Architectural Etchings

Etchings representing grand architectural designs and decorations, with detailed illustrations of interiors and monumental structures from the past.

Northern Netherlands, Hooghe, Romeyn de, Eerepoort opde markt, Arc de triomphe sur le marché, Erepoort op de markt, 1691, View of the triumphal arch on the market, erected for the entry of stadtholder-king William III into The Hague, 5 February 1691. In front of the gate are two obelisks and two semicircular wings, all decorated with historical and mythological scenes with inscriptions in Latin., print, picture, news print, book illustration, prints, pictures, Frederik Muller Historical plates, height 334 mm, width 442 mm, 1645-09-10 - 1708-06-15, print maker, printmaker, 1691 - 1691, fourth quarter 17th century, paper, papier, etching, etchings

Friedrich Brentel, known as Brenten the father (1580-1651). Funeral pump of Charles third of the name, Duke of Lorraine, made in Nancy in the year 1608, fourth of the ten large tables: effigy of the late Lorraine Highness and the Bed of Honor (white 5 page 516; Andreas Andresen 10 ( 6), volume 4, page 194). Etching. 1609. Museum of Fine Arts of the City of Paris, Petit Palais. 99610-29 Etching, XVIIth XVIIth XVII 17th 17th 17 CENTURY

Title page: Nouveaux Liure de Pintures de Salles et d'Escalliers; Nouveaux Liure de Pintures de Salles et d'Escalliers. Hall decorated with coupled corintean columns and a view of a gallery with images. Sheet from series with painted wall decorations for rooms and stairwells.

Festa della sensa (fifth part); AnkeFt und Herkvommen der Weitberümbten Herrlichen Statt Screw Sambt Derselben Waident Herrschafft. Procession of the Doge on Ascension Day over the San Marco Square in Venice. The procession leads to the Bucintoro, the galei of the Doge. Once a year 'married the Doge during the DELLA SENLA Sensa festa with the Adriatic Sea by throwing a ring in the water from this galei.

Part of a portal with vases in Nissen, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1601 print Part of a portal with vases in niches. Through the gate a face on two obelisks for a city gate. Rolling in the corners. This print is part of an album. Antwerp paper etching architectural representations in general

Northern Netherlands, Hooghe, Romeyn de, Eerepoort opde markt, Arc de triomphe sur le marché, Erepoort op de markt, 1691, View of the triumphal arch on the market, erected for the entry of stadtholder-king William III into The Hague, 5 February 1691. In front of the gate are two obelisks and two semicircular wings, all decorated with historical and mythological scenes with inscriptions in Latin., print, picture, news print, book illustration, prints, pictures, Frederik Muller Historical plates, height 334 mm, width 442 mm, 1645-09-10 - 1708-06-15, print maker, printmaker, 1691 - 1691, fourth quarter 17th century, paper, papier, etching, etchings

Speculum Romanae Magnificentiae: View of the Roman Capitol 1569 Etienne DuPérac French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead

Giuseppe Vasi, after Paolo Posi, The Prima Macchina for the Chinea of 1754 The Palace of Venus in Cyprus, 1754 The Prima Macchina for the Chinea of 1754: The Palace of Venus in Cyprus

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens, Print made by Jacob Bonneau, 1741-1786, British, after Samuel Wale RA, 1721-1786, British, and after John Gwynn RA, 1713-1786, British, 1751, Etching, stipple engraving and drypoint print on moderately thick, smooth, cream laid paper, Sheet: 11 1/4 x 15 1/2 inches (28.6 x 39.4 cm), Plate: 9 3/4 x 12 3/16 inches (24.8 x 31 cm), and Image: 8 7/16 x 10 5/8 inches (21.5 x 27 cm), arches, architectural subject, ball, children, columns, concave mirrors, costume, designs, discussion, dog (animal), exploring, fancy dress, fresco, gardens, Hallways, leisure, men, mythology, palace, plans, railing, sculpture, stairs, statues, talking, women, England, Greater London, Lambeth, London, Southwark, United Kingdom, Vauxhall Gardens

Fountain of Venus in the gardens of Villa Doria Pamphill - Rome; Fons Veneris; Le Fontane Ne Palazze E Ne Giardini di Roma; Fountains in the palaces and gardens of Rome.numbered at the bottom right: 26. The print is part of an album.

