Architectural Ornamentation

Designs of elaborate wall decorations and altars, featuring intricate carvings and historical motifs from European architecture.

Design for an altar for St. Anthony of Padua, Andrea Pozzo, Italian, 1642-1709, Pencil, pen and ink, brush, gray watercolor on paper, Above is the elevation with parts of the adjoining walls and of the entablature shown; below is the plan. Disposed in half of an ovoidal niche. The mensa has the shape of an angular sarcophagus which is supported by two legs with cherubim in front of their upper parts. The figure of the Saint with the Christ child stands upon a pedestal in an angular niche; flanked by two fluted and embedded columns. Two women sit upon the triangular pediment, the left one probably with a burning heart, the right one carrying a twig. The conch is coffered. Below is the scale: 'Scala di Palmi venti Romani.' Framing line and stripe. Written in ink in lower left corner: 'Padre Pozzo lo fece.', Europe, 1685-1700, architecture, interiors, Drawing, Drawing

Wall decoration with painting by Aeneas and Anchises; Lambris a la romaine.

Design for an altar for St. Anthony of Padua, Andrea Pozzo, Italian, 1642-1709, Pencil, pen and ink, brush, gray watercolor on paper, Above is the elevation with parts of the adjoining walls and of the entablature shown; below is the plan. Disposed in half of an ovoidal niche. The mensa has the shape of an angular sarcophagus which is supported by two legs with cherubim in front of their upper parts. The figure of the Saint with the Christ child stands upon a pedestal in an angular niche; flanked by two fluted and embedded columns. Two women sit upon the triangular pediment, the left one probably with a burning heart, the right one carrying a twig. The conch is coffered. Below is the scale: 'Scala di Palmi venti Romani.' Framing line and stripe. Written in ink in lower left corner: 'Padre Pozzo lo fece.', Europe, 1685-1700, architecture, interiors, Drawing, Drawing

Weapons and Insignia by Karel V, no. 34; Funeral procession of Emperor Charles V, 1558. Tabernacle with the weapons and Insignia of Karel V. At the bottom of the date 1558. Part of the printer of the funeral procession of Emperor Charles V on December 29, 1558 in Brussels.

Ornamented fireplace with vase, 1726 - 1741 print Fireplace with rocaille ornaments, cartouche and vase with flowers on the left. Nuremberg paper etching / engraving open hearth, fire-place. rocaille ornament. ornament ~ cartouche. vase ~ ornament

Paneel puts Victoria, Anonymous, After Jean Berain (Le Vieux), 1686 - 1724 print Wall decoration with a panel with braid work flanked by ornamented pilasters. On the panel, Victoria is on a pedestal with two phases on either side under an arcade. Below that a harness with flags and two naked figures on a second pedestal. At the top a crown with two angels blindly on trumpet. Above the panel a Frisian with trophies, medallions with portraits and lions. Under 3 numbered. Augsburg paper etching panelling. Victoria as Roman personification

Tomb monument from Remigius du Laury. Remigius du Laury grave monument. At an increase is a tomb for two ornamented doors with acanthus leaves and putti. On either side balusters and two personifications with a cross and the papal tiara. There are two smoke barrels a bust of the deceased. Putti with laurel circuits, palm branches and a cross surround the bust. At the bottom a top view of the monument with a nine-line latin text.

Fireplace decoration design; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Chimney mantle with a performance by Boreas that kidnaps Oreithyia, Anonymous, After Gerrit de Grendel, 1704 - 1762 print Design for a chimney with a performance by Boreas that kidnaps Oreithyia. The mantelpiece is decorated with rocaille neatrements, volutes and fruits. paper engraving chimney. Boreas abducting Orithyia. rocaille ornament

Theater with King Albrecht I, 1594, 1594 TONEEL Met de Koning Albrecht 1 van Habsburg in 1299. Feestelijke Intocht AartShertog Ernst Als Gouverneur der Nederlanden Gehouden te Brussel op 30 January 1594. Onderdeel van de Beschrijving van deze intochrijving and explanation of pegmatum, arcs spectacles which Brussels Brabant. The day before Cal. February. Ao. 1594 exhibited under the entry ... Ernest ... Archdiducis Austria ... for Philip 2. Belgian died Pilot, J. Mommaert, Brussels 1594. print maker: Southern Netherlandspublisher: Brussels paper engraving Brussels TONEEL Met de Koning Albrecht 1 van Habsburg in 1299. Feestelijke Intocht AartShertog Ernst Als Gouverneur der Nederlanden Gehouden te Brussel op 30 January 1594. Onderdeel van de Beschrijving van deze intochrijving and explanation of pegmatum, arcs spectacles which Brussels Brabant. The day before Cal. February. Ao. 1594 exhibited under the entry ... Ernest ... Archdiducis Austria ... for Philip 2. Belgian died Pilot, J. Mom

Ornamented fireplace with cartouches; Second Livre de Nouveaux Cheminées (...). Schouw with Rocaille ornaments and cartouches at the top right and bottom left.

