Architectural Ornament Designs

A selection of intricate architectural ornament designs showcasing grotesques, floral motifs, and heraldic elements, reflecting 16th-century Italian aesthetics.

Family tree of Maximilian (upper part), Albrecht Dürer (workshop of), 1515 print Emperor Maximilian sat on a throne for his coat of arms, surrounded by angels and two women with coats of arms. Under him the top of his pedigree. Upper part of the central performance on the triumphal arch of Emperor Maximilian I. Nuremberg paper letterpress printing angels. family lineage, pedigree, genealogical tree or table. armorial bearing, heraldry. historical persons

Family tree of Maximilian (upper part), Albrecht Dürer (workshop of), 1515 print Emperor Maximilian sat on a throne for his coat of arms, surrounded by angels and two women with coats of arms. Under him the top of his pedigree. Upper part of the central performance on the triumphal arch of Emperor Maximilian I. Nuremberg paper letterpress printing angels. family lineage, pedigree, genealogical tree or table. armorial bearing, heraldry. historical persons

Candelabra Grotesque with a Female Figure in a Niche and Two Sphinxes. Artist: Anonymous, Italian, 16th century ; After Cornelis Massys (Netherlandish, Antwerp 1510/11-1556/57 Antwerp). Dimensions: Sheet: 8 3/4 x 5 7/8 in. (22.2 x 15 cm). Date: 1540 after.Candelabra grotesque, copied after a print made by Cornelis Metsys around 1545. The design is characterized by a strapwork structure in which various figures are placed. On the bottom, two river gods are depicted in the corners of the page. In the middle a female figure, possibly a Victory, is standing in a niche, flanked by terms. The terms support a panel with two birds and Bacchus in an oval compartment. On top of the panel, two sphinxes are depicted. The structure is crowned by an arch with a decorative mask. On ether side of the arch, a vase has been placed. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Wall Fountain 1550-1620 Anonymous, Italian, Lombard, 16th century Italian. Design for a Wall Fountain 340691

Architecture fantasy, at the bottom is Amor between four oil lamps, Anonymous, c. 1530 - c. 1540 print Flat decoration with grotesken. Above Amor there is a flat decoration with mascarons. At the top a flat decoration with griffins, birds and a winged Herme. The whole in an edge, decorated with windows and squares. From series of 20 magazines. paper etching / engraving ornament derived from architectural details. (story of) Cupid, Amor (Eros). oil-lamp

Daniel Mignot, Title Page Large Pendant, 1593 Title Page: Large Pendant

Design for a Frame for the Portrait of Armand Guéraud, 1862. Charles Meryon (French, 1821-1868). Etching;

Three candelabers; Grotesque flat decorations with candelabels, mythological figures, fabulous arteries, leaf refrences and trophies. Three Candelabers, the middle of whose rollerwork. In the middle a nude boy leaning over a cross bar. Sheet from series of 9 sheets.

Print, Designs for Tobacco and Powder Boxes, Watches, Seals, and other Goldsmith Ornaments, from the set "Neues sehr dienliches Goldschmids Büchlein"; Designed by Paul Decker (1677-1713); Germany; engraving on paper; 26.4 × 19 cm (10 3/8 × 7 1/2 in.)

Lower part of decorative pilaster, Giovanni Ottaviani, Pietro Camporesi (I), After Gaetano Savorelli, After Rafaël, in Or Before 1772 - 1779 print On the left a woman with a globe in her hand, a drapery, a tablet with birds and two putti on either side of a vase. On the right a goddess and garlands of fruits. Lower part of a pilaster. Up right numbered II. paper engraving / etching half-column, pilaster ~ architecture

A banner depicting Aussone, Arcus, and Ostrevant from the Triumphal Procession of Emperor Maximilian I by Albrecht Altdorfer, 1517-1518. Mounted on a wooden stick, it illustrates early 16th-century ceremonial design.

Flower ornament; Flowers. Ornament with a circle filled with flowers in the middle. This print is part of an album.

Drawing, Project: the decoration of a panel; Italy; pen and ink, charcoal, on paper; 27.5 x 20.4 cm (10 13/16 x 8 1/16 in.)