High fireworks in the middle of the bridge nine (IT)

Florence, Callot, Jacques, Illustration for the third act of the tragedy 'Il Solimano', verso lower left - stamped, On a square or wide street with large buildings walk three orientally dressed figures with short indications of their names at their feet (characters in the tragedy 'Il Solimano'), surrounded by many other actors, arranged in two blocks and a large semicircle., print, prints, height 197 mm, width 276 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1619 - 1620, first quarter 17th century, paper, papier, etching, engraving, engraving (printing process)

Speculum Romanae Magnificentiae: Circus Flaminius in Rome. Artist: Anonymous; After Pirro Ligorio (Italian, Naples ca. 1512/13-1583 Ferrara); After Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome ()). Dimensions: sheet: 14 3/16 x 21 1/16 in. (36 x 53.5 cm). Publisher: Claudio Duchetti (Italian, active Venice and Rome, ca. 1565-died ca. 1585). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 1581.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound toget

Fantastic Garden with a Fountain and a Garden Pavilion. Dated: before 1753. Dimensions: plate: 16 x 18 cm (6 5/16 x 7 1/16 in.) sheet: 23.6 x 34 cm (9 5/16 x 13 3/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Antonio Landi.

Function for Emperor Matthias. Former service for Emperor Matthias, died on March 20, 1619, jerked in the San Lorenzo in Florence.

Design for an honorary gate at Vlissingen, 1772, anonymous, 1772, Design for an honorary gate, probably for an honorary gate at Vlissingen at the celebration of 200 years of freedom in Vlissingen, April 6, 1772. In the center an altar with a flame and the inscription Auriaco, in the niches and on the tympanum statues of allegorical figures. At the top the coat of arms and name of Stadholder William V., draughtsman: anonymous, Northern Netherlands, 1772, paper, h 390 mm × w 486 mm

Projet d'un feu d'Artifice dans un Jardin (Design for Fireworks in a Garden), plate 114, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier), Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Gabriel Huquier, French, 1695-1772, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, Garden with tall trees and façade of palace in background. Stairs lead up to exotic obelisque-like structure made of stone with palm trees, figures holding birds; above, structure is rounded pagoda-like obelisque with grapevines and winged figures., Paris, France, 1742-48, ephemera, Print, Print

Antwerp, Quellinus, Erasmus (I), Causé, Hendrik, Paintings on the west side, Sint Michielsabdij Antwerp, verso - stamped, View of the paintings on the west side of the church of the Sint Michielsabdij in Antwerp. Christ at the wedding at Cana. He has six jars filled with water and changes the water into wine., print, prints, height 308 mm, width 160 mm, 1648 - 1699-05, print maker, printmaker, 1699 - 1699, paper, papier, etching, etchings, engraving, engraving (printing process), 1584 - 1640

Italy, Bella, Stefano della, Views of the villa of Pratolino, The Villa Pratolino, Two views in the grotto in the garden of Villa Pratolino, verso - stamped, from left and right. In the centre of the grotto a fountain with a sculpture of an old man with a jug. Against the back walls representations of river gods and of a winged figure with a trumpet. Outside the grotto a staircase., print, ornament print, prints, height 248 mm, width 363 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etsen

Henri Mauperche, French (c. 1602-1686), The Adoration of the Kings, etching

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Landscape in rocaille cartouche, verso - stamped, Figures in landscape with on the left a portal with four columns. In rocaille frame. Publisher number 114., print, ornamental print, prints, ornamental prints, height 200 mm, width 301 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Jacques Callot, Solimano, Act III, 1620 Solimano, Act III

