Architectural Fantasy Prints

Artistic prints depicting elaborate architectural designs, featuring elements like pedestals, candelabras, and ornamental carvings, blending fantasy with classical themes.

Design for a chimney with Minerva, Anonymous, Gerrit de Grendel, 1708 - 1756 Design for a chimney with a representation of Minerva, trunning on a cloud surrounded by flags and with an eternity symbol in hand. A clock in the middle of the mantelpiece. Candles on either side. In the middle of a scale. Print number 202. after design by: Middelburgpublisher: Augsburg paper engraving (story of) Minerva (Pallas, Athena). chimney. clock. ornaments ~ art

On a pedestal, decorated with fish and mascarons, there is a ton with a Herme on it, Hans Sibmacher, after Jacques Androuet, c. 1525 - 1594 print Copy to print by Jacques Androuet Ducerceau, derived from a flat decoration of Enea Vico. Leaf from series with architecture fantasies and grotes' with fable areas, garlands, candelabers and mascarons. print maker: Germany (possibly)after print by: France (possibly)publisher: Netherlands (possibly) paper etching

Asia and Africa; L'Asie et l'Afrique; Q piedestaux et socles; Nouvelle iconology Historique Ou Attributs Hierogliphyques (...). A pedestal with bovine skulls. On the pedestal are weapons, corners, snakes, an elephant head, fruit, a caduceus, shields with a lion and a camel and a smoke vessel. Print number 6.

Schoorsteenmantel met grotesken; Schoorsteenmantels.The mantelpiece is decorated with two winged sphinxes. Left Grotesken.

Design for a chimney with Minerva, Anonymous, Gerrit de Grendel, 1708 - 1756 Design for a chimney with a representation of Minerva, trunning on a cloud surrounded by flags and with an eternity symbol in hand. A clock in the middle of the mantelpiece. Candles on either side. In the middle of a scale. Print number 202. after design by: Middelburgpublisher: Augsburg paper engraving (story of) Minerva (Pallas, Athena). chimney. clock. ornaments ~ art

Monument with Lier, Mercury and Putto with sheet music and Bazuin, Anonymous, 1700 - 1800 print France paper etching (story of) Mercury (Hermes). notation of music. lyre, cithara, psaltery. monument, statue

Design for an Altar, Plate 2 from an Untitled Series of Designs for Altars. Artist: After Carl Pier (German, active Augsburg, ca. 1750). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Engraver: Jacob Gottlieb Thelot (German, Augsburg 1708-1760 Augsburg). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for a double altar in frontal elevation. The design appears to show two variants, with a single altar table on the left side and a double structure on the right. The left side is shaped more naturalistically and shows two candelabras, while the right side is more architectonic in its structure.This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Two Alternate Designs for a Doorway. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 15 9/16 x 10 1/8 in. (39.6 x 25.7 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Allegory on theresia van ávila, jean threodore Joseph Line, 1845 print Brussels paper etching the foundress of the reformed (Discalced) Carmelites, T(h)eres(i)a of Avila; possible attributes: angel, arrow, dove, heart (flaming or pierced by an arrow). relics (and reliquaries)

Drawing, Altar; Architect: Giuseppe Valadier (Italian, 1762-1839); Italy; graphite, gray wash support: laid paper; 41.5 x 24.4 cm (16 5/16 x 9 5/8 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.)

Panel with garden vase and in the corners of monograms, Gerrit Visscher, after Jean Bernard Honoré Turreau, 1690 - 1710 print Amsterdam paper etching / engraving ornaments ~ art. garden vase. letter combinations such as letterword, anagram, letter square, monogram, etc.

Design for a Chenet with a sitting boy, Jean Louis Prieur (II) (attributed to), c. 1760 - c. 1770 drawing Paris ink brush

Design for a Fountain in a Niche flanked by Terms. Artist: Giovanni Battista Foggini (Italian, Florence 1652-1725 Florence). Dimensions: sheet: 10 9/16 x 6 1/2 in. (26.8 x 16.5 cm). Date: 1652-1725. Museum: Metropolitan Museum of Art, New York, USA.

