Architectural Etchings and Monuments

Prints depicting ruins, monuments, and allegorical compositions, featuring detailed landscapes and historical references with various figures.

Fig. I. Frammento d'un antico bassorilievo nella villa Barberini a Castel Gandolfo , Architectural decorations & ornaments, Bas-reliefs, Capitals Columns. The Antonio Cardinal Tosti Collection

Ruinship with columns and statues, Anonymous, After Johann Adam Stockmann, 1720 - 1775 print Three figures are in a ruin landscape between standing and fallen columns. The left figure points to a equestrian statue above him. A rocaille list on the underside of the performance. Publishing number 61. Augsburg paper etching landscape with ruins. column, pillar ~ architecture. equestrian statue. monument, statue

Portrait van Hooft on a monument, 1787, Anonymous, 1787 print A grateful Fatherlander, member of a free corps, hangs a portrait of Hendrik Danielsz. Hooft on a column, 1787. Behind the monument the fame blows on Har Bazuin, there is a keeshond on the floor. Northern Netherlands paper etching

Allegorical composition on the death of pastor Andreas Andriessen, George Kockers, 1801 print Allegorical composition on the death of Andreas Andriessen, pastor and professor in Middelburg. On the right of the grave monument his portrait is shown in an oval frame, flanked by a crying child and a praying Mary with a Bible and a cross on her lap. On the monument are books, a skull, an hourglass an scythe. Under the image a plaque with a four -line verse. Middelburg paper etching (human) skull. other allegories of Time, e.g. 'Tempo' (Ripa). book - MM - book open. the Virgin Mary. hourglass

Regulierspoort van Amsterdam, Jan Goeree, 1782 print Two performances of the Regulierspoort van Amsterdam and the Rondeel around 1544. Boven: a drapery with the side view of the gate. Under the drapery: the gate in a landscape. The print has a Dutch inscription and the page number 298 at the top right. Amsterdam paper etching / engraving city-walls (+ city(-scape) with figures, staffage) First Regulierspoort. Hotel Het Rondeel

Wall grave with mercury helmet and staff; Wall graves. Design and side view of a wall grave with ornamented panels and door knocker in shape of a cup. On top decorated with barrels, the horn of plenty and mercury staff and helmet. Publisher number XXVIII.

George Cruikshank, 1792-1878, British, Ups and downs of life in London, July 15, 1821.

An ornate garden obelisk decorated with urns and cherubs. Etching by J. Schynvoet after S. Schynvoet, early 18th century.

Fig. I. Frammento d'un antico bassorilievo nella villa Barberini a Castel Gandolfo , Architectural decorations & ornaments, Bas-reliefs, Capitals Columns. The Antonio Cardinal Tosti Collection

Fountain with sea horses; Fountains. The sea horses spit water. From series of 6 unnumbered sheets.

Print (France)

Fontana, Domenico.

Sarcofaag, Giovanni Battista Piranesi, c. 1756 - c. 1757 print A sarcophagus (called an urn on print). Various detailed details and views around the sarcophagus. Title and explanatory list of letters in STUDMARGE. Numbered above: to. Ii. / Xx. print maker: Romeprint maker: Italyafter own design by: Rome paper etching sarcophagus

Bliżej Kultury Chodowiecki, Daniel Nikolaus (1726 1801)

Stalls at the Saint-Germaine annual fair; La Foire St. Germain. Face on a few shopping stalls at the Saint-Germaine annual fair in Paris. In the foreground Harlekijn surrounded by different figures. Numbered above: Tom. VI and fol. 200.

Vignettes of Cupids playing at trades or professions. Above, two Cupids or genii imitate Capulatores or grape pressers while another stirs grape juice over a stove. Below, two Cupids make leather shoes in a shoemakers' shop with lasts and tools. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.

Book wheel by Nicolas Grollier de Servière, 1719 print Up to the top left: LXXV and in the image: Fig. 123. paper engraving machines, engines ~ crafts and industries. newspaper, news-sheet. book

Print, Design for a Mantlepiece; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 20 × 13.5 cm (7 7/8 × 5 5/16 in.)