Louis XIV (King of France), Paris, Scotin, Gérard (I), Meulen, Adam Frans van der, Genoels, Abraham, Architectural gardens, Garden with bath, verso center bottom - stamped, A public bath in an architectural garden. The print is part of a series of six garden landscapes., print, prints, height 150 mm, width 210 mm, 1640 - 1723-05-10, print maker, printmaker, 1650 - 1690, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, South Netherlands, French, 1632-01-11 - 1690-10-15, publisher, uitgever, Frans, 1643 - 1715-11-16, printer, drukker, 1638-09-05 - 1715-09-01, verlener van privilege

Square in front of a renaissance palace with on the left a Neptune fountain, Square in front of a renaissance palace, draughtsman: Daniël de Blieck, 1662, paper, pen, brush, h 117 mm × w 230 mm

Antwerp, Galle, Theodoor, Vredeman de Vries, Hans, Doetechum, Johannes of Lucas van, Variae Architecturae formae, Oval architectonic perspective views for intarsia, Round temple with central basin and fountain, Open round temple with central basin and fountain. Ornament in the corners. This print is part of an album., print, prent, albumblad, prints, prenten, height 162 mm, width 214 mm, print maker, printmaker, 1560 - 1562, paper, papier, etching, etchings, Work conception, Southern Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1571 - 1633, publisher

Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1765 The Garden of the Hesperides, 1765 The Prima Macchina for the Chinea of 1765: The Garden of the Hesperides

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Veüe Grottes et Fontaines de Jardins a l'Italiene, Garden pavilion with three arches, From the second edition., print, ornamental print, prints, ornamental prints, height 164 mm, width 243 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1658 - 1670, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

A 1749 etching by Giuseppe Vasi showing a drawing of a scene from the solemn celebrations in Naples, illustrating ceremonial arrangements and decorations (Tafel VI).

Decoration representing the temple of the hymen ... (IT)

Thomas Sandby RA, 1721-1798, British, Receipt for a Set of Six London Views, ca. 1758. Pen and black ink and gray wash, incised for transfer on medium, moderately textured, cream laid paper mounted on thick, moderately textured, cream laid paper.

Death of John the Baptist, 1613 Different scenes about the death of John the Baptist. On the right, Salome dances with the meal of Herod. On the left in the foreground is the beheaded John the Baptist, his hands bound. De Beul offers the head to Salome, who holds a dish. In the background, Salome brings its head to Herodias and the body of John is buried (Mar. 6:21). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam 9: paper letterpress printing / etching Different scenes about the death of John the Baptist. On the right, Salome dances with the meal of Herod. On the left in the foreground is the beheaded John the Baptist, his hands bound. De Beul offers the head to Salome, who holds a dish. In the background, Salome brings its head to Herodias and the body of John is buried (Mar. 6:21). With a motto in Latin above the performance and a four -line caption in Latin under t

Print (France)

Triumphal arch erected by the foreign merchants of Vienna for the marriage of Joseph I in 1699; from 'Entwurff einer historischen Architectur ...'. Artist: Johann Adam Delsenbach (German, Nuremberg, 1687-1765); After Johann Bernhard Fischer von Erlach (Austrian, Graz 1656-1723 Vienna). Dimensions: Sheet (Trimmed): 17 3/16 × 12 3/16 in. (43.6 × 30.9 cm). Date: after 1699. Museum: Metropolitan Museum of Art, New York, USA.

Schouwburg with theater decor: Het Bosch, Izaak Jansz. de Wit, after Jan Bulthuis, after Christian Henning, 1788 print Theater performance in the new Amsterdam Schouwburg with the scenic decor Het Bosch, with scene from the wedding of Kloris and Roosje. The decor printed of a separate plate within a passe-partout with the room, side logs, pillars with statues and the facade of the stage. A six -line verse in the caption. Part of the series of fourteen theater decors of the Nieuwe Amsterdamse Schouwburg, 1787-1794. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Leidseplein (1774-1890)

Illumination of the galleries of the Louvre for the birth of Monseigneur Le Duc de Bourgogne on August 25, 1682 Jean Marot (1619-1679). "Illumination of the galleries of the Louvre for the birth of Monseigneur Le Duc de Bourgogne on August 25, 1682". Engraving.

