Architectural Prints and Designs

Intricate prints showcasing architectural designs and decorative elements, featuring detailed engravings of interiors and ornamental motifs.

Southern Netherlands, Bouttats, Gaspar, this is on Gerecht door de PP Predicheeren, Altar erected by the Dominicans, 1685, Altar erected by the Dominicans in Antwerp. Part of the illustrations of the decorations erected in Antwerp on the occasion of the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585., print, prent, prints, prenten, Frederik Muller Historieplaten, height 170 mm, width 140 mm, 1640 - 1695, print maker, prentmaker, 1685 - 1685, fourth quarter 17th century, paper, papier, etching, etchings

Epitaaf with putti in niche; Representation d'Orthographie The Diverses Sortes d'Epitaphes (...). In a niche an epitaaf with rocaille ornaments and in the middle a cross surrounded by eight stars. Left and right are vases with flames and sit winged putti with a skull.

Cabinet with two doors, Jean Lepaut, c. 1667 - c. 1709 print The doors are decorated with vases in octagonal panels. At the top is a Keizersbust flanked by two women. From the second or third edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

The design of the decoration of the church (confession); Le Pautre, Jean (1618-1682), Le Blond, Jean (Ca 1594-1666); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Sibille Van Delphi, Cherubino Alberti, After Michelangelo, 1628 print Part of the vault painting by Michelangelo in the Sixtine Chapel with Sibillen, Prophets and Naked Figures (Ignudi). Central is the Sibille of Delphi. Print Maker: RomeAir Painting by: Vatican City paper engraving sibyls. the (nude) human figure; 'Corpo humano' (Ripa) Sixtine Chapel (Vatican)

Fireplace; Schouwen. Schouw with Rocaille ornaments and floral motifs. Publisher number 274.

Southern Netherlands, Bouttats, Gaspar, this is on Gerecht door de PP Predicheeren, Altar erected by the Dominicans, 1685, Altar erected by the Dominicans in Antwerp. Part of the illustrations of the decorations erected in Antwerp on the occasion of the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585., print, prent, prints, prenten, Frederik Muller Historieplaten, height 170 mm, width 140 mm, 1640 - 1695, print maker, prentmaker, 1685 - 1685, fourth quarter 17th century, paper, papier, etching, etchings

Front of the triumph port Arcus Fernandi on the Friday market; arrival of Ferdinand in Ghent in 1635 (no. 5); Arcus Triumphalis Primi Frons, references Ferdinandi in Belgium ITER & Adventum. Front of the triumph port Arcus Fernandi on the Friday market. Triumphoort decorated with historical and allegorical scenes and figures. Leaf No. 5 in a set of 42 plates that illustrate the publication of the dedenth of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands.

Fireplace with vases; Schouwen. Schouw with rocaille ornaments and two vases. Publisher number 164.

Subsema with painting by Narcissus, Anonymous, After François de Poilly (I), After 1661 - Before 1726 print Various details are depicted on the right. print maker: Netherlands (possibly)after design by: Paris (possibly)publisher: Netherlands (possibly) paper etching

Design for an arb bow for Archduke Leopold Willem. Design for a triumphal arch.

Two fountains, Pieter van der Borcht (i), after Hans Vredeman de Vries, c. 1583 print On the left a boy in a niche pouring water into the basin underneath, on the right a water -breathing mascaron. Leaf 14 of 15 numbered sheets + title page from a series of 16. Netherlands (possibly) paper etching

States-General, Keyser, Pieter de, Hendrik de (I), Netherlands, Tomb of William I, Prince of Orange, 1623, verso lower left - stamped, Tomb or mausoleum of William I by Hendrik de Keyser in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the statue of the seated prince. At the top a cartouche with 8 lines of text in Dutch., print, prent, prints, Orange portraits, height 532 mm, width 372 mm, print maker, printmaker, 1622 - 1622, paper, papier, engraving, engraving (printing process), 1565-05-15 - 1621-05-15, after image by, Publication (Event), Publication, 1595 - 1676, publisher, uitgever van privilege

Print, Design for Altars, from "Autels et Retables"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 19.4 × 13.4 cm (7 5/8 × 5 1/4 in.)