Moskovië (Rusland); Moscovie; D Portes; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).A door with a round medallion surrounded by flowers and a cloth with a book, a sword, a pomegranate and animals such as a goat and a peacock. Print number 47.

Design for a Reliquary, Black chalk, pen and ink, brush and watercolor on paper, Elevation of an alter reliquary intended to be carved in wood. A niche with a volute pediment above two bishop busts and candlesticks., Italy, 1750-1775, religion, Drawing, Drawing

Vase in Nis; Pour une niche décoré d'un poet; 50th Cayer Modèles Pour des Trupeaux à l'Usage des Apartemens; Cinquième Volume, Recueil élémentaire d'Architecture (...). A vase with garlands and medallions on a pedestal in a semicircular niche flanked by ionic pilasters. Above the niche a medallions with portrait and profil, helmets, flags and weapons. Print number 296.

Holland, Jean Charles Delafosse, 1768 - 1771 print An ornamented console with volutes and an animal skull, above it a weapon with a lion, books, grape bunches, a scale, a card, a medallion with a swan and a round medallion with a beehorf and a resting dog by the sea. Print number 41. paper etching / engraving other architectural details (CONSOLE). Holland

Cheminée Dans L'epaisseur du Mur, Plate 4 from 'Livre Nouveau de Cheminées', Jean Baptiste Nolin, French, 1648-1708, Pierre Bullet, French, 1639 - 1716, Etching with engraving on paper, Above the fireplace is a frieze with putti carrying an outstretched figure. Over the mantel is an ovoidal medallion showing Pygmalion chiselling the statue of a woman, with Cupid at left. This is surrounded by leaves and topped by a winged putto., Europe, France, 1675-1700, Print, Print

Grave monument with image deceased; Johann Jacob Schüblers Dritte Ausgab Seines Vorhabenden Werchs, Welche Neue Arhitectonische Castra Doloris (...) Vorstellet. A grave monument in a chapel with an image of the deceased in the middle, he is crowned by a flying putto. Arms around them, lances, flags, guns and cannonballs and coats of arms. A four-line German text in the undermarge.

Simon Watts, active 1812, The Monument of Catherine Hart from Fulham Church, undated.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, Q Piedestaux et Socles, 2eme Age depuis Jules César, jusqu'à Honnorius. 4th Age from Honnorius to Clement, Pape, Julius Caesar, Honorius and Pope Clement, verso - stamped, A pedestal with a frame with a lion with a snake in its mouth, weapons and shields, an eagle, snakes, flags and a cross. On the pedestal are torches, a torch, a book, crosses, garlands of flowers and an oval medallion with a lyre, a club and a column with a star. Print number 21., print, ornamental print, prints, ornamental prints, height 378 mm, width 235 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Niche with a Statue of a Female Saint, Filippo Marchionni, Italian, 1732-1805, Graphite, brush and gray watercolor on cream laid paper, Sculptural female figure in a niche. Scale in lower right., Italy, ca. 1780, architecture, Drawing, Drawing

Money matters and grammar, Jean Charles Delafosse, 1768 - 1771 print An ornamented pendulum with garlands, branches and a vase. Below that a list of left an animal head with sword and pomegranate, in the middle a ship with a caduceus on coins and on the right, water flows from a vase on grape vines. Print number 95. Paris paper etching / engraving Clock. Money. 'Grammar' (~ trivium); 'Grammar' (Ripa)

Imperial court, Augsburg, Götz, Gottfried Bernhard, Feichtmayer, Joseph Anton, Altar, Altar with St. Sebastian, verso - stamped, Saint Sebastian and two angels on an altar with rocaille ornaments. At the top a suit of armor., print, emboss, ornamental print, prints, embossed prints, height 381 mm, width 227 mm, German, 1708 - 1774, print maker, printmaker, 1740 - 1745, paper, papier, engraving, engraving (printing process), etching, Austrian, 1696 - 1770-01-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever van privilege

Fireplace with cartouche; Schouwen; Camines Italienes / Italian Camine.Riscaille Fireplace with cartouche. Publisher Number 58.

