Architectural Garden Prints

Etchings of elaborate gardens and architectural features, depicting theatrical setups and ornamental designs with intricate details.

VENICEIN DENED FAINT VALLE ETE ENROLA, John VALIRENA, THIENE FRANCESCO VENTURINI, 1653 - 1691 Numbered below: 9. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli Numbered below: 9. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli

VENICEIN DENED FAINT VALLE ETE ENROLA, John VALIRENA, THIENE FRANCESCO VENTURINI, 1653 - 1691 Numbered below: 9. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli Numbered below: 9. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli

Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1761 The Salubrious Baths, 1761 The Prima Macchina for the Chinea of 1761: The Salubrious Baths

Schouwburg with theater decor: De Nieuwe Garden, Jan Punt, After Paulus van Liender, After Hendrik de Leth, 1760 - 1765 print Theater performance in the Amsterdam Schouwburg on the Keizersgracht with the scenes of the new garden with scene from: the feigned crazyness by love. The decor printed of a separate plate within a passe-partout with the room, side slices, orchestra bin and the facade of the stage with columns, garlands and chandeliers. The title and a four -line fresh also printed from a separate plate. Part of a series of 12 theater sets. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Gear of the queen in the garden of Palace Honselaarsdijk, Cornelis Danckerts (II) (Possible), 1721 - 1774 print Fontein in the park of Palace Honselaarsdijk with groups of walkers around it. The avenues and the square with the fountain are bordered by fences. A gazebo in the background. Numbered at the bottom right: 8. Print from a series of sixteen prints of Palace Honselaarsdijk. paper etching palace. French or architectonic garden; formal garden Palace Honselaarsdijk

Print (France)

. From series of 12 sheets.

Fireworks at the celebration of the Peace of Rijswijk, 1697, 1779 - 1781 print Fireworks to set off at the celebration of the Peace of Rijswijk, 1697. Northern Netherlands paper etching festivities (+ illumination, fire-works ~ festive activities). bonfire, fire-works

Fontein in De Tuinen Van de Villa Aldobrandini Te Frascati, Giovanni Battista Fonda, 1653 - 1691 The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Aldobrandini. Frascati The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa Aldobrandini. Frascati

Entering the large / cabinet.

Representation in all the accuracy of its proportions and measurements of fireworks drawn on 29 August 1739. (IT)

Two views on one sheet. Top: View of the oval pond on the northwest side of the castle at Zeist with the northwest cascade in the background, from the southwest. Below: View of the fountains in the garden on the southeast side of the castle at Zeist between the grassy parterre on the left and the 'Boelingrin' on the right, with the southeast cascade in the background, from the northwest, Large pond seen towards the cascade at Slot Zeist / The fountains in the garden of Slot Zeist The large oval bowl besyden the Huys, after the Cascade to see / Le Grand Bassin au Costé de La Maison Regardent vers le Cascade / The Jumps Between the Boelingrin ent Gras parter after the Cascade to see / Les Fontaines entre les Boelingrins et la parterre d herbe regardent vers le Cascade Gezichten op Slot Zeist (series title), print maker: Daniël Stopendaal, (mentioned on object), intermediary draughtsman: Daniël Stopendaal, (mentioned on object), publisher: Nicolaes Visscher (II), (mentioned on object), A

Face in an ornamental garden with fountain and gate. Draughtsman: Josua de Grave. Dating: 18-Jul-1702. Measurements: h 154 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Large fountain in the garden of Huis Te Maarssen; Enjoy the great Fonteyn in the Bosch / Vue de la Grande Fontaine Dans Le Bois; The old Adelyk Huys and Ridderhofstad ter Meer. View of the large fountain in the French garden of Huis ter Meer, all around figures. The print is part of a series of 26 faces at home in the lake and the associated estate at Maarssen.

