Architectural Plans and Drawings

Detailed architectural sketches and plans from different historical periods, depicting building layouts and design elements.

Böckmann Wilhelm (1832-1902), palace-like house in Berlin. Schinkel competition 1858 (11.1860): cross section; Scale bar. Tusche watercolor on the box, 64.5 x 98.6 cm (including scan edges)

Böckmann Wilhelm (1832-1902), palace-like house in Berlin. Schinkel competition 1858 (11.1860): cross section; Scale bar. Tusche watercolor on the box, 64.5 x 98.6 cm (including scan edges)

Böhmer Franz (1907-1943), Haus Darré in Berlin-Dahlem (November 30, 1923): Conversion: average 1: 100 and site plan 1: 300. Photo on paper, 40.3 x 65.9 cm (including scan edges) Moßner Karl Johann (geb. 1878): Wohnhaus Fritz Hess, Berlin-Dahlem. Zum Projekt gehörend: Böhmer & Petrich, Haus Darré, Berlin-Dahlem. Umbau

George Inn, Glastonbury, Somerset: Plans of Frontages and Ground Plan, unknown artist, (FT Dollman) nineteenth century, studio of Augustus Charles Pugin, 1762-1832, French, formerly Augustus Welby Northmore Pugin, 1812-1852, British, 1832, Graphite with pen and black ink and gray wash on moderately thick, smooth, cream wove paper, Sheet: 10 1/2 x 14 7/8 inches (26.7 x 37.8 cm), architectural subject, frontages, Gothic (Medieval), inns, plans (drawings), Glastonbury

This architectural drawing from 1861 shows the floor plan and wall processing of the Oval Cabinet in the Leopoldinian tract of the Hofburg in Vienna, created with graphite, black ink, and multicolored details for presentation purposes.

Poelzig Hans (1869-1936), I.G.-colors in Frankfurt/Main. Administration building (May 1st, 1930): Water basin: floor plan 1:50. Pencil on transparent, 68.4 x 126.5 cm (including scan edges)

Erxleben Castle. Conversion I: floor plan of the stairs on the ground floor

Poelzig Hans (1869-1936), shops at the Zoo, Berlin. Conversion (05.1926): Street view 1:50, facade floor plan, facade cut 1:50. Pencil on transparent, 43 x 74.7 cm (including scan edges)

Messel Alfred (1853-1909), Wertheim, Leipziger Straße, Berlin. 2. Construction phase, extension Voßstraße (July 16, 1900): Outdoor wall at Lichthof, 1:25. Pencil on transparent, 48.9 x 126.8 cm (including scan edges)

unknown artist, (FT Dollman), Raglan Castle, Monmouthshire, Wales: Details of Small Windows in Servants' Hall, 1831. Graphite and pen and brown ink on medium, slightly textured, cream wove paper.

This drawing shows a longitudinal section of the Trieste synagogue competition draft by Alfred Castelliz around 1904, highlighting vertical structure and interior organization.

Lüdecke Carl Johann Bogislaw (1826-1894), Evangelical Church in Festenberg (12.1875): 2 Upper, a cut of the altar barriers, scale bar. Tusche watercolor on transparent, 48.2 x 53.6 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Evangelische Kirche, Festenberg

Böhmer Franz (1907-1943), Poznan Castle, Poznan (1939-1943): Plan content N.N. detected. Material/technology N.N. recorded, 62.2 x 119.2 cm (including scan edges) Böhmer & Petrich : Schloss Posen, Posen. Umbau

Poelzig Hans (1869-1936), House of Radio, Berlin (July 29, 1929): Execution project, Keller window, private and Bredtschneiderstrasse, vertical cut 1:10. Pencil on transparent, 63.9 x 85.5 cm (including scan edges)

Knoblauch Gustav (1833-1916), residential and factory building Albrecht Soltmann, Berlin: 2nd design: front house and cross building: floor plan, cut. Tusche watercolor on transparent, 88.2 x 64.3 cm (including scan edges)

Nitschmann F., railway tunnel. Monthly competition May 1873 (05.1873): longitudinal section, 2 cross -sections, details; 3 scale strips. Tusche watercolor on the box, 45 x 55.7 cm (including scan edges) Nitschmann F. : Eisenbahntunnel. Monatskonkurrenz Mai 1873

unknown artist, (B Green), Raglan Castle, Monmouthshire, Wales: Elevation and Details of Porch, 1831. Graphite on moderately thick, slightly textured, cream wove paper.