A feather and ink drawing with gray and brown lavated washes by an anonymous artist depicting Peter led from prison by an angel, three sleeping guards, and a coat of arms with three balls, executed using cycling squaring and blue accents.

Arc de Triomphe rate at the end of the Pont Nostre Lady. (IFF 1016) (registered title)

Funeral of Prince Francesco de Medici. Medium: etching on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Speculum Romanae Magnificentiae: Farnese Palace Interior 1585 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients compo

Il Greco in Troia: Plate 9. Medium: etching and engraving on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: Arnold von Westerhout.

Speculum Romanae Magnificentiae: The Great Hall within the Farnese Palace. Artist: Anonymous. Dimensions: sheet: 14 x 17 15/16 in. (35.6 x 45.5 cm)plate: 12 x 16 1/8 in. (30.5 x 41 cm)mount: 16 13/16 x 22 1/16 in. (42.7 x 56 cm). Publisher: Paolo Graziani (Italian, active Rome, 1577-84). Series/Portfolio: Speculum Romanae Magnificentiae. Date: late 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a t

unknown, Paris, Leblond, Jean (I), France, Lepautre, Jean, Plafonds modernes, Cross-section of building with room and alcove, In the room is a lower bosom, with a herm on either side and above it an oval painting of Diana. From a series of 12., print, ornamental print, prints, ornamental prints, height 132 mm, width 194 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1628 - 1666, second quarter 17th century, third quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1594 - 1666, publisher, granter of privilege

Figures in an Imaginary Architectural Interior ca. 1760 Pierre Moreau French. Figures in an Imaginary Architectural Interior 398048

Rzym View of the Vatican Library built by Sixtus V. with the architecture of Domenico Fontana, and containing most of the tampers, and books that er ano in the other already erected by Niccolo V. and Sixtus IV. Barbazza, Francesco (FL.1756 178 ), Panini, Francesco (1745 1812), Roman football (1738 1870)

Cochin, Nicolas (n.1610 - D.1686), five theatrical decorations for the Pazza finga, drama of Jules Strozzi, the port of the city of Scyre. Second number of a series of 5 pieces (A. de Vesme Clxxix (third section, questionable parts and rooms whose engraving or drawing is assigned wrongly to Della Bella), Dutuit 102) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Etching by Domenico Franceschini showing the second fireworks scaffolding for the Chinea festival in Rome in 1733, depicting Juppiter, Minerva, and the smithy of the volcano.

Home interior by Jean Le Pautre, pen, brush, watercolour on paper, 1654, 1618-1682, Russia, Moscow, Museum of Private Collections in A. Pushkin Museum of Fine Arts, 28, 7x42

Longitudinal Section of a Ballroom Decorated for the Marriage of the King of Naples to the Archduchess of Austria 1700-1773 Luigi Vanvitelli Italian. Longitudinal Section of a Ballroom Decorated for the Marriage of the King of Naples to the Archduchess of Austria 341566

Amsterdam, Colijn, Michiel, Sellius, Bernardus, Antwerp, Borcht, Pieter van der (I), Imagines et figurae bibliorum, Emblemata Sacra è praecipuis utriusque testamenti historiis concinnata (New Testament), Emblemata Novi Testamenti, Gratiarum thesaurus, Christ among the scribes, below the representation - handwritten, Christ among the scribes in the temple. On the left of the print, Joseph and Mary take their son to Nazareth. With a motto in Latin above the representation and a four-line caption in Latin below the print. The print is part of an album., print, picture, album sheet, prints, pictures, Jesus Christ dans le Temple au Milieu des Docteurs, height 187 mm, width 244 mm, South Netherlands, 1545 - 1608, print maker, printmaker, 1582 - 1593, paper, letterpress printing, etching, etchings, 1551 - 1593, writer, Publication (Event), Publication, publisher

Speculum Romanae Magnificentiae: The Great Hall within the Farnese Palace late 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of

Drawing by Hans Vredeman de Vries showing a temple dinner scene with the healing of the lame, executed in violet brush with gray wash, dated 1555.