Fireworks decoration. (IT)

Portraits of Maximilian's Relatives; and the Base of the Left Outer Column with the Date 1515, from the Arch of Honor, proof, dated 1515, printed 1517-18 1515 Albrecht Altdorfer The portraits of Friedrich Barbarossa, Konrad III and Rudolf I and the column base are by Albrecht Altdorfer; the remaining portraits and the arms and armorial decoration on the pedestal are by Hans Springinklee after Albrecht Dürer. Portraits of Maximilian's Relatives; and the Base of the Left Outer Column with the Date 1515, from the Arch of Honor, proof, dated 1515, printed 1517-18. Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). 1515. Woodcut and letterpress. Prints

Iscrizioni e frammenti delle camere sepolcrali della Famiglia Arrunzia ec.. Iscrizioni e frammenti delle camere sepolcrali della Famiglia Arrunzia ec.

The dance of death. Etching by R. Dagley, 182-.

Fontana, Domenico.

Tomb with grotesque vase. Tomb with grotesque vase. Title print for the series of six 'Tombeaux'. Part of group of prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 sheets.

Analysis of Beauty, Plate I, Print made by J. Barlow, active 1791, after William Hogarth, 1697-1764, British, Published by John Boydell, 1720-1804, British, 1791, Etching and line engraving on medium, slightly textured, cream wove paper

Print

Praag, Balzer, Matthias, Jan, Kleinhard, Johann, Verschiedene Beywerke zu Auszierung deren Rissen und Plans, Die Hidraulick, Hydraulica, verso - stamped, A rocaille ornament in a landscape with a water pump. On the right a man is sieving. Numbered AA in the bottom margin., print, ornament print, prints, ornament prints, height 216 mm, width 198 mm, 1738 - 1799-12-14, print maker, printmaker, 1772 - 1772, paper, etching, etchings, engraving, engraving (printing process), 1747-02-15 - 1791-07-18, Work conception, 1742 - 1794, after a design by, Publication (Event), Publication, publisher

Vanitas with globe, crucifix, skull and books. Vanitas still life with a globe, a crucifix, a skull, a bone and books on a table

Lapide del primo frontespizio, Lettere di givstificazione, Piranesi, Giovanni Battista, 1720-1778, Etching, 1757

Figures with a star glass at night. A number of figures in the night at a star viewer is at an increase in outside air. A figure takes place through the spotlight to the stars while the figure behind him points to heaven towards him. Under the increase, a framework can be seen through a window that bends over a drawing. Print at the top left of marked: XII.

Fireworks at the celebration of the Peace of Utrecht, 1713; Image of the Uyt-Curring Fireworks Realied for Haer Ed: Hoogde Magde de Heeren Staneten van Hollant and Westvriërland, and Aestroken on June 14, 1713. Stellage with fireworks set up commissioned by the states of Holland and West Friesland at the Hofvijver in 's-Gravenhage At the celebration of the peace of Utrecht, 14 June 1713. Central De Temple of Janus awarded by the Dutch virgin with freedom hat in the Dutch garden. The temple surrounded by sitting figures of faith, freedom, commerce, science and the arts. At the bottom of the declaration of the figures 1-14 in Dutch and French.

Paris, Le Père & Pierre-Michel Avaulez, Charles, Pillement, Jean Baptiste, Avril, Jean Jacques (I), Nouveau Cahier de Six Feuilles De Différents Sujets Chinois Historiés, Representant of the Five Senses of Nature, Hearing, verso - stamped, Personification of the sense of hearing. On the right sits a figure seen from the back and plays on a frame with bells, three children and two figures on the left are watching. One of the two figures on the left is holding a wind instrument. In the foreground in the landscape lies a stringed instrument., print, image, ornamental print, prints, images, ornamental prints, height 199 mm, width 291 mm, French, 1744 - 1831-11-26, print maker, printmaker, 1773 - 1773, paper, papier, etching, etchings, Work conception, 1728-05-24 - 1808-04-26, after a design by, Publication (Event), Publication, publisher

Gem Engraving, from Encyclopédie. Benoît-Louis Prévost (French, c. 1735-1809); after Antoine-Gaspard Boucher d'Argis (French, 1708-1791); published by André le Breton (French, 1708-1779), Michel-Antoine David (French, c. 1707-1769), Laurent Durand (French, 1712-1763), and Antoine-Claude Briasson (French, 1700-1775). Date: 1762-1777. Dimensions: 315 × 202 mm (image); 355 × 223 mm (plate); 390 × 255 mm (sheet). Engraving on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drie epitaves, Johanna thomas hairsty, 1781 print Designs for three epitaves. Left and right square epitaves with garlands, in the middle an epitaph with oval medallion with face, a smoking vessel, trumpet, weapons and a garland. Paris paper etching / engraving epitaph

James Gillray, 1757-1815, British, A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty, 1793. Engraving.