Chimney mantle with a performance by Boreas that kidnaps Oreithyia, Anonymous, Gerrit de Grendel, 1704 - 1762 print Design for a chimney with a performance by Boreas that kidnaps Oreithyia. The mantelpiece is decorated with rocaille neatrements, volutes and fruits. after design by: Middelburgpublisher: Augsburg paper engraving chimney. Boreas abducting Orithyia. rocaille ornament

Fireplace with putto; Schouwen. Schouw with Rocaille ornaments, a putto and two winged angel heads. Publisher number 164.

Rovin, Janos.

School, Emanuel Eyel (POSSIBLY), After Franz XAver Hervelman, 1746 print Fireplace with rocaille ornaments and floral motifs. Publishing number 274. Augsburg paper etching / engraving open hearth, fire-place

Theater with Emperor Frederik III, 1594. Theater with the Frederik III in 1440. Festive arrival of Archduke Ernst as Governor of the Netherlands held in Brussels on January 30, 1594. Part of the description of this arrival descriptio et Explicatio Pegmatum, Arcuum Spectaculum Quae Bruxellae Brabant . Pridie Cal. Feb. Ao. 1594 EXHIBITA FUere, sub Ingressum ... Ernesti ... Archiducis Austriae ... Pro Philippo II. Belgicae Ditionis Gubernatore, J. Mommaert, Brussels 1594.

Anonymous drawing showing a draft for a tomb with a bust of a man in a medallion above a sarcophagus, executed with feather and laved technique, right corners accented with chalk.

Netherlands, Zürcher, Antoni, Gate of Honour on the Reguliersplein, 1816, verso - stamped, Gate of Honour with the Temple of Love. Arch crowned with the coats of arms of the prince and princess, below it between garlands two burning hearts. Erected on the Reguliersplein (Thorbeckeplein). Illustrations of the decorations erected during the visit of the prince and princess of Orange to Amsterdam on 19 September 1816., print, prent, prints, engravings, Frederik Muller Historieplaten, height 202 mm, width 128 mm, 1755 - 1837-10-02, print maker, printmaker, 1816 - 1817, paper, papier, etching, engraving, engraving (printing process)

Print, Grotesque Ornament; France; Sheet: 32.8 x 17.1 cm (12 15/16 x 6 3/4 in.); 1987-90-3

Wall Elevation with a Window and Statues of Saint John the Baptist and Saint Peter in Niches 1556-1641 Lazzaro Tavarone Italian. Wall Elevation with a Window and Statues of Saint John the Baptist and Saint Peter in Niches 341588

Cheminee project Daniel Marot The Old (around 1663-1752). "Fireplace project". Burin.

Drawing, Project for the elevation of an altar; Italy; pencil, pen, washes and chinese black on paper

Germany, Caymox, Balthasar, Dietterlin, Wendel (I), A covered spring, next to which is a statue of Christ, no. 79, Fountains, wells, mantelpieces, capitals, windows and retables, Well with a basin in the form of a trefoil and three pulleys, On the right, on a stone pedestal, stands a statue of Christ intended to crown the well. One of 20 sheets from a series (Architectura. Von Ausztheilung, Symmetria und Proportion der fünff Seulen...) consisting of 193 sheets and 5 title pages, divided over five books. This is a second, expanded edition of the series described under Orn Cat I-319., print, ornament print, prints, ornament prints, height 245 mm, width 182 mm, German, 1551 - 1599, print maker, printmaker, 1560 - 1598, third quarter 16th century, fourth quarter 16th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1561 - 1635-03-07, publisher

Wall with statue of French king; Lambris a la Françoise. The image is between two doors, above two women carry the French coat of arms.