Album n � 1. Stained glass project for Gonesse: Saint Nicolas Gsell-Laurent. Album n � 1. Stained glass project for for Gonesse: Saint Nicolas. Pencil on layer.

Ornamental Panel ca. 1514-36 Anonymous, Italian, 16th to early 17th century Italian. Ornamental Panel. Anonymous, Italian, 16th to early 17th century. ca. 1514-36. Engraving. Prints

At the bottom is a frieze with four figures in four passes with flattened sides; Grotesken with fable designers, garlands, candelabers and mascarons. ONSAGE COPY TO PRENT OF JACQUES ANDROUET DUCERCEAU, which is partly derived from a flat decoration of Enea Vico.

The new entertainment guess. Board game with a spiral with 63 numbered boxes. In midfield the game rules in letterpress. In different squares a representation of a goose.

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Group of Angel Musicians 1551-1629 Avanzino Nucci Italian. Group of Angel Musicians 340860

On a pedestal, both left and right are an elevation with an image under a shelter, Hans Sibmacher, after Jacques Androuet, c. 1525 - 1594 print Copy to print by Jacques Androuet Ducerceau, derived from a flat decoration of Enea Vico. Leaf from series with architecture fantasies and grotes' with fable areas, garlands, candelabers and mascarons. print maker: Germany (possibly)after print by: France (possibly)publisher: Netherlands (possibly) paper etching piece of sculpture, reproduction of a piece of sculpture

Woodcut by Leonhard Beck showing Saint Denthelinus from the Sipp, associated with Emperor Maximilian I, carved on wooden stick, 1517.

Grotesken. Draughtsman: anonymous (rejected attribution). Draughtsman: Jean Coussin de Oude (attributed to). Dating: c. 1550 - c. 1599. Place: Fontainebleau. Measurements: h 244 mm × w 203 mm. Museum: Rijksmuseum, Amsterdam.

Cartouche with two putti. A large ornamented cartouche with two putti, right with canvas.

Count with Death, Anonymous, Hans Holbein (II), After 1547 print paper dance of Death; Death together with one or more human beings

Chalk draft by Josef Wawra depicting a design for glass windows, including patterns and structural layout.

Sleeping princess in the forest according to the drawing of Wilhelm Simmler. Illustration from the Illustrated Flying Sheets for Young and Old magazine, No. 3 unknown, Simmler, Wilhelm (1840 1914)

A pencil sketch of architectural facade ornamentation by Swoboda featuring figures, tendrils, and tassels, recorded in his sketchbook during 1877.

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 12 (recto). Dimensions: Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm). Published in: Venice. Publisher: Cesare Vecellio (Italian, Pieve di Cadore 1521-1601 Venice) , Venice. Date: 1601.Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with 2 triangles: left triangle is decorated with 2 birds flanking a tall vase with a flower and right triangle is decorated with a spotted unicorn with a floral element emanating from its back. Bottom register is decorated with 2 wavy vines of flowers that attach to a bird in the center. Museum: Metropolitan Museum of Art, New York, USA.

Cartouche with small angels on both sides of coat of arms of Leiden. Cartouche decorated with materials and tools from the wool industry such as strands of raw wool, bobbins, brushes and scissors from sheep shearer. Under spinning an angel of wool and another angel prepares packages, Cartouche with small angels and materials from wool industry., print maker: Abraham Delfos, Leiden, 1741 - 1820, paper, etching, h 117 mm × w 91 mm

Architecture fantasy with the fall of Bellerophon; Grottesco: In divorce ways ...; Title page and 6 blades with grotesken from: "Grotesco in various ways (...)". Left and right lies on a base with volutes a Sphinx under a canopy. From series from title page + 16 sheets with cartouches or architectural fantasies with a performance in a picture frame with fabric designs, animals, garlands, trophies and mascarons.

Rolling with fruit and figures, Jacques Androuet, 1520 - 1584 print Cartouche of rolling work with a basket full of fruits and three children. The middle one is on the basket and sticks its limbs through the rolling work. On his head he has a wreath of leaves. The children on the left and right sit with their legs through the rolling work and point to a fruit in the basket. paper etching scrollwork, strapwork ~ ornament. fruits and vegetables ~ ornament. hanging figure (by the arms, legs, etc.)