Elevation and Plan of a Country House, Graphite on paper, Elevation of a single-storied house with a classical central portico and two flanking wings, with oval windows in the pediments. Arcades join the wings with the central block. Below, a plan of the house., USA, March 5, 1781, architecture, Drawing, Drawing

Thiersch Friedrich von (1852-1921), farmhouse, Bernloh. (From: The farmhouse in the German Empire and its border areas, ed. Vorance of German architects and engineering associations, D (1906-1906): Grundriss E G, 1st OG, view from the east, cross-section, details. Pressure on paper, 33 , 7 x 47.7 cm (including scan edges)

Böhmer Franz (1907-1943), official apartment of the Reich Foreign Minister Joachim von Ribbentrop in Berlin-Mitte (1941-1941): Stairs in Hall 1:20. Pencil over light break on paper, 63.2 x 104.8 cm (including scan edges) Böhmer & Petrich : Dienstwohnung des Reichsaußenministers Joachim von Ribbentrop, Berlin-Mitte. Umbau

Langhans Carl Gotthard (1732-1808), National Theater in Berlin (1800): 2 cross-sections. Tusche watercolor on paper, on cardboard, 68.7 x 98.6 cm (including scan edges) Langhans Carl Gotthard (1732-1808): Nationaltheater, Berlin

Lüdecke Carl Johann Bogislaw (1826-1894), Klonitz Castle. Conversion and expansion (1878-1878): Three cuts through the castle, tower and roof and three horizontal cuts through the roof of the tower, scale bar. Tuser and pencil watercolored on transparent, 58.9 x 75.3 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Schloss Klonitz. Umbau und Ausbau

Ink and watercolor drawing by Carl von Hasenauer showing a cut view of the Pavilion of the Amateur at the 1873 World Exhibition in Vienna II, on paper, 1871-1873.

Knoblauch Gustav (1833-1916), Villa Rald, Berlin-Lichterfelde: cuts 1:50. Pencil on transparent, 53.4 x 61.4 cm (including scan edges)

N.N., Bahnhofsplatz, Würzburg (without date): floor plan 1: 500. Light break on paper, 41.3 x 57.4 cm (including scan edges) N.N. : Bahnhofsplatz, Würzburg

Böhmer Franz (1907-1943), Foreign Office in Berlin-Mitte (1939-1939): Windows with radiator cladding 1:10. Tusche, colored pencil over a break on paper, 72.3 x 49.7 cm (including scan edges) Böhmer & Petrich : Auswärtiges Amt, Berlin-Mitte. Umbau

Hehl Christoph (1847-1911), St. Benno Church in Hanover-Linden (12.1901): Kanzel, communion bank: floor plan, views, cut. Light break on paper, 47.6 x 54.4 cm (including scan edges)

Böhmer Franz (1907-1943), Villa von der Heydt in Berlin-Tiergarten. Conversion (03/12/1919): Cut 1: 100. Light break on transparent, 39.8 x 48.5 cm (including scan edges)

Project study for the town hall of the twentieth arrondissement: detail of plan and elevation of the facade

Pokutynski Ph. Von, Hotel Soltykoff, Paris. (From: Atlas to the magazine for Building, ed. V. G. Erbkam, Jg. 7, 1857.) (1857-1857): floor plan ballroom, views, cover details. Stitch on paper, 29.8 x 45.5 cm (including scan edges) Pokutynski Filip (1829-1879): Hotel Soltykoff, Paris. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. G. Erbkam, Jg. 7, 1857)

Pencil drawing by Carl von Hasenauer of Hermesvilla in Vienna XIII, showing building layout and architectural features on paper.

Orth August (1828-1901), Zionskirche, Berlin. Pastory (1866): site plan, floor plans, views, cuts. Ink, ink colored, watercolor on transparent, 57.4 x 84.3 cm (including scan edges)

Central halls, elevation, cut Victor Baltard (1805-1874). Central halls, elevation, cut. Central halls, plans, cuts, elevation of shops with central fall. Pencil on layer, nineteenth century.