Design for a Man's Tomb 16th century Anonymous, French, 16th century French. Design for a Man's Tomb 362897

Subsema, shaft decorated with knight on horseback, Abraham Bosse, After Jean Barbet, After 1638 - Before 1643 print print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Chimney, Cornelis Danckerts (I), After Pierre Bullet, c. 1675 - c. 1686 print Above the chimney chair is a rectangular painting with men who warm themselves on a fire. print maker: Netherlands (possibly)after design by: France (possibly)printer: Amsterdampublisher: Amsterdam paper etching chimney-piece, mantelpiece

Print, Design for Mantle Piece, from "Cheminées et Lambris"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 14.9 × 19.9 cm (5 7/8 × 7 13/16 in.)

Cartouche surrounded by putti; Designs for paintings with episodes from the Aeneas.

Grafmonucent Van Alessandro Farnese in De Santa Maria in Aracoeli Te Rome, Giovanni Maggi, 1600 Text in Italian under the show. The print is part of an album. print maker: Romeafter drawing by: Romepublisher: ItalyVaticaanstadItalyRome paper etching Santa Maria in Aracoeli Text in Italian under the show. The print is part of an album. print maker: Romeafter drawing by: Romepublisher: ItalyVaticaanstadItalyRome paper etching Santa Maria in Aracoeli

Design for a Confessional, Plate 4 from an Untitled Series of Designs for Confessionals Printed ca. 1750-56 Carl Pier Ornament print with a design for a confessional in frontal elevation. The confessional is symmetrical in shape and is characterized by 2 vases on the outer posts of the structure. On top of the center posts 2 large C-volutes are placed. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Confessional, Plate 4 from an Untitled Series of Designs for Confessionals. Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg)

Alca decoration design; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Fireplace with vases, 1784 - 1785 print An ornamented fireplace with two vases with flowers, garlands, leaf motifs and heart motifs. Paris paper etching / engraving open hearth, fire-place. vase ~ ornament

Theater with Koning Albrecht I, 1594. Theater with the King Albrecht I of Habsburg in 1299. Festive entry of Archduke Ernst as Governor of the Netherlands held in Brussels on January 30, 1594. Part of the description of this Entry Descriptio et Explicatio Pegmatum, Arcuum Spectaculum Quae Bruxellae Brabant. Pridie Cal. Feb. Ao. 1594 EXHIBITA FUere, sub Ingressum ... Ernesti ... Archiducis Austriae ... Pro Philippo II. Belgicae Ditionis Gubernatore, J. Mommaert, Brussels 1594.

Plate 12: Triumphal arch, elevation of the back facade, surmounted with the arms of Ferdinand and decorated with five mythical or heroic scenes; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. Dimensions: Sheet (Trimmed): 14 7/8 × 9 1/2 in. (37.8 × 24.2 cm). Published in: Antwerp. Publisher: Johannes Meursius (Flemish, active 1620-47). Date: 1636.On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropo

Erepoort XXXI in The Hague, 1747, 1766 print Leaf with the honorary gate numbered xxxi. Los leaf originally part of the sheet metal Neat image and ampele description of the honor ports from 1766 with representations of the honorary gates and triumphal arches drawn up in The Hague during the festivities around the entry of Prince William IV as stadholder of Holland and West-Friesland on 6 June 1747. print maker: Northern Netherlandspublisher: The Hague paper etching triumphal arch The Hague

Paris, Le Père & Pierre-Michel Avaulez, Charles, Boucher, Juste Nathan François, Pelletier, Jean, 32e Cahier, Poorten, Elevation d'une Porte de vestibule, Gate with pediment and weapons, verso - stamped, Front and top view of a gate with pilasters and a triangular pediment. Above the pediment a panel with a helmet, two shields and weapons. Print number 188., print, ornamental print, prints, ornamental prints, height 328 mm, width 204 mm, 1736 - 1780, print maker, printmaker, 1772 - 1779, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1736 - 1782-01, after a design by, Publication (Event), Publication, publisher

Antwerpen, Galle, Cornelis (II), Lepautre, Jean, Ertinger, Franz, Tabernacoli da ornare e abellire di Altari, Tabernacle in the form of a triumphal arch, Antwerp, Tabernacle in the form of a triumphal arch with four statues at the top. The print is part of an album., print, ornamental print, album sheet, prints, height 226 mm, width 147 mm, 1640, print maker, printmaker, 1658 - 1678, paper, papier, etching, etchings, Work conception, Frans, 1618-06-28 - 1682-02-02, after print by, after design by, Publication (Event), Publication, South Netherlands, 1615 - 1678-10-18, publisher

. Niche with ionic pilasters.

