Artistic Atelier Scenes

Sketches illustrating artistic studio environments, capturing moments of creativity with figures, easels, and expressive gestures.

Two gentlemen, James Ensor, circa 1880-1890, drawing, Belgian Art

Atelier scene depicting a visit to a painter by Josef Klaus using brown pen over pencil, showing figures, easel, and studio details with pencil influence lines.

En contemplation devant le vaisseau de l'opéra... , Draftspersons, Authors, Actors, Monnier, Henry, 1799-1877. Honoré Daumier (1808-1879). Lithographs

A pencil drawing by Josef Engelhart depicting a coffee scene, capturing the objects, setting, and composition in detail.

Henri Patrice Dillon, The Mandolin Player (Mandoliniste), 1893 The Mandolin Player (Mandoliniste)

This 1914 lithograph by Max Beckmann depicts a tavern scene, showing figures in interior setting, composition, posture, and detailed line work.

Three women view prints in a studio, 1860 - 1909 print paper art collecting. workshop, studio of the artist (in general). printing press

Edelfelt, Albert, work, Sketch book, drawing, 9.5 cm x 16.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Chez l'Huissler. Jean Louis Forain (French, 1852-1931). Lithograph;

Two gentlemen, James Ensor, circa 1880-1890, drawing, Belgian Art

Kerstavond. Heiligen Abend (title on object). Draughtsman: To Frank-Stoltz. Dating: 24-Dec-1943 - 24-Dec-1944. Place: Ravensbrück. Measurements: h 150 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

'Petitpas' , Artists, Spouses, Eating & drinking, Restaurants, Bellows, George, 1882-1925, Henri, Robert, 1865-1929, Yeats, John Butler, 1839-1922. George Bellows (1882-1925). Prints and Drawings

Interior with tailor Balthazar Knoopius and visit. Interior with tailor Balthazar Knoopius and men from whom two fights in which a candle falls over.

Chestnut Vendor, 1878. Camille Pissarro (French, 1830-1903). Drypoint; sheet: 43.4 x 30.2 cm (17 1/16 x 11 7/8 in.); platemark: 20.9 x 16.3 cm (8 1/4 x 6 7/16 in.).

At the Café (Au café). Dated: 1869. Dimensions: image: 26.3 x 33.4 cm (10 3/8 x 13 1/8 in.) sheet: 31 x 43.9 cm (12 3/16 x 17 5/16 in.). Medium: transfer lithograph. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.

Le dernier guet-apens , Hiding, Deception, Couples, Jews. Théophile Alexandre Steinlen (1859-1923). Lithographs

Josi, Christiaan, Netherlands, Marcus, Jacob Ernst, The World in the XIX Century, The Dance, Peasant Dance, Dancing men and women (peasants) in an inn. Seventh print from a series of eight with the aim of providing the contrasts of the then real life around 1800 with the civilized world (beau-monde)., print, prints, Frederik Muller Historieplaten, height 192 mm, width 130 mm, Noord-Nederlands, 1774-03-19 - 1826-10-02, print maker, printmaker, 1803 - 1803, paper, papier, etching, etsen, Work conception, Nederlands, 1768 - 1828-11

The Lawyer Abused. Jean Louis Forain; French, 1852-1931. Date: 1914. Dimensions: 299 × 405 mm (image); 348 × 520 mm (sheet). Lithograph on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Jean Louis Forain, Avenue in the Bois de Boulogne, c. 1890, pen and black ink on thin paper squared with printed blue lines.

