Artistic Cast Iron Firebacks

Decorative cast iron firebacks featuring mythological themes and religious figures, showcasing intricate designs and craftsmanship from different eras.

Fireback woman with two-headed snake, Prudentia, text G K, hob plate cast iron, cast Rectangular with arch at the top. On top of two birds and leaf decoration Wide border with leaf decoration between frame and pearl necklace at the bottom of the cartouche with almost unreadable year (1700) In the middle landscape with tree in which standing woman with two-headed snake Above the head of the woman floats crown Letters on both sides of the woman On both sides of the woman: GK living environment interior heating Prudentia

Fireback woman with two-headed snake, Prudentia, text G K, hob plate cast iron, cast Rectangular with arch at the top. On top of two birds and leaf decoration Wide border with leaf decoration between frame and pearl necklace at the bottom of the cartouche with almost unreadable year (1700) In the middle landscape with tree in which standing woman with two-headed snake Above the head of the woman floats crown Letters on both sides of the woman On both sides of the woman: GK living environment interior heating Prudentia

Design for a Dome Compartment with Figures of Faith and Hope. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 11-7/16 x 9-1/2 in. (29 x 24.2 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Cast iron Fireback, Hercules with Cerberus, HERCVLES, hob plate cast iron, cast Rectangular with arch at the top with leaf decoration and volutes. Wide edge with leaf decoration between frame and pearl necklace at the bottom of the text. In the middle image of man with animal skin over the shoulder and with tail of that skin between his legs repels with his winged dog Cerberus off HERCVLES and below 1 7 NDW 01 letters intermingled living environment interior heating mythology Hercules Cerberus

The Virgin & Child with Angels. Dated: c. 1475. Dimensions: overall: 13.5 x 8.9 cm (5 5/16 x 3 1/2 in.). Medium: bronze//Dark brown patina. Museum: National Gallery of Art, Washington DC. Author: Probably Ferrarese 15th Century.

Flemish 15th Century, The Virgin and Child on a Crescent Moon, 15th century The Virgin and Child on a Crescent Moon

Anonymous / 'Bautismo de Conan en presencia de Santa Ursula y su padre', 1425-1450, Spanish School, Tempera on panel, 100 cm x 47,5 cm, P07632. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Fireback with biblical representation: judgment of Solomon, fire place iron, cast Rectangular with arch at the top where dolphins Wide edge between frame and pearl necklace: top two horns of abundance from which flowers come down along the sides flow. At the bottom of cartouche largely rusted away. In the middle scene from the Bible: King Solomon sitting on the throne in his palace makes his judgment about the child of which two women claim to be the mother living environment interior heating Bible Christianity justice Salomon's judgment Solomon religion

Portière des Renommées late 17th century Manufacture Nationale des Gobelins French. Portière des Renommées 227622

The Virgin and Child with Four Saints. Dated: 15th century. Dimensions: overall: 12.9 x 8.1 cm (5 1/16 x 3 3/16 in.) gross weight: 211 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: Venetian 15th century.

Design for the middle part of a window in the Noordertransept in the Dom in Utrecht, 1878 - 1938 drawing cardboard. chalk brush

Cover of a Writing Tablet ca. 1325-50 French Both sides of this ivory reveal scenes of courtship taking place under trefoil arches. On one side (not shown), a man holding a bird of prey- a symbol of his status- has received a coronet from a woman and reciprocates by crowning her, thus signifying her victory in winning his love. On the other side (below, left) the lovers kneel in adoration before the god of love, who throws darts to seal their devotion. Inspired by numerous contemporary love poems, these scenes are part of the stages of love as defined in courtly literature such as the influential Roman de la Rose (ca. 1230-75).Intended to cover writing tablets, such plaques were among the deluxe products of Paris during the fourteenth century and were possibly made on the rue de la Tabletterie, a name indicating their special use. Poems or messages would have been written on smooth sheets of ivory that had recessed areas filled with wax for the text. Perfect economy of technique and pu

Demogorgon in the Cave of Eternity, c. 1588, Hendrick Goltzius, Dutch, 1558-1617, 13 5/8 x 10 1/4 in. (34.61 x 26.04 cm) (image, sheet, oval), Chiaroscuro woodcut, Netherlands, 16th century, Once known as the Magician, the subject of this woodcut has been identified as the Cave of Eternity. The central figure depicts Demogorgon or Chaos, the father of all gods, who transforms the unformed universe into the world as we know it. To the left is a snake biting its tail, symbolizing continuity or eternity. To the right is a sphere containing Diane of Ephesus, who sprays plants and animals into the air, symbolizing nature.