Halved Variant Designs for un Altar with the Virgin of the Immaculate Conception in the Central Cartouche. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 18 3/8 x 11 1/8 in. (46.6 x 28.3 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Augsburg, Hertel, Johann Georg (II), Hauer, Johann Thomas, Portals, Portal with segmental pediment and vase, verso - stamped, Design for a portal with segmental pediment with palm branches and laurel wreaths. Below a shield with head, a laurel wreath and a lance. The portal is crowned by a vase with garlands. Publisher's number 404., print, ornamental print, prints, ornamental prints, height 255 mm, width 180 mm, print maker, printmaker, 1770 - 1788, paper, papier, etching, etchings, engraving, engraving (printing process), Hungarian, 1748 - 1820, intermediary draughtsman, after a drawing by, Publication (Event), Publication, German, 1701 - 1800, publisher

Monument with obelisk and personifications of the cardinal virtues; Portrait de la Pyramide Dressée Devant La Porte du Palais.A monument with ionic pilasters, triangular frontons, garlands, crowned coats of arms of France and Navarre, female personifications of the four cardinal virtues on the corners and an obelisk with an ornamented cross at the top. An ornamented list around the monument. The monument has been placed where the house of the father of Jean Chtel stood until January 1595. Chtel tried to kill the king Henry IV of France in December 1594 king.

Subsema between two double Corinthian columns, Jean Lepaut, c. 1656 - c. 1657 print There is a Herme next to the columns. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Water pump with stairs; Johann Jacob Schüblers Fünffzehende Ausgab Seines Vorhabenden Werchs, Worons Vorgestellet became Sechserley Neu-Façonirte Wasser-Plummen (...). A water pump with stairs is seen in an enclosed garden from the right. On the left, a man pumps water. A four-line German text in the undermarge.

Praalgraf by Michiel de Ruyter in the Nieuwe Kerk in Amsterdam, Joseph Mulder, 1749 - 1770 print Top right: p. 1010. paper engraving / etching grave, tomb. grave-building, monumental tomb. interior of church new church

Paris, Mariette, Pierre (II), Pierretz, Antoine (le jeune), Divers Desseins de cheminées à la royale, Underbust with bust of Roman emperor, From second edition., print, ornament print, prints, ornament prints, height 206 mm, width 134 mm, print maker, 1655 - 1657, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, to own design of, Publication (Event), Publication, 1634 - 1716, publisher

Underbousus with woman in niche; Divers Dissoins the Cheminées à la Royale. The woman has a laurel wreath and a caduceus.

Collection of furniture planks: other cabinet. Fifth cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of furniture planks: other cabinet. Fifth cabinet of a sequence of 21. Etching. 1575.

Copper engraving and etching by Theodor van Thulden around 1635 depicting the Arc of Ferdinandini, part of an architectural or commemorative series.

Cologne, Bussemacher, Johann, Germany, Kramer, Gabriel, Architectura von den funf Seuvlen, Ionica.V, Seven half portals, Portals, partly with epitaphs or grave monuments. Page 14 from a series of title page and 28 leaves., print, ornamental print, prints, ornamental prints, height 280 mm, width 186 mm, - 1611, print maker, printmaker, 1610 - 1610, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, German - 1627, publisher

Basilicae s. Mariae Maioris de Vrbe a Liberio Papa I. usque ad Pavlvm V. Pont. Max., lib. XII, Angelis, Paulus de, 1580-1647, 1621

Silver shrine of a deceased child; Diß Ist who straight Undt Wahre Abcontrafeitung Deß Unschüldigen Kindens Silber Kasten / So Beij den Minen Brüveren in Collen Sampt Dem Heijligthumbu Zuhen. A collage of title, two vignettes and a shrine with a - relic van - deceased child in it, stuck on a black surface. In the two vignettes of the flight from the Holy Family to Egypt and the child murder in Bethlehem. On top of the shrine a figure of a soldier with sword and child, probably also referring to the child murder. According to the title, this object can be seen in the less-brothers in Cologne. Possibly related to the feast of the silly children.

Drawing, Design for a Window Frame; Possibly by Carlo Marchionni (Italian, 1702-1786); Italy; pen and black ink, brush and gray wash on off-white laid paper; 28 x 21.3 cm (11 in. x 8 3/8 in.)