Design for Part of a Wall Elevation with a Balcony flanking an Arch. Artist: Attributed to Faustino Trebbi (Italian, Budrio Bologna 1761-1836 Bologna). Dimensions: 11 3/4 x 5 1/16 in. (29.8 x 12.9 cm). Museum: Metropolitan Museum of Art, New York, USA.

Collection of planks of furniture: Cabinet. Eighteenth cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of planks of furniture: Cabinet. Eighteenth cabinet of a sequence of 21. Etching. 1575.

Coenotaphiorum (27). Artist: Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527-1606 () Antwerp ()); Engraved by Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Engraved by Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589). Dimensions: sheet: 9 1/8 x 5 7/8 in. (23.2 x 15 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: 1563.Architectural wall tomb consisting of two vertical tiers. The lower tier is characterized by a deep niche in the middle in which a tomb is placed. The upper tier shows the effigies of a kneeling man and woman on either side of a small altar. Behind them their patron saints have been placed, Hieronymus on the left and a female saint on the right. Combined with the Dutch inscription referring to Cock and his wife, this may perhaps be an indication that it is in fact their prospective funerary monument. Behind them is a painting of the second coming of Christ. Below the ima

Facade of the Palazzo del Senato in Bologna with the Papal arms at center, with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598 1598 Guido Reni Italian Plate from 'Descrittione de gli apparati fatti in Bologna per la venuta di N.S. Papa Clemente VIII', a book containing a description of the festivities for Pope Clement VIII's entry to Bologna and eight etchings by Reni illustrating the temporary decorations made for the event, published by Vittorio Benacci in Bologna in 1598. A second edition containing an additional plate was published by Benacci in 1599 and a later edition (undated) was published by Gioseffo Longhi. The Papal arms are flanked by Fame at left holding a trumpet and Victoria at right holding a palm; a lost painting by Reni is depicted above the arms.. Facade of the Palazzo del Senato in Bologna with the Papal arms at center, with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598 396974

Ionian main frame, capital and basement, anonymous, After Giovanni Battista Montano, 1636 print With details from the bottom of the cornice and the capital. At the bottom there is an explanation, at the bottom left are annotations in pencil concerning the proportions of the parts of the main frame. From the first edition. after design by: Italy (possibly)publisher: Rome paper engraving

Pulpit with Alzijkend Eye, Unknown, After Franz Xaver Habermann, 1740 - 1745 print Pulled chair with rocaille ornaments between two panels. Putti on top and the all -seeing eye with rays. Publishing number 166. Augsburg paper etching / engraving pulpit, ambo, chancel. the all-seeing eye, triangle with eye ~ symbol of God the Father. rocaille ornament

Design for paintings and images around a doorway, Pietro Sante Bartoli, After Giovanni Lanfranco, 1665 print Design for paintings and images around a doorway, with a painting of Moses that hits water from the rock above the doorway. Print is part of an album. paper etching piece of sculpture, reproduction of a piece of sculpture. cupids: 'amores', 'amoretti', 'putti'. the adoration of the golden calf ~ Aaron (Exodus 32:1-19). Moses striking water from the rock (Exodus 17:1-7; Numbers 20:2-13). the ten commandments represented together on stone tablets. Moses comes down with the new tablets and is awaited by Aaron and the assembled people, who notice that 'his face is shining' (Moses' face is depicted with rays of light or with horns)

. Alcove with Joseph fleeing for Potifar's wife. On the right stand soldiers with shields and lances. Legal education numbered.

