Architectural Prints and Designs

Detailed etchings showcasing classical architectural elements, including columns, fences, and classic door ornamentation, emphasizing symmetry and ornamental design.

Cologne, Bussemacher, Johann, Germany, Kramer, Gabriel, Architectura von den funf Seuvlen, Aufeinander setting vnd erhöhung der Seulen, Composita.III., Various orders of columns, Left two examples of orders of columns placed on top of each other, a raised Corinthian column and various details and parts, numbered: AI, KL. Page 24 from series of title page and 28 sheets., print, ornamental print, prints, ornamental prints, height 278 mm, width 187 mm, - 1611, print maker, printmaker, 1610 - 1610, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, German - 1627, publisher, publisher" Cologne

Cologne, Bussemacher, Johann, Germany, Kramer, Gabriel, Architectura von den funf Seuvlen, Aufeinander setting vnd erhöhung der Seulen, Composita.III., Various orders of columns, Left two examples of orders of columns placed on top of each other, a raised Corinthian column and various details and parts, numbered: AI, KL. Page 24 from series of title page and 28 sheets., print, ornamental print, prints, ornamental prints, height 278 mm, width 187 mm, - 1611, print maker, printmaker, 1610 - 1610, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, German - 1627, publisher, publisher" Cologne

Cabinet-making: designs for a extending table. Etching by J. Verchère after himself, 1880.

Two fencing with Lamb on Book, Anonymous, After Caillouet, After François Boucher, 1737 - 1806 print A wrought iron fence with leaf motifs, a medallion with the lamb on a book and a medallion with a triangle with the tetragram and a wrought iron fence with leaf motifs. Augsburg paper etching welding (industrial process). fence, wall, paling. lamb. triangle (within circle), with eye or tetragram ~ Trinity

Bound Print, Title Page; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

Details of classicistic door ornamentation. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Design for a table, with a combined front and side view, Joseph Kusterer (attributed to), c. 1865 - c. 1870 drawing Mainz graphite (mineral). ink drawing

Three ionic headring, a diameter and different details; Ionica; Architectura von den Funf Seuvlen (...). At the bottom of two halves of an ionic capital. Leaf 11 from series from title page and 28 sheets.

Drawing, Three Window or Door Cases; Filippo Marchionni (Italian, 1732-1805); Italy; charcoal, pen and ink, brush and gray watercolor on laid paper; 19.8 x 12.3 cm (7 13/16 x 4 13/16 in.)

Gardens. Dated: c. 1936. Dimensions: overall: 51 x 37.9 cm (20 1/16 x 14 15/16 in.). Medium: pen and ink and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Gilbert Sackerman.

PortraT van Christoph I Fürer von Haimendorf, Hans Troschel, After Unknown, 1595 - 1628 print paper etching / engraving / letterpress printing historical persons. armorial bearing, heraldry. armour. helmet

Leclère, Achille-François-René (n.1785-10-29-D.1853-12-23), Funeral monument project (dummy title). Plume, pencil. Carnavalet museum, history of Paris.

Eleven designs for the decoration of interiors 1830-97 Jules-Edmond-Charles Lachaise French. Eleven designs for the decoration of interiors 385107

Design for a Vestibule 19th century Anonymous, French, 19th century French. Design for a Vestibule 362218

Three decorative designs, Carel Adolph Lion Cachet, 1874 - 1945 drawing pencil

Design for a base with a sandpot, a bell on a corporable foot, penhopers and an ink pot.Only the right half is completely worked out.

T-shape with ornaments, Reinier Willem Petrus de Vries (1874-1953), 1884-1952 drawing paper. pencil ornaments ~ art

No. 18 drawings of ornamental detail of friezes and verso: the entablature and plan of a temple at Baalbec or Palmyra, James Bruce, 1730-1794, British, undated, Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper, Sheet: 15 5/8 × 21 1/2 inches (39.7 × 54.6 cm), architectural subject

Unidentified building, elevation and section elevation (recto) Corinthian column base, elevation (verso). Dimensions: sheet: 4 5/16 x 10 13/16 in. (11 x 27.5 cm). Draftsman: Drawn by Anonymous, French, 16th century. Series/Portfolio: Goldschmidt Scrapbook. Date: early to mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Crown table from Pantheon in Rome; Modillon de la Corniche du Panthéon à Rome. Details of the cornice with acanthus leaves from the Pantheon in Rome. Right above pl. 6 numbered.