Florenz, Toskana, Italien. Nationales Museum des Bargello. Nationales Kunstmuseum. Donatello. Kreuzigung 1453-1460 Florence Tuscany Italy. Museo Nazionale del Bargello. National Art Museum. Donatello. Crucifixion 1453-1460 Copyright: xZoonar.com/MarcoxBriviox 22664036

With the left door folding. It is divided into panels and a central horizontal band, and a circle with a lion mask. The panels have above a festoon and in the center a lozenge, with the figure of a standing woman. The overdoor shows a representation of probably the preparation of the sacrificing of Iphigenia. The frame is decorated with a stem, at left, rising from an acanthus blossom; at right with palm branches springing from a calyx. On top are the cornices of an entablature. The wall is colored. Pen and brown ink, brush and brown wash. Date: 1780-1790. Museum: Cooper Hewitt, Smithsonian Design Museum.

Fireback three pigeons, peace of Münster, year 1648, 24 Oct Pax Optima Rerum, hob plate cast iron, cast Rectangular bow at the top. On top of ball flanked by dolphins Around narrow, undecorated border between frame and pearl necklace. At the top of the arch and in the upper corners text and date In the middle picture of crown and scepter on pillow Three flying pigeons cross the laurel branches in their mouths above the crown In the corners: 1648 24 Oct; in the arch: Pax Optima Rerum (peace is the highest good) living environment interior warming politics war peace peace of Münster

Panel; wood, carved

Plaque from Triptych mid-15th century German. Plaque from Triptych 468950

Two Pilaster with White Putti on Tan Ground. Artist: Giovanni Mauro della Rovere (Italian, Milan ca. 1575-ca. 1640 Milan ()). Dimensions: sheet: 15 1/2 x 2 3/4 in. (39.4 x 7 cm). Date: 1575-1640. Museum: Metropolitan Museum of Art, New York, USA.

Asia, Israel. Early Islamic woodwork from the first El Aksa Mosque.

Saint Lucy possibly 17th century Spanish. Saint Lucy. Spanish. possibly 17th century. Gilt bronze. Medals and Plaquettes

Monks building the first Charterhouse, panel from carved choir door, Galluzzo Charterhouse, Florence, Tuscany, Italy.

GSELL-Laurent workshop. Album n ° 3; stained glass project for Rouen, Saint-Godard church; 5 spans window: worship of mages. Pencil on layer paper. Paris, Carnavalet museum. Album n ° 3, Adoration, Catholique, Chretien, five, pencil on layer paper, Saint-Godard Church, Fenetre, Mage, Project, Travee, Vitrail

Italy - Lombardy Region - Mantova - Ducal Palace - Apartment of Isabella d'Este - Special door - Representation of the music

Saint Jerome Praying. Culture: Spanish or Northern Italian. Dimensions: 11.2 x 7 cm, wt. 148.45 g.. Date: model 16th century (cast 17th century or later).The plaquette depicts Saint Jerome in the wilderness, kneeling and holding a crucifix. A lion, an attribute of the saint, lies at his feet. The open book is an allusion to Jerome's role as a biblical scholar and translator of the Bible into Latin (known as the Vulgate). The book is inscribed "S I", for Sanctus Ieronymus. This aftercast has some loss of detail. Museum: Metropolitan Museum of Art, New York, USA.

CUSTODIA O RELICARIO DE LOS CORPORALES - 1341 - REVERSO - PLATA DORADA - ORFEBRERIA GOTICA. Author: MORAGUES PERE. Location: COLEGIATA. Daroca. Saragossa Zaragoza. SPAIN. PEDRO IV DE ARAGON EL CEREMONIOSO. FORTIA SIBILA.

