Art Gallery Interiors

Elegant museum spaces with historic artwork on display, featuring varied seating arrangements and stylish decor, creating a serene atmosphere for appreciation of art.

National Museum in Warsaw, ul. Podwale 15; Polish Painting Gallery; around 1932 (1932-00-00-1939-00-00);National Museum in Warsaw (1862-), National Museum in Warsaw (1862-) - collections, Podwale (Warsaw - street), exhibitions, galleries, painting, Polish painting, furniture, museums, interiors, clocks

Hall 114 Seen to the southwest with the right to the passage to Zaal 116; Interiors Historical Department, January 1963. View of a painting with an image of the Schimmelpenninck family by Pierre Prud'hon.

Room with portraits and two vistas to other halls; Three centuries portrait in the Netherlands. Side hall in the eastern courtyard with all the left a portrait of a young girl in a window and also the portrait of Hendrickje Stoffels, both from the hand of Rembrandt. His self-portrait depends on the left wall last. Rembrandt's portrait of an old rabbi depends against the rear wall.

Northern part of the shipping room seen to the southwest; Interiors historical department, January 1963..

Hall with five paintings, right a representation of a mother with child; Drucker collection (room 371). On the right 'Mother Weldee' by Jozef Israel's.

Hall 115 Seen to the northwest with paintings above a layingfitrine and a window, left; Interiors Historical Department, January 1963. This space has been fully monitored to the church of the famous Cistercian abbey of Aduard, founded in 1192. The decorative paintwork has been derived from different churches. This original decoration here is out of sight, through the walls hanging along the walls and a suspended ceiling of tense fabric. The space is used here as a card chamber.

Room with showcases on tables and portraits above cupboards; Interiors Modern art.ground Floor Drucker Extension.

Room with four paintings, links a show with ducks; Drucker collection (room 370). On the left a painting with two ducks and some chicks from Willem Maris.

National Museum in Warsaw, ul. Podwale 15; Polish Painting Gallery; around 1932 (1932-00-00-1939-00-00);National Museum in Warsaw (1862-), National Museum in Warsaw (1862-) - collections, Podwale (Warsaw - street), exhibitions, galleries, painting, Polish painting, furniture, museums, interiors, clocks

Room with nine paintings, including three performances with donkeys; Drucker collection (room 371). Top left 'donkey ride along the beach' by Isaac Israel.

Corner of a room with a portrait of a gentleman, surrounded by a carpet drapery; Belle van Zuylen exhibition. .

Room with five paintings, on the right a seascape with fishing vessels and people; Drucker collection (room 370). On the right 'Scheveningen bombs for anchor' by Hendrik Willem Mesdag.

Room with showcases with chinese porcelain, banks with seat cushions and paintings; Troostzaal. Left is exhibited by the regents of the Aalmoezenweeshuis in Amsterdam by Cornelistroost.

Warsaw. National Museum, ul. Podwale 15; Polish Painting Gallery - portrait painting hall of the 17th century; Ry, Jan (1889-1939); around 1932 (1932-00-00-1939-00-00);National Museum in Warsaw, National Museum in Warsaw - collection, Podwale (Warsaw - street), exhibitions, galleries, Polish painting, furniture, museums, interiors

Room 370 in the drucker buildings with an arrangement of the Hague School in 1928. Hall 370 with a view of J. Maris works in 1928.Parket floor in diamond pattern with edge. Large panels consisting of large panels. Characteristic of the original set-up of this building are the beveled corners. In the renovation of 1994-95, they have largely removed. In the corner a layer of panel door, the lower part of which is a panel door (cupboard with ventilation grille) The original oval benches have been replaced in the beveled corner

Stehoff exhibition in Hall 371 (M147) from the Drucker Extension in 1933 .. Reminder exhibition in memory of W.J. Stehoff with work remained by him, from 2 June to 5 July 1933. Room from the northeast. Stone phone exhibition in the drucker extension. Parquet, paneling, frieze, chofloss. Decorated panels above passions. Included in the beveled corner a cupboard door.fries with decoration paintings. Transit left to room 146, right to 148. above the passed panels. The banks are replaced at a later stage with a kind of sofas

Ancient art exhibition "the 16th century" ... ... Brussels 1910, Star, 1910 Postcard, black and white: interiors exhibition about the 17th century. Brussels paper Brussels

Room with five paintings, right Jewish wedding; Drucker collection (room 371). On the right 'Jewish wedding' by Jozef Israel's.

Hall 114 Seen to the northeast with paintings, halibbled and models of guns; Interiors historical department, January 1963..