Theatrical scene with four figures on a staircase in the distance, two of which are engaged in a brawl ca. 1660-82 Mathäus Küsel Theatrical scene after set designs by Ludovico Burnacini.. Theatrical scene with four figures on a staircase in the distance, two of which are engaged in a brawl. Mathäus Küsel (German, 1621-1682). ca. 1660-82. Etching

Fontein voor het Hercules monument to Karlsberg ; The scale and the prospect of a fountain area where the seepage water decidentium (... ); Delineation of the mountain from the city of Hesse-Cassel, one of miles apart ... ; Difegno del Monte , situated ply la Citta di metropolitan Cassel .... Prent maakt deel uit van list .

View of the garden of Fromont, Israel Silvestre, 1631 - 1691 print paper etching / engraving city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage). French or architectonic garden; formal garden Château de Fromont

Fontana dell'Ovato in De Tuinen Van de Villa d'Este te Tivoli, Giovanni Francesco Venturini, 1653 - 1691 Fountain with an oval -shaped basin. Above the fountain a sculpture of the Tiburtine Sibille. Numbered below: 7. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli Fountain with an oval -shaped basin. Above the fountain a sculpture of the Tiburtine Sibille. Numbered below: 7. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli

France, French crown, Paris, Gras, Henry le, Mariani, Gian Maria, Bella, Stefano della, Overture du theatre de la grande salle du palais cardinal Mirame tragicomedie, Performance of 'Mirame' in the great hall of the cardinal's palace, Fifth act of 'Mirame' with seventeen people, verso - stamped, View of a stage where the fifth act of 'Mirame' is performed with seventeen actors. The setting is a garden with statues by the sea., print, ornament print, prints, height 177 mm, width 268 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1641 - 1641, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, French, publisher, granter of privilege

Schouwburg with a stage decor: Het Bosch; The Bosch; Theater decors of the Amsterdamse Schouwburg, approx. 1760. Theater performance in the Amsterdamse Schouwburg on the Keizersgracht with the Coulis Decor Het Bosch with scene from: The century of the Amsteldamschen Schouwburg. The decor printed from a separate plate within a passe-partout with the hall, side logs, orchestra and the facade of the stage with columns, garlands and chandeliers. The title and a four-line verse also printed from a separate plate. Part of a series of twelve stage decorors.

Gezigt van de Vyver on the / left zyde.

Francesco I d'Este Orders Fête Decorations, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 13/16 × 6 5/16 in. (12.2 × 16 cm)Plate: 4 13/16 × 6 1/8 in. (12.2 × 15.6 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fe

Place Royale. Dated: 1642. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

A pen and brush drawing by Franz Anton Danne depicting a social party scene, executed with laved technique.

Second Intermezzo, for La Liberazione di Tirenno e. D'Arnea, Jacques Callot, French, 1592-1635, Giulio Parigi, Italian, 1571-1635, Jacques Callot, French, 1592-1635, Engraving with black ink on paper, Horizontal rectangle. A set design: the second intermezzo of three for a theatrical work by Andrea Salvadori, 'La Liberzione di Tirenno, e. D'Arnea.' This one is labelled 'Hell arming itself for the vengence fo Circe against Tyrene.' A street lined with high buildings and ruins, a sea beyond, flames and demons scattered everywhere. Below, title and artists' name., France, 1616, theater, Print, Print

Figures worshipping the statue of an armed figure; set design from 'Il Pomo D'Oro' 1668 Mathäus Küsel The seventeenth of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortinaalso designed by Burnacini.. Figures worshipping the statue of an armed figure; set design from 'Il Pomo D'Oro'. Mathäus Küsel (German, 1621-1682). 1668. Etching

View of fountains in the garden of Versailles, Gabriel Perelle, 1664 - 1695 print Print is part of an album. publisher: ParisFrance paper etching landscape with tower or castle. garden fountain. French or architectonic garden; formal garden. triton(s) Garden of Versailles

Speculum Romanae Magnificentiae: Interior Reconstruction of the Colosseum. Artist: Anonymous. Dimensions: sheet: 15 11/16 x 22 1/4 in. (39.8 x 56.5 cm)mount: 20 x 26 1/16 in. (50.8 x 66.2 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: 16th century.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title 'Speculum Romanae Magnificentiae' first appears.