Ceiling and two fireplaces; 36th Cahier de l'oeuvre mm cahier the ceilings, chemineales, chapiteaux, rosaces & c; Iie Volume de l'oeuvre de J. Ch. Delafosse (...). On the left a round ornamented ceiling with shell motifs, four medallions and torches. Right two fireplaces with lion's heads and vases.

Bound Print, Cross Section of a Grotto and Salon; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

Chandelier, c. 1870 - c. 1894 Paris paper. graphite (mineral). cardboard Chandelier, a candlestick

Cups of the Fountain and the Place des Vosges Basin

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 10.3 x 16.5 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Fries mit Schwänen, Neapel

Sketches for an altar, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, At right: an altar furniture with above the tabernacle, with a slightly altered design of the right tone in -1375. The angels support also brackets as in -1375, left. Outlines of the back of the framing. Above, at left, a sketch of the altar, seen from its left corner. Pen. At left, below, a sketch of the mensa with the sepulchrum, in the shape of a reliquary box; pen, brush., Rome, Italy, 1746-1809, architecture, Drawing, Drawing

Design for a table, c. 1895 Page 17 Recto from a sketchbook with 23 sheets. paper. chalk table

Design for Armoire with Mirrors. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 9 5/8 x 12 5/8 in. (24.5 x 32.1 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA.

Album Page, Wooden Bracket, Pisa; Whitney Warren Jr. (American, 1864-1943); Italy; graphite on off-white wove paper, folded, tipped into binding with fabric; Sheet: 31.7 x 24.9 cm (12 1/2 x 9 13/16 in.)

Sketches, Filippo Marchionni, Italian, 1732-1805, Pen and ink, brush and gray watercolor on paper, Top left: ceiling decoration with panels and bands. Bottom right: panel decoration with grotesque motifs and escutcheon on top; beneath it are dolphins with crossing tails; a bell hands from the tail of another dolphin farther below. Lower left: a vase in the shape of a column base, filled; a standing man and a kneeling woman are shown in the bottom molding; some accounting figures. On verso: fragment of a written tablet pertinent to a chemical system beginning with Ogio dolce semplice,” ending with Saponi animali come la Bile / Gelatina animale.”, Italy, ca. 1750, ornament, Drawing, Drawing

Title page for Beethoven's piano sons. The design shows a face on Roermond, the hometown of Cuypers, in a circle surrounded by four smaller circles, a floral ornament and a weapon. Leaf 74 Recto from a sketchbook with 77 sheets.

French textile manuscript, ca. 1820, This manuscript, an instruction manual for a school associated with a manufactory begins with a history of silk manufacture and continues with discussion of contemporary silk makers in Spain, Italy and France. The text is illustrated with 136 intricate drawings of looms, many in watercolor, showing set-ups for various patterns and materials, and includes 102 tipped-in examples of fabric. The chapters contain detailed information on silkworms and their breeding, the pulling of silk, and the composition of fashion materials, including gauze and damask.

James Wyatt, 1746-1813, British, Cobham Hall, Kent: Drawing for Wall Decoration, ca. 1790. Graphite, pen and black ink on moderately thick, slightly textured, beige laid paper.

Design for a Machine to Raise and Lower Machinery. Artist: Anonymous, German, 19th century. Dimensions: 8 1/4 x 8 3/4 in. (21.0 x 22.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Wilkinson Tracing, Three designs for memorials, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Metal framework Louis Bicheron (born in 1819). Metal frame plane. Black ink feather and blue pencil. 1855.

Michel Paul sen. (1877-1938), sketchbook. 1901 (02.08.1901): Giebel and half-timbered houses in Ansbach, views, details. Pencil on paper, 24.3 x 17 cm (including scan edges) Michel Paul sen. (1877-1938): Skizzenbuch. 1901

Ground Plan of a Catafalque for Francis Lewis of Newburg, Archshop of Mainz (died Breslau 1732) ca. 1732 Workshop of Giuseppe Galli Bibiena Italian. Ground Plan of a Catafalque for Francis Lewis of Newburg, Archshop of Mainz (died Breslau 1732) 344391

Koch Friedrich (1828-1922), travel studies from Sicily 1851-53 (01.06.1852): Taormina: S. Agostino (details). Ink, pencil on paper, 39.4 x 34.8 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Sizilien 1851-53