Room with links a portrait of Belle van Zuylen, surrounded by paintings and showcases with open books; Belle van Zuylen exhibition. .

Room with furniture, portraits and a still life of a fish; Heegall. Room C-247b. In the middle above a painting by W. van Valckert hangs.

Room with eleven paintings and a table in the middle of banks; Rembrandt exhibition. Middle left 'The steel masters' and at the back 'the Jewish bride' in the middle room on the eastern courtyard.

Room with furniture, a dressing table, wall stress and a crib; Exhibition of Gothic to Empire: French masterpieces from the Musée des Arts Décoratifs in Paris. On the left is a dressing table made with mirror made for Empress Marie Louise, made around 1810. On the floor carpet is the cradle of the Duke of Bordeaux, manufactured by Félix Rémond from 1819.

Hall 111 Seen to the northwest with a view to another room; Interiors historical department, January 1963..

Stehoff reminding exhibition in Zaal 371 (m 147) in 1933 .. Work by W. J. Stehoff (1863-1932), former director of the Museum of paintings was exhibited from 2 June 1933 to 5 July 1933. Hall seen to the southwest. Passage to 146. Stone phone exhibition in the druckery. Parquet, paneling, frieze with decoration painting, chofloss. Characteristic of the rocky intent are the beveled corners of the room. At the top right in Frisian ventilation grille. Panels deciated above the passage. Banks are replaced at a later stage by type of sofas

01/01/1931. Romantic Museum of Madrid: Elizabethan Hall.

Room with paintings and wooden objects including a two sgabellos and a coffin; Italian room.Second from the Child's Worship, by Master Allegro. On the Same Wall Second from the Left Maria with Child and John The Baptist Through The Master of the Conversazione di Santo Spirito.

Elsevier photo collection. Oranje-Nassaartoon dialing 1923. Paintings, left right. Crown Prince Willem van Oranje (by Pieneman), Prins Horse 1831 (owner HM de Koningin mother), Queen Sophie, Princess Wurttemberg (Rijksmuseum), king sea officer (owner: KZG Natura Artis Magister), Queen Emma (Queen Emma (Queen Emma (Queen Emma (Queen Emma (Queen Emma Owner: Dr. C. Hofstede de Groot). September 1923

Room with tapestries, furniture, images and banks for visitors; Exhibition of Gothic to Empire: French masterpieces from the Musée des Arts Décoratifs in Paris. At the front left is a bed with closed headboard from the fifteenth century.

Hall with a large painting between two partitions, from the right; The Venetian masters. Middle room in the eastern courtyard with works by Tintoretto and Titian. 'Ecce Homo' can be seen from Titian at the back.

Mass. WPA Art Project exhibition, Massachusetts School of Art, April 23-May 10, 1940 , Art exhibitions, Galleries & museums, Massachusetts College of Art. The Massachusetts WPA Federal Art Project Photograph Collection

Ancient art exhibition "the 16th century" ... ... Brussels 1910, Star, 1910 Postcard, black and white: interiors exhibition about the 17th century. Brussels paper Brussels

Room with chinese porcelain in two display cabinets. In the middle there is a table with two vases from the Khang-Hi period.

Face in a room of the Centraal Museum (Agnietenstraat 1) in Utrecht with some exhibited objects at the Oude Kunst exhibition in the city and province that was organized on the occasion of the 100th anniversary of the Stedelijk Museum van Oudheden.n.b. The exhibition was held from 2 July to 15 September 1938. The collection of the Stedelijk Museum is one of the collections that have been housed in the Centraal Museum since 1921.

Look through to rooms with 14th century Italian art; Exhibition Italian paintings and crafts in the Stedelijk Museum Amsterdam. Eastern cabinets seen to the east. The Rijksmuseum cooperated in the exhibition 'Italian art in Dutch possession'. The content of the Italian room was transferred to the Stedelijk Museum. The room was renovated during this vacancy.

Hall 113 Seen to the southeast with a view to room 114; Interiors historical department, January 1963..

Hall 372 in drucker buildings with an arrangement of the Hague School in 1928..

Warsaw. National Museum, ul. Podwale 15; Polish Painting Gallery - portrait painting hall of the 17th century; Ry, Jan (1889-1939); around 1932 (1932-00-00-1939-00-00);National Museum in Warsaw, National Museum in Warsaw - collection, Podwale (Warsaw - street), exhibitions, galleries, Polish painting, furniture, museums, interiors

This 1909 silver gelatin photograph shows interior spaces of the Austrian pavilion in Dresden, including room layout, exhibition displays, and architectural features.

Hall with five paintings, left the Jewish wedding; Drucker collection (room 371). Links 'Jewish wedding' by Jozef Israel's.