William Crotch as a child, a musical prodigy. Engraving.

Design for a Fountain Charles Pierre Joseph Normand French. Design for a Fountain 335942

The blunt fire in the Zeepziederij de Bruinvis, 1682, in Or Before 1690 print The blunt fire in the Zeepziederij de Bruinvis at the end of the Looiersgracht in Amsterdam, on April 18, 1682. Clouds of water vapor come from the building, caused by extinguishing. At the bottom of a map of the placement of the pumps and hoses. With four -line caption in Dutch and French. Later state (third known) is plate 12 in the fire spray book by Jan van der Heyden. Amsterdam paper etching / engraving fire-extinguishing equipment. fire-fighting. ruin of a building ~ architecture Tanner grease

The complicated R____n, 1794

Morning, Johann Esaias Nilson, 1731 - 1788 print A shepherd stands for a fantasy building and blows on an instrument. His beloved looks and listens from a window with hatch at him. There is a beef next to the shepherd. Publishing number LVIII. Augsburg paper etching pastorals, Arcadian scenes. morning. making music; musician with instrument. couple of lovers

Apollo verleidt leucothea, Virgil, 1569 print Leucothea is seduced by Apollo in the form of her mother. print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. Apollo, possibly in the guise of an old woman, wooing Leucothea

Jacques Callot, The Annunciation The Annunciation

Witt, Cornelis de.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Stage sets, Interior in cartouche, verso - stamped, Figures in interior in rocaille frame. In the foreground a man with a lance. Publisher number 116., print, ornament print, prints, ornament prints, height 199 mm, width 301 mm, print maker, printmaker, 1750 - 1750, paper, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Coffeehouse with arguing couple; Neues Caffehaus; Social activities. Links from a Rocaille coffee house argue a woman and a smoking man. Right of the house is a smoking man to read. In the undermaster a German text. Publisher number XII.

French courtier follows the edict of 1633, Abraham Bosse, 1633 This courtier is dressed according to the prescribed rules of the edict of 1633. He is wearing a simple smooth collar, while he stands with a foot on his fashionable (forbidden) lace collar. In the margin a caption in French from which it becomes clear that the man does not feel comfortable in this clothing, but is obedient to the king of France. Paris paper etching / engraving clothes, costume (+ men's clothes). neck-gear: collar (+ men's clothes). making toilet. dandy, beau. trousers, breeches, etc. (BREECHES) (+ men's clothes). head-gear: hat (+ men's clothes)

Design for a Royal monument. Engraving.

The Alchemist after an engraving by Vriese in The Cabinet of Designs. From Science and Literature in The Middle Ages by Paul Lacroix published London 1878

Dream ofJacob. Artist: Caesare Fantetti, Italian, 1650-1700

Fireworks in Utrecht in honor of William IV, 1747, Anonymous, 1747 - 1749 print Fireworks set off at the Neude in Utrecht on behalf of the students of the University of Utrecht in honor of the appointment of Prince William IV as stadholder of the Republic and his visit to the city of Utrecht on July 27, 1747. Central performance of the scaffolding for the Fireworks surrounded by smaller representations of the allegorical decorations on the temple on the scaffolding. paper etching bonfire, fire-works (+ illumination, fire-works ~ festive activities). fenced or walled garden; 'Hortus Conclusus'. astrological signs and symbols. personifications of countries, nations, states, districts, etc.. coat of arms (as symbol of the state, etc.) (+ province; provincial). (story of) Hercules (Heracles). the Trojan horse Neud

Water pump. Two figures pump soil water with a water pump. The print is equipped with numbers and in the mid-top: Tom. II.7me Leçon. Pl. 6.