Print with movable part, depicting the curtain between the Holy Place and the Holy of Holies, Tabernacle from the inside Le Tabernacle intérieur avec ses meubles Sacrez , print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1705, paper, etching, h 146 mm × w 176 mm

High fireworks on the bridge, about the marriage of Madame Louise Elisabeth ... (IT)

Jacques Callot (1592-1635). "Soliman, 3rd act. Fourth issue of a series of 6 pieces" (Lieure 437, Meaume 366). Etching. 1619. Museum of Fine Arts of the City of Paris, Petit Palais. 99596-7 Etching, engraving

Face locked Skottorp, from the east and south, Johannes Jacobsz van den Aveele, 1710 The print is part of an album. Stockholm paper etching Slot Skottorp The print is part of an album. Stockholm paper etching Slot Skottorp

Feast in the gardens of Versailles, Israel Silvestre, 1664 print The royal company is at long tables that are in a semicircle. For this there is a row of servants with torches in hand. Other employees walk up and forth with large bowls on the head. In the foreground - behind a cordon soldiers - seen rows of spectators on their backs. Under the show two garlands of fruits above which - left - the inscription "Première" and - right - "Journée". In the middle a cartouche with the title: Festin du Roy ... Quatre Saisons. print maker: ParisFrance paper etching French or architectonic garden; formal garden. banquet of elegant company - CC - out of doors. waiting at table. festivities. king Versailles

Fontana di Belvedere á Frascati (...), from 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)', part 2, 'Le fontane delle ville di Frascati' (plate 5). Artist: Giovanni Battista Falda (Italian, Valduggia 1643-1678 Rome). Dimensions: Plate: 8 3/8 × 11 5/16 in. (21.2 × 28.7 cm). Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Date: 1691 or after.The Villa Aldobrandini belonged to the grandest of Roman Baroque estates, enjoying from its perfect position, high above a set of oval terraces built inside the slope of the Tusculum Hill, a wide view of Frascati and the countryside toward Rome. Begun for Ippolito Aldobrandini (Pope Clement VII) in 1598 and extended by his nephew, Cardinal Pietro Aldobrandini, the villa and gardens, with their astonishing water displays, were created by a team of well-known architects, including Giacomo della Porta, Carlo Maderno, and Domenico Fontana. Of all the magnificent fountains that once graced the gardens, two delightfully sculp

Vignet met feesten te Frankfurt ter ere van de kroning van Frans I Stefan tot keizer, 1745.Vignet with the festivities on the occasion of the coronation of Frans I Stefan to Keizer on 4-6 October 1745. An OS is roasted on a square in Frankfurt and scores a rider with money. Some allegorical figures in the edge.

Tainzijde for Villa to Villa Di Este Youi, Giovanni Venturini, 1653 - 1691 Numbered below: 4. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli Numbered below: 4. The print is part of an album. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching Villa d'Este. Tivoli

. A farmer mows the grain with a sickle. A tower and a mill on the horizon. Right it rains, the sun shines on the left.

Two vases for the parterre garden of Zorgvliet, Johannes Jacobsz van den Aveele, 1665 - 1727 print The vase on the left is decorated with a sacrificial scene, flanked by two Hermen. From series of 7 sheets with two vases on each leaf on a balustrade with a view of the gardens of Zorgvliet in the background. Amsterdam paper etching