Room with the night watch on a panel for a wall; Night vandel room. Night vandel room seen to the northwest. An opaque plate is hung under the light dorse.

Room 369 in the drucker extension with setup of 19th century paintings in 1928. Room 369 with setup of Breitner and Bauer in 1928 (cf. Photo 221)

Exposure The Samaritan luxury in the spring of 1926. Anonymous photography, after 1926. Paris, Cognacq-Jay. 79621-29 Folles, year 1920 20, collection, exhibition, interior, exhibition hall, luxury samaritaine, interior view

Hall 371 in the drucker buildings with an arrangement of the Hague School in 1928. Hall 371 (M148) from the northeast. Parquet floor in diamond pattern with border. Large panels consisting of large panels. Decorated fries under the KOOF list. Characteristic of the original set-up of this building are the beveled corners. In the renovation of 1994-95, these are largely removed. The time of this photo was this room 371, where Paintings and Acquarels of J. Israel hung. In 1975 this room was 148, where work from the Hague School hung.

Space with bust on cupboard and 19th century folk cruits among sloping ceiling. This space was set up for the Sinterklast exhibition of 1974.

Room with furniture including chairs, tables, cupboards and showcases with (presumably) ceramics; Halls of crafts Spring 1983. In room 34, a space in the basement of the western courtyard, is exhibited by the Art Nouveau section. Room 34 is one of the Van Schendel halls.

National Museum in Warsaw, ul. Podwale 15; Polish Painting Gallery - Sala Stanis Wyspian; around 1932 (1932-00-00-1939-00-00);National Museum in Warsaw (1862-), National Museum in Warsaw (1862-)- collections, Podwale (Warsaw- street), Wyspiański, Stanisław (1869-1907), Wyspiański, Stanisław (1869-1907)- reproduction, exhibitions, gallery , painting, Polish painting, museums, interiors

Room with a coffin under the painting left and right a look through to another room; The Venetian masters. .

Room 226 with paintings by Johannes Vermeer; Vermeerbouw Before the renovation of 1983. The walls are equipped with wall stress, the passages are carried out in metal, on the floor lies parquet. Links to the wall, among other things, 'the love letter' and 'lettering woman' by Johannes Vermeer.

Elsevier photo collection. Kunstgroep "Bilthoven" organized exhibition members. artificial collection building / desire Oudegracht Utrecht. November 1924. Utrecht

FAP Gallery, 77 Newbury Street, Boston, June 19-July 1, 1939 , Art exhibitions, Galleries & museums. The Massachusetts WPA Federal Art Project Photograph Collection

Mass. WPA Art Project exhibition @ Massachusetts School of Art, April 23-May 10, 1940 , Art exhibitions, Galleries & museums, Massachusetts College of Art. The Massachusetts WPA Federal Art Project Photograph Collection

Room with three wall vitrins, the left display contains three calendar sheets; Hoyma Theo Graphics. .

Room with wall and floor carpets, paintings, furniture and a staircase to a passage; Refurbishment halls 1957. Room 165 (the former Hall of Admirals) seen from the southwestern direction. At the end the passage to room 164.

Corner of a room with furniture; Jugendstil. A chamber stove composed with furniture from, among others, Theo Nieuwenhuis and H.F. Jansen & Sons.

Exposure La Samaritaine de Luxe October 1927. Anonymous photography, after 1927. Paris, Mus E Cognacq-Jay. 79622-7 Folles, year 1920 20, collection, exhibition, interior, exhibition hall, luxury samaritaine, interior view

Room with furniture, crockery in showcases and paintings; Exhibition of Gothic to Empire: French masterpieces from the Musée des Arts Décoratifs in Paris. .

Overview of the pastel hall; Pastel room. Photo taken from the stairs to the top, in an easterly direction. The arc-shaped doorway forms the passage to room 362. At the top right, the three gratients depend on the antique Roman image in the Borghese collection in Rome, by Jean Etienne Liotard. Above the passage A portrait of Frederica Louisa Wilhelmina (1774-1837), Princess of Prussia, by Johann Friedrich August Tischbein.

Room with armchair, relief, image on base, banks for visitors and passage with a view of halls; Crafts crafts September 1961.room 243 Seen to the west. The Passage Leads to Room 244 and 245.

Gallery 14 at Birmingham Museum & Art Gallery, August 1946

, Freyung - Palace Hashapp - Innernamens - Vestibül, Bruno Raising Strategy -, Photographs

Room with a porch and information panels in the middle; Presentation Newly acquired cabinet in the hunting hall. Arrangement in which the cabinet manufactured by André Charles Boulelle (attribution) was presented. On the left the porch and frontone of the Amsterdam Huydecoperhuis, designed by Philips Vinckboons (II).