Cobham Hall, Kent: South Elevation of Stables, James Wyatt, 1746-1813, British, 1789, Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper with two fold marks, Sheet: 13 x 21 1/2 inches (33 x 54.6 cm), architectural subject, elevations (drawings), horse barns, stables, windows, Cobham, Cobham Hall, England, Kent, United Kingdom

Villa of M. Peligot in Enghien: Bath Firms Study Plan (front). Charles Rohault de Fleury (1801-1875). Album of 34 architectural drawings: Villa de M. Peligot in Enghien: Study plan for baths (front). pencil.

Lehmgrübner Paul (1855-1916), Church in Barneberg (without dat.): Church chairs 1: 100, 1:10, 1: 5, 1: 1. Ink on transparent, pencil on cardboard, 63.7 x 57.9 cm (including scan edges) Lehmgrübner Paul (1855-1916): Kirche, Barneberg

Gustav Knoblauch (1833-1916), Landhaus Dr. Ruge, Nardevitz: Detail of the roof inserting 1:10. Pencil and colored pencil on transparent, 47.2 x 52.4 cm (including scan edges)

Dresden, residence castle, north wing. Part floor plan 2nd floor

The Hermesvilla in Vienna XIII is depicted on paper using ink and feather techniques by Carl von Hasenauer, emphasizing architectural design.

This plan shows the piano Nobile of Palazzo Carpegna in Rome with a rectangular pillar courtyard, designed by Francesco Borromini, drawn in graphite on medium-strong paper.

N.N., Bridges in the course of Duisburg - Ruhrorter Straße, Duisburg -Ruhrort: Inveligent folding bridge of the harbor canal, main bearer and counterweight: view, cuts 1:10. Lithograph on paper, 72.1 x 98.7 cm (including scan edges)

Rebellion of a building with neoclassical facade, c. 1864 Page 19 from a sketchbook with 164 pages. paper. pencil. ink pen façade (of house or building)

Klomp Johannes Franziskus (1865-1946), St. Antonius of Padua, Rheine (02.02.1903): cornice, bosses and capitals on the Vierunsturm 1: 1. Pencil, colored pencil on transparent, 93.4 x 145.8 cm (including scan edges)

Schinkel Karl Friedrich (1781-1841), Schauspielhaus on the Gendarmenmarkt, Berlin (1818-1821): stage house: wave mechanism, floor plan, views, cuts. Ink, pencil watercolored on paper, 70.8 x 107.1 cm (including scan edges)

Wiener World Exhibition , Industrial Palace, Quergalerie, Längengalerie, Carl von Hasenauer -, architect

Baum Philipp (1849-1886), residential building Schwarzmann, Mainz (11.02.1884): average 1: 100. Ink and pencil watercolored on the box, 57.9 x 49.1 cm (including scan edges)

Floor plan of S. Maria Della Salute in Venice by Alfred Castelliz, drawn with pencil on medium-strong paper in 1898, showing spatial organization and architectural features.

Dependencies. Elevation on the street / dependencies. Elevation on the courtyard. / Plan of the inlet.

Klomp Johannes Franziskus (1865-1946), Benedectine Abbey St. Mauritius, Clerf (Cllervaux), Luxembourg (April 8, 1909): Detail of the room and cellar doors 1: 1 and views and cuts 1:20. Ink, pencil on transparent, 45.2 x 68.4 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Benedektinerabtei St. Mauritius, Clerf (Clervaux)

Klomp Johannes Franziskus (1865-1946), Vinzenz-Waisenhaus (with stable building), Dortmund (07.1902): cross-section 1:50, ceiling details 1:10 and window detail 1:20 (sheet 8). Tusche, pencil watercolored on transparent, 63.7 x 74.9 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Vinzenz-Waisenhaus (mit Stallgebäude), Dortmund

Lehmmübner Paul (1855-1916), St. Willibrord Church in Wesel (1892): Turning side view and rear view with technology for the lightning rod. Ink, ink colored on transparent, 32.1 x 46.9 cm (including scan edges) Lehmgrübner Paul (1855-1916): Kirche St. Willibrord, Wesel

Storing dope, castle, stairs. Design, floor plan and cuts

Pencil floor plan by Adolf Loos showing the upper floor of Haus am Michaelerplatz (Looshaus) in Vienna I., illustrating room arrangement and structural layout on transparent paper, 1909-1911.

Plan "della nuova Galleria". Artist: Giovanni Battista Silvestri (Italian, Florence, 1796-1873). Dimensions: sheet: 15 3/4 x 19 1/2 in. (40 x 49.5 cm). Date: 1796-1873. Museum: Metropolitan Museum of Art, New York, USA.