Nuremberg, Weigel, Johann Christoph, Schübler, Johann Jakob, Rentz, Michael Heinrich, Representation d'Orthographie de diverses sortes d'Epitaphes, Epitaaf with vase and cartouche, verso - stamped, An epitaph with rocaille ornaments and in the middle a half vase and half cartouche with helmet. Around garlands and skulls., print, ornamental print, prints, ornamental prints, height 279 mm, width 183 mm, German, 1701 - 1758, print maker, printmaker, 1711 - 1726, paper, engraving, engraving (printing process), Work conception, 1689 - 1741, after a design by, Publication (Event), Publication, 1661-07-15 - 1726, publisher

Design for Altar, Juan Dolívar, 1690 Design for altar with the presentation of a sacrifice. With variant for the right half. paper etching

Preekstoel Met Paulus, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Pulpit with rocaille ornaments, winged putti with garlands and Paul with book and sword. Publishing number 304. Augsburg paper etching / engraving pulpit, ambo, chancel. the apostle Paul of Tarsus; possible attributes: book, scroll, sword

Fireplace with two hair Iines, Wendel Dietterlin (I), 1560 - 1598 print On the shaft there is a helmet with leaf vines in a niche. One of 20 magazines from a series (Architectura. Von Ausztheilung, Symmetria und Proportion der Fünff Seulen ...) consisting of 193 magazines and 5 title magazines, divided into five books. This is a second, extensive edition of the series described under Orn Cat I-319. Germany (possibly) paper etching

Alkoof with Joseph and the wife of Potifar, After 1657 - Before 1716 print Alkoof with Joseph fleeing for the wife of Potifar. On the right are soldiers with shields and lances. Numbered at the bottom right. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching Potiphar's wife catches Joseph by his robe, usually while lying in bed; Joseph escapes leaving his cloak behind in her hands (possibly with a naked child lying in a crib)

Design for a Chimney Wall with Lacquered Panels and Porcelain. Date/Period: Ca. 1700. Print. Etching and engraving on cream laid paper. Author: Daniel Marot.

Elentian, Jean Charles dechansees, in 1768 - 1771 print A door with olive branches, lion heads, female figures and a medallion with a frontal portrait. On the left a rectangular frame with a flag with a dragon, a crown, a cross, a water flow and burning hearts. Print number 44. Paris paper etching / engraving door. Ireland

Wall Elevation with a Window and Statues of Saint John the Baptist and Saint Peter in Niches. Artist: Lazzaro Tavarone (Italian, Genoa 1556-1641 Genoa). Dimensions: 10 9/16 x 8 7/16in. (26.9 x 21.4cm). Date: 1556-1641. Museum: Metropolitan Museum of Art, New York, USA.

Vignola, Giacomo da.

Design for Altar, Juan Dolívar, 1690 print Design for altar with imagination of angels with monstrans. On the right a variant. paper etching

Design for a Lectern. Artist: Anonymous, Italian, 16th century. Dimensions: sheet: 9 5/8 x 5 9/16 in. (24.5 x 14.2 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Fireplace with a wild man (left) and a wildlife (right) next to an empty oval cartouche, Wendel Dietterlin (I), 1560 - 1598 print To the left and right at the bottom there are two putti that wear the cloak as Caratives. 1 of 20 magazines from a series (Architectura. Von Ausztheilung, Symmetria und Proportion der Fünff Seulen ...) consisting of 193 magazines and 5 title magazines, divided into five books. This is a second, extensive edition of the series described under Orn Cat I-319. Germany (possibly) paper etching

Titelblad: tombs or mozoles, Jean Lepautre, 1661 print Grave monument against a wall with the bust of a Roman emperor on a box. At the bottom is the time. From series of title page and 5 magazines, third edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

. Tomb monument against a wall with the bust of a Roman emperor on a coffin. At the bottom is the time. From series from title page and 5 sheets, third edition.

Schouw for a wall, After 1703 - Before 1800 print A Frisian is depicted between the chimney and the cornice with a sacrificial scene in Bas-relief. In addition, there are two nymphs next to a smoldering urn. Copy to print from the Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinsces. Netherlands (possibly) paper etching