Campo d'Eduardo nel ballo L'assedio di Calais. Litografia Ricordi. Sanquirico inv., 1826. Additional, Edoardo III; ossia L'assedio di Calais., 1826., Milano; Firenze. Publisher, Presso Gio Ricordi; Presso Ricordi, Pozzi e C. Dancers, Lithographs

Speculum Romanae Magnificentiae: Interior of the Lateran 16th century Nicolas Beatrizet French This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints.

Print (Netherlands); Jan van Doetechum the Elder (Netherlands); After Hans Vredeman de Vries (Dutch, 1527 - ca. 1606); Print Maker: Johannes van Doetechum I (ca. 1530 - 1606), Lucas van Doetechum (Dutch, after 1584); support: white laid paper; Platemark/repeat: 20.6 x 26.1 cm (8 1/8 x 10 1/4 in.)

Speculum Romanae Magnificentiae: Interior of the Lateran. Artist: Nicolas Beatrizet (French, Lunéville 1515-ca. 1566 Rome ()). Dimensions: sheet: 15 15/16 x 19 11/16 in. (40.5 x 50 cm). Publisher: Antonio Lafreri (French, Orgelet, Franche-Comte ca. 1512-1577 Rome). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, w

La fille du Danube. (Ballet): 2e. décors du 2e. acte Monde dramatique. Collette, Alexandre, 1814-1876. Prints. 1836. Jerome Robbins Dance Division. Opéra de Paris. Ballet, Fille du Danube (Choreographic work : Taglioni, F), sets

Temple founded in front of the house of the imperial ambassador in The Hague in honor of the birth of Archhertog Leopold Johan, 1716, 1716 print Temple founded in June 1716 in front of the Huis van de Imperial Ambassador Arnold Baron Von Heems in The Hague in honor of the birth on 13 April 1716 of the young Archduke Leopold Johan (De Kroonprins died in the same year). Expansion decorated with allegorical figures, weapons and banners. In front of the house, visitors gather with buckets to stick to the wine from the fountain. On the left a few details of the party temple, above the title with French translation and the legend 1-21. print maker: Northern Netherlandsprinter: Amsterdam paper etching / engraving public festivities at birth of royal persons (+ festive decoration ~ festive activities) The Hague

Print (France)

Stairways adorned by magnificient architecture . (Gruppo di Scale ornato di magnifica Architettura .). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Plate (Image): 9 5/8 × 14 9/16 in. (24.5 × 37 cm)Plate (Inscription): 11/16 × 14 7/16 in. (1.8 × 36.6 cm)Sheet: 13 1/4 × 19 1/2 in. (33.7 × 49.5 cm). Series/Portfolio: Prima Parte di Architettura, e Prospettive (Part One of Architecture and Perspectives). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.

A red chalk sketch by Gioacchino Pizzoli depicting fantasy architecture with Ionic columns, a bridge in the background, and a fountain.

Design for a decoration on the Felix Meritis building. Design for a decoration, t.g.v. "Pax", on the building of Felix Meritis in Amsterdam, July 1802.

View of the Garden of the Ouderhoek country estate, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 50. Print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). country-house. French or architectonic garden; formal garden. garden pond Vecht. New -louse

April: a garden (bull); Aprile; The twelve months (part 1). Imagination of human activity in the month of April. View in a garden with people working in the garden and people looking out their entertainment. In the middle above the symbol for the constellation bull. Italian fresh and title in undermarge.