Carved Relief; Aubert-Henri-Joseph Parent (French, 1753 - 1835); Paris, France; 1789; Limewood; 69.5 x 47.9 x 6 cm (27 3,8 x 18 7,8 x 2 3,8 in.)

Calendar Plate for July (Harvesting). Pierre Reymond (France, Limoges, circa 1513-after 1584). France, Limoges, circa 1561. Furnishings; Serviceware. Grisaille enamel, flesh tones, touches of color, and gold on copper

Cover; Unknown; 1100s; Oak boards covered with red silk, fitted with hammered and engraved silver and copper; Closed: 26.7 x 18.9 cm (10 1/2 x 7 7/16 in.)

Drawing, Fortitude, Design for a Stained Glass Window; Francis Augustus Lathrop (American, 1849 - 1909); USA; brush and watercolor, white gouache, graphite on tracing paper; 46.3 × 12.4 cm (18 1/4 × 4 7/8 in.); 1914-38-364

FRONTAL DE PLATA CON ESCUDO DE LA CIUDAD. Location: MUSEO MUNICIPAL, SPAIN.

The Beheading of St John the Baptist, c. 1550 - c. 1580 Decapitation of John the Baptist, alabaster. Mechelen alabaster (mineral) Decapitation of John the Baptist, alabaster. Mechelen alabaster (mineral)

Lamentation Over the Dead Christ. Dated: second quarter 16th century. Dimensions: overall: 10.6 x 7.3 cm (4 3/16 x 2 7/8 in.) gross weight: 173 gr. Medium: bronze//Yellowish patina. Museum: National Gallery of Art, Washington DC. Author: Emilian 16th Century.

Attributed to Frans Floris I, Diana and Endymion, c 1560 Diana and Endymion

Domestic altar with the Last Supper. The ornamental frame of this domestic altar - richly decorated with grotesques, garlands, satyrs and putti - is based on prints by the Antwerp sculptor Cornelis Floris. His style is a distinctive, south Netherlandish variant of Italian Renaissance models. Modern, opulent works of art like these were often exported to Germany, Scandinavia and the Baltic region.

Anonymous. "Altar shutter: Christ in the olive garden, the descent of the cross, the noli tangere, the enema of the feet". Painted and gilded wood. S.D. Museum of Fine Arts in the city of Paris, Petit Palais. 71433-23 Altar, painted wood, Catholic, Christian Christian, descent of the cross, Dore, garden of olive trees, painful mystery, passion, biblical scene, component

Paduan 15th Century, Saint Jerome, 15th century Saint Jerome

Section of wall showing panels of arabesque designs, Music Room, Palace of Fontainebleau, France, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Section of wall, with panels of arabesque designs. Left, portion of door also with arabesque design. Overdoor panel with white figures against blue ground., USA, ca. 1885, interiors, Drawing, Drawing

Virgin andChild. Artist: Michele da Firenze, Italian, Florence, ca. 1385-1457

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo07. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Columbus leaves La Rabioa for the Spanish Court. Columbus' Departure from the Convent of La Rabioa, near Palos. 1850 - 1930. still image. Stereographs, Photographs. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Washington (D.C.), Capitols , Washington (D.C.), United States , Capital and capitol

Mercury and Judith. Dated: c. 1500. Dimensions: overall: 4.8 x 3.1 cm (1 7/8 x 1 1/4 in.) gross weight: 18 gr. Medium: bronze//Medium brown patina. Museum: National Gallery of Art, Washington DC. Author: North Italian 16th Century.