Wooden stick panel depicting a contract with the Green King in Emperor Maximilian I's Weißkunig, created by Leonhard Beck between 1514 and 1516, showing figures and document exchange.

Print, Design for Lockframes and Keys, from "Liures de Serurerie"; etching on paper; verso: graphite on paper; 29 × 19.7 cm (11 7/16 × 7 3/4 in.)

Lazio Roma Rome Tomb of the Valerii2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Basilicata Matera Matera Duomo56. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (1268-70). Post-medieval: Architectural sculpture; interior remodelled in 1627 and in 1776 includes sculpture, painting, frescoes, choir stall German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design by Androuet du Cerceau; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 24.8 x 17.7 cm (9 3,4 x 6 15,16 in.)

Album n � 1. Stained glass project for St Aubin Gaillon Lamb Pascal Gsell-Laurent workshop. Album n � 1. Stained glass project for St Aubin Gaillon: Pascal lamb.

Boeket van ranken met bloemen en bladeren; Livre de Fleurs & de Feullies pour servir a l'art d'orfeveri (...).With a number of figures to Jacques Callot and bottom two dogs. Leaf 3 from series with 6 bouquets for gold and silversmiths. Second edition.

Collage of expressed prints stuck on album leaf of blue paper. One of seventeen collages from folder.

Kroon boven een obelisk in zee / Kroon op de punt van een zwaard; Adhuc Stat / Pro Me Sime Regor In Me; Symbola Divina et Humana Pontificum Imperatorum Regum.An emblem with two performances. Upstairs is an obelisk in the sea. The winds keep a crown in balance on top. Under a crown at the tip of a sword. The crown is designated by a hand. The inventions of Jacobus V and Jacobus VI of Scotland.

Wooden stick from 1517-1518 showing banners of Geldern, Luxembourg, and Limburg in Albrecht Altdorfers triumphal procession of Emperor Maximilian I.

Bliżej Kultury unknown

Print, Orgueille et follie (Pride and Folly); Designed by Theodor de Bry (French, active Netherlands and Germany, 1528 - 1598); Netherlands; engraving on white laid paper; Sheet: 12.7 x 12.4 cm (5 x 4 7/8 in.) Mat: 45.7 × 35.6 cm (18 × 14 in.)

One Quarter of a Design for Corner of a Wall or a Ceiling. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Sheet: 11 7/16 x 8 1/8 in. (29.1 x 20.7 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Gloer project representing five lancets Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Gloer project representing five lancets. Pencil.

Ornament with putti, flowers and a medallion, c. 1701 The performance in the medallion shows a woman with an altar. Above the medallion two hugging putti. Under the medallion a crowned figure, presumably a fertility symbol, with grain in the hands. Page 57 Recto from a sketchbook with 63 sheets. paper. pencil The performance in the medallion shows a woman with an altar. Above the medallion two hugging putti. Under the medallion a crowned figure, presumably a fertility symbol, with grain in the hands. Page 57 Recto from a sketchbook with 63 sheets. paper. pencil

Caritas, caught in a shell-like shape where water flows; Molding change of cavity of cavity (...) Libro Primo. She is flanked by two women who point to her. Leaf K from series of 12 sheets, numbered A-M with flat decorations of grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Franz II., Roman-German Emperor.

Vitus Felix Rigl, An Elaborate Rococo Setting with the Virgin and Child and Saints Defeating Evil, Heresy, and Profane Love, 1760s An Elaborate Rococo Setting with the Virgin and Child and Saints Defeating Evil, Heresy, and Profane Love

This woodcut by Hans Springinklee, first published 1526, depicts the triumphal procession of Emperor Maximilian I, showing a trophy car, figures, gestures, and ceremonial composition.

Collage of outpacked prints stuck on album leaf of blue paper ..

Woodcut by Leonhard Beck showing Saint Silvinus from the Sipp, related to Emperor Maximilian I, created on a wooden stick in 1517.