Room with furniture including tables and chairs, a tapestry and an amor image in the middle; Hall 178 crafts 1963. The oval room 178 seen in the east direction. In the middle-seating amor: 'l'amour menaçant', manufactured by Etienne-Maurice Falconet. At the back of a view to room 179.

Room with silverware in five showcases, left rear a passage; Johannes Schiotling exhibition. There are two candelabers and four candlesticks, in the front left behind four altar scales.

Room with objects to the wall and in showcases; Exhibition war art commissioned: War Artists / Kriegsmaler Nederland 1940-1945. .

Room with paintings and two display cabinets; Willem III exhibition ..

Attraction of the night watch in the Rembrandtzaal in 1952. Attraction of the night watch for the western wall in the Rembrandtzaal. The night watch is placed on an increase and for a curtains wall. Right of the Northwand can be seen. On the left the passage to the honorary hospital. Nachtzaal seen to the southwest. Rectangular room with wound brick coupling on a cornice, which escapes a glass skylight. To obtain the right light for the night watch, the night watch has been moved from the southern to the western wall and is under the light dass is an opaque plate hung. The raveel construction of the skylight consists of composite iron beams, which are worn by four marble columns with karyatides. The fries, the cornice, the cow and the karyatides were provided with decorations, but are in 1925 wors. The walls are covered with velor. On the right one of the two passes to the Heringa.

University of Amsterdam, Klein Auditorium, Anonymous, 1907 - 1930 photomechanical print Amsterdam cardboard collotype university building, college University of Amsterdam

Hall 113 Seen to the west with weapons, paintings and a layingfitrine; Interiors historical department, January 1963..

Hall 111 Seen to the northeast with a view to other halls; Interiors Historical Section, January 1963. The stained glass is the stained glass visible with Prince Maurits in worship for the H. Trinity.

Room with paintings and a passage; Photos to photos in Van Riemsdijk Album, Archive Rijksmuseum. .

Room with a cupboard on the left above which a painting with two children hangs; Exhibition Kaiser-Friedrich Museum. .

Room with paintings, images and prints and a passage; Exhibition The triumph of mannerism: the European style of Michelangelo to El Greco. To the left of the passage the Venus and Amor's painting hangs from Heemskerck.

Exhibition room ", Verein Berlin Kûnstler, Berlin, mirror channels JPR 1" .bild ur Boken "Zeiss mirror light System Zeiss-Wiscott in the architecture: a collection of lighting systems carried out". Boken GAVS UT AV Berlin-Zehlendorf: Zeiss Ikon a.g., Goerzwerk, 1937.

The western courtyard with a test arrangement of furniture in 1955. A radical reorganization of the museum possession could not take place before the possibilities of the different rooms were investigated by means of test setups. That is why in the winter of 1956-1957 the halls of the western courtyard were provisionally designed to see which requirements the renovations should meet. For this test setup, large sheets of paper and long rags were dropped into the spaces in which it had been shown in the museum in a large part, the 18th-century arts and crafts, which has never been to see in the museum. Courtyard with two blindness from Bart van Hove on the westwand (left) and on the right the north wall. Left against the paper wall is a North-Dutch mirror cabinet from around 1750.

Silver gelatin photograph documenting the interior of the Austrian pavilion at the international photographic exhibition in Dresden in 1909. The image shows displays, exhibition layout, and architectural features.

Room with paintings and two showcases with forging; Art for the images storm. At the front the triptych 'The arrival of Christ', painted by Jan van Scorel.

Room IV the treasure room with images, cloths and a box; In the middle a seating furniture for visitors; Exhibition Oriental treasures: 4000 years Asian art. .

National Museum in Warsaw. It works Decorative art - exhibition of metal products in the Hall Romana Szewczykowski (room 7 on the ground floor of the V pavilion); 1938 (1938-00-00-1938-00-00);National Museum in Warsaw, National Museum in Warsaw - collection, Szewczykowski, Roman, Warsaw (Masovian Voivodeship), exhibitions, galleries, collections, blacksmithing, museums, artistic crafts, decorative art, interiors, locksmiths

Passage with a cariatide and a showcase with sculptures on either side; Interiors Modern art. Ground floor Drucker extension.