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Altars, Altar with cross, verso - stamped, Altar with rocaille ornaments, two vases, a cross surrounded by winged putti and the Lamb with the book with the seven seals. Publisher number 300., print, ornament print, prints, ornament prints, height 316 mm, width 200 mm, print maker, printmaker, 1740 - 1745, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Design for Elevation for Elaborate Wall and Vault with the Savoya Arms 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for Elevation for Elaborate Wall and Vault with the Savoya Arms 365544

Kast, Anonymous, 1700 - 1800 drawing An ornamented rocaille cupboard with drawers, crowned with a rocaille clock. On the left is a rocaille vase with flowers on a pedestal, on the right two putti on a pedestal. Rocailles and flower garlands against the wall at the top. In the middle of no 11. paper. ink brush / pen furniture for storage. rocaille ornament

Elevation for a Catafalque Surmounted by an Obelisk. 1696-1756 Workshop of Giuseppe Galli Bibiena Italian. Elevation for a Catafalque Surmounted by an Obelisk. 344424

Paris, Mariette, Pierre (II), France, Marot, Jean (I), Tombstones or Mausoleums, Coffin on high pedestal, The family crest is depicted below the coffin, surrounded by three pedestals with obelisks. From the first edition., print, engraving, ornamental print, prints, engravings, ornamental prints, height 194 mm, width 134 mm, French, 1619 - 1679-12-15, print maker, printmaker, 1629 - 1716, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher

Faces in Paris. 4 pieces on 2 sheets.

Front view with map and side view of grave monument, Daniël Marot (I), 1672-1752 drawing Design for a grave monument. paper. ink pen / brush grave-building, monumental tomb. grave-building, monumental tomb

Wall decoration with two images; Lambris a la romaine. On the left is an image of Apollo as a hunter.

Underbias, shaft decorated with Venus and Cupid; Livre d 'Architecture et d' Bels. Leaf 9 from second edition of series. The numbering of the prints only partially corresponds to that of the first edition.

Modern grotesque met Chinese Heerser, Moritz Bodenhr (Possibly), After Jean Berain (Le Vieux), 1675 - 1748 print Leaf 12 from series with reduced copies of prints from series with grotesque panels from Jean Berain. print maker: Germany (possibly)after design by: France (possibly)publisher: Dresden paper etching

A Reconstruction of the Arch of Domitian (above) and View the Ruins (below). Artist: Jan Goeree (Dutch, Middelburg 1670-1731 Amsterdam). Dimensions: 3 5/16 x 8 1/8 in. (8.4 x 20.6 cm). Date: before 1704. Museum: Metropolitan Museum of Art, New York, USA.

Fontana dell'Acqua Felice, Giovanni Maggi, 1600 Text in Italian under the performance. The print is part of an album. print maker: Romeafter drawing by: Romepublisher: ItalyVaticaanstadItalyRome paper etching Happy water fountain Text in Italian under the performance. The print is part of an album. print maker: Romeafter drawing by: Romepublisher: ItalyVaticaanstadItalyRome paper etching Happy water fountain

Portrait of Frans II Josef Karel, Roman -German Keizer, Johann Ferdinand Krethlow, After Johann Zitterer, 1804 - 1840 print Text in German in the lower margin. Berlin paper historical persons. ruler, sovereign

Wall decoration with bank in Nis, Carl Albert von Lespilliez, after François de Cuvilliés (Sr.), 1738 print A wall decoration with braid and rocaille ornaments with an image of a ruin landscape on the left and an ornamented couch in a niche on the right. Germany paper etching decorations (interior of the house). picture, painting. bench

Staircases with a vase, anonymous, after François Boucher, 1737 - 1806 print Top view and three side views of staircases with floral motifs, garlands and a vase. Augsburg paper etching staircase. fence, wall, paling. ornament ~ festoon, garland. vase ~ ornament

Vier Schoorsteenmantels, Placido Columban, 1776 print At the top left: K. print maker: Englandpublisher: London paper etching accessories ~ fire-place

Imperial Court, Augsburg, Merz, Johann Georg, Middelburg, Grendel, Gerrit de, Neu inventirte Hollaendische Camine, Anderer Theil, Nouveau Livre de Chéminees Hollandoises, Second Livre, series T, Mantelpiece with a representation of Boreas abducting Oreithyia, verso - stamped, Design for a mantelpiece with a representation of Boreas abducting Oreithyia. The mantelpiece is decorated with rocaille ornaments, volutes and fruits., print, ornamental print, prints, ornamental prints, height 201 mm, width 121 mm, print maker, printmaker, 1704 - 1762, second quarter 18th century, third quarter 18th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, German, 1694 - 1762, publisher, granter of privilege