Bellows with the Flight into Egypt. Culture: Netherlandish. Dimensions: Overall: 22 3/4 x 8 7/16 x 2 5/8 in. (57.8 x 21.5 x 6.6 cm). Date: first half 16th century or later.By the fifteenth century, bellows, an implement known from antiquity, were often richly decorated and were displayed on the chimneys of domestic interiors. This bellows, carved in high relief and once brightly painted, shows on one side the Flight into Egypt. Beneath the scene are two coats of arms, the left one unidentified, the right identified as that of Amsterdam, indicating that the bellows was once used in a household or a guild hall in that city. The back of the bellows has a circular inset within a deep gilded molding pierced with three openings for the intake of air. The air was expelled through the metal pipe projecting from the jaws of the dragon's head at the end of the bellows. The sides of the bellows are of leather.The decoration on this bellows of a religious subject does not indicate that it belong

Tomb in the cloister of St. Paul's Cathedral, Muenster, North Rhine-Westphalia, Germany, Europe

Architecture Holding Statues of Personifications of Structure, Form, and Color (Medal for the Société centrale des architects) obverse. Dated: designed 1843, awarded 1911. Dimensions: overall (diameter): 7.24 cm (2 7/8 in.). Medium: bronze. Museum: National Gallery of Art, Washington DC. Author: Eugène-André Oudiné.

Mantel Detail. Dated: c. 1936. Dimensions: overall: 35.2 x 24.3 cm (13 7/8 x 9 9/16 in.) Original IAD Object: 36" high; 5 1/2" wide. Medium: watercolor, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Sebastian Simonet.

Constance, Minster, west portal, right door wing, sculptor Heinrich Yselin and Simon Haider around 1470

Panel from the top of a mirror frame. Culture: French. Dimensions: Overall, approximate depth (confirmed): 35 1/2 × 54 7/8 × 5 in. (90.2 × 139.4 × 12.7 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Detail hand carved wooden door

Panel late 16th century French. Panel. French. late 16th century. Carved walnut. Woodwork

Detail from the edge of the Standard of Ur , a Sumerian artefact excavated from what had been the Royal Cemetery in the ancient city of Ur (located in modern-day Iraq south of Baghdad). It is approximately 4,500 years old and was probably constructed in the form of a hollow wooden box with scenes of war and peace represented on each side through elaborately inlaid mosaics

Two Pilaster with White Putti on Tan Ground 1575-1640 Giovanni Mauro della Rovere Italian. Two Pilaster with White Putti on Tan Ground 346124

ARQUETA S MILLAN-DET VIDA DEL SANTO-MARFIL S XI-. Location: MONASTERIO DE YUSO. Rioja. SPAIN.

Shepherd boy; Norblin de la Gourdaine, Jean Pierre (1745-1830); 1777 (1777-00-00-1777-00-00);

David and Abisaï. David and Abisaï (1 Samuel 26: 7). Pinne of stained glass in grisaille and silver yellow, arc shaped. The scene is closed to the curved top by an edge of gothic acanthus work, representing from the edge of the show. The window belongs to a series of dedicated to Old Testament Scenes from David's life.

VIDRIO DE LA GRANJA:HERCULES Y DEYANIRA-PLACA GRABADA EN 1788 EN S ILDEFONSO. Location: MUSEE D'ARTS DECORATIFS. MADRID. SPAIN. HERCULES. DEYANIRA. NESO (CENTAURO). NESSO.

Crosse et email du XIIe. siècle.. Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

Christ Saying Farewell to His Mother (one of seven) mid-16th century Workshop of Jean II Pénicaud French All but the Christ Saying Farewell to His Mother and the Betrayal are free adaptations of woodcuts in the series "The Fall and Redemption of Man" by Albrecht Altdorfer (1480-1538). The former was based on a woodcut by Albrecht Dürer (1471-1528).. Christ Saying Farewell to His Mother (one of seven) 210777

Beautifully carved wooden door at Pura Taman Saraswati known as the Ubud water palace, Indonesia, Bali, Ubud

Carving. Group of Game, T.H. Kendall.. London Stereoscopic Company (active 1854 - 1890)

Madrid, M.A.N. 52108. Arte Edad Media. Tríptico gótico con reversos de pinturas del estilo gótico internacional o aragonesco. Interior de diente de hipopótamo. Taller florentino en los Embriachi. Zaragoza. Primera mitad s.XV.