Design for a Tureen, Joseph Anton Seethaler II, German, 1799-1868, Pen and ink, brush and washes, The circular vessel is supported by two caryatides and in the center by a man shoeing a winged horse. The base rests on seated sphinxes. The vessel is banded by motifs of gryphons, and the handle is in the form of three-faced Janus with a ring through its mouth.The finial is in the form of a kneeling putto giving a swan of drink from a cup., Germany, 1825-1835, drawing, drawing

Cheapside Cross, Alone, unknown artist, nineteenth century, after unknown artist, 1809, Engraving, Sheet: 11 x 7 9/16in. (27.9 x 19.2cm)

Annunciation of the Virgin Mary, bronze door of John Bologna, The Cathedral of Santa Maria Assunta in Piazza dei Miracoli, Pisa. Tuscany, Italy. Europe. Drawing by Goutzwiller. Travel through Tuscany 1881 by Eugene Muntz (1845 - 1902) Le Tour du Monde 1886

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Parma knighted in the Order of the Golden Fleece, 1585, The Duke of Parma is knighted in the Order of the Golden Fleece at Fort Kallo, 11 August 1585, as a reward for conquering the city of Antwerp. With a 12-line caption in German. Numbered: 89., print, picture, news print, album page, prints, pictures, Frederik Muller History plates, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1585 - 1587, fourth quarter 16th century, paper, etching, etchings

An architectural composition resembling an altar on which a skeleton lies, cherubs fly above. Engraving.

The Analysis of Beauty, Plate 1 March 5, 1753 William Hogarth British. The Analysis of Beauty, Plate 1 365314

Allegory on the unreliability of Spain and the freedom and welfare of the seven provinces: the Dutch garden, Willem Pietersz Buytewech, 1615 print Allegory on the unreliability of Spain and the freedom and welfare of the seven provinces, proposed with the Dutch garden. Print used for a pamphlet Merckt de Wysheyt Vermaert Vandt Hollantsche Huyshouwen and Siet des Luypaerts Aert who cannot be trusted. Two fragments of the pamphlet are stuck to the set -up cardboard. Netherlands paper etching

Window with curtains, Anonymous, 1878 - in or after 1904 print A window with draped curtains in the Hendrik II style. A basket is on a table in front of the window. Print from 73rd Livraison. paper window. hangings and drapery

Eight elongated tables; Differents PourTricts De Menuiseri (...); Differents Pourtraits the Menuiserie. The set of no title and without leaf 16. elongated tables, a triangular table, two footstools, two stools and a chair with a triangular seat. Leaf 6 of 15 numbered sheets + title sheet from a series of 16.

Giovanni Battista Piranesi (Italian, 1720 - 1778), The Sawhorse, published 1750-1758, etching, engraving, sulphur tint or open bite, scratching

Design for a room decoration: a panel with attributes of Jupiter. Draughtsman: Abraham Meertens. Dating: 1767 - 1823. Measurements: h 249 mm × w 117 mm. Museum: Rijksmuseum, Amsterdam.

Leopold Wilhelm, Archduke of Austria.

Egyptian chair, carved in an obelisk in the Barberini garden 1, and an Egyptian priest of the god Serapis consulting a serpent 2. Copperplate engraving by Pietro Ruga after an illustration by Lorenzo Rocceggiani from his own 100 Plates of Costumes Religious, Civil and Military of the Ancient Egyptians, Etruscans, Greeks and Romans, Franzetti, Rome, 1802.

Twee penningen.Medals beaten on the occasion of the conquest of the silver fleet through Piet Heyn, front and back. "Fig. 55" signed in the lower left corner.

Mlle. Monarchie, Felicite,Desiree. Artist: Paul Gavarni, French, 1804-1866

Concordia, Pax, Libertas and Fidelitas. Draughtsman: Jacob de Wit (possibly). Dating: c. 1705 - c. 1754. Measurements: h 264 mm × w 370 mm. Museum: Rijksmuseum, Amsterdam.

Frisians with vases and braid; V Cahier des DESSEINS A L'Usage des Artists and Architecture and General et pour fair the Frises et Autres Ornementes Speciation; Dessoints de la fashion Neuve au Gout Antique (...). Six Frisians with braid, vases, an egg list and bacchus with tons and grape vines.

The pulpit of St Thegonnec parish church, Way of St James. Finistere, Brittany. France, Europe. Old 19th century engraved illustration from El Mundo Ilustrado 1879

This wooden stick drawing (1514-1516) by Hans Burgkmair the Elder shows the White King receiving advice from Welschen while a messenger delivers a letter in the Weißkunig series.