Three putti wear a vase, Benedikt Winkler, 1737 - 1754 print Three putti with a cloth wear a vase or urn. Two winged puts heads on the vase. Augsburg paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. jar ~ ornament

Drawing, Virgin and child in glory; Paolo de Mattheis (Italian, 1662 - 1728); Italy; pen and brown ink, gray wash, squared in brown ink, laid down; 25.5 x 17 cm (10 1/16 x 6 11/16 in.) Mount: 30.5 x 21 cm

Albrecht Dürer, Detail 41 & 42, 1515-1517, woodcut on paper.

Emilia-Romagna Ferrara Ferrara Palazzina di Marfisa0. Hutzel, Max 1960-1990 Post-medieval: Extensive coverage of both interior and exterior, including views of well with Este coat of arms; decorative frescos; wooden armoire, late 16th century Venetian; paintings on canvas; fireplace with carved mantlepiece, Lombard school, 16th century; sculpture, 16th century Venetian () and Lombard; carved wooden cassone, Northern Italian, 15th century; ceiling and wall paintings: and one panel painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Drawing, Decorative Project for Central Tondo with Apollo, Autumn and Winter; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over traces of graphite on cream laid paper; 27.7 x 40.3 cm (10 7/8 x 15 7/8 in.)

Attempt; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Giovanni Guerra's pen and bistre drawing of Pratolino's ground floor with lavierte shading, showing structural details and layout, created around 1598.

Frame for Portrait of Armand Guéraud, Charles Meryon, 1862 print Frame with allegorical representation of the invention and application of printing. Books with titles on the tires and printing tools are stacked on top of each other Round an empty frame. Under the framework, intended for the portrait of the printer Armand Guéraud, is a law book with a sword. In a band at the bottom there are Chinese characters and here. Meryon took a lot of trouble for the elaboration of the frame, he made fourteen states and always changed the titles on the books alongside other details. A few red accents are striking that the Kunstnaar experimented with. paper etching / drypoint tools, implements of printer. book

Pompa Introitus...Ferdinand, Austriaci. Antwerp 1635 After Peter Paul Rubens Flemish. Pompa Introitus...Ferdinand, Austriaci. Antwerp. After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp). 1635. Etching. Prints

Frontispiece: mythological figures weigh astronomical theories, from "The New Almagest" (Almagestum Novum) 1651 Francesco Curti. Frontispiece: mythological figures weigh astronomical theories, from "The New Almagest" (Almagestum Novum) 813076

TREW, abdias.

Design for a Knife Handle with a Memento Mori. Artist: Johann Theodor de Bry (Netherlandish, Strasbourg 1561-1623 Bad Schwalbach). Dimensions: Sheet: 3 3/4 × 15/16 in. (9.6 × 2.4 cm). Date: 1580-1600.Panel with knife handle design, with a man with a rose before the seated figure of Death, shown as a skeleton, after a design by Jan Saenredam after Hendrik Goltzius (Bartsch III.258.123) This scene is framed by an arch at the top of the handle and is on a blackwork background with grotesques. From a series of twelve plates. Museum: Metropolitan Museum of Art, New York, USA.

Allegory in honor of Frederik Willem II, King of Prussia, for his restoration of the Stadholder of Willem V, Prince of Oranje-Nassau, 1787, Jan Gerritsz. Visser, after Johannes le Francq van Berkhey, 1789 print Allegory in honor of Frederik Willem II for his restoration of the stadholder of Willem V, 1787. Erebog with Willem V and Wilhelmina for a monument, on the right Frederik Willem II and Karel Willem Ferdinand. At the bottom of Willem I in his tomb. On either side obelisks in honor of Willem II, III and IV and Anna. In the foreground De Herauten of the Netherlands, the Lands Union, Great Britain and Prussia and two weapon trophies. Amsterdam paper engraving / etching knighthood order (GARTER) - insignia of a knighthood order, e.g.: badge, chain

Decoration in a church. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Frontispiece, from Bussy-Rabutin's 'Histoire amoureuse des Gaules' 1754 Pierre Philippe Choffard. Frontispiece, from Bussy-Rabutin's 'Histoire amoureuse des Gaules'. Pierre Philippe Choffard (French, Paris 1730-1809 Paris). 1754. Etching and engraving. Prints

Wooden stick artwork by Leonhard Beck showing the young 'Weißkunig' Emperor Maximilian I guided by Merkur and Mars planets toward a wheel of fortune, 1514-1516.