Fireplace with putto; Schouwen; Camines Italienes / Italian Camine.Riscaille fireplace with winged putto. Publisher number 58.

Kandelaar Met Stande Engel; Different Kerkelijke Voorwen; Different drawings invented and outlined by Giovanni Gardens from Forlì.Numbered Upper Left: No. 29.

Amsterdam, Schenk, Pieter (I), Lower breasts for a 'lambris d'appui', Lower breast with urn and five vases, Lower breast with two tablets, on the lower one is an urn and on the upper one are five Chinese vases., print, ornamental print, prints, ornamental prints, height 310 mm, width 192 mm, Work conception, Northern Netherlands, 1660-12-26 - 1711, after a design by, 1680 - 1700, fourth quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Hondius, Hendrick (I), Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), Funeral procession of Emperor Charles V, 1558, Arms and insignia of Charles V, no. 34, Tabernacle with the arms and insignia of Charles V. At the bottom the date 1558. Part of the print series of the Funeral procession of Emperor Charles V on 29 December 1558 in Brussels., print, prints, Frederik Muller Historieplaten, height 241 mm, width 168 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, first quarter 17th century, paper, etching, etchings, - 1589, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisher

Neptunus altar found at Domburg on Walcheren, Anonymous, 1715 print A Neptune altar that was found at Domburg on Walcheren. The god Neptunus standing with a shield with fish in his hand. A bird next to him. Leiden paper etching (story of) Neptune (Poseidon)

Fontein with wife, Sébastien Leclerc (I), After Claude Deruet, in Or Before 1664 print A fountain with a standing woman with crosses on her clothing. To the left of her is a putto with a bow arrow case where water from power. On the right is a swan with open mouth with water from electricity. Above the woman a shell motif and a wreath. paper etching ornamental fountain. standing figure - AA - female human figure Nancy

Magnificent Catafalque for a Deceased Noble. Dimensions: overall: 52 x 34.9 cm (20 1/2 x 13 3/4 in.). Medium: pen and brown ink with brown and gray washes over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO GALLI BIBIENA.

(Design for a Dagger and Sheath) 1543 Augustin Hirschvogel German. (Design for a Dagger and Sheath). Augustin Hirschvogel (German, Nuremberg 1503-1553 Vienna). 1543. Etching. Prints

Recueil d'Ornemens A l'Usage des Jeunes Artistes qui se destinent à la décoration des btimens. Artist and publisher: Gilles Paul Cauvet (French, Aix 1731-1788 Paris). Dedicatee: Dedicated to Louis Stanislas Xavier de Bourbon (French, Versailles 1755-1824 Paris). Dimensions: 21 7/8 x 16 1/8 x 1 3/16 in. (55.5 x 41 x 3 cm). Engraver: Engraved by J. Le Roy (French); Engraved by Pietro Antonio Martini (Italian, Trescali 1738-1797 Parma); Engraved by Petit (French); Engraved by Pierre Viel (French, Paris 1755-1810 Paris); Engraved by Mme. Darby (French). Etcher: Etched by Simon Charles Miger (French, Nemours 1736-1820 Paris); Etched by Hemery (French, 18th century); Etched by Françoise Charlotte Liottier (French). Published in: Paris. Date: 1777. Museum: Metropolitan Museum of Art, New York, USA.