Erpoort at the grave of the promotionists, 1720; Memorial arc, at the Blauw site of the promoted promotionists / Arc Memorial Dressé Au Lieu de l'Enterrement des Actionistes Consumés; The great scene of foolishness. Stadsplein with a great honorary port was established by the death and funeral of the promoted promoters. In the middle, a grave is filled with the worthless shares, a funeral procession will come from the left. In the subjects on the Erochen represent representations of the Disease Bed of the Actionist, John Law, the Utrecht Channel etc. Left a man with a viewing cupboard with the Mississippi and the South. With caption in 8 columns in Dutch and French ending with the burial of: Men's bubble. Print in the bound first edition (304 B 11) from the great scene of foolishness with cartriders on the wind trade or action trade of 1720.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), frontispiece and theatrical decorations for the melodrama Le Nozze degli dei, Scena Quinta of Inferno. Sixth number of a series of 8 pieces (A. de Vesme 923. Dutuit 57) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Allegory on the unreliability of Spain and the freedom and welfare of the seven provinces: the Dutch garden, Willem Pietersz Buytewech, 1615 print Allegory on the unreliability of Spain and the freedom and prosperity of the seven provinces presented with the Dutch garden. Print used for the Merckt De Weijsheyt Vermaert Vandt Hollantsche Huyshouwen and Siet des Luypaerts Aert who cannot be trusted Netherlands paper etching

Fireworks to celebrate the victory at Vigo, 1702, Daniël Marot (I), 1702 - 1704 print Fireworks to celebrate the victory at Vigo, 1702. Extensive image of the fireworks set off by order of the States General on a scaffolding in the Hofvijver in The Hague on December 13, 1702. In the middle of the pond, a stellage with a temple adorns With eight representations of victories of the Allies in France and Spain in the year 1702, miniature ships depict the victory at Vigo. With captions in Dutch and French. Northern Netherlands paper etching festivities (+ illumination, fire-works ~ festive activities). bonfire, fire-works

Fontein at the large pond in the gardens of Palace Het Loo, 1695 - 1705 print Print from a series of 71 prints with Rhine landscapes, faces on royal palaces and cityscapes from The Hague and Amsterdam. paper etching French or architectonic garden; formal garden. garden pond. garden fountain Palace Het Loo

View of the stairs with sphinxes, Israel Silvestre, 1631 - 1691 print paper etching / engraving landscape with tower or castle (+ city(-scape) with figures, staffage). French or architectonic garden; formal garden. sphinx (lion/woman); 'Sfinge' (Ripa) Palais de Fontainebleau

Federation

Pietro Gonzaga, Fantasy of an Ancient Capitol with Trophies and Grand Staircases, c 1800 Fantasy of an Ancient Capitol with Trophies and Grand Staircases

Face Lock Ållonö, Willem Swidde, 1690 The print is part of an album. Stockholm paper etching Slot Ållonö The print is part of an album. Stockholm paper etching Slot Ållonö

Round basin with crown from which water sprays; Nova Fontium Deineatio. In the background smaller basins and floorres. Obachi copy to leaf from series Liure de Fontaines published by Daniel Marot.

The general garden of the stairs in Sien.

Companion in the Rosendael castle; Face of the Niewe arbor from Rozendael behind by 't Bosch; Faces at Rosendael Castle. .

A Temple Dedicated to Aesculapius, for the "Chinea" Festival. Dated: 1771. Dimensions: plate: 40.1 x 55.3 cm (15 13/16 x 21 3/4 in.) sheet: 45.4 x 66.6 cm (17 7/8 x 26 1/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Vasi after Giuseppe Palazzi (designer) and Paolo Posi (architect).

Odoratus, L'Ordorat. Dimensions: sheet (trimmed within plate mark): 24 x 32 cm (9 7/16 x 12 5/8 in.). Medium: engraving in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: ABRAHAM BOSSE.