A chest made of papyrus leaves, with offerings of embalmed leg of mutton and calf's head, as discovered by Professor Maspero at Thebes in Upper Egypt, during his investigation in April 1881. Egyptologist Ameila Edwards described these artefacts in the accompanying article in the Illustrated London News, "The large hamper, on being opened, proved to contain the funereal repast of Queen Isa-em-Kheb. This repast consisted of geese, legs of mutton and gazelle, calves' heads etc, all mummified a

Memorial Print for Egmont and Horne, 1569 print Memorie print for the executed graves of Egmond and Horne, 1568. On the left the count of Egmond, standing in armor, at half, next to his coffin in which two burning candles. On the right the count of Horne standing in armor, at half, next to his coffin, without candles. In the background the stakes on which their heads were impulated. At the top a banderole with text in German. Germany paper etching

Classical Scene with a Tomb and Flaming Brazier ca. 1700-1710 Gilles-Marie Oppenord French. Classical Scene with a Tomb and Flaming Brazier 343098

Copper Throne of Salomon, Philip Van Gunst, 1725 - 1731 print publisher: Amsterdampublisher: Amsterdampublisher: Leiden paper engraving / etching the throne of Solomon with two lions (1 Kings 10:18-20; 2 Chronicles 9:17-19). throne

The top left shows a landscape with two columns supporting an architrave in front of ruins, and the top right shows a statue that could be a Leucothea, with a ship at sea and a country house. The central panel shows a magnificent country house, with multiple characters and a statue of Neptune. The bottom panel shows a square tower with windows, a building supported by arches in water, and a tomb in the distance. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.

What the hell can destroy her appetite, from 'News of the day,' published in Le Charivari, January 31, 1868 January 31, 1868 Honoré Daumier. What the hell can destroy her appetite, from 'News of the day,' published in Le Charivari, January 31, 1868. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). January 31, 1868. Lithograph on newsprint; second state of two (Delteil). Arnaud de Vresse. Prints

Fruit saleswoman lays her dead child for the Slot in Rijssel, Caspar Luyken, 1710 print Nuremberg paper etching / letterpress printing finding a dead person Lille

Harmony, peace, freedom en fidelity, Jacob de Wit (possibly), c. 1705 - c. 1754 drawing Four allegorical figures and symbols: Concordia, Pax, Libertas, Fidelitas. Design for a painting. paper. ink pen / brush Symbols, Allegories of Peace, 'Pax'; 'Pace' (Ripa). Freedom, Liberty; 'Freedom' (Ripa). Agreement, Unity; 'Concordia', 'unsurpassed Concordia', 'Military Concordia', 'Concordia di Pace', 'Civil Union' (Ripa). Fidelity; 'Faithful (Ripa)

Pottery: porcelain plates; Egyptian, Greek and Peruvian containers.. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Containers, Pottery

Naples National Museum: Mosaic, Pompeii. Giacomo Brogi (Italian, 1822 - 1881)

Still life with palette, painting and bust of Mercury, print maker: Anthonie van den Bos, Netherlands, 1778 - 1838, paper, etching, h 80 mm × w 99 mm

Fountain with antique vase; I Cahier des Fontaines; Dessoints de la fashion Neuve au Gout Antique (...). Design for a niche with a pedestal with water stream on top of an antique vase with two rams caps.

Ruins of the Mausoleum of Octavian Augustus, 'Le Antichita Romane' II, 1756, Etching, Collection of architectural and sculptural fragmets. A capitol on a carved socle, with an inset bust, an obelisk and a base bearing the inscription: 'OSSA / AGRIPPINAE .M. AGRIPPA...' A small tree between the obelisk and the base. Behind, a large circular structure, at a different scale. Below, eight line inscription. Inscribed, lower right: Piranesi Archit. dis.et inc., Italy, 1756, Print, Print

Etching by Carl Anton Reichel from 1914 depicting Salzburg, focusing on cityscape and architectural details, Op. 108.

Engraved print with anatomical preparations by Frederik Ruysch, in pots on strong water, figs I-III. Top right: Tab. I and hand numbered: 29. Part of the seventh album with drawings of reptiles, amphibians and natural history ensembles. The seventh of twelve albums with watercolors of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanatory notes in Dutch, Latin and French, Anatomical preparations., print maker: Joseph Mulder, (mentioned on object), Joseph Mulder, (mentioned on object), Amsterdam, 1714 - 1716, paper, etching, engraving, h 206 mm × w 157 mm

Print, Tailleur d'Habits, outils, from Diderot's Encyclopaedia; Designed by J.R. Lucotte (French, 1750-84); Written by Denis Diderot (French, 1713-1784); Engraved by Robert Bénard; France; engraving on white paper; 35.6 x 22.6 cm (14 in. x 8 7/8 in.), irregular