Setup of four wrought iron sculptures for a decorated wall, c. 1875 - c. 1900 photograph Palais de Fontainebleau cardboard. photographic support albumen print sculpture. palace. interior ~ representation of a building. sculpture (+ relief ~ sculpture) Palais de Fontainebleau

Trophy with column, torch and arrow cooker, 1700 - 1800 print paper etching ornaments ~ art

An ornate vase and pedestal with a bust and weapons carved on the side, in a classical garden. Etching by J. Schynvoet, c. 1701, after S. Schynvoet.

Ornamented Schouw, 1726 - 1741 print Fireplace with rocaille ornaments and serial title. Nuremberg paper etching / engraving open hearth, fire-place. rocaille ornament

Francesco Galli Bibiena, Magnificent Catafalque for a Deceased Noble Magnificent Catafalque for a Deceased Noble

Design for a casement with three playing children, draughtsman: Anthony Ziesenis, (mentioned on object), 1769, paper, pen, brush, h 190 mm × w 90 mm

Graftombe of Philip van Hessen -Philippsthal, Anonymous, After Hooft, 1730 - 1736 print Graftombe of Philip from Hessen-Philippsthal in the Grote- or Sint-Jacobskerk in The Hague. In the middle, a veiled woman mourns the deceased, who wears armor. Behind him different weapons and flags. Volutes and garlands left and right. Above two crowned lions on either side of a crowned weapon. At the bottom of the name of the deceased and a six -line praise in Latin. paper engraving grave, tomb Big church

Netherlands, Amsterdam, Rijckhoff jr., Jacobus, Wish letter with street activities, verso - stamped, Wish letter with blank cartouche within a decorative frame with representations of street activities, such as people singing street songs and children peering into a peep box., print, folk print, wish letter, prints, folk prints, height 412 mm, width 322 mm, Publication (Event), Publication, publisher, 1738 - 1749, paper, papier, etching, etchings, print maker, printmaker

Lauwed bust of Henry IV in a nich, Thomas de Leu, after Jacob Bunel, 1605 print paper engraving historical persons. crowning with laurel. piece of sculpture, reproduction of a piece of sculpture

Console Met Masker, Jean Pelletier, After just Nathan François Boucher, 1772 - 1779 print Side and front view of a console with leaf motifs and a face. Below that an architecture fragment with tablet and lion's head. Print number 251. Paris paper etching / engraving other architectural details (CONSOLE). foliage ~ ornament. mask, mascaron ~ ornament. lion's head ~ ornament

Brussels, Lyon-Claessen, E., Vestibule. Cage d'Escalier (Façade Principale). - Pilier vers le Dégagement de la Façade Latérale, Pillar with a symbol of justice, on the front of the Palace of Justice in Brussels, Belgium, recto - printed, This print is part of a cover with 30 prints on 28 sheets and a title page., photomechanical print, photographs, photographically illustrated books, PL. 14, height 361 mm, width 203 mm, photographer, 1889 - 1894, paper, papier, collotype, clichémaker, Publication (Event), Publication, publisher

The Martyrdom of Saint John. Alonso Cano (Spain, Granada, 1601-1667). Spain, circa 1667. Drawings. Pen, brush and brown ink

Project for an Entablature and Pediment, Pencil, pen and ink, brush and sepia, read and white crayon on paper, Vertical rectangle showing a pediment, entablature, a console, rinceaux and a festoon., Italy, 1700-1725, architecture, Drawing, Drawing

Steden virgin of Culemborg in Castle Draw, Caspar Jacobsz. Philips, 1753 print Vignette with a castle room. On a throne under a canopy, the Culemborg city virgin is in her hands the coat of arms of the city. A tower can be seen through a window. On a cartouche the title in Dutch. Utrecht paper etching / engraving castle - AA - civic architecture: inside. city represented symbolically Culemborg

N.N., Kandelaber in the Royal Salon of the Lower Schles. Märk. Railroad. (From: Architectural sketchbook, H. 105/5, 1870.) (1870-1870): View. Lithography colored on paper, 33.6 x 24.4 cm (including scan edges)