James McNeill Whistler, The Title Page for Douze Eaux Fortes d'après Nature, 1858 The Title Page for Douze Eaux Fortes d'après Nature

Shadow (Ombre). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

The market place, Vitre, 1893, by James McNeill Whistler. Lithograph print measuring 203 x 162 mm

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study for Miles Standishs Challenge, Pen and ink, Wove, 21.1 × 34.3 cm (8 5/16 × 13 1/2 in.), Made in United States, American, 19th century, Works on Paper - Drawings and Watercolors

Finch, Alfred William, work, Various personal exercises, black chalk, drawing, 17 cm x 22.5 cm

James McNeill Whistler, Late Picquet, 1894 Late Picquet

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Four Men Aboard a Boat. Date: 1858. Pencil on white paper. Origin: United States. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Childe Hassam, The Lithographer, 1918 The Lithographer

Design for illustration in the Amsterdammer: two sitting figures and a standing man with a cup of Kwast (November 23, 1918), Johan Braakensiek, 1918 drawing Design for a print. tracing paper. pencil. chalk political caricatures and satires. historical events and situations

(PORTIER ET LOCATAIRE.). Artist: Paul Gavarni, French, 1804-1866

Garcon, le Prophete a dit: La vie est un chemin dans le desert”…. Artist: Paul Gavarni, French, 1804-1866

Men's heads. Possible of men sitting around a table. Leaf 21 Verso from sketchbook LXIV with 29 sheets.

St. Nicolaas. Illustration for `volatile sketches from popular life 'by a.f.j. Heron. Design for a print.

Pencil sketch by Josef Engelhart titled 'IM Coffee' showing figures, interior elements, and compositional layout.

Placard from the Young Turk Revolution period - seven former dignitaries. unknown, graphic artist

Scena rodzajowa w przygranicznej restauracji oraz szkice głów kobiecych, prawdopodobnie Klementyny Krassowskiej, i męskich. Bilińska-Bohdanowiczowa, Anna (1854-1893), draughtsman, cartoonist

Henri de Toulouse Lautrec, Rosmersholm; Le Gage, 1898 Rosmersholm; Le Gage

The Gem of the Exhibition.. Unknown

Men around a table view a print or drawing, c. 1775 - c. 1825 drawing England (possibly) paper. ink. watercolor (paint) brush / pen print, e.g.: engraving, etching, lithograph. criticizing and discussing art, art criticism

Drawing school with four young men at work, Georges Montenez, 1893 print paper etching drawing-lesson

Stage actor painting himself in front of a mirror, draughtsman: Isaac Israels, c. 1905, paper, h 253 mm × w 267 mm

The courtyard Georges Hugo (1868-1925). The courtyard. Graphite pencil and ink. Paris, Victor Hugo House.

An interior of a games room: anthropomorphic figures playing, drinking, and smoking. Colour lithograph.

Cartoon with the Commission for Constitutional Review, 1883, 1883 print Cartoon with the Commission for Constitutional Review under the leadership of Minister Heemskerk. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 20, 1883. print maker: Netherlandsprinter: Netherlandspublisher: The Hague paper

The market place, Vitre. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1893. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Giosue Carducci, Italian poet, with publisher Zanichelli in Zanichelli bookshop in Bologna

Design for illustration in the Amsterdammer: Germans in an inn (24 August 1902), Johan Braakensiek, 1902 drawing Design for illustration in the Amsterdammer: Germans in an inn; On the Verso also a sketch for a political cartoon (August 24, 1902). paper. ink. pencil pen political caricatures and satires

Parisian coupons n ° 1. Parisians waiting for pleasure; - Two tail hours at any theater. Honoré Daumier (1808-1879). Parisian coupons n ° 1. Parisians waiting for pleasure; Two hours of tail at any theater. Lithograph in black.

Agreement at the Tollgate, chart 12 from the portfolio Pro memoria. The Prussian in Poland (1915-1918)". Cotty, Jan (Warszawa ; drukarnia i zakład litograficzny ; 1863-1939), lithography atelier, Rapacki, Józef (1871-1929), graphic artist, Tygodnik Ilustrowany (Warszawa ; wydawnictwo ; 1859-1939), publisher

Sheet 17 verso from a sketchbook with 41 pages., Portrait of a couple, probably a copy after a seventeenth century painting., draughtsman: Johannes Bosboom, 1827 - 1891, paper

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), brutal noise (title given by the author), 1905. Black Pierre and black ink on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Crying child with parents in an art gallery, by Honore Daumier.