Germany, Caymox, Balthasar, Dietterlin, Wendel (I), Title page and 11 pages of 'Architectura und Aufstheilung der V Senln' 1593, Fountains, wells, mantelpieces, capitals, windows and retables, Upper part of a retable with the coronation of Mary, recto top center - handwritten in brown ink, On top is Christ. One of 20 sheets from a series (Architectura. Von Ausztheilung, Symmetria und Proportion der fünff Seulen...) consisting of 193 sheets and 5 title pages, divided over five books. This is a second, expanded edition of the series described under Orn Cat I-319., print, ornament print, prints, ornament prints, 132, height 247 mm, width 181 mm, German, 1551 - 1599, print maker, printmaker, 1560 - 1598, third quarter 16th century, fourth quarter 16th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, 1561 - 1635-03-07, publisher

Grave monument with rebellion and plan, Jean Marot (I), 1629 - 1716 print There is a triumph arch in the middle. From the first edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Design for the Left Half of an Altar 1730-66 Mauro Antonio Tesi Italian. Design for the Left Half of an Altar 343268

Drawing of a double gate of a peristyle decorated with putti and garlands, executed in gray ink and wash over black chalk, with minor damage and color pollution.

Rome, Ferranti, Callisto, Italy, Montano, Giovanni Battista, Architettura with various ornamental cavati dall' Antico, Ionic entablature, capital and base, With details of the underside of the cornice and the capital. At the bottom is an explanation printed, at the bottom left are annotations in pencil concerning the proportions of the parts of the entablature. From first edition., print, ornamental print, prints, ornamental prints, height 275 mm, width 178 mm, Work conception, 1534 - 1621, after a design by, 1636 - 1636, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Italian, publisher

Design for a Double Tomb 16th century Anonymous, French, 16th century French. Design for a Double Tomb 362869

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Cheminées a l'Italienne, Onderboezem met beeld van Overwinning, print, prent, ornamentprent, prints, prenten, ornamentprenten, height 221 mm, width 147 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1658 - 1670, third quarter 17th century, paper, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1634 - 1716, publisher

Artist: Jean Le, Pautre, French, 1618-1682, Grandes Cheminees a laRomaine, Etching, image: 32.4 × 23.2 cm (12 3/4 × 9 1/8 in.), Made in France, French, 17thcentury, Works on Paper -Prints

Grave monument in the form of a Tempietto; Tombeaux Ou Mausolées. In the niches are images, on top of the minerva on a weapent probey. From first edition.

Case list and part of ceiling; Angle the ceilings the gallery, et autospors. On the right side are two hermen above two sphinxes on either side of a medallion, on the left side a half oval medallion with Apollo that kills the niobids. From series of 6 unnumbered sheets.

Polllaiuolo, Antonio del.

Grave monument with aediculae; Mausolee; Tombeaux Ou Mausolées. On top of the monument standing carians in a circle; At the top right state the number 2.

Grave monument for Martin Luther, Jan Caspar Philips, 1746 print Amsterdam paper etching / engraving grave-building, monumental tomb

Triomf gate established on the Korenmarkt, 1685; On dish by Gebuerellycken Irish from the Coremert. Triomf gate founded by joint effort from the residents of the Korenmarkt in Antwerp. Part of the illustrations of the decorations established in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585.

Lamoignon, Marquis de Basville, Guillaume I. de.

Writing table with putti; Writing tables.writing Table With Rocaille Ornaments and Three Winged Putti. Publisher Number 163.

Theater with Emperor Ferdinand I, 1594. Theater with Emperor Ferdinand I in 1558. Festive arrival of Archduke Ernst as Governor of the Netherlands held in Brussels on January 30, 1594. Part of the description of this Entry Descriptio et Explicatio Pegmatum, Arcuum Spectaculum Quae Bruxellae Brabant . Pridie Cal. Feb. Ao. 1594 EXHIBITA FUere, sub Ingressum ... Ernesti ... Archiducis Austriae ... Pro Philippo II. Belgicae Ditionis Gubernatore, J. Mommaert, Brussels 1594.

Pulpit with smoking vessel, 1699 - 1726 print A pulpit with rocaille ornaments, garlands, half a face right and crowned with half a smoking vessel on the left. Draperies hang on the left. Neurenberg (possibly) paper engraving pulpit, ambo, chancel. rocaille ornament. hangings and drapery

Title page: cheminées à la modern; Cheminese a la modern; Cheminées à la modern. On the Architraaf is an imperity in a medallion flanked by two putti. The title is at the bottom of drapery. Title page from series of 6 sheets. Second edition.

