal, feast, banquet. festivities on events of national importance (+ eating and drinking ~ festive activities) Archers

Meeting organized by Lodewijk XVI van France, Claude Niquet, After Meunier, After Girardet, 1791 print Numbered at the top right: 4. paper etching / engraving meeting

Teatro La Fenice in Venice, Anonymous

Black ink and white brush drawing by Wilhelm Kiesewetter depicting an opera performance before a city view, executed on brown paper around 1840.

Print made by William Wallis, 1794- active 1830, Palace of Justice, with Fine Carved Chimney, Bruges, ca. 1830. Etching and line engraving on medium, slightly textured, cream wove paper.

Picture stall in the Kloostergang van de Dom in Utrecht, in Or Before 1857 print paper street-trader. art trade, art shop (+ graphic arts) Dom Van Utrecht

First meeting of the National Institute / The 15 Germinal year 4th of the Republic

REFRESHMENT BUFFET OF THE NEW CHAMBER OF DEPUTIES, VERSAILLES, ENGRAVING 1876, FRANCE, EUROPE

Vue des Ouvrages de Peinture 1801 Antoine Maxime Monsaldy French. Vue des Ouvrages de Peinture 411412

This aquatint on paper from 1839 by Francesco Citterio depicts the ceremonial handover of the key of Milan to Emperor Ferdinand I at Porta Orientale in 1838.

THE PARIS INTERNATIONAL EXHIBITION

España. Madrid. Vista interior del Teatro del Palacio Real. Grabado de 1849.

Appartamenti d'Ersilia, a scene for the heroic-fabulous ballet Numa Pompilio, created for the Teatro alla Scala by Salvatore Viganò during the Lent of 1815. Designed by A. Sanquirico and engraved by A. Biasioli in 1815. This piece is part of a collection of various scenic decorations executed for the Teatro alla Scala in Milan by Alessandro Sanquirico

Worship for the Merode, 1830; Grand Service à la Mémoire du Comte Fréderic de Mérode et des Braves Morts pour la Patrie le 4 10.bre 1830; Evégenemens de la Belgique Dessinés sur les lieux par des témoins oculeaters, bruxelles, à la lithographie de Jobard; Prints added to the EVÉTELENS series de Bruxelles, Anvers (...) (1831). Weather service for Frédéric de Merode and other cases in a church on December 4, 1830. De Merode was one of the leaders of the uprising and was injured during a meeting with Dutch troops on October 24 at Berchem. He died on November 4. Part of a group of prints from various other series related to the records in recuueil about the events during the Belgian revolution in Brussels, Antwerp and other cities in the period 25 August 1830 to 27 March 1831.

Entrance of Karel IV of Lorraine in the Feestzaal, Jacques Callot, 1627 print In a large party room, Karel IV of Lorraine makes his entrance with a consequence of torch bearers and armed men. In the background the triumph cars with the sun, Vulcanus and Juno, Minerva and Venus. Along the walls of the hall stands full of spectators. On the left on the balcony, the Duchess of Chevreuse must be located. Under the show a caption in French. This print is part of a series of illustrations for a book about the festivities (ao a tournament) in the Ducal Palace in Nancy on February 14, 1627. Nancy paper etching chariot, triumphal car. vestibule, hall Nancy

. The decoration piece applied in a side room of the widow's house of the ships Jasper Bonnes on the IJchracht in Amsterdam. At the end of the Corridor Prince Willem V standing on an increase. Left and right the virtues. Links are from front to behind faith, strength and justice. To the right stand from before to the back: steadfastness, hope and love. On the occasion of the majority of Prince Willem v on March 8, 1766. Numbered at the top: IX.

In the interior of the church, three figures are kneeling facing the altar. The two women and the man are seen from behind. Below the image the name and description of the church, Augustijnenkerk 'de Ster' in Amsterdam, print maker: Petrus Augustus Beretta, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), publisher: Desguerrois & Co., (mentioned on object), print maker: Netherlands, printer: Amsterdam, publisher: Amsterdam, 1815 - 1866, paper, h 545 mm × w 380 mm

. Theater performance in the Amsterdamse Schouwburg on the Emperorsgracht with the Coulis Decoration The wallpapered room with scene from: the swierce. The decor printed from a separate plate within a new passe-partout with the hall, orchestra bin and the facade of the stage with columns and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a later edition of the series of 12 stage decorors.

Encouragement of Arts &c, Adelphi, John Bluck, active 1791-1831, British, Thomas Rowlandson, 1756-1827, British, after Augustus Charles Pugin, 1762-1832, French, 1809, Aquatint on slightly textured, medium, cream wove paper, Sheet: 10 5/8 × 12 7/8 inches (27 × 32.7 cm), Plate: 9 1/8 × 10 3/4 inches (23.2 × 27.3 cm), and Image: 7 7/8 × 10 1/8 inches (20 × 25.7 cm), architectural subject

Party for the unveiling of the statue of Rembrandt Harmensz. van Rijn on the Rembrandtplein in Amsterdam on May 27, 1852, Popko van Groningen, 1852 print Netherlands paper letterpress printing monument, statue Rembrandtplein

Fun of Mr Mirabeau Funeral of Mr Mirabeau ".