Elsevier photo collection. Royal Palace Dam Square Amsterdam restoration. Interior wing walls broken red moss green. 25 April 1968. Amsterdam, Noord-Holland

Lazio Rieti Magliano Sabina Cathedral12. Hutzel, Max 1960-1990 Exterior views of facade (18th century) and portals (15th century. Views of restored interior: frescoes in apse of the Coronation of the Virgin, Annunciation and the Birth and Death of the son of Uliano, nobleman of Magliano; decorative ceiling fresoes; altarpieces, and marble altars. Treasury: chasuble of silver and gold brocade decorated with saints (18th century), portraits of bishops (15th-17th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Poelzig Hans (1869-1936), Century exhibition 1913 in Wroclaw (1913): interior. Photo on paper, 35.5 x 40.5 cm (including scan edges)

Room with paintings and front right a table where boxes and boxes are on; Exhibition Italian paintings and crafts in the Stedelijk Museum Amsterdam. .

Warsaw. National Museum, ul. Podwale 15; Polish Painting Gallery; around 1932 (1932-00-00-1939-00-00);National Museum in Warsaw, National Museum in Warsaw - collection, Podwale (Warsaw - street), exhibitions, galleries, Polish painting, furniture, museums, interiors, clocks

Room with two showcases, wall decoration and a table with curtains in the background; Exhibition East Asian and European ceramics decorated with the Japanese Khakiamon decor. .

National Museum in Warsaw. "French book exhibition" (December 22, 1948 - 15 January 1949). Fragment of the exhibition (designed by Stanis Mierziecka, Janina (1896-1987); 1948 (1948-00-00-1948-00-00);National Museum in Warsaw, Warsaw (Masovian Voivodeship), Zamecznik, Stanisław (1909-1971), exhibitions, books, interiors, publishing houses, exhibitions

Room with different works on the wall and panels, on the left a cupboard and a hexagonal table with an image; Exhibition Italian paintings and crafts in the Stedelijk Museum Amsterdam. .

The Wellcome Research Institution's building, Euston Road, London: statues and display cases of the Wellcome Historical Medical Museum in the north-east end of the second floor. Photograph.

The Van Der Hoopzaal seen from the east. Great room with the collection of Mr Adriaan van der Hoop, who was vacifier in 1854 to the municipality of Amsterdam and was handed over to the Rijksmuseum on loan. In the passage there is a marble image 'Perseus' by F. Leenhoff. On the right side of the wall O.. View of the 'The Jewish Bride' by Rembrandt. In the middle of the room there are two long leather sofas. Hall 269, van der Hoopzaal, seen to the west. Compare Photo 98. In 1915 the leather benches were replaced by oak banks. In 1917 the room is subdivided into three rooms. Granito floor with a diamond pattern on the edges. The room is overstrained by a curved edge light. Bricks booth rest on a list of consoles (flowers and fruits). A text explains the room: 'At the farthest wish decision from December 22, 1847, Adriaan van der Hoop, born 28 April 1778 in Amsterdam, died there, 17 March 1854, Commandur of the Order of the Netherlands Lion, Ridder v.D. Order of St. Anna van Russia 2nd cla

Exhibition room. Photography Fair, Grand Palais des Beaux-Arts, avenue d'Antin, Paris (VIIIth arr.) "Photo club de Paris. Aristotype. 1901. Paris, Musée Carnavalet. 100471-20 BIG PALACE

Room with crib, showcases, painting, table, bust, cupboards and a passage; Halls of crafts Spring 1983. Room 33 With objects in Empire-style is part of the exhibition space of the crafts department. At the back of the passage to room 34 with Art Nouveau. Both spaces, located in the basement of the western courtyard, belong to Van Schendel-Zalen.

Photo collection Government information service. Government buildings, ministries, interiors. undated. The Hague, South Holland

Room with portraits and illustrations; Thorbecke. .

Lazio Roma Rome Museo degli Strumenti Musicali2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Room with furniture including cupboards, a crib and a swing crawling, chairs, a room screen and mirrors; Halls of crafts in May 1973. Room 253A (colonial art) seen to the southeast. In the middle a room screen, twin, from Coromandellak, including a phoenixen pair on golden soil from China.

From the Birmingham Museums Trust Photo archive.. Scanned from the collection of glass plates, negatives and prints.

Lazio Latina Sezze Antiquarium Comunale4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

This silver gelatin photograph from 1909 shows the interior of the Austrian pavilion at the Dresden photographic exhibition, including display rooms, architectural features, and exhibition setup.

Room with paintings and in the middle a tables where boxes are on; Exhibition Italian paintings and crafts in the Stedelijk Museum Amsterdam. .

Hall 101 Seen to the northwest with a sliding paper, weapons and a portrait; Interiors Historical Department, January 1963. Behind the double door is the eastern main entrance.

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