Jan van den Hoecke depicts an ornamental frame for an altar painting illustrating hospital healing using brown ink and gray brush over graphite pencil, showing figures, architecture, and composition.

Fireplaces and Other Interior Decorations. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Lepautre.

Subsema between two Corinthian pilasters, Jean Lepautre, c. 1658 - c. 1670 print At the top a cornice and a niche with a vase. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Netherlands, France, Lepautre, Jean, Schenkkannen, Urn on high pedestal, The urn is decorated with dancing nymphs and stands in a church. Title page of the second series with pouring jugs. From a series of 6 sheets., print, ornament print, prints, ornament prints, height 192 mm, width 127 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1628 - 1732, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Design for Ceiling Decoration, Attributed to Thomas Carwitham, active 1723, British, undated, Graphite, gray wash, and pen and brown ink on medium, moderately textured, cream wove paper, Sheet: 9 3/4 x 8 1/2 inches (24.8 x 21.6 cm), ceilings, garlands, putti, women

Alkoof with variant for the right half, Jean Lepautre, 1678 print Alkoof with two Corinthian columns on the left with an opening in the wall in which there is a statue. On the right a variant with panels. Leaf 4 from series of 6 blades. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Rectangular cartouche; Ceilings and cartouches in a picture frame with grotesken, garlands and mascarons; Small cart shower to example in Fontainebleau. In the middle above a garland with fruits hangs over the head of a deer. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi to the decoration of François gallery by Giovanni Battista Rosso. The series is also known under the title Petits cartouches the Fontainebleau.

Print, Projet de l'Autel de l'Eglise de St. Aignan d'Orleans (Design for the Altar of the Church of St. Aignan of Orleans), plate 102, in Oeuvres de Juste-Aurèle Meissonnier (Works by Juste-Aurèle Meissonnier); Designed by Juste-Aurèle Meissonnier (French, b. Italy, 1695-1750); Published by Gabriel Huquier (French, 1695-1772); France; engraving on white laid paper; 40.9 x 27.3 cm (16 1/8 x 10 3/4 in.)

Design for Altars, from 'Autels et Retables', Jean Le Pautre, French, 1618-1682, Etching on paper, Europe, France, ca. 1660, Print, Print

Titelblad: Modern fireplaces, Jean Lepautre, 1661 print On the architraaf there is a Kizetsbust in a medallion flanked by two putti. The title is on a drapery at the bottom. Title page from series of 6 magazines. Second edition. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Statue of Jakobus the superior in a niche, Jacobus Harrewijn, after Cornelis van Nerven, 1695 - 1714 print Statue of the apostle and patron saint of Spain, Jacobus the superior on a pedestal in a niche. Behind his head the Sint-Jakobs shell and in his hand a pilgrim staff with gourd's bottle. Above the niche a cartouche with its name, flanked by two putti. Under the niche a nine -line text in Latin. print maker: Low Countriesafter sculpture by: Brussels paper etching life and acts of James the Great (the Elder). monument, statue. pilgrim's dress and attributes, e.g. flask, hat, mantle, staff

King Numa receives the Holy Shield, Jean Louis Roullet, After Pietro Locatelli, After Ciro Ferri, 1655 - 1699 print paper engraving / etching (Story of) Numa Pompilius. Philosophy

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Door frames, Door frame with vases, verso - stamped, Door frame with rocaille ornaments, leaf motifs, two putti, a vase with flowers on the left and a vase above. Publisher number 298., print, ornamental print, prints, ornamental prints, height 248 mm, width 190 mm, print maker, printmaker, 1750 - 1760, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Design for title page: Christelyke Zeden Spiegel. Draughtsman: Simon Fokke. Dating: 1741. Measurements: h 159 mm × w 103 mm. Museum: Rijksmuseum, Amsterdam.