Schouwburg with theater decor: the army tents, Pieter Hendrik Jonxis, after Jan Bulthuis, after Pieter Barbiers (I), 1788 print Theater performance in the new Amsterdam Schouwburg with the scenic decor the army tents, with scene from Achilles. The decor printed of a separate plate within a passe-partout with the room, side logs, pillars with statues and the facade of the stage. A six -line verse in the caption. Part of the series of fourteen theater decors of the Nieuwe Amsterdamse Schouwburg, 1787-1794. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Leidseplein (1774-1890)

Princess Anna takes a seat in the meeting of the States General, 1752, Jan Caspar Philips, 1754 print Princess Anna van Hannover takes a seat as governor of Prince Willem v in the meeting of the States General, December 21, 1752. Amsterdam paper etching / engraving Lower House, Parliament, Chamber

MATRIMONIO NAPOLEON Y MARIA LUISA EN SALA DEL LOUVRE POR CARDENAL FESCH 21/4/1810. Location: PRIVATE COLLECTION. France. MARIA LUISA ARCHIDUQUESA DE AUSTRIA. MARIA LUISA EMPERATRIZ. FESCH CARDENAL. CARDENAL FESCH. NAPOLEON BONAPARTE (1769-1821) NAPOLEON I.

THE FRENCH ANNEXE AT THE INTERNATIONAL EXHIBITION, 1871

Party for Spaniards at the Winter Garden

View in the Orange hall of the Huis ten Bosch palace in The Hague. The central depiction of Stadholder Frederick Henry in his chariot of triumph drawn by four white horses and crowned by Victory and Abundance, completed in 1652. On the left two visitors, Orange Hall in Huis ten Bosch., print maker: Frans Molenaar (1821-1886), intermediary draughtsman: Tieleman Cato Bruining, after: Jacob Jordaens (I), Amsterdam, 1831 - 1886, paper, etching, engraving, h 502 mm × w 450 mm

Reform Banquet in the Theatre, Wellington, New Zealand, 1850. 'Nearly two hundred guests sat down to a sumptuous dinner...On the stage was the chairman's table, from which three tables extended...towards the footlights...The stage was embellished with flags, evergreens, &c. A new scene, painted by Mr. Marriott, expressly for the occasion, tapestried the wall behind the chair; representing a Roman arch, flanked by columns, and surmounted by figures of Justice and Victory. The whole of the theatre and the staircase leading to the stage were hung with chandeliers of lights, whose brilliance s

Redoutensaal in the Hofburg in Vienna , Verlag d, Association v, gold, Cross, Producer, Josef Löwy -, Producer, Friedrich Jasper, Printer

Changing of the Guard in the Pavlovsk Palace at the time of Paul I by Schwarz, Gustav (ca. 1800-after 1855) State Open-air Museum Pavlovsk Palace, St. Petersburg 1850s Oil on canvas Germany German Painting of 19th cen. Architecture, Interior,Genre

Carington Bowles, 1724-1793, British, The New Gallery of the Vatican Library at Rome. With the Cornishes ornamented with Etrusian Vases. Hand-colored engraving.

The Middle Temple Hall, London, James Peller Malcolm, 1767-1815, American, after James Peller Malcolm, 1767-1815, American, 1800, Steel engraving on medium, slightly textured, cream, wove paper, Sheet: 17 × 20 7/8 inches (43.2 × 53 cm) and Image: 14 1/8 × 18 1/16 inches (35.9 × 45.9 cm)

Les Invalides, Paris: the sarcophagus in the crypt of the tomb of Napoleon. Wood engraving.

John Bluck, active 1791-1831, British, Philanthropic Society, The Chapel, 1809. Aquatint, hand-colored.

PARIS, - Le Service Anniversaire de la Mort de M, Thiers a Notre-Dame, Le Septembre , Memory for the death of the French President Adolphe Thiers in in Notre Dame from L´Ilustation , Charles Maurand -, Xylographer, after, August Deroy, Artist

Italy, Napoleonic Wars, Coronation of Napoleon Bonaparte (1769-1821) as King of Italy in the Milan Cathedral on May 21, 1805, watercolor

The College of Physicians, from 'Ackermann's Repository', Thomas Rowlandson, British, 1756-1827, Augustus Charles Pugin, French, active Great Britain, ca. 1762-1832, John Bluck, British, 1791-1832, Aquatint, brush and watercolors on paper, Men in wigs sitting and standing around a long table, center, in a large formal meeting room. Title, artists', and publisher's names below., Europe, London, England, 1808, Print, Print

Study for Drawing Room, St James, from Microcosm of London 1807-1809 England. Brush and watercolor over traces of graphite, on ivory wove paper . Augustus Charles Pugin

A celebration in the Hotel du Louvre, Paris, France for the prince Napoleon, 1880, woodcut, France, Europe

Woodcut depicting an exhibition of paintings displayed in a Gallery in France. Dated 1852

Litografía con la vista del interior del TEATRO REAL DE MADRID, obra de Julio DONON. Museo Municipal. Madrid. España.

Special Meeting Held by Louis XVI at the Palace 1798-1804 France. Etching with engraving on ivory wove paper . Claude Niquet (Engraver)

Peep-show, Vue d'Optique Representant Interior Sti Petri in Roma L'Interieur de St. Pierre de Rome, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Peep-show, Vue Perspective du Dedans de L'Eglise des Chartreux de Pavie en Italie, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

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