Artistic Etchings and Prints

A selection of etchings and prints depicting human figures in motion and abstract forms, characterized by experimentation with technique and style.

Cancan dancer with lifted leg, Louis Legrand, 1892 print print maker: Francepublisher: Paris paper drypoint / etching female dancer

Three couples in the forest, James Ensor, 1888 print paper etching forest, wood. couple of lovers

The Explorer Made 1898 France. Drypoint from a zinc plate in black on cream laid Japanese paper . Henri de Toulouse-Lautrec

Hand. Jasper Johns (American, born 1930); printed by Zigmunds Priede (Latvian, born 1935); published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 340 x 245 mm (max, image); 576 x 450 mm (sheet). Lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Black Douglas Stone. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1970-1971. Dimensions: 510 x 410 mm (image); 1,016 x 712 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Cancan dancer with lifted leg, Louis Legrand, 1892 print print maker: Francepublisher: Paris paper drypoint / etching female dancer

Böhmer Franz (1907-1943), apartment Brigade guide Dr. Schaub (without date): armchair: views, cut. Pencil on transparent, 46.1 x 71.7 cm (including scan edges) Böhmer & Petrich : Wohnung Brigadeführer Dr. Schaub

Edward Alfred Goodall, 1819-1908, British, St. Anne's Hill, No. I, 1834. Line engraving, engraver's proof.

Southwest Blues. Helen Frankenthaler (American, 1928-2011); printed by Zigmunds Priede and Frederick Genis; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 325 x 327 mm (image); 803 x 575 mm (sheet). Color lithograph from two stones, with graphite on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Three sketches of a kneeling female figure, Louis Moritz, 1783 - 1850 drawing paper. pencil

To Do and Undo, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1960. Dimensions: 480 × 315 mm (image); 645 × 450 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Untitled. Jan Groth; Norwegian, born 1938. Date: 1972. Dimensions: 624 x 880 mm. Brush and black crayon with black ink on white wove paper. Origin: Norway. Museum: The Chicago Art Institute, Chicago, USA.

Naked woman in the sunlight, Ellinnot, 1900 - 1936 print France paper drypoint / etching standing figure - AA - female human figure. woman (showing herself) undressed, quasi-nude

Servitude and military magnitude. Grandfather telling his memories to his grandson. Alfred de Vigny (1797-1963), French writers, Louis Dunki, illustrator and Clément Bellenger (1851-1898), wood burner. Servitude and military magnitude. "Grandfather telling his memories to his grandson". Woodcut. 1897-1898. Paris, museum of romantic life.

Bathtub Lining, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 315 × 422 mm (image); 636 × 451 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Untitled, 1205 Oak Street, San Francisco. Bruce Conner; American, 1933-2008. Date: 1961. Dimensions: 663 x 509 mm. Graphite on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

'A series of 13 postcards: "Hitler as an Artist". Yo-yo'. Russia, Moscow, 1993. Dimensions: 15x10 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

Pierre Bonnard, Some Aspects of Life in Paris, 10: At the Theater (Quelques aspects de la vie parisienne: Au thétre), c. 1898, lithograph in pink, yellow, blue, red on wove paper.

Study of awoman. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The Great Battle 1878