Etching - The Charge Ernst Neumann (1907-1956)

Politics, 1926, by Edmund Blampied. Gift of Sir John Ilott, 1959.

Henri de Toulouse-Lautrec (French, 1864-1901), Ribot Deposition (Déposition Ribot), 1896, lithograph

Audience in the Koninklijke Schouwburg in The Hague, Herman Frederik Carel ten Kate, 1849 drawing Rows of the public in the hall and on the first balcony of the Royal Schouwburg in The Hague. Recto of a drawing that is part of an album. The Hague paper. pencil theatre (building). the audience ~ art performance Royal Schouwburg

Drawing, Café scene; Robert Frederick Blum (American, 1857-1903); USA; graphite on wove paper; 16.6 × 10 cm (6 9/16 × 3 15/16 in.)

Edgar Degas, French (1834-1917), Three Studies of Ludovic Halévy Standing, c. 1880, charcoal counterproof

'On the Victoria Embankment', 1898. Artist: Emil Orlik.

VOILD FROM FAMILICS !! (you)

Honoré Daumier, Les Badauds, 1839 Les Badauds

Election meeting of the 11th District in the Credit Society of the City of Warsaw; Verso: Sketch of several characters; Piotrowski, Antoni (1853-1924); 1906 (1906-00-00-1906-00-00);Warsaw - Municipal Credit Society, Witke -Jeżewski, Dominik (1862-1944) - collection, collection stamp, collective scenes, purchase (provenance), meeting, events

Testimony of Émile Arton (Léopold Émile Aron) in court during the Arton trial, Henri de Toulouse-Lautrec, 1896 print Paris paper court session (court of justice). standing figure

Group Women, 1881 - 1934 zinc etching

Monsieur and Madame Mollet, c. 1904. William Glackens (American, 1870-1938). Etching;

Karikatural portrait and figure studies of men.

Evening Train (Le Train du Soir), 1897. Pierre Georges Jeanniot (French, 1848-1934). Etching;

En grève , Employees, Strikes, Military personnel, Jews. Théophile Alexandre Steinlen (1859-1923). Lithographs

Around the Lamp, 1888. Auguste Louis Lepère (French, 1849-1918). Charcoal, with stumping; sheet: 24.5 x 31 cm (9 5/8 x 12 3/16 in.).

Opera Fan and Ernest Reyer. Edgar Degas (French, 1834 - 1917)

Le Decavé. Jean Louis Forain (French, 1852-1931). Lithograph;

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), delicate stomach (title given by the author). Black stone and blue pencil on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Placard from the Young Turk Revolution period - former dignitaries with animal heads. unknown, graphic artist

Sketch of women in an interior - unidentifiedillustration. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Three men view a model of the Borghese Gladiator, William Peter, After Joseph Wright of Derby, 1769 print Three men, the middle possible Joseph Wright or Derby, compare a reduced copy of the so -called Borghese Gladiator with a drawing of the image. London paper piece of sculpture, reproduction of a piece of sculpture. draughtsman studying classical remains

On the ground floor at Prince Methusalem,

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

Paris, The great Art exhibition In the Great Salon, A moment of reflection 1868 France. Wood engraving on cream Japanese paper . Etienne Carjat

Chameleonian game. (IT)

Chess Players (Schachspiel). Dated: 1918. Dimensions: plate: 9.9 x 14.3 cm (3 7/8 x 5 5/8 in.) sheet: 16.8 x 21 cm (6 5/8 x 8 1/4 in.). Medium: drypoint in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

Judiciary, Herman Heijenbrock, 1881 - 1900 drawing Five figures in a courtroom. V.l.n.r.: Standing woman with a red hat, sitting official of justice, judge with a black hat behind Katheder, police officer with a helmet and bat, standing on the back, the judiciary behind Katheder. Netherlands paper. chalk. watercolor (paint) brush court session (court of justice) Netherlands

A Square in the Evening (Place le soir). Dimensions: 40.5 cm x 53 cm, 27.5 cm x 39 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

An eating house , Eating & drinking, Eating & drinking facilities. Thomas Rowlandson (1756-1827). Prints and Drawings

Funeral Procession on the Boulevard Clichy Made 1887 France. Soft ground etching and aquatint, with drypoint and plate tone, inked la poupÈe in blue and black, with hand-additions of gold metallic paint, on tan wove paper . Félix Hilaire Buhot

The end of the Peace Conference, Johan Braakensiek, 1899 Amsterdam paper political caricatures and satires. historical persons. personifications of countries, nations, states, districts, etc.