View of the Buitenplaats Driemond aan de Vecht, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 93. Print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). country-house Vecht. Weesp. Muiden

Anjou is crowned on stage as Duke of Brabant, 1582, 1582 The Duke of Anjou is crowned on stage by Willem van Oranje as Duke of Brabant. Symbols of Antwerp have been installed on the roof of the stage. Plate II in the description of the entry of the Duke of Anjou in Antwerp, February 19, 1582. Netherlands paper etching Antwerp The Duke of Anjou is crowned on stage by Willem van Oranje as Duke of Brabant. Symbols of Antwerp have been installed on the roof of the stage. Plate II in the description of the entry of the Duke of Anjou in Antwerp, February 19, 1582. Netherlands paper etching Antwerp

Business on San Marcoplein in Venice, Giacomo Lauro, 1638 print The print is part of an album. print maker: Italypublisher: RomeVaticaanstad paper etching square, place, circus, etc. San Marcoplein

Ancient school built according to the Egyptian and Greek manners. (Scuola antica architettata all'Egiziana e alla Greca). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Plate: 6 1/16 × 8 9/16 in. (15.4 × 21.7 cm)Sheet: 6 7/8 × 9 5/16 in. (17.4 × 23.6 cm). Series/Portfolio: Opere Varie di Architettura, prospettive, grotteschi, antichità (Various works of Architecture, perspectives, grotesques, and antiquities). Date: 1750. Museum: Metropolitan Museum of Art, New York, USA.

Utrecht, Muller, Pieter Jacob, Northern Netherlands, Image of the Orange Tree, Planted within the City of Leerdam on 16 May 1793 with favorable permission from the Lord Drossaart Gideon Jan Langerak du Marchie Sarvaas, Orange Tree in Leerdam, 1793, verso - stamped, Orange tree planted by the citizens of Leerdam on May 16, 1793. Tree standing in the Dutch Garden and guarded by the Dutch lion. Above the tree an angel with a trumpet (Faam) under a crown., print, prent, prints, Frederik Muller Historieplaten, height 265 mm, width 190 mm, print maker, prentmaker, 1793 - 1793, paper, papier, etching, etchings, engraving, engraving (printing process), Nederlands, supervision

Vüe du Champ de Mars dit de la Fédération à la Journée mémorable du 14 Juillet 1790 au moment de l'arrivée de l'Assemblée Nationale des Députés de tous les Départements du Royaume et des Corps Militaire de Terre et de Mer, 1790., 1790., Paris. Engraving, hand-colored; 40.5 x 50.5 cm. Subject matter includes Dance, France, History, and the Revolution of 1789-1799, with a focus on Bastille Day in the 18th century

The highly ornamental but surely somewhat impractical carriage of Alexander the Great Date: 1817

Netherlands, Galle, Philips, Vredeman de Vries, Hans, 8-sheet series: Gardens, Gardens, Garden with a parterre surrounded by foliage, Garden with a parterre. In the middle a round basin in which a vase-shaped fountain stands, crowned by a child on a globe. Around the flowerbed are paths of foliage. Sheet from a series of 8 numbered sheets with gardens. In the background the ground floors of buildings are always visible., print, ornamental print, prints, ornamental prints, height 180 mm, width 244 mm, print maker, printmaker, 1587 - 1587, fourth quarter 16th century, paper, etching, etchings, Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Round Temple with Central Bassin and Fontein, Johannes or Lucas van Doechum, after Hans Vredeman de Vries, 1601 print Open round temple with central basin and fountain. In the corners of ornament. This print is part of an album. Antwerp paper etching architectural representations in general. ornamental fountain

Bellerofonte. Torelli, Giacomo, 1608-1678. 1642. Prints. Jerome Robbins Dance Division. Sacrati, Francesco , Bellerofonte, Opera , Italy , 17th century

Illumination for the East Indian House in Amsterdam, 1802; Illumination for the East Indiesche House in Amsteldam on the Peace party 2 June 1802. Illuminatie founded for the East Indian house in Amsterdam, at the festive celebration of the Vehicle of Amiens on 2 June 1802. A text sheet belongs to the print. Separate print from the Netherlands Mercurius of 1802.

Print made by David Loggan, 1633-1692, British, Collegium Sancti Iohannis Evangelista Cantabrigia illustrata, 1690. Line engraving on medium, slightly textured, cream laid paper.