Diptych with Scenes from the Life of Chirst; late 1300s Ivory Unknown artist; French or Meuse River Valley (modern Belgione)

LARARIO. Location: MUSEO CASTELLAMARE. NEAPEL. ITALIA.

EXTERIOR-RELIEVE EN LA MADERA DE LA PUERTA PRINCIPAL. Location: CATEDRAL DE SAN SALVADOR-INTERIOR. Oviedo. ASTURIAS. SPAIN.

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra23. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury unknown

Cruz Procesional, 1430, Nº 667. Museu de Lleida Diocesà i Comarcal.

Central Panel or Book Cover. Culture: Tibet. Dimensions: 11 x 29 1/8 in. (27.9 x 74 cm). Date: 15th-16th century. Museum: Metropolitan Museum of Art, New York, USA.

British, Rococo frame, Unknown framemaker, 2nd quarter of 18th century, Carved wood, later oil gilding over original gilding; gesso re-cutting; sanded ground at corners

Emrik & Binger, Reliquary. (14th century), Reliquary, 14th century, seated bishop., print, picture, historical object representation, book illustration, prints, Frederik Muller Historieplaten, height 375 mm, width 292 mm, print maker, printmaker, 1857 - 1864, third quarter 19th century, paper, papier, chromolithografie, printer, drukker

Set of Fire Linings, c. 1770-1780. France, style of Louis XVI, 18th Century. Cast iron; average: 93.4 x 134.6 x 44.5 cm (36 3/4 x 53 x 17 1/2 in.); panel: 77.8 x 21.3 x 2.3 cm (30 5/8 x 8 3/8 x 7/8 in.).

Scenes from the early Renaissance " Gates of Paradise" door of the Baptistry of Florence (Battistero di San Giovanni) made by Ghiberti in 1425, made in bronze and guilded in gold. The Bapistry of the Duomo, Florence Italy, Florence, Tuscany, Italy, Europe

GERMANY, BAVARIA, OBERAMMERGAU, WOOD CARVING

Spes (Hoop), anonymous, c. 1600 Elongated, leading, lead plaque with symbolic female figure with attribute representing spes (hope). For a landscape, a looking up woman runs to the left. She is wearing Valk on her right arm. There is an anchor at her feet. Netherlands lead (metal) casting Elongated, leading, lead plaque with symbolic female figure with attribute representing spes (hope). For a landscape, a looking up woman runs to the left. She is wearing Valk on her right arm. There is an anchor at her feet. Netherlands lead (metal) casting

Fragment, Panel (France); wood

Cruz Procesional, 1430, Nº 667. Museu de Lleida Diocesà i Comarcal.

Pere Bernés, Cruz de los esmaltes, 1360, Museu-Tresor de la Catedral de Girona / Museo Tesoro de la Catedral de Gerona.

. Corine from oak. A woman sculpted on a consoliduous front piece, supporting a column with a stack of books on her feet and a branch in her left hand, possibly the wisdom (sapientia). She is dressed in a classic robe. A cartouche hangs against the bottom, while the top is closed with a drapery, an acanthus rosette and a women's mask against a cartouche. Coming from the demolished house Hasselaarssteeg 3 in Amsterdam.

Ornate gold baroque door

Close-up of sculptures carved on the door of a baptistery, Baptistery of Saint John, Florence, Italy

Stove Tile Depicting Alexander the Great, Stove Tile Depicting Nimrod; Georg Leupold, German, active 17th century; Nuremberg, Germany, Europe; mid-17th century; Lead-glazed earthenware; Various, see extensions

Campania Salerno Cava dei Tirreni Museo4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Panel, Framed; plaster, carved

Abruzzo L'Aquila Celano Museum9. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Four medallion portraits in list. Four ports to the left, caught in one list of egg alea, embossed on punched soil and an edge of full-shaped tendrils and cartouch-shaped ends above and below. 5. Willem I, Prince of Orange (1533-1584). Engraved in the back "Saevis Tranquillus in Undis'6. Maurits, Prince of Orange (1567-1625). Engraved in the back "Your Maintiendray Nieuwpoort 2 July 16007. Frederik Hendrik, Prince of Orange (1584-1647). Engraved in the back "and Hendrick loves the heir course of August. And closes the gate of the horrible owy .8. Willem III, Prince of Orange (1650-1701). Engraved in the back "Now you see your rights and your laws, O British unhallowed orange are on board!"