Puppet show decorated with erotic mythological scenes, Félicien Rops, 1864 print Paris paper etching Puppet. Satyrs, Fauns, Sileni

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, K Consoles, La France, France, verso - stamped, An ornamented console with volutes, above it various coats of arms, books with fleur-de-lis and the papal tiara and a round medallion with a blindfolded putto with staff on the back of a lion, in the background a ship at sea. Print number 31., print, ornamental print, prints, ornamental prints, height 383 mm, width 230 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, etching, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Girandole with standing woman, A. Colinet, After Jean François Forty, 1775 - 1790 print An ornamented three -armed girandole with a standing woman, grape vines and a pine cone. Paris paper etching / engraving chandelier, candelabrum. standing figure - AA - female human figure

Design for a cylindrical relic holder.design for a cylindrical relic holder with a bone in it.

Slow zero, Jean Charles Delafosse, 1768 - 1771 print Three figures are located for a fountain with two dolphins. At the top weapons, a book, corn, a basket with flowers and a shield with putti and cattle. Print number 4. Paris paper etching / engraving ornamental fountain. Spring, Ver '; 'Primavera' (Ripa). summer, 'summer'; 'Estate' (Ripa)

Design for a Monumental Altar, Plate a from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.' Printed ca. 1750-56 Johann Michael Leüchte Ornament print with a design for a monumental altar in a late Baroque style, with statues of Catherine of Siena and Saint Dominicus. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Monumental Altar, Plate a from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'. Johann Michael Leüchte (German, active Augsburg, died 1759). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

In the middle, an umbrella, open niche at a foot in which four dancing figures; Molding change of cavity of cavity (...) Libro Primo. In the middle, an umbrella, open niche at a foot in which four dancing figures. Left and right of this are figures in lower loggias. At the top Stand on the rollerwork three hermen with between them in kiding with dogs, women and saters.blad e out of 12 sheets, numbered a-m with flat decorations of grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations

Veere, Beuckels, Pieter, Amsterdam, Philips, Caspar Jacobsz., Eerepoort in de Wyngaardstraat, Erepoort in de Wijngaardstraat, 1751, Double folded sheet. Numbered top right: 2. The triumphal arch placed in the Wijngaardstraat. Part of the illustrations of the festive inauguration of stadtholder Willem IV as Margrave of Veere on 1 June 1751., print, prent, prints, prenten, height 343 mm, width 207 mm, height 408 mm, width 507 mm, Noord-Nederlands, 1732-04-16 - 1789-03-19, print maker, printmaker, 1751 - 1751, paper, papier, etching, etsen, Work conception

London, Johnson, Thomas, Austin, William, Twelve gerandoles, Girandole with three figures and a hippocampus, verso - stamped, An ornamented girandole with on the left an oriental-looking man with a spear aimed at a hippocampus below. On the right is a woman. Crowned with a seated oriental-looking man with bells., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 190 mm, width 97 mm, 1721 - 1820-05-11, print maker, prentmaker, 1755-09-01 - 1755-09-01, paper, papier, etching, engraving, engraving (printing process), Work conception, British, 1714 - 1778, after a design by, Publication (Event), Publication, publisher, uitgever, verkoop

Photo production of a fresco in the Ospedale Degli Innocenti in Florence by Domenico Ghirlandaio, detail from the worship of Maria representing the head of Maria, c. 1875 - c. 1900 photograph Hospital of the Innocent cardboard. photographic support albumen print painting (including book-illumination, miniature-painting) (+ plaster ~ arts). Mary devotion Hospital of the Innocent

Print (France & England); engraving on paper; 1902-27-5

Design for a Cylindrian reliquary holder, c. 1760 - c. 1780 Design for a cylindrical relic holder containing a bone. Rome paper. ink. graphite (mineral) pen / brush relics (and reliquaries)

'Design of the Main Altar in the Cathedral of Saint-Germain-des-Pres. Revers: Fluted Columns with Ionic Capitals'. France, 1703-1704. Dimensions: 23,6x14,3 cm. Museum: State Hermitage, St. Petersburg. Author: Gilles-Marie Oppenort.