Design for a Dome Compartment with Figures of Charity and Fortitude 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Design for a Dome Compartment with Figures of Charity and Fortitude 340128

Workplace of a goldsmith. Octagonal cartouche with garlands. Tools, insects, snakes and birds. Left and right a winged Herme with the sun, responded moon, at the top of a skull with bat wings and an hourglass. In the cartouche three men at work in a goldsmids workshop. Right a man comes through a door. In the foreground a dwarf and a dog. In the background behind a balustrade a man who decreases his hat.

Canopy project representing the Annunciation Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Canopy project representing the Annunciation. Pencil.

Pencil and ink design by Alexander Rothaug for area decoration, showing compositional elements and ornamental study, spring 1901.

Book of Job, Plate 16, The Fall of Satan, William Blake, 1757-1827, British, 1825, Line engraving on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), Plate: 7 7/8 × 6 1/2 inches (20 × 16.5 cm), Image: 7 1/4 × 5 7/8 inches (18.4 × 14.9 cm), and Binding: 16 inches (40.6 cm)

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: twenty-sixth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Quarter of rectangular ceiling. Ceiling with a trompe-l'oeil painting of a vault in the form of a dome with the Olympus mountain. From series of 6 sheets.

Mars under a canopy. The print is part of an album.

Malid; Romanowicz, Walenty; V.1943 (1943-00-00-1943-00-00);

This 1599 copper engraving by Hendrik Hondius the Elder depicts a bouquet of flowers in a richly decorated vase, emphasizing floral arrangement, decorative art, and printmaking.

Ornemented Arche (TF)

Rolling wagon with a woman, drawn by two men, a turtle and a dog; Frisians with triumph trolles of grotesken and from roller and fitting work with figures and animals, decorated with garlands and leaf raft; Fantastic cart, continued by two men, a turtle, a dog etc. On the cart is a naked woman seated a fruit-timed. On the cart people read: Cock and in Den L.B: 1552.After the turtle is a woman with a stick. The dog is held by another woman at the ears. The car is pushed by a dog and two men. Belongs to series of 4 sheets.

Large First Drawing for a Miniature Painting Large First Drawing for a Miniature Painting, late 18th century. Brush, charcoal, 12 1/2 x 9 5/8 in. (31.7 x 24.5 cm). Asian Art late 18th century

Interior views of Albrechtsburg, Knights from Germany, Albert III, Duke of Saxony, Murals in Albrechtsburg, 1899, Meißen, Albrechtsburg, Turniersieg des Prinzen Albrecht

Lazio Roma Rome S. Maria dell'Orto8. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, reliefs, painting (frescoes) Object Notes: Despite lively Baroque decoration in the interior, the church conserves an early Renaissance structure of three naves. Building began in 1489 by an unknown architect; was finished in 1566 by Guidetti. Curious inscriptions on church stones with humorous statements such as "Universita dei Vermicellari" (various artisan corporations). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'Fragments of the Plafond at Bayer'. France. Dimensions: 16x23,5 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Design for a Bucket-Like Vessel with a Handle of Strapwork, on a Body Adorned with Dancing and Music-Making Antique-Style Figures. Artist: Girolamo Genga (Italian, Urbino () 1467-1551 near Urbino). Dimensions: sheet: 8 3/8 x 5 5/8 in. (21.2 x 14.3 cm). Date: 1540-50. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Messager, Jean, Germany, Kasemann, Rutger, Livre d' Architecture contenant plusieurs beaux ornementz, Twaalf hoofdgestels, Hoofdgestels with fantasy decorations. Sheet H from second edition of series, consisting of 24 sheets., print, ornamental print, prints, ornamental prints, height 218 mm, width 128 mm, Work conception, after a design by, 1622 - 1622, first quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, French, 1580 - 1649-12-27, publisher

A convex from Karnak depicting the goddess Muth leading to the throne of Amon King Sethora. unknown

A late 15th-century copper engraving by Israhel van Meckenem depicting a couple playing at a fountain, illustrating social interaction, setting, and composition in Northern Renaissance printmaking.