Upper bedroom, ceiling stucco: good falconer

Ikona: Matka Boska Nieopalimaja Kupina (Krzew, który nie spłonął). nieznany warsztat staroobrzędowców

Retablo de San Bernabe, autor desconocido, siglos XIV-XV, pintura sobre tabla, Museo Diocesano de Salamanca, Catedral Vieja, Salamanca, comunidad autónoma de Castilla y León, Spain.

"L'Abondance", Sculpture by Eugène Guillaume, Decoration of the Louvre, Paris. Édouard Baldus (French, born Germany, 1813 - 1889)

RELIEVE CON EL MARTIRIO DE SAN SEBASTIAN - SIGLO XVII - BARROCO CATALAN. Location: PALACIO EPISCOPAL / MUSEO DE ARTE. GERONA. SPAIN.

Plakette, young man with Engelbewaarder, Adam Lenckhardt, After 1610 - Before 1661 On the right on a protruding ground for a slightly tilted tree, with spread legs, the angel stands next to the young man next to the hole, who is threatened behind him from a hollow crawling monster. The angel puts his right arm protective around the shoulders of the young man, while he points to the heaven with the index finger. The timid boy also points to the monster with the left index finger in front of him And keeps his right arm some off the body. The young man is wearing a shirt that is held together around the means; The angel a shirt suspended around the medicine with sealed sleeves and classically formed footwear that releases the toes. A city in the offing. ivory On the right on a protruding ground for a slightly tilted tree, with spread legs, the angel stands next to the young man next to the hole, who is threatened behind him from a hollow crawling monster. The angel puts his right arm pr

Ex Libris van E.W. Moes, 1893 - 1902 zinc printing block

Ink Tablet late 19th-early 20th century China. Ink Tablet 41788

Verrière project representing Saint Joseph Jean Gaspard Jules Or Johann Caspar Julius Gsell (1814-1904). Verrière Project Representing Saint Joseph. Pencil, Watercolor Lavis.

Roof Boss, 1400s. Northern Spain, 15th century. Limestone with traces of polychromy; overall: 76.2 x 76.2 cm (30 x 30 in.). In medieval architecture, a "boss" refers to an ornamentally carved, often painted and gilded, keystone. It was placed at the intersection of ribs in a vaulted roof in order to lock its members into position. Noteworthy examples are found in many of Europe's monastic cloisters and cathedrals. This example and the other shown nearby are reportedly from the vaulted ceiling of a monastery in Northern Spain. Their principal decorative motif consists of a spray of acanthus leaves.

Victor Hugo (1802-1885), French writer. Chinese lounge, decor from Juliette Drouet's house in Guernsey. South wall, fireplace. Polychrome engraved wood. 1857-1864. Paris, house of Victor Hugo. 77436-5 Art craftsmanship, arts decoratives, serious wood, Chinese cabinet, chinoiserie, flower, oriental influence, floral motif, orientalism, wood panel, Chinese living room, 19th XIX 19th 19th 19th 19th century, engraving

AGUAMANIL CERAMICO. Location: MUSEO RUIZ DE LUNA. TALAVERA DE LA REINA. Toledo. SPAIN.

Lluís Masriera / Esmalte con Palas Atenea, 1925. Colección privada. Author: LLUÍS MASRIERA I ROSÉS.

Cathedral, Duomo, Santa Maria del Fiore with Brunelleschi dome, Florence, UNESCO World Heritage Site, Tuscany, Italy, Europe, Large dome of the cathedral against a blue sky, UNESCO World Heritage Site, Detail of an ornate relief with religious scenes showing a medieval society, Tuscany, Europe

Angel Door Plaque

Lisbon, Portugal. Antique Royal coaches used by the monarchy in Lisbon. (Editorial Use Only)

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