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Cascade in De Tuinen Van de Villa Aldobrandini Te Frascati, Giovanni Battista Fonda, 1653 - 1691 The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Aldobrandini. Frascati The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Aldobrandini. Frascati

Rome, Piranesi, Giovanni Battista, Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto Ve(nez)iano, Views of Rome, Veduta della Villa Estnse in Tivoli, Villa d'Este in Tivoli, verso - stamped, View of the Villa d'Este and associated gardens at Tivoli. Title on a block center bottom., print, prints, height 469 mm, width 703 mm, Italian, 1720-10-04 - 1778-11-09, print maker, 1748 - 1778, paper, etching, Work conception, to own design by

Royal Exchange Made 1644 Bohemia. Wenceslaus Hollar depicted this international marketplace in intricate detail, including such intimate scenes as a woman hawking broadsheet prints on the left and Turkish vendors in the center. Sir Thomas Gresham, whose portrait medallion hangs beneath the title in later states, built this impressive structure in 1569. The building burned to the ground in Londonís Great Fire, 22 years after Hollarís depiction. The print would be reissued in 1668, however, catering to public interest by adding a caption reading, ìThis is ye Exact Representation of ye Royall Exchange as it was before ye late Fire, 1666, designed and engauen by W. Hollar.î. Etching on ivory laid paper . Wenceslaus Hollar

Vignette with parties in Frankfurt in honor of the coronation of Frans I Stefan to Emperor, 1745, 1746 print Vignette with the festivities on the occasion of the coronation of Frans I Stefan to Keizer on 4-6 October 1745. On a square in Frankfurt an OS is roasted and a rider with money. Some allegorical figures in the peripheral work. paper etching / engraving coronation of a ruler. public festivities (+ eating and drinking ~ festive activities) Frankfurt am Main

Tomb or mausoleum of Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the statue of the sitting prince. With visitors around the fence, Tomb of William I, Prince of Orange, 1623., print maker: Jan Luyken, Low Countries, 1678 - 1680, paper, etching, h 274 mm × w 347 mm

Act 5, Scene 1, for Il Pomo d'Oro, Ludovico Ottavio Burnacini, Italian, 1636-1707, Mathias Küssel, 1621-1682, Engraving in black ink on paper, Horizontal rectangle. A single figure is seen in the center front of the stage. Houses and gardens at either side, and a broad vista in the center. Jupiter and Juno on a cloud. Below, artists' names., Italy, 1667, theater, Print, Print

Speculum Romanae Magnificentiae: Portico of the Temple of Julius 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instea

View of the garden on the south side of Slot Zeist / Face by the Berceau van Slot Zeist; The Flower and Grass Parterre Neffens De Jumps / La Grenre D'Herbe Des Fleurs Avec La Fontaine / Script by De Groene Berceaux after one of the cabinets / Veüe par Le Berceau d'Herbe Par Lequel on Voit Un des Cabinets; Faces locked Zeist. Two performances on a leaf. Above: View of the ground floor with grass and tires with flowering plants on the south side of Slot Zeist, with the fountains of the fountains, from the northwest. Below: face through the prounest around the garden, Zeist, on the northwestern garden pavilion, from the southeast.

Photo production of a print of a face on the Westerhout country estate in Beverwijk by Hendrik de Leth, Anonymous, After Hendrik de Leth, 1900 - 1930 photograph photographic support gelatin silver print villa Beverwijk

Design for an installation for fireworks in a garden, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print Design for fireworks in a garden, dedicated by the ambassador of Spain on the occasion of the birth of the Dauphin, 1729. This print is part of an album. paper etching bonfire, fire-works. palace

A red chalk drawing on brownish paper depicting Venus at her toilet, highlighted with white.