Le Drageoir aux épices by J. K. Huysmans: p. 26, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

TheWaltz. Artist: Anders Zorn, Swedish, 1860-1920

Henri de Toulouse Lautrec, Ducarre at the Ambassadeurs (Ducarre aux ambassadeurs), 1893 Ducarre at the Ambassadeurs (Ducarre aux ambassadeurs)

Christmas Belles Published 1869 United States. Wood engraving on paper . Winslow Homer

Sylvester (Douglas) Lord Glenbervie; Katherine Anne (North) Lady Golenbervie; Frederic (North) Earl of Guilford; Frederic Sylvester Douglas, J. A. D. Ingres, 1780-1867, French, 1815

Illustrations in the story 'Fate cases and encounters of David Harthals', in the Leiden student almanac, 1859, 1859 Leaf with two illustrations in the story 'Fate cases and encounters by David Harthals'. Cartoon in the student almanac of the University of Leiden of the year 1859. print maker: Netherlandsafter drawing by: Leidenpublisher: Leiden paper Leiden Leaf with two illustrations in the story 'Fate cases and encounters by David Harthals'. Cartoon in the student almanac of the University of Leiden of the year 1859. print maker: Netherlandsafter drawing by: Leidenpublisher: Leiden paper Leiden

Electrocution, first state , Executions, Electric chairs. George Bellows (1882-1925). Prints and Drawings

Placing a coffin in a tomb in Barcelona, Catalonia. Journey to Spain, 1862 by Jean Charles Davillier (1823-1883) Drawing by Gustave Dore (1832-1883) Le Tour du Monde 1862

This drawing is from The Life of Charles Dickens by John Forster, Vol II (1842-1852). This sketch dates to Monday December 2, 1844, and shows Dickens the house with the address #58 Lincoln's Inn Fields. Lincoln's Inn Fields is the largest public square in London. In Dickens' novel Bleak House, one of the attorneys has his office in a building in Lincoln's Inn Fields. #58 was John Forster's home from 1834 to 1856. Pictured with Forster (seated to very far left) and Dickens (seated in middle) are: from left to right: Jerrold, Blanchard, Carlyle, F. Dickens, Maclise, Fox (frontal face view), J. Stanfield, Dyce, and Harness.

Robert Polhill Bevan, 1865-1925, British, The Horse Mart, ca. 1917. Black chalk and charcoal on medium, slightly textured, cream, laid paper.

1893 Art Work - The Accident Felix Edouard Vallotton.

Band design with hikers at a gatehouse, Johan Braakensiek, 1868 - 1940 drawing Various people walk around a gatehouse, including a couple and a farmer and farmer's wife. In the background meadows with mills, farms and a church tower. paper. India ink (ink). watercolor (paint). pencil pen / brush gate, entrance. walking. city-view, and landscape with man-made constructions

Graphic by Randolph Caldecott (1846-1886) a British artist and illustrator. Dated 19th Century

Vor dem Pantheon 1908 Heinrich Krenes Austrian. Vor dem Pantheon 335408

Furmanka going to the village, two silhouettes of HR. Witold Poletyłło with a shotgun; Verso: Portrait of Marceli Skawiński; Czachórski, Stanisław (1853-1904); before 1904 (1873-00-00-1904-00-00);Poletyłło Witold, Skawiński Marceli, rural roads, carts, hunters, personality, portraits, full -stone portraits, men's portraits, dogs, animal studies, village views, purchase (provenance), sledds

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