Jacques Callot (1592-1635). "The prodigal child," the prodigal child returns to the paternal house: seventh number of a series of 10 pieces "(Lieure 1411, Meaume 60). Eau-tie. 1635. Museum of fine arts of the city of Paris, Petit Palais. 99590-17 Etching, engraving

Hyrcanus loots David's grave, looting or David's grave by Johannes Hyrcanus, anonymous, 1682 - 1762, paper, etching, h 133 mm × w 86 mm

Façade of the Minor Church (Facciata della chiesa minore) plate E, 1612, Volume Title, Descrizione del Sacro Monte della Vernia, engraving, book: 43.3 × 30 × 1.8 cm (17 1/16 × 11 13/16 × 11/16 in.), Illus. Bartsch 1983. nos. 130-136, Jacopo Ligozzi (designer) Italian, 1547 - 1627, Italian 16th/17th Century (artist), Domenico Falcini (engraver) Italian, born c. 1570, Lino Moroni (author) Italian

Perspective in a park. Draughtsman: Josua de Grave. Dating: 27-Jul-1689. Measurements: h 208 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.

View of a park crossed by the River Thames in the vicinity of the city of London; Le Parc de Milord Hamillon. A number of figures are hiking in the park. Left is a covered rowing boat. In the foreground a number of figures are fishing on the waterfront and hoard a man's sheep. Numbered: 34.

Nine screenings, numbered 1-9, 1749, 1749 Nine mobile screenings or floats in the parade at the celebration on 3 May 1749 of the 600-year anniversary of the Holy Bleed Procession in the city of Bruges. Leaf C with the cars numbered 1-9. The leaf cut out and glued. Southern Netherlands paper etching Used Nine mobile screenings or floats in the parade at the celebration on 3 May 1749 of the 600-year anniversary of the Holy Bleed Procession in the city of Bruges. Leaf C with the cars numbered 1-9. The leaf cut out and glued. Southern Netherlands paper etching Used

FUENTE DE LAS ARPIAS O DEL NIÑO DE LA ESPINA - GRABADO SIGLO XVIII. Location: MUSEO DE HISTORIA-GRABADOS BLANCO Y NEGRO. MADRID. SPAIN.

View of three ponds with fountains in the gardens of Villa d'Este, Tivoli In the foreground, ladies and gentlemen entertain themselves with conversation and strolling, Three Ponds in the Gardens of Villa d'Este, print maker: Pieter Schenk (I), (mentioned on object), publisher: Pieter Schenk (I), (mentioned on object), Amsterdam, 1675 - 1711, paper, etching, engraving, h 502 mm × w 595 mm

Design for a Museum or Repository 1758 Attributed to Stephen Riou. Design for a Museum or Repository 363954

Huis van Spangen, I. Baudouin, After Jacob Lois, After 1672 - Before 1730 print Two performances with the house of Spangen above each other. Above the house in good times, below as ruin. On both sides 32 family weapons, to the left of the side of Spangen, to the right of the side of Bongart. Above the composite weapon of the Spangen and Bongart families and two allegorical scenes. On the left an architect who shows a map of a queen. On the right a lady who draws the Spangen family crest with a writing spring. Under a reference to Cornelis van Spangen. paper etching castle. ruin of a dwelling, house, castle, etc. Chip

Anatomy Theatre, Leiden, the Netherlands. Line engraving.

Gezicht op een vijver bij Sergees in de omgeving van Ahmadabad. 'T Graf Met De Tangh Van Sergees (title on object). Gezichten in India uit de jaren 1678-1679 (series title). Draughtsman: anonymous. Dating: 1678. Measurements: h 422 mm × w 523 mm. Museum: Rijksmuseum, Amsterdam.