Amsterdam, Schenk, Pieter (II), Horst, Tieleman van der, Jan, Theatrum Machinarum Universale; Of Nieuwe Algemeende Bouwkunde, Technical drawings of a dome, verso - stamped, Technical drawings of an ornamented dome (numbers 72 and 73). Top view and cross section., print, ornamental print, prints, ornamental prints, height 507 mm, width 392 mm, Northern Netherlands, 1698-02-09 - 1752-02-05, print maker, printmaker, 1739 - 1739, paper, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1693-02-15 - 1775-01-14, publisher

Gropius Martin (1824-1880), sketch album 2 (approx. 1870): decoration studies. Pencil, ink, mounted in album, 48.3 x 29.8 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 2: Dekorationsstudien

Designs for gates. Leaf 9 Recto from a sketchbook with 20 sheets.

Stiehl Otto (1860-1940): Sketch and photo album 4: S. Michele, Cremona

Sketchbook Florence, Portal in Palazzo Riccardi Krysi Ski, Anzelm Dobromir (1836 1885)

Capitals of Romanesque columns. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Draft for wall decoration in the Salon of the Empress at Hermesvilla, Vienna XIII by Carl von Hasenauer, executed in pencil on paper between 1882-1886, showing design and ornamental layout.

Design for a baptism cup, draughtsman: Mathieu Lauweriks, 1874 - 1932, tracing paper, h 220 mm × w 185 mm

Romanesque Arched Recess, Column Capital, and Tower, Angoulême. Artist: Ernest Flagg (American, Brooklyn, New York 1857-1947). Dimensions: sheet: 11 1/2 x 9 in. (29.2 x 22.8 cm). Date: ca. 1890. Museum: Metropolitan Museum of Art, New York, USA.

James Wyatt, 1746-1813, British, Cobham Hall, Kent: Section of a Turret, ca. 1790. Graphite, pen and black ink and watercolor on moderately thick, moderately textured cream laid paper..

Rohscan

Kühn Bernhard (1838-1917), Villa Dr. Vattke in Berlin-Lichterfelde (12.05.1889): Dimensions for bathroom version, ceiling stucco in view and cut 1:10. Tusche watercolor on the box, 38.6 x 55.4 cm (including scan edges)

'Design of a Funeral Decoration of the Sts Peter and Paul Cathedral on the Day of Peter I's Burial'. Russia, 1725. Dimensions: 67,8x41,9 cm. Museum: State Hermitage, St. Petersburg. Author: Bartolomeo Carlo Rastrelli ( ).

Ground Plan for a Catafalque for the regent of France Philip, Duke d'Orleans (1674-1723). Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 20-3/8 x 14-1/2 in. (51.8 x 36.8 cm). Date: ca. 1723. Museum: Metropolitan Museum of Art, New York, USA.

Design for a wall panel. Leaf 5 Recto from a sketchbook with 25 sheets.

Scheppig Carl (1803-1885), sketchbook "Travel notes collected on the Rhine in France and Italy" (1833-1835): Pencil on paper, 16.5 x 10 cm (including scan edges) Scheppig Carl (1803-1885): Skizzenbuch »Reisenotizen gesammelt am Rhein in Frankreich und Italien«: Ornamentik

Shown are the upper right corner of a door frame, at left, and the left side of the fireplace. The opening is framed by molding. In the middle of the shelf stands a small looking glass. It is surrounded laterally and above by scrolls ending in the center above with a bracket upon which a bowl with a flame stands. A panel in the background is framed by molding. Below are a plan of moldings and the scale. Verso: accounts written in ink. Date: 1725-1750. Black chalk, pen and ink, brush and watercolor on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Twee orname wandpanelen; Ontwerpen voor Religieuze en profane Voorwren; Different inventions of sacred and profane furniture and utensils; Different inventions of sacred and profane furniture and utensils for common uses of life. Prent Maakt Deel Uit Van Een Album.

Ground Plan for a Catafalque. Artist: Workshop of Giuseppe Galli Bibiena (Italian, Parma 1696-1756 Berlin). Dimensions: 20-3/16 x 14-7/16 in. (51.3 x 36.7 cm). Date: 1696-1756. Museum: Metropolitan Museum of Art, New York, USA.