Frame with two standing female figures, Anonymous, 1700 - 1900 print Ordery frame with female figures left and right that hold a drapery over the head. In the middle of a mask. paper etching / engraving mask, mascaron ~ ornament. ornaments ~ art

Design for a Long-Case Clock in a Niche, Charles-Nicolas Cochin the younger, 1715 - 1790, Antoine François Vassé, French, 1681 - 1736, Etching on paper, The rich decoration of the clock refers to Apollo, who is seated upon a globe, which is surrounded by a band serving as a dial. Flanked by parts of French windows. The plane of the niche and clock is shown on the floor. Framing line. Signed: 'A. Vassé invenit deli.' bottom left; 'C. N. Cochin Filius sculp.' bottom right., France, ca. 1732, Print, Print

Three Comtoise Clocks and thirteen smaller motifs, Anonymous, After Daniël Marot (I), After 1706 - Before 1800 print At the bottom there are two ornamental edges in white on a black background. From series of 6 sheets with copies to prints from the Series Second Liure d'Orlogeries, published by Daniel Marot. paper etching

Grafmonumenten by Jan van Galen and Hendrik van Kinsbergen, Anonymous, 1809 - 1899 print At the top of the flea grave of Zeeheld Jan van Galen (1604/1605-1653). Under the burial monument of Jan Hendrik van Kinsbergen (1735-1819), vice-admiral and Buitengewoon Marshal der Hollandse Zeemacht. Both graves are located in the Nieuwe Kerk in Amsterdam. paper grave-building, monumental tomb new church

Drawing, Console Table; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash on off-white laid paper, lined; Image: 10.3 x 6.1 cm (4 1/16 x 2 3/8 in.)

Monument for Hendrik IV, King of France and Navarra, Thomas de Leu, After Isaïe Fournier, 1596 print Monument for Henry IV, King of France and Navarra, with his centrally his portrait in an oval, flanked by Mars and Roem in Nissen. At the top of personifications of strength and justice. The battle at Ivry is shown below. paper engraving historical persons. monument, statue

A Design for a State Bed, in Chippendale Drawings, Vol. I 1761 Thomas Chippendale British During the 18th century, British architecture and interior design in particular thrived as they had never done before. The furniture firm of Thomas Chippendale was one of the protagonists in this development. Thomas Chippendale had settled in London in the late 1740s and opened a shop on St. Martins Lane where several leading cabinet-makers were active. Over the next 20 years, he would become one of the most successful furniture makers in Great Britain and his furniture was in demand all over Europe and the American colonies. The Metropolitan Museum owns two albums of designs by the Chippendale firm, most of which were used for Chippendale's important print publication ‘The Gentleman and Cabinet-Makers Director, the first comprehensive furniture publication in Great Britain which came out in 1754. Two other, (expanded) editions were published in 1755 and 1762. This design for a state bed did no

Tuscany Siena Asciano Museo di Arte Sacra. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Augsburg, Nilson, Johann Esaias, The Four Seasons, L'Eté, Der Somer, Summer, verso - stamped, A man and a woman are talking in a garden. They are sitting on a bench in front of a rocaille ornament with putti. Behind them are two men and a woman with a fan. In the bottom margin two four-line French and German texts., print, ornament print, prints, ornament prints, height 266 mm, width 196 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Kelk Met Offerse, Putti in Portrret Van Cabistus; Different kerkelijke voorerpen; Different Drawings Evented and Delineates by Twin Drawings by Forled.numbered Uppper Left: No. 2.