Design for a wall decoration with two allegorical figures. Draughtsman: James Thornhill (Sir). Dating: c. 1685 - c. 1734. Measurements: h 204 mm × w 299 mm. Museum: Rijksmuseum, Amsterdam.

Pauw and Eagles Boven Poort flanked by father Tijd, Cornelis Galle (II), 1643 - 1645 print Above a gate a Januskop and a peacock and two eagles, each with a round medallion with a laurel wreath, a female ruler (Margaret of Austria) And two shaking hands. Father Time is both left and right of the gate (the holy door) With the papal coats of arms of Clemens VIII and Innocenti X. paper engraving ornamental birds: peacock. predatory birds: eagle. ornament ~ medallion. monumental door, porch, 'aediculum'. Father Time, man with wings and scythe

Tomb of Admiral Maarten Harpertsz. Tromp in Old Church in Delft. Tomb of Admiral Maarten Harpertsz. Tromp in Old Church in Delft. Image of the fallen admiral in harness lying on tomb with sea battle at terheide on Frisian. Against the wall Marble relief with putti with coats of arms and armor flanked by columns and militaria. On top of the list awarded weaping shield held by griffins and flanked by tritons or several men. On the basis of the praise grave a verse in eight rules by Joost van den Vondel.

Jean Lepautre, Fireplaces and Other Interior Decorations Fireplaces and Other Interior Decorations

Design for a Wall Tomb. Artist: Anonymous, French, 17th century. Dimensions: 14 x 8 9/16 in. (35.6 x 21.8 cm). Date: ca. 1630. Museum: Metropolitan Museum of Art, New York, USA.

At top is a large urn with flames, to its left is a garland and to its right is a putto. From series with Dutch copies after the series Cheminées à la moderne and a print from Cheminées à la Françoise by Jean Lepautre, Underbust with variant for right half Underbust (series title), print maker: Cornelis Danckerts (I), (possibly), Lepautre, publisher: Justus Danckerts, (mentioned on object), print maker: Netherlands, (possibly), France, (possibly), publisher: Amsterdam, c. 1675 - c. 1686, paper, etching, h 234 mm × w 139 mm

Van der Linden weapon; In Utrumque Paratus. Modello with a coat of arms and allegorical figures.

Noordelijke Nederlanden, Goeree, Jan, Schijnvoet, Simon, Amsterdam, Scherm, Laurens, Door liefd' geniet De Vicq Van Riet, Monument in honor of the marriage of Nicolaas de Vicq and Maria Jacoba van Riet, Northern Netherlands, verso lower right - stamped, Wedding card with a monument in honour of the marriage of Nicolaas de Vicq and Maria Jacoba van Riet. In the middle Juno is enthroned as the goddess of marriage. She is flanked by two statues of women, one of whom is depicted with two children. Above her are a few putti, two of whom are seated on either side of the monogram of the married couple. In front of Juno two amoretti are making offerings on the altar of love with burning hearts. On the left the married couple. In the front two obelisks with on the left a quiver and a bow, the attributes of Amor, and on the right an obelisk with two burning torches as symbols of love. At the bottom the wedding date in Roman numerals: 1701-09-21. In the middle below a text in burning hearts and a

Schouw with Termen, Jean Lepautre, 1658 - 1670 print Fireplace flanked by two terms, with a square painting by Venus at the top that mourns Adonis. On either side of the bosom a niche with an image of Apollo. Paris paper etching open hearth, fire-place

Portal with shield and guns, Anonymous, After Johann Thomas Hauer, 1770 - 1788 print Design for a portal with four columns. Crowned with a shield, cannons, cannonballs, flags, a lance, a trumpet and a laurel wreath. Publishing number 404. Augsburg paper etching / engraving monumental door, porch, 'aediculum'. weapons

Albrecht Dürer, Detail 36, 1515-1517, woodcut on paper.

Architectural Motif with a Figure. Dated: c. 1690. Dimensions: plate: 11.1 x 9 cm (4 3/8 x 3 9/16 in.) sheet: 17.2 x 12.4 cm (6 3/4 x 4 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carlo Antonio Buffagnotti.