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

The Tuileries Garden 1680 Adam Perelle. The Tuileries Garden. Adam Perelle (French, Paris 1640-1695 Paris). 1680. Etching. Nicolas Langlois (French, Paris 1640-1703). Prints

Nich with statue and Bassin, Anonymous, Daniël Marot (I), in or after 1703 print A man creates water from the basin. A building with Ionian columns is visible in the background. Copy to print from series Troisième Lieure De Perspectives. Netherlands (possibly) paper etching

Curingendael estate in a nutshell from the east to the west; Mr. Van St. Anna-Lands Hofstede merged Clingendaal at 's Gravenhage; to see a portion of east after t west. View of Estate Clingendael in a nutshell. On the left in the background the city of The Hague. In the middle above a pennant flanked by Putti and the coat of arms of the owner Philips Doublet. In the middle of the margin a legend.

Wallestein; Van Het Huis Naer Het Agterste / Cabinet Te sien. "// Wallestein; looking from the house to / the last cabinet.

View of the Diana cabinet at Duinrell Buitenplaats; Duynrel Standt from the Padt behind the Zuyd-Essen Bosch, Nerer Diana Cabinet / Duynreliae Ex Femita Conspectus, versus Pentral Dianae; Faces at the Duinrell country estate. View of the cabinet of Diana, with a bust of Diana, behind the Essenbos of the Duinrell Buitenplaats. Two figures in the cabinet. In the foreground two seated figures and a dog. Legal under numbered: 16. Print from a series of sixteen prints of Duinrell.

Fireworks on the Schiessplatz, Nuremberg, June 22, 1665. Designer: Pyrotechnic design by Georg Carl Hornung; Pyrotechnic design by Johann Conrad Hornung; Pyrotechnic design by Johann Arnold. Dimensions: Sheet (Trimmed): 14 1/2 × 12 1/16 in. (36.8 × 30.7 cm). Date: after 1665.Nuremberg was the fireworks capital of the German states, and this before-and-after print may have had a didactic purpose, demonstrating the effects of different devices and artillery. Besides rockets, Roman candles, and Catherine wheels, there is a sort of billboard at the left, illustrating the story of the rich man and poor Lazarus, while at the right an open hell mouth reveals one of the damned and a devil inside. Museum: Metropolitan Museum of Art, New York, USA.

Tsarskoye Selo by Alexei Angileevich Grekov, Copper engraving, watercolour, 1761, 1723/26-after 1770, Russia, St. Petersburg, State Hermitage, 51, 5x69, 5

First cartoon at the Music Course in Brussels, 1830; Avant. Cartoon at the music competition held in Brussels simultaneously with the national industry exhibition, July 1830. Music lovers have lured themselves as mice in the trap with the message that the harmony of Frankfurt would play on the competition. This harmony is projected as a magic lantern plate on a building. On the left a clown on a stage that gives the pubbliek. Behind it on a statement of the cities participating in the competition. With legend 1-9. In the performance and on the leaf manual written. Part of a group of three cartoon prints: Avant - Pendant - après.

Vatican City, Innocent quarto), Modern buildings in Rome, Veduta della Trinita de Monti, Villa Medici and the Trinita dei Monti in Rome, Rome, Italy, Title and an explanatory list of numbers in the bottom margin. Print is part of an album., print, album sheet, prints, height 233 mm, width 368 mm, Italian, 1668 - 1729-11-16, print maker, printmaker, 1699 - 1699, second quarter 18th century, third quarter 18th century, paper, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1647 - 1729, publisher, 1615-06-13 - 1700-09-27, granter of privilege

Fontana delle Tartarughe at Piazza Mattei in Rome; Fontana Su La Piazza de ss.ri Mattei; Fontane di Roma; Fountains of Rome. Numbered at the bottom right: 23. The print is part of an album.

Speculum Romanae Magnificentiae, Antonio Lafreri, 1512-1577, French, 1546-1590, Line engraving on medium, slightly textured, cream laid paper

Otho's promotion to the rank of Army General of the United States, 14 February 1784, by Paul Isert illustration from Journey to Guinea and the Caribbean Islands, 1793. Detail. Republic of Guinea seventeenth century.