DIBUJO-PUENTE DEL PALACIO S FRANCISCO. Author: SILVESTRE PEREZ Y MARTINEZ (1767-1825). Location: MUSEO DE HISTORIA-MAPAS Y PLANOS. MADRID. SPAIN.

Messel Alfred (1853-1909), Arons residential building, Berlin (1899): View of the garden side 1:50. Pencil on transparent, 61.2 x 66.7 cm (including scan edges)

Cross-section of the Thétre de l'Ambigu Comique in Paris, Jacques Ignace Hittorff, German, 1792-1867, Jean-François Joseph Lecointe, 1783 - 1858, Pencil, pen and black ink, pink and green watercolors on tan tracing paper, Cross-section of a theater with domed roof. Inscribed at top. Scale at bottom. The theater was part of the amusement park Cirque des Champs Elysées., France, ca. 1825-40, architecture, Drawing, Drawing

Lüdecke Carl Johann Bogislaw (1826-1894), closed in Kaminietz. Expansion (01/18/1873): Riss front view, side view, cut and floor plan of the driveway with advanced on the front, scale strips. Tusche, pencil watercolored on transparent, 43.4 x 69.6 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Schloss Kaminietz. Erweiterung

Drawing on weave over the main building of the Nordic Museum. Drawing the tire staircase in the arms hall. Coronation stand interior with stairs. Fixed interior, perspective interior and section. The coronation stand, panel and stairs. 87X 74 cm. Ink, red, brown, gray and yellow. Line drawing. In Gust Clason 1906. Nordic

Böhmer Franz (1907-1943), Catholic Church (02.1927): main portal: floor plan, views, cut 1:10. Pencil watercolored to transparent, 65.3 x 80.4 cm (including scan edges)

Hospice of Orphans: detail of the chapel frame Charles Rohault de Fleury (1801-1875). Hospice of Orphans: detail of the framework of the chapel. Drawing from a connected album, made up of drawings mounted, and unmounted. Pencil, feather and black ink, pink and brown wash.

Klomp Johannes Franziskus (1865-1946), rectory in St. Bartholomäus, Schwagstorf (October 1st, 1903): Details of the windows and gable cover plates 1:10. Ink, ink colored on transparent, 44.8 x 68.7 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Pfarrhaus zu St. Bartholomäus, Schwagstorf

A drawing showing the large Redoutensaal and adjoining rooms in the Redoutensaal tract at the Hofburg, Vienna I, with longitudinal and cross-sections, in graphite, black ink, and multicolored highlights, 1838.

Civil engineering: railway bridges at Kaunas. Lithograph by J. R. Jobbins after F. H. Horne.

Klomp Johannes Franziskus (1865-1946), Klomp, Dortmund (July 19, 1905): floor plan and view of the garden shed 1:20. Ink, pencil on transparent, 32.1 x 62.2 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Wohnhaus Klomp, Dortmund

St. Mary Magdalene Enfield Greater London: furnishings . Butterfield, William undated A broadly representative selection of drawings for building and manufacture of designs, representing the various types of commissions Butterfield received and illustrating his work in promoting Gothic Revival. Also included are estimates as well as record drawings (measured drawings) of buildings not designed by Butterfield. William Butterfield (1814-1900) was a British architect known for the Gothic revival style he championed. He studied with E. L. Blackburne and set up his own practice in 1840. A member of the Cambridge Camden Society, later the Ecclesiastical Society, he contributed designs to their journal The Ecclesiologist. Most of his work was for church designs, apart from that for schools and colleges (Rugby School and Keble College Oxford), and the Winchester County Hospital. Perhaps his best-known building is the All Saints Church, Margaret Street, London (1849-1859). The Royal Institute o

Orth August (1828-1901), Wilhelmstraße residential building (Villa Strousberg), Berlin. Conversion (1876): cross-section, longitudinal staircase. Ink, pencil, ink colored, watercolor on cardboard, 59.1 x 94.2 cm (including scan edges)

Wolkenstein San Micheli (1873-1910), residential and commercial building Bank, Berlin-Südende (12.1909): cross-section from Langestrasse, cross-section from Denkstraße from 1: 100. Light break on paper, 35.6 x 42.1 cm (including scan edges) Wolkenstein San Micheli (1873-1910): Wohn- und Geschäftshaus Bank, Berlin-Südende

James Wyatt, 1746-1813, British, Cobham Hall, Kent: Section of Tower Staircase, ca. 1790. Graphite, pen and brown and black ink on moderately thick, moderately textured, cream laid paper with one fold mark.