Fireworks decoration / which was drawn on July 25, 1756 in front of the ... City Hall in rejoicing of the Taking the Forts of the Mahon Port ... (IT)

Stage Design, View into Apse, Pen and sepia ink, brush and wash on laid paper, Vertical rectangle. View into apse with chapels, in one of which is a tomb, richly decorated., Italy, early 18th century, theater, Drawing, Drawing

Amsterdam, Greve, Barent, Isaac, Moucheron, Isaac de, Park landscape with two sphinxes, verso - stamped, View of a garden with ornamental fountains with water-spouting sphinxes on the left and right in the foreground and trees behind them. Behind the balustrade a pond., print, prints, height 251 mm, width 337 mm, 1667-11-23 - 1744-07-20, print maker, printmaker, 1677 - 1744, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1677-11-17 - 1757-10-04, publisher, uitgever, Publicatie, Nederlands, 1707 - 1766-06-24

Classizing Landscape with Three Figures, from a series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry. Artist: Virgil Solis (German, () 1514-1562 Nuremberg); After Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy); After Leonard Thiry (Netherlandish, active Fontainebleau ca. 1536-1550). Dimensions: sheet: 6 x 4 in. (15.2 x 10.2 cm). Series/Portfolio: Series of architectural ruins with figures, in reverse after prints by Jacques Androuet Ducerceau after Léonard Thiry. Date: ca. 1550-62. Museum: Metropolitan Museum of Art, New York, USA.

Arion Cascade in the garden of Paleis Het Loo, 1702 print The cascade with an image of Arion that De Lier plays, on the west side of the large garden of Paleis Het Loo. Print is part of an album. paper etching French or architectonic garden; formal garden. ornamental fountain. Arion rides on a dolphin, holding his lyre Palace Het Loo

Speculum Romanae Magnificentiae: Circus Maximus 1581 Giovanni Ambrogio Brambilla Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Inste

Print (France)

Amsterdam, Marot, Daniël (I), Netherlands, Nouveau liure de paysages, Nouveaux Lieure de Paysages, Title page: Nouveau liure de paysages, View of a harbour on the Mediterranean Sea. From a series of 6 sheets., print, ornamental print, title page, prints, ornamental prints, height 251 mm, width 165 mm, 1663 - 1752-06-04, print maker, printmaker, 1703 - 1712, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

A big street with the gate to Capitol. Stage design "A Dantz of the Gallic Knights / and Roman women's room" at the end of the Drama (Atto Terzo, Scena XVII with dance and mass scene) of the opera "Camillo Generoso" by Carlo Luigi Pietro Grua, called Pietrua (Librettist unknown). Dresden, Opera House on Pagesberg, for Fast Night 1693. Copper engraving etching; Table 16 in textbook. Dresden: Slub Mt.4.111 Rara

Stage Design of an Ancient Roman Encampment by Night (recto). Dated: c. 1792. Dimensions: sheet: 37.3 × 50.9 cm (14 11/16 × 20 1/16 in.) mount: 51.6 × 59 cm (20 5/16 × 23 1/4 in.). Medium: pen and brown ink with gray wash and black wash over graphite on two joined sheets. Museum: National Gallery of Art, Washington DC. Author: Pietro Gonzaga.

Netherlands, Galle, Philips, Vredeman de Vries, Hans, Borcht, Pieter van der (I), Differents pourtraits de menuiserie. The series without title and without sheet 16, Differents pourtraicts de menuiseri, Two four-poster beds, The four-poster beds have a balustrade at the foot end. Sheet 12 of 15 numbered sheets + title page from a series of 16., print, ornament print, prints, ornament prints, height 260 mm, width 190 mm, South Netherlands, 1545 - 1608, print maker, printmaker, 1583 - 1583, fourth quarter 16th century, paper, etching, etchings, Work conception, 1527 - 1607, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Photo collection Government information service. Buitenplaats Parentoek. View of the garden. Engraving of Daniël Stopenaal. 1719. Nieuwersluis, Vecht

Decor with the Winterbos in the Nieuwe Schouwburg in Amsterdam, Cornelis Brouwer, after Andries van der Groen, after Jan Bulthuis, 1788 print print maker: Netherlandspublisher: Amsterdam paper etching / engraving theatre (building). theatre, theatrical performance

Plate from "Scenographiae..." 1560 Johannes van Doetecum I Netherlandish. Plate from "Scenographiae..." 398887