Side Aisle of San Lorenzo, Florence. Dated: 1612. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Pulpit with pigeon of the Holy Spirit and Putti, Gerrit Visscher, 1690 - 1710 print Pulpit with the pigeon of the Holy Spirit at the top. Putti adorn the pulpit. All above, putti from different continents wear the globe. A putto wears a turban and holds a sword in the hand, another putto with a fee and spear. Amsterdam paper etching pulpit, ambo, chancel. Holy Ghost represented as a dove (in flames). cupids: 'amores', 'amoretti', 'putti'. ornaments ~ art

Woodwork decoration of chapel; Chaires the predicators. Print is part of an album.

Chimneys in the Italian Manner 1660-1670 France. Etching on ivory laid paper . Jean Le Pautre

The Altar of Love. Agostino dei Musi (Italian, c. 1490-after 1536); printed by Antonio Salamanca (Italian, 1478-1562). Date: 1510-1536. Dimensions: 293 x 221 mm (image); 297 x 221 (plate/sheet). Engraving in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: AGOSTINO DEI MUSI.

Epitaaf with rectangular compartment; Cartouches. At the top is a cartouche for a shell.

Half of rectangular ceiling; Ceilings à la modern. With empty round right in the middle. An octagonal panel is included in the edge with a victory figure. From second edition.

Urban VIII., papa .

An alcove with caryatids, draperies and at the top an eagle. At the bottom center a balustrade with cartouche bearing the series title. Several figures stand in the alcove, pointing to the center. Numbered 1 at lower right, Title page: Alcoves a la Romaine Alcoves a la Romaine , print maker: Jean Lepautre, (mentioned on object), Jean Lepautre, (mentioned on object), publisher: Pierre Mariette (II), (mentioned on object), print maker: France, (possibly), France, (possibly), publisher: Paris, after 1657 - before 1716, paper, etching, h 151 mm × w 216 mm

Drawing, Elevation of a Fountain; Italy; pen and brown ink, brush and wash on off-white laid paper

Prophet Isaiah; Vault from the Sistine Chapel. Part of the vault painting by Michelangelo in the Sistine Chapel with Sibilles, Prophets and Naked Figures (Ignudi). Central is the prophet Isaiah.

Twee sirenes naast mand met bloemen; Livre III. Divers Ornemens.The sirens have tails in the form of leaf rights. Leaf 6 from series of 12, second edition.

Corner decoration of ceiling, After 1657 - Before 1678 print With variant for the right half. In both variants, an arc originates from a balustrade or a cornice with figures, including figures under a cloudy sky. From series of 6 unnumbered magazines. paper etching

Title page with animals and riders on horseback. Draughtsman: Jan van der Straet. Dating: 1596 - 1598. Measurements: h 191 mm × w 278 mm. Museum: Rijksmuseum, Amsterdam.

Design for a Monument to Emperor Charles VI of Naples. Date/Period: Ca. 1735. Drawing. Pen and black ink, brush and black wash, black chalk on cream laid paper. Author: Baldassare De Caro.

Schouw with putto with Lans, Anonymous, Franz Xaver Habermann, 1731 - 1775 print Rocaille fireplace with putto with a lance. Publishing number 58. Augsburg paper etching / engraving rocaille ornament. open hearth, fire-place. cupids: 'amores', 'amoretti', 'putti'

. Michiel Adriaansz tomb. De Ruyter in the Nieuwe Kerk in Amsterdam. Numbered at the bottom right: Fig: O.

Paris, Mariette, Pierre (II), France, Lepautre, Jean, Cheminées a l'Italienne, Lower bosom with medallion, Medallion with the Abduction of Proserpina, on either side sits a putto on a lion., print, ornament print, prints, ornament prints, height 217 mm, width 148 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1658 - 1670, third quarter 17th century, paper, etching, etchings, Work conception, after own design of, Publication (Event), Publication, 1634 - 1716, publisher

Pulpit with draperies, 1699 - 1726 print A pulpit with rocaille ornaments, leaf motifs and draperies left and right. paper engraving pulpit, ambo, chancel. rocaille ornament. hangings and drapery

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