Throne, courtyard in front of the Lech castle; Verso: cedar box sketch; Ruszczyc, Ferdynand (1870-1936); 1909 (1909-00-00-1909-00-00);Słowacki, Juliusz (1809-1849), Słowacki, Juliusz (1809-1849). Lilla Weneda, courtyards (architect), projects, set design, chests, sketches, thrones, purchase (provenance), castles (architect)

Knoblauch Gustav (1833-1916), Corpshaus Guestphalia, Marburg: Detail Diele 1: 1. Pencil on transparent, 64.4 x 63.5 cm (including scan edges)

Half Plan and Half Elevation for a Catafalque for an Electress Palatine 1696-1756 Workshop of Giuseppe Galli Bibiena Italian. Half Plan and Half Elevation for a Catafalque for an Electress Palatine 344348

Diana on her chariot, a bed, vases, a table and a bowl on a column with sphinxes, Pietro Ruga, After Lorenzo Roccheggiani, 1817 print Print is part of an album. paper etching vase ~ ornament. table. bed. bowl. (story of) Diana (Artemis). ornaments ~ art

A few figures are written over a part of the design, top left. The plan is at the top right. On verso, left top corner, is written "83". Date: 1790-1820. Pen and brown ink on off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Rohscan

Sketchbook of Byzantine and Romanesque Decoration, 1887-1894. Sketch of details of censers and decorative border. Sir Edward Burne-Jones. 110 sketches of Mediaeval and Byzantine decoration made in connection with studies for the 'Holy Grail' tapestries for Morris & Co.

Two pedestals, Anonymous, 1650 - 1800 drawing Two ornamented pedestals with ribs and acanthus leaves, on the right with a pendulum and a shell motif. paper. pencil pedestal of a piece of sculpture (perhaps in the form of a herm)

Ionian order, part of column with pedestal and main frame, after 1616 - Before 1689 print With variant on the right and relationships. Paris paper engraving

Klingholz Fritz (1861-1921), pillars (without date): View and perspective view. Ink and pencil watercolor on the box, 50.9 x 35.7 cm (including scan edges) Klingholz Fritz (1861-1921): Pfeiler

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Wilkinson Tracing, Design for a fireplace and chimney piece at Speke Hall, 1820. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Pinnekamp Carl, draft stem on the lecture from Seßelberg via tree and cross-incorporation. (From: Prints of seminar works by the Royal Technical University (1890-1902): Views, cuts, details. Printing on paper, 33.4 x 25.6 cm (including scan edges)

Drawing by Ferdinand Boberg. Västmanland, Old Norbergs Blg., Norbergs sn., Nordansjö Nordic

Designs for Ceiling. Artist: Charles Monblond (French, 19th century). Dimensions: 11 1/8 x 8in. (28.3 x 20.3cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Leine Christian Friedrich von (1814-1892), Palais of the Crown Prince of Württemberg (Villa Berg) in Stuttgart (1845-1845): Stand vessels for the garden. Pencil on transparent, 58.3 x 51.6 cm (including scan edges)

Design for a monument in the restoration of the old constitution in Amsterdam, 1787, Anonymous, 1787 - 1788 drawing Design for an allegorical monument (or illumination) In Amsterdam. On the occasion of the restoration of the old constitution, ie the power of Stadholder Willem V, September 18, 1787. Obelisk crowned with an Oranjeboom and decorated with weapons and vignettes. At the bottom a warrior (the stadholder) Standing on a pedestal with the city coat of arms of Amsterdam. Sketch on the front of a double -folded leaf. Amsterdam paper. pencil Amsterdam

Sarcophagus sigismudi Augusti tomb of Zygmunt II August - board 11 from the album "Monumenta Regum Poloniae Cracoviensia" (edition I); Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Michał (1768-1825), Glücksberg, Michał (1838-1907); 1824 (1824-00-00-1824-00-00);

Graphite drawing by Francesco Borromini of the fireplace in the main hall (Hauptaal) of Palazzo Barberini in Rome, including construction, scale, and lettering, on fine paper between 1631 and 1632.