Plaque M, Transport of Chamber. According to the viewstst western in: Views of the salzzzwerke in Wieliczka Vienna, OK. 1850 Engel, H., Hero, Johann Nepomuk

Design for a Fanciful Organ late 18th-early 19th century Joseph Ignaz Gurk Austrian. Design for a Fanciful Organ. Joseph Ignaz Gurk (Austrian, active ca. 1795-ca. 1826). late 18th-early 19th century. Pen and black and brown ink, and watercolor. Drawings

Coenotaphiorum (8). Artist: Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527-1606 () Antwerp ()); Engraved by Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Engraved by Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589). Dimensions: sheet: 6 5/8 x 8 1/4 in. (16.8 x 21 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1563.Funerary monument, shape like a tomb and placed against a wall taberbacle on the right side of the print. The lower tier of the monument is characterized by sphinxes crowned by composite capitals carrying the upper part of the monument. Through a narrow opening between the roof structure and the lower tomb structure, an effigy of a sleeping woman (gisant) is visible. Above her head, a diamond shaped blank coat of arms is visible, divided into quarters with a crown on top. Below the image is a Latin text, made up out of four lines, divided over two columns. Museum: Metropo

Charles Bowman, Wall Paper (Fragment), c 1939 Wall Paper (Fragment)

Cartridge, Louis-Dominique.

Rome, Piranesi, Giovanni Battista, Italy, Barbault, Jean, Le Antichità Romane, Archaeological finds in and around Rome, Iscrizioni e Frammenti delle Camere sepolcrali della Famiglia Arrunzia ec., Inscriptions and fragments from the tomb of the Arruntius family, verso - stamped, Various inscriptions in marble, sculpted fragments and vases from the tomb of the Arruntius family. Title and explanatory list with letters in the lower margin. Numbered at the top: Tom. II., maker, printmaker, Work conception, Italian, 1720-10-04 - 1778-11-09, after own design of

Cœnotaphiorum (12) 1563 Hans Vredeman de Vries Netherlandish Funerary monument, shaped like a tomb and on one side placed against a wall. The monument is characterized by a portico of Ionic pillars surrounding the body of the tomb. On top of the tomb the effigy of a sleeping man (gisant) in harnas is placed. Above his head a statue of a soldier is visible which supports a strapwork panel with the inscription 'GENUS INSUPERABILE BELLO'. Below the image a Latin inscription is placed made up out of four lines, devided over two columns.. Cœnotaphiorum (12) 402140

Arra / tifting / executed on 25 Aoust 1777 on the glacis of the city / Solothurn by order of its exellence Mr. / The Marquis de Vergennes ... (IT)

Amsterdam, Dóll, widow Jan, Kok, Willem, Veelwaard, Daniël (I), Illuminations and decorations in Amsterdam on the 40th birthday of Prince William V in 1788, Image of the Illumination for the House of the WellEd. Gestr. Mr. WC Backer. Chief Officer &c. &c. of the City of Amsterdam, on March 8, 1788, Illumination for the house of Mr. WC Backer in Amsterdam, verso - stamped, Illumination applied for the house of Mr. WC Backer in Amsterdam. Numbered at the top: II. Part of a series of twelve plates of the illuminations and decorations in Amsterdam on the 40th birthday of Prince William V on 8 March 1788., print, prent, prints, prenten, Frederik Muller Historieplaten, height 210 mm, width 210 mm, Noord-Nederlands, 1766-08-14 - 1851-02-28, print maker, printmaker, 1788 - 1788, paper, papier, etching, engraving, engraving (printing process), 1761 - 1807-03-29, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, publisher

Weaver; Professions. Weavers in a workplace. A man stands behind a loom and on the left is a man at a flywheel. A balance hangs on the wall.

Shipping; Navigation; Verschiede Beywerke Zu Auszierung Leather Rissen und Plans (...). A rocaille ornament in a landscape with boats on the water. Neptunus is in a shell in the foreground, he pulls a wooden boat to him. Numbered in the Lower margin AA.

Seating representation, after paintings of discoveries in the baths of Titus, vintage engraving. Seating representation, after paintings of discoveries in the baths of Titus, vintage engraved illustration. Magasin Pittoresque 1836. Copyright: xZoonar.com/PatrickxGuenettex 10660140

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