Triumphal arch of the mint (front); Entry of Ferdinand in Antwerp in 1635 (no. 35), 1639 - 1641 print Front the triumphal arch of the coin, arranged at the start of Sint-Michielsstraat or Kloosterstraat. Boog in the form of Mount Potosí in Bolivia or Peru where Spain won a lot of silver. On top of the mountain of Jason and the Golden Vlies. In the middle the goddess of money moneta. Marked top left: p. 151. Page no. 35 In a whole of 43 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper etching / engraving triumphal arch. 'Pecunia' (Ripa). the Golden Fleece, hanging on an oak-tree, is seized by Jason Antwerp. Peru. Potos

Design for an Altar 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Design for an Altar 340116

Drawing, Design for a Fountain for the Palazzo Corsini, Rome, Italy; Designed by Ferdinando Fuga (Italian, 1699 - 1781); Italy; pen and black ink, brush and gray wash, traces of graphite on off-white laid paper; 45.9 × 36 cm (18 1/16 × 14 3/16 in.)

Elevation and Section of the Catafalque for Anna Cristina, Wife of Carlo Emanuele III of Savoy 1696-1756 Workshop of Giuseppe Galli Bibiena Italian. Elevation and Section of the Catafalque for Anna Cristina, Wife of Carlo Emanuele III of Savoy 342076

Haarden puts pendulum in bust, Anonymous, After Jean Berain (Le Vieux), 1686 - 1724 print Two ornamented fireplaces. Left with three medallions with portraits, a vase, Ionian pilasters, a mask with garlands, a crowned pendulum with Fleur de Lis and a crowned fireplace. On the right with a medallion with female bust, two putti, vases and a fireplace with lion's head. In the middle of no 7. Augsburg paper etching frequently used ornamental compositions. clock. chest, bust

Alcoof of Met League Bed, Jean Lepautre, 1665 print On the left is a slaved man with a vase, in front of the wall are Corinthian pilasters. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching slavery; serfs and the enslaved. bed. bedroom. Classical Mythology and Ancient History

Print made by Agostino Veneziano, active 1509-1536, Italian, Primum Tenplum Iovis in Capitolio, between 1514 and 1536. Line engraving on medium, slightly textured, cream laid paper.

Print (France)

Augsburg, Wolf, Jeremias, Berain, Jean (le Vieux), Fireplaces with mantel clock and bust, verso - stamped, Two ornamented fireplaces. Left with three medallions with portraits, a vase, Ionic pilasters, a mask with garlands, a crowned mantel clock with fleur de lis and a crowned hearth plate. Right with a medallion with a female bust, two putti, vases and a hearth plate with a lion's head. Middle bottom No 7., print, ornamental print, prints, ornamental prints, height 284 mm, width 310 mm, print maker, printmaker, 1686 - 1724, paper, papier, etching, etchings, Work conception, French, 1640-06-04 - 1711-01-25, after a design by, Publication (Event), Publication, German, 1673 - 1724, publisher

Design for a Frieze, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for a Frieze, Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Crowned with attic with medallion flanked by putti and horns of plenty. Upright with plan and scale in French base. From second edition. Portico with double Tuscan pilasters Porte Cochere , print maker: Jean Lepautre, (mentioned on object), Jean Lepautre, publisher: Nicolas Langlois (I), (mentioned on object), print maker: France, (possibly), France, (possibly), publisher: Paris, c. 1670 - c. 1680, paper, etching, h 212 mm × w 145 mm

Print made by Marc Antonio Raimondi, ca. 1480-ca. 1534, Italian, Secondo Tenpio De Giove in Capitolio, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Wall panel with cartouche flanked by Nymphs, 1647 print In the middle of the cartouche there is a list of a ruin, below that there are a river god and river goddess next to a vase. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper engraving

These about logic and morality of Michel Sublet de Romilly (upper), Claude Mellan (Attributed to), 1643 - 1688 print Fronton in classicist style with two allegorical scenes left and right. In the middle of a portrait of Michel Sublet de Romilly in Lauwerkrans, held by two female figures, flanked by two other personifications. paper engraving / etching historical persons. scholar, philosopher

Writing table next to windows; Johann Jacob Schüblers Vierdte Ausgab Seines Vorhabenden Werchs, Warrings Vorgestellet became Neu-Inventirte Schreib-Tical (...). A writing table with drawers and a book is in a cabinet before and next to open windows. In the undermaster a two-person German text.