Wilkinson Tracing, Designs for three cabinets or bookcases,1820. One of the pieces is annotated 'For Book Room. M. R. Boulton Esq'.. Ink on tracing paper. Designer: George Bullock. Draughtsman: Thomas Wilkinson

Warszawa. Balustrada żelazna z wyposażenia Pałacu Belwederskiego w 1915 roku - widok w skali 1:5. Maszyński, Mariusz (1888-1944), draughtsman, cartoonist

Design for a Cartouche (recto); Designs for Frames (verso). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: 9 15/16 x 7 5/16in. (25.2 x 18.6cm). Date: 1610-64. Museum: Metropolitan Museum of Art, New York, USA.

unknown artist, (A Beloe), George Inn, Glastonbury, Somerset: Sign Bracket, 1832. Graphite and pen and black ink with gray wash on moderately thick, slightly textured, cream wove paper.

Print (France)

Jacques Callot (1592-1635). "Voyage to the Holy Land, third board" (Lieure 309). Etching and chisel. 1620. Museum of Fine Arts of the City of Paris, Petit Palais. 99609-29 Chisel, etching, engraving

Furniture. Leaf 16 Verso from a sketchbook with 30 sheets.

Amsterdam, Schenk, Pieter (II), Horst, Tieleman van der, Jan, Theatrum Machinarum Universale; Of Nieuwe Algemeende Bouwkunde, Technical drawings of stairs, verso - stamped, Technical drawings of a staircase (numbers 59 to 61). Top view and stair railings., print, emboss, ornamental print, prints, embossments, ornamental prints, height 389 mm, width 503 mm, Noord-Nederlands, 1698-02-09 - 1752-02-05, print maker, printmaker, 1739 - 1739, paper, papier, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1693-02-15 - 1775-01-14, publisher

Stiehl Otto (1860-1940): Sketch and photo album 2: St. Stephan, Mainz

Design for a napkin, Mathieu Lauweriks, 1874 - 1932 drawing tracing paper. pencil napkin-ring

Klomp Johannes Franziskus (1865-1946), St. Lambertus, Ense-Bremen. Expansion (09/18/1905): Cross ship window 1:50. Ink on transparent, 43 x 24 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): St. Lambertus, Ense-Bremen. Erweiterung

Frieze designs of Rosette, Lotus Leaves and Anthemia, 1893-1900 Artist: William Holman Hunt, Drawing, Ink, Pencil, Sketch, Pre-Raphaelite

Vestigia delle Terme di Tito. Sordnino decoration in room 25; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Brenna, Vincenzo (1741-1820), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, Illustration, archeology, antiquity, purchase (provenance)

Seat and flexible according to Karl Friedrich Schinkel, role models for manufacturers and craftsmen, nd part, Dept, II, Bl, Carl von Hasenauer -, draft

Print (France)

Frisian with putti in carriages, a bowl and a bench; Designs for religious and profane objects; Invenzioni Various Di Mobili Ed Utensili Sacri E profani; Invenzioni Various Di Mobili Ed Utensili Sacri E profani per USI Comuni della Vita. Print is part of an album.

Lavora in Terra Cotta Ritrovato in Villa Adriana in Tivoli, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on thin, moderately textured, beige, wove paper, Sheet: 9 9/16 × 7 1/2 inches (24.3 × 19.1 cm)

Three photo productions of drawings of ceiling decorations by Bernardino Poccetti, c. 1875 - c. 1900 photograph Above (17) a ceiling decoration with a goddess central, center (18) a ceiling decoration with putti and a coat of arms, under (19) a ceiling decoration with cartouches and putti. Europe cardboard. photographic support albumen print drawing, sketch. (decorated) ceiling. cupids: 'amores', 'amoretti', 'putti' Europe

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects. Artist: Workshop of Charles Percier (French, Paris 1764-1838 Paris); Workshop of Pierre François Léonard Fontaine (French, Pontoise 1762-1853 Paris). Dimensions: 15 11/16 x 10 in. (39.8 x 25.4 cm). Date: ca. 1800-1850. Museum: Metropolitan Museum of Art, New York, USA.

Lehmmübner Paul (1855-1916), Torornary (without dat.): View. Pencil on cardboard, 50.2 x 35.6 cm (including scan edges) Lehmgrübner Paul (1855-1916): Torornamente

Edward Jewett, Wall Painting, 1939 Wall Painting

Designs for lamps. Leaf 26 Verso from a sketchbook with 27 sheets.

Two sketches: fragment of an altar; Rococo frame and other small fragments. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Pencil and watercolor by Josef Selleny depicting the ship battery on the Novara, created in 1857.

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