Lazio Viterbo Bagnaia Villa Lante90. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Mino da Fiesole (1431-1484), Chiesa di Badia (Badia Fiorentina) in Florence. Tomb of Bernardo Giugni (without dat.): View. Photo, 37.6 x 24.1 cm (including scan edges)

Fontein with Buste van Ceres, Georg Lichtensteger, Johann Jakob Schübler, in or after 1724 print In a garden under a round arch between two hedges, there is a fountain with a bust of Ceres, a sickle, a scoop, corn and a snake. A five -line German text in the lower margin. Augsburg paper etching / engraving garden fountain. (story of) Ceres (Demeter)

Saint Peter Enthroned 1700-1773 Luigi Vanvitelli Italian. Saint Peter Enthroned 340931

. A column with a relief on a piastal. A follower of Bacchus carries a wine jug. Other followers make music and dancing. To the classic sculpture.

Design for the Right Side of a Door with Pediment and Fluted Pilasters 17th century Anonymous, Italian, 17th century Italian. Design for the Right Side of a Door with Pediment and Fluted Pilasters 389392

Design for a Candlestick, Luigi Righetti, Italian, 1780 - 1819, Pen and ink, brush and watercolor, graphite on paper, Vertical rectangle. Design for a candlestick intended to be executed in gilded and green bronze and white and colored marble. Base supported by two lying golden griffons. Upon a half-circular base with reliefs representing antique scenes stands a column with the statue of Apollo on top. Two arms with burning candles are springing from ram heads, below the Ionic capital. A snake is wrapped around the column. Before the column stands a tripod, between two priestesses supporting with their erected outside arms cornucopias with a burning candle in each. At the bottom, the plan of the base., Rome, Italy, 1810, lighting, Drawing, Drawing

Design for Curtains 1841-84 Charles Hindley and Sons British. Design for Curtains 367422

Fragments cardboard for the stained glass window in the west facade of Joris van Egmond (bishop of Utrecht 1535-1559) for the Sint Bavo Kerk in Haarlem, Gerrit Boels (workshop of), 1541 drawing Design for a stained glass window. paper. chalk brush Sint-Bavokerk

Persius Reinhold (1835-1912), S. Catarina, Pisa (02.04.1860): View of a tomb of Nino Pisano. Pencil watercolored on paper, 17.7 x 10.5 cm (including scan edges)

Richly decorated fireplace with fireplace door in the house Peller zu Nürnberg, monument of a bourgeois residential house at the beginning of the 17th century, Germany, historical image or illustration, published 1890, digitally improved, Europe

Design for a wall-light, Gilles Marie Oppenort, c. 1717 drawing Design for a wall airer consisting of five candle holders, between which a faun. Paris paper. ink pen / brush Chandelier, a candlestick. Satyrs, Fauns, Sileni

Vignette with the personification of Geerzorig, Jacob Folkema, After Johannes de Bosch, 1723 - 1767 print Vignette with the image of the Personified Gormid in a cartouche, surrounded by diabolical figures, snakes and money. She holds a money bag in her hand and wears a chain around her waist. The print is part of a series of book illustrations about virtues and vices. paper etching Covetousness; 'Avaritia' (Ripa) ~ personification of one of the Seven Deadly Sins

Subramanya Unidentified ca. 1800 These eighteen drawings depict sculptural piers in the Pudu Mandapa (New Pillared Hall), a temple festival hall built around 1630 as an addition to the Minakshi-Sundareshvara temple complex at Madurai. The hall was constructed at the behest of the Nayaka ruler Tirumala Nayak (r. 1623-59), whose reign marked a high point in temple and courtly patronage at the southern city of Madurai. The interior gallery is adorned with 124 elaborately sculpted piers, capitals and lintels decorated with narrative reliefs of the Brahmanical gods and local legends devoted to their worship. These meticulously executed ink drawings are on English laid paper watermarked J. Whatman and with the firms trademark fleur-de-lis and the year 1798. View more. Subramanya. Unidentified artist, Indian. India, Madurai, Tamil Nadu. ca. 1800. Ink and wash on J. Whatman paper watermarked 1798. Paintings

Draft by René Michel Slodtz for the tomb of the archbishops of Vienne, Armand de Montmorin and Henri-Oswald de la Tour d'Auvergne, executed in black chalk with white heightening between 1740-1747.