Fontein in De Tuinen Van Villa Doria Pamphilj Te Rome, Giovanni Battista Fonda, 1653 - 1691 Numbered below: 23. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Doria Pamphili. Rome Numbered below: 23. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Doria Pamphili. Rome

Giovanni Battista Sintes probably after Nicola Michetti (designer and architect), The Council of the Gods, for the Chinea Festival, 1732 The Council of the Gods, for the Chinea Festival

Dedication engraving - Venice view from the side of Bacino di San Marco; Marieschi, Michele (1710-1744); 1741-1742 (1st edition) (1741-00-00-42-00-00);Smolikowski, Seweryn (1850-1920), Smolikowski, Seweryn (1850-1920)-collection, Venice (Italy), Italy (state), gift (provenance), title cards, WDUTY

Jacques Callot, The Palace Gardens at Nancy, 1625 The Palace Gardens at Nancy

Rotterdam, Cornel, Nicolaas, Boon, Adriaan (1763-1802), Sansom, Franciscus, Image of the Illumination and Decoration for the House of the Genuine Fatherland Society on the Westnieuwland in Rotterdam 8 March 1788, Illumination of the building of the Genuine Fatherland Society on the Westnieuwland in Rotterdam, 1788, verso - stamped, Illumination of the facade of the building of the Genuine Fatherland Society on the Westnieuwland in Rotterdam, on the occasion of the fortieth anniversary of Prince William V on March 8, 1788 and the restoration of the old constitution. The facade decorated with lights and sixteen chassinettes with allegorical representations (before the two that were placed later on 7 August)., print, prints, Frederik Muller Historieplaten, height 314 mm, width 243 mm, Noord-Nederlands - 1788, print maker, printmaker, 1788 - 1788, paper, papier, etching, engraving, engraving (printing process), Nederlands, 1763 - 1802-10-27, intermediary draughtsman, after a drawing by, Pu

Senator Alamano Isolani's banquet in conjunction with the Gonfalonier of Bologna's award ceremony in November 1701, by Francesco Antonio Meloni (1676-1713), engraving.

Plate C: Election and Coronation of Emperor Maximilian II. Artist: Willhelm Hoffmans (German, active Frankfurt). Dimensions: Sheet: 7 3/8 × 11 1/4 in. (18.8 × 28.5 cm)Plate: 6 13/16 × 9 11/16 in. (17.3 × 24.6 cm). Printer: Johann Bringern (German, active Frankfurt). Published in: Frankfurt. Publisher: Anonymous, German, 17th century. Date: 1612.Holy Roman Emperor from July 25, 1565 - October 12, 1576.CoronationsPrague: September 20, 1562Frankfurt: November 24, 1562Pressburg: September 8, 1563. Museum: Metropolitan Museum of Art, New York, USA.

Temple of Diana in Ephesus, Philips Galle, After Maarten van Heemskerck, 1581 - 1633 print The Temple of Diana in Ephesus, depicted as an Italian basilica of three floors. In the foreground, architects and stonemasons work on the addition of a column to the structure. King Croesus of Lydië is the client. He looks at how three men discuss the placement of the column. The print has a Latin caption and is part of a series about the eight wonders of the world. print maker: Antwerpafter design by: HaarlemHaarlempublisher: Antwerp paper engraving temple of Artemis at Ephesus (Wonder of the World). architect supervising building activities. (story of) Croesus king of Lydia

Print, Design for fireworks on the water for the marriage of the Dauphin; Made by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750)

Music and Dance, Pieter van der Borcht (I), 1545 - 1608 print Hoftuin with couples who walk together and have fun. In the foreground, a man dances for a woman, while another lady plays the lute. A dog (symbol for love) watches. Also view other couples and point to the spectacle. The series shows various aspects of courtship and some examples from the Old Testament. Antwerp (possibly) paper etching garden of Love, court of Love, 'fíªte galante'. one person playing string instrument (plucked). one person dancing alone. French or architectonic garden; formal garden

Caricatural self-portrait Gabriel Davioud (1823-1881). Caricatural self-portrait, around 1878.

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