Lüdecke Carl Johann Bogislaw (1826-1894), St. Elisabeth Church in Breslau. Protective grille (05.07.1876): Depending plan and schematic floor plan with scale strip approx. 1: 500, fence with double door with scale bar approx. 1:50. Ink, ink colored, watercolor on transparent, 41.3 x 24.4 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Kirche St. Elisabeth, Breslau. Schutzgitter

Emperor anniversary stadtheater (also: Volksoper), Vienna: stage floor plan and stage longitudinal section 1: 100

Böhmer Franz (1907-1943), Poznan Castle, Poznan (1939-1943): Plan content N.N. detected. Material/technology N.N. recorded, 86.9 x 103.9 cm (including scan edges) Schwechten Franz (1841-1924): Königliches Residenzschloss Posen, Posen

Stiehl Otto (1860-1940): Sketch and photo album 18: Rathaus, Osnabrück

Wattmann John, Cologne-Deutz street bridge. Schinkel competition 1892 (1892): Mittelräger. Cuts 1:25. Ink, ink colored, watercolor on cardboard, 72.4 x 99.9 cm (including scan edges) Wattmann John : Straßenbrücke Köln-Deutz. Schinkelwettbewerb 1892

Graphite and pen drawing by Johann Aman depicting the floor plan of the old Burgtheater at Hofburg, Vienna I, showing heating passages and Meißnerische stoves, multicolored, 1829.

Plan for proposed widening of East Haverhill St. Bridge, Lawrence , Streets. Lawrence

Jansen Hermann (1869-1945), Haus Jansen in Berlin-Grunewald (02.1936): Office building: floor plan, cut, upright 1: 100, list of his employees in the form of their abbreviations. Pencil on transparent, 33.4 x 39.2 cm (including scan edges) Jansen Hermann (1869-1945): Haus Jansen, Berlin-Grunewald

Drawing on weave over the main building of the Nordic Museum. Proposal for a building for the Nordic Museum. Plan over the ground floor. Floor plan, hall floor, entrance sun .. 67.5x110 cm.Tusch. Line drawing. Unsigned Nordic

Lüdecke Carl Johann Bogislaw (1826-1894), Leuthaus in Rosnochau. Conversion and expansion (04.1878): Riss front view, rear view (to the Chaussee), narrow side (to the lock), cross -section, scale bar. Ink on transparent, 45 x 58 cm (including scan edges) Lüdecke Carl Johann Bogislaw (1826-1894): Leutehaus, Rosnochau. Umbau und Ausbau

Messel Alfred (1853-1909), Wertheim, Oranienstraße, Berlin. Expansion (April 14, 1902), summer garden, 1:50, pencil, colored pencil on transparent, TU UB Plan collection inv. No. 12517

Fleischmann Kurt (born 1897), folk recreation for a middle city. Schinkel competition 1924 (1924): accommodation houses. Grundriss EG 1: 200. Tusche watercolor on transparent, 47.4 x 72.2 cm (including scan edges) Fleischmann Kurt (geb. 1897): Volkserholungsstätte für eine Mittelstadt. Schinkelwettbewerb 1924

Stürtz Edgar (1840-1904), tongue charging bridge for an Baltic Sea port (Pillau). Monthly competition March 1867 (03.1867): 2 site plans, floor plan, torture view of the charging bridge head, longitudinal section, cross -section, several details; 4 scale strips. Tusche watercolor on the box, 43.7 x 64.5 cm (including scan edges)

Shows a floor plan and forced perspective colonnade at Palazzo Spada in Rome, drawn on firm paper in graphite, including construction, labeling, and benchmarks, dated 1652-1653.

Stairhead Palace of Industry: Stair Cup . Feather, Black Ink and Color Lavis.

Cobham Hall, Kent: Elevation of the South Front of the Stables, James Wyatt, 1746-1813, British, 1789, Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper, Sheet: 13 x 21 1/4 inches (33 x 54 cm), architectural subject, cornices, doors, elevations (drawings), horse barns, plan (drawing), stables, windows, windows, Cobham, Cobham Hall, England, Kent, United Kingdom

Architectural study of roof structures showing floor plans and cross-sections by Carl von Hasenauer, executed in black and red ink, pencil, and watercolor, detailing trusses and structural elements on paper dated January 31, 1851.