Design for a Double Door with Overdoor, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, With the left door folding. It is divided into panels and a central horizontal band, and a circle with a lion mask. The panels have above a festoon and in the center a lozenge, with the figure of a standing woman. The overdoor shows a representation of probably the preparation of the sacrificing of Iphigenia. The frame is decorated with a stem, at left, rising from an acanthus blossom; at right with palm branches springing from a calyx. On top are the cornices of an entablature. The wall is colored., Rome, Italy, 1780-1790, interiors, Drawing, Drawing

Collage of expressed prints stuck on album leaf of blue paper.One or seventeen collages from leaflet.

Design for a theater decor, 1707 print Corner between two facades, with a loggia and many ornaments, seen from below. paper etching stage design

Design for the Cover of a Snuff Box, Pen, brush and Chinese ink on sepia paper, Cupid seated beside Hermes, gives him what probably is a letter. The setting is a park. Framed by a moulding with festoons hanging from bow knots and rosettes., France, 1760-1780, Drawing, Drawing

Allegory in honor of the king of Prussia for his restoration of the stadholder of Willem V, 1788, Jan Gerritsz. Visser, after Johannes le Francq van Berkhey, 1789 print Allegory in honor of the king of Prussia for his restoration of the stadholder of Willem V, 1788. Erebog with Prince Willem V and Princess Wilhelmina for a monument, on the right the king of Prussia and the Duke of Brunswijk. At the bottom of Prince William I in his tomb. On either side obelisks in honor of Willem II, III and IV and Princess Anna. In the foreground De Herauten of the Netherlands, the Lands Union, Great Britain and Prussia and two weapon trophies. Netherlands paper etching / engraving monument, statue. stadtholder. grave, tomb. obelisk, needle

Rohscan

Corinthian main frame and six consoles, 1565 Corinthian main frame. The Frisian has a forward segment on the left that is decorated with a vase full of fruits. The part of the Frisian is decorated with a mascaron, a cartouche, garlands and animals. In addition, six separate consoles. A scale has been indicated twice on the print. The print is part of an album. Antwerp paper etching Corinthian main frame. The Frisian has a forward segment on the left that is decorated with a vase full of fruits. The part of the Frisian is decorated with a mascaron, a cartouche, garlands and animals. In addition, six separate consoles. A scale has been indicated twice on the print. The print is part of an album. Antwerp paper etching

Charlot, Claude, Anthoine, Poirel, Dominique, Deruet, Leclerc, Sébastien (I), Monuments and festivities during the entry of Charles IV into Nancy, 1641, Frieze with the monogram of Charles IV, A frieze with a medallion with the monogram of Charles IV surrounded by a laurel wreath. Left and right flags, weapons and a putto blowing a trumpet., print, engraving, ornamental print, book illustration, prints, engravings, ornamental prints, height 52 mm, width 182 mm, French, 1637-09-26 - 1714-10-25, print maker, printmaker, 1664 - 1664, second quarter 17th century, paper, etching, etchings, Work conception, 1588 - 1660-10-20, after a design by, Publication (Event), Publicatie, publisher

Lazio Frosinone Arpino S. Andrea Apostolo4. Hutzel, Max 1960-1990 Medieval: 13th century architecture. Post-medieval: 16th century architecture (1533 remodel), architectural sculpture, sculpture, fresco painting, painting on panel, stucco, church furnishings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Floor plan for a fortress, fort or reinforcement (hexagon with many separate defenses around it). Below that a face on a city on a water (brouage). In the corner at the top left, the number 41 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching fortifications, military engineering. mathematics. landscapes with waters, waterscapes, seascapes (in the temperate zone). coast. prospect of city, town panorama, silhouette of city

Limoges Enamel "Plaque". Charles Thurston Thompson (English, 1816 - 1868)

Figural Letter, Capital A, Juan Dolívar, Spanish, active in France, 1641 - 1701, Pierre Paul Sevin, French, 1650 - 1710, Etching and engraving on paper, Shown standing before Alexander the Great cutting the Gordian knot. Two framing lines., Europe, France, 1685-1692, Print, Print

Temple sculpture: a tree with two monkeys and two birds surrounded by a decorative border. Pencil drawing.

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