Etching by Fra Antonio Lorenzini depicting mourning decoration on San Lorenzo's facade in Florence for Roman-German Emperor Leopold I on October 10, 1705, including figures and architectural elements.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, O Monumens divers, Regne de Loüis XV, Lodewijk XV, verso - stamped, A monument with columns and a triangular pediment with the all-seeing eye. Between the columns an oval medallion with a base with a crown and a half column with an eagle. Above the pediment flags, a bundle of spears, plans, swords with laurel wreaths, a cross and a frame with a head and a scale. Print number 26., print, ornamental print, prints, ornamental prints, height 380 mm, width 233 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Drawing, Decoration of a Wall and Ceiling to be Executed in Stucco; Italy; pen and ink, brush and watercolor on paper

Depiction of the Arch of the Philippians by Theodor van Thulden, created using copper engraving and etching around 1635.

Design for a sepulchral wall monument, Pen and brown ink with blue wash on vellum, Two richly decorated base sections over a dado. Their decorations include lions rampant and fleur de lys. The main section has a triangular pediment and contains an inscription tablet under the portrait bust of a member of the clergy. Laterally are more inscription tablets. A broken pediment with an escutcheon in the center, on top corner., Italy, ca. 1600-30, architecture, interiors, Drawing, Drawing

Fountain and vase; Johann Jacob Schüblers Neunzehende Ausgabe Seines Vorhabenden Werchs, Worons Vorgestellet became UNTERSchiedliche Modern Garten-Orgenues (...). In a garden for a hedge and a building with dome and bows, right is an oramic fountain. To the left thereof a vase with rocaille ornaments. A four-line German text in the undermarge.

A 1670 copper engraving by Giovanni Battista Falda depicting the triumphal arches of the Duke of Parma for the procession of San Giovanni in Laterano by Pope Clemens X, showing architectural and ceremonial details.

Title page: nouveau livre d 'porte d'la chambre; Nouveau livre d 'porte d'la chambre. Richly decorated door with a cornice.

English fireplace; Novae Cheminae. The fireplace is placed in a corner. There is an oval mirror between the chimney attempt and the curved cornice, above the cornice is a dome with a crowned clock. Copy to print from the Serie Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinces.

Underbousa with women's bust; Cheminées a l'Italienne. Two cupids raise the female bust a crown.

Netherlands, Galle, Philips, Vredeman de Vries, Hans, Borcht, Pieter van der (I), Differents pourtraits de menuiserie. The series without title and without sheet 16, Differents pourtraicts de menuiseri, Portal with three doors, The door pieces are decorated with cartouches in a frame of scrollwork. The main frame consists of an articulated architrave, a frieze with cartouches and garlands and a cornice on modillions. Sheet 2 of 15 numbered sheets + title page from a series of 16., print, ornamental print, prints, ornamental prints, height 257 mm, width 191 mm, Southern Netherlands, 1545 - 1608, print maker, printmaker, 1583 - 1583, fourth quarter 16th century, paper, papier, etching, etchings, Work conception, 1527 - 1607, after a design by, Publication (Event), Publication, 1537 - 1612-03-29, publisher

Architectural fantasy with the bottom left and bottom right a reading figure.; Leviores et ut videtur Extemporanae Pictura Quas Grotteweschas Vulgo Vocant (...). Ornament with fantasy architecture: at the top of an eagle on a canopy, above a drapery. Two Saters are in the building. From series of 20 sheets.

Architectural grave monument for a nobleman; Coenotaphiorum; Tombs and grave monuments. Architectural grave monument for a nobleman, intended to be placed against a wall. In the Aedicula (temple), a hearted man knelt in a niche with shellfish decoration. In addition, Christ is in his hand with a mislift. Four lines of text in the undergarment, in two columns in Latin. The print is part of an album.

The second stained glass window in the Sint-Janskerk in Gouda with the introduction of the city of Damiate by the Haarlem cruciferists and the sting of the chain that closed the harbor, 1219. Above two warriors with the old and new arms of Haarlem And the year 1596. The city of Haarlem is the shark of the glass window to the city of Gouda.

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