St. Michael's Home, Cheddar Axbridge, Somerset, 1878-1882: Three sections and four sections . Butterfield, William 1878-1882 A broadly representative selection of drawings for building and manufacture of designs, representing the various types of commissions Butterfield received and illustrating his work in promoting Gothic Revival. Also included are estimates as well as record drawings (measured drawings) of buildings not designed by Butterfield. William Butterfield (1814-1900) was a British architect known for the Gothic revival style he championed. He studied with E. L. Blackburne and set up his own practice in 1840. A member of the Cambridge Camden Society, later the Ecclesiastical Society, he contributed designs to their journal The Ecclesiologist. Most of his work was for church designs, apart from that for schools and colleges (Rugby School and Keble College Oxford), and the Winchester County Hospital. Perhaps his best-known building is the All Saints Church, Margaret Street, Lo

N.N., lock, Mühlhof: supervision, cut 1: 100. Lithograph colored on paper, 64.3 x 104.7 cm (including scan edges) N.N. : Schleuse, Mühlhof

Depicts the 4th-floor stage house of Burgtheater in Vienna, showing structural arrangement, stage areas, and architectural features, drawn by Carl von Hasenauer.

Klomp Johannes Franziskus (1865-1946), St. Barbara (extension), Dortmund-Eving (25.03.1903): Longitudinal section (detail) (1: 100). Ink over a break on the box, 62.8 x 82.4 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Barbara, Dortmund-Eving. Erweiterung

A Ground Plan of the Magdalen Hospital in St. George's Fields.

Lehmgrübner Paul (1855-1916), sketchbook: Rathaus, Michelstadt (without dat.): Rathaus Einbeck. Sketch. Pencil on paper, 12.2 x 17.1 cm (including scan edges) Lehmgrübner Paul (1855-1916): Skizzenbuch: Rathaus, Michelstadt

Messel Alfred (1853-1909), National Bank commercial building, Berlin (1906-1907), semicircular staircase: view 1:25, pencil on transparent, TU UB Plan collection inv. No. 12258

Bird flight perspective, facade and floor plans, Jacques Androuet, 1559 Building in a nutshell perspective, facade and two floor plans. View and map of architecture. Numbered: xxxi. Part of 'The Architectura Iacobi Androuetii du Cerceau' (1559): 69 etchings with 171 performances of architecture and ornamentation. paper etching section ~ architectural design or model. façade (of house or building). architectural design or model

Sagrada Familia (central nave): plan of the cross section (E: 1:100),1972. Author: DELRIU, JOAN; PERAL, JOAN ALBERT.

Schinkel Karl Friedrich (1781-1841), Schauspielhaus on the Gendarmenmarkt, Berlin (1818-1821): stage house: scaffolding to side scenes, floor plan. Tusche watercolor on paper, 71.1 x 101.8 cm (including scan edges)

Hentrich Hubert, Cologne-Deutz street bridge. Schinkel competition 1892: power pillar. Views, cuts, floor plans 1: 100, 1:25. Ink, ink colored, watercolor on cardboard, 97.70 x 120.80 cm (including scan edge). Architecture Museum of the Technical University of Berlin Inv. No. SW-I 1892.2-08. Hentrich Hubert : Straßenbrücke Köln-Deutz. Schinkelwettbewerb 1892

Sternberg Robert (1881-1914), entrance room in a Berlin residential building. Monthly competition December 1907 (12.1907): Upper Longitudinal wall view 1:20; Scale bar. Pencil watercolor on the box, 37.1 x 69.2 cm (including scan edges) Sternberg Robert (1881-1914): Eingangsraum in einem Berliner Wohnhaus. Monatskonkurrenz Dezember 1907

Transparent paper drawing of staircase and anteroom in the wing of Azienda-Hof, Vienna by Carl von Hasenauer, showing steps and sectional cut, in pencil, ink, and watercolor.

Map of the ground floor of the Palazzo Cipriano Pallavicino in Genoa, 1622 print This print is part of an album. paper engraving hôtel, i.e. small palace in city - AA - civic architecture: inside. plan ~ architecture Palazzo Cipriano Pallavicino

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