Design for a ceiling painting with the apotheosis of a prince, Augustine Terwest (I), 1659 - 1711 drawing paper. ink. pencil pen / brush (decorated) ceiling. apotheosis of a ruler

Project d'une Grotte (Plan for a Grotto). Dated: c. 1755/1760. Dimensions: plate: 26.7 x 19.9 cm (10 1/2 x 7 13/16 in.) sheet: 40.3 x 25 cm (15 7/8 x 9 13/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Esaias Nilson.

Clock design in a cabinet found four vases with Znicz, from the Nouveaux Livre de Boites de Pendulles de Coqs cycle; Marot, Daniel (1661-1752; st.), Unknown; after 1706 (1663-00-00-1752-00-00);Magdalenaea (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, decorations, ornaments, female bust, projects, sphinx, vases, templates, clocks

London, Mirror case, Ivory back of a mirror with relief, representing the siege of the castle of Love, recto - printed, photomechanical print, page, photographs, photographically illustrated books, Fourteenth Century., No. 1617-55., height 126 mm, width 113 mm, maker, manufacturer, 1867 - 1872, paper, papier, Woodburytypie

Umbria Terni Lugnano in Teverina S. Maria Assunta. Hutzel, Max 1960-1990 Exterior views of this 12th-century Romanesque church (with 15th-century additions) focus on the facade with its rose window and the foliate and animal carvings of the portico. Interior views show a central nave floor of cosmatesque mosaic inlay; a 12th-century iconostasis, pulpit, and ciborium, a triptych by Niccolo Alunno; a crypt with various capitals. Object Notes: Hutzel made two photo campaigns of this monument: first in 1982 and a second in 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then

GOODWOOD GROUP, 'CONFLICT BETWEEN RODERICK DHU AND FITZJAMES'

Caro Georg, bank. (From: Prints of seminar works by the Royal Technical University of Berlin, Vol. II) (March 31, 1901): Side view. Print on paper, 33.6 x 24.5 cm (including scan edges)

Hauer, Johann Thomas, Paris, Desseins de la Mode neuve au Gout antique, II Cahier des Epitaphes, Three epitaphs, verso - stamped, Designs for three epitaphs. Left and right square epitaphs with garlands, in the middle an epitaph with oval medallion with face, a smoking vessel, trumpets, weapons and a garland., print, engraving, ornamental print, prints, ornamental prints, height 195 mm, width 146 mm, Hungarian, 1748 - 1820, print maker, printmaker, 1781 - 1781, paper, etching, engraving (printing process), Work conception, after own design by

Clock in gold, ivory and enamel work.. Drawings, Design drawings. 1880 - 1883. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Patterns (Design elements), Decoration and ornament, Silverwork, Victorian, Goldwork, Clocks & watches

Dornroeschen. Maehrchen von Grimm. (Sleeping Beauty. Fairytale byGrimm). Artist: Eugen Napoleon Neureuther, German, 1806-1882

Neureuther Eugen (1806-1882), final stones for the museum in Leipzig (without date): »Genre painting«. Ink, pencil on paper, 50.8 x 33.3 cm (including scan edges) Neureuther Eugen (1806-1882): Schlusssteine für das Museum, Leipzig

Paris, Chéreau, Jacques-François, Lalonde, Richard de, Le Roy, Nouveau Cahier de Pieds de Tables avec Ornemens et Trophées, Table with helmet and weapons, verso - stamped, Front and top view of a rectangular table ornamented with a garland, medallions, tendrils and helmets. At the bottom, four flags flank a medallion with a laurel wreath. On the table lie a plumed helmet, a shield, a phase and lances., print, engraving, ornamental print, title print, prints, ornamental prints, height 211 mm, width 165 mm, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher

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