Projet d'un feu d'Artifice sur l'eau pour le mariage de Me. Première (Design for Fireworks over Water for the Marriage of Madame Premiere Elizabeth of France, plate 112, in Oeuvres de Juste-Aurèle Meissonnier, Juste-Aurèle Meissonnier, French, b. Italy, 1695-1750, Herisset, French, 18th century, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, Large structure with stairs, fountains, and statues; wall lined with trees and two elaborate decorations with towers, bells, fleur de lys, and topped with cross., Paris, France, 1748, architecture, Print, Print

Capitoline, Rome, 1681, Underschildliche Prospecten, etching, Hollstein, Vol. II, no. 4, State p.162, Melchior Küsel (artist) German, 1626 - 1683, Johann Wilhelm Baur (artist after) German, 1607 - 1641

Zimnee voskresenie na Neve.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

ENGRAVING-ASCENSION OF THE MONTGOLFIERE BALOOON. Author: HERMANOS MONTGOLFIER JOSE 1740-1810 ETIENNE. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Pantheum Romanum nunc Mariae Cognomento, Print made by Nicolas Beatrizet, 1507 or 1515-ca. 1565, French, Published by Nicolaus van Aelst, ca. 1527-1613, Flemish, Published by Antonio Lafreri, 1512-1577, French, between 1546 and 1590, Line engraving on thin, slightly textured, cream laid paper, Sheet: 14 × 17 3/4 inches (35.6 × 45.1 cm), architectural subject, church, cityscape, lions, temple, Europe, Italy, Lazio, Pantheon (Rome), Rome

William Hogarth,English, (1697-1764), Analysis of Beauty: pl.1, 1753, etching and engraving

Joseph Sebastian Klauber, Johann Baptist Klauber, after Johann Wolfgang Baumgartner, Spring, mid 18th century Spring

The Square Tower 1637 Claude Lorrain (Claude Gellée) French. The Square Tower 384310

Rome, Piranesi, Giovanni Battista, Italy, Barbault, Jean, Le Antichità Romane, Archaeological finds in and around Rome, Frammenti della Camera sepolcrale dirimpetto alla Chiesa di S. Sebast.o fuori delle mura, Fragments from the tomb opposite Saint Sebastian outside the Walls in Rome, verso - stamped, Fragments and sarcophagi from the tomb opposite St. Sebastian Outside the Walls in Rome. Title and list with explanatory letters in the lower margin. Numbered at the top: Tom. II., XLV., print, prent, prints, prenten, height 383 mm, width 511 mm, height 47 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, etchings, French, 1718 - 1766, Work conception, after own design by

Before (IT)

More, Noach van der (II), Netherlands, Israel's God is the Netherlands' God, Allegory of the liberation of the Netherlands, 1813, verso - stamped, the fall of the French and the restoration of the Prince of Orange as sovereign prince, 1813. Coastal landscape with a monument for the seven united provinces, crowned by the coat of arms of the prince. On the ground in front of the monument lie symbols of the broken French power. On the monument is a cartouche with two crossed anchors and the monograms CO, CW, CB and CS and the motto 'Wij allen hoopen'. On the left, the sun rises over a merchant fleet at sea. In the caption, a four-line verse. See the pendant., print, prints, Frederik Muller Historieplaten, height 215 mm, width 280 mm, 1741-04-16 - 1822-02-20, print maker, printmaker, 1813 - 1814, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Serwouters, Pieter, Amsterdam, Visscher, Claes Jansz. (II), Vinckboons, David (I), Biblical themes, The narrow and the broad road, verso lower left - stamped, The upper half of the print shows the gate to the narrow road, where angels take people by the hand and guide them to the City of God. The lower half shows the gate to the broad road, where death lures large crowds of people inside. Above and below the images are references to various Bible texts. Numbered '4' at the bottom right., print, prent, prints, prenten, height 122 mm, width 158 mm, Noord-Nederlands, 1586-10-28 - 1657-09-26, print maker, printmaker, 1611 - 1611, paper, papier, engraving, engraving (printing process), Work conception, 1576-08-13 - 1629, after a design by, Publication (Event), Publicatie, 1586 - 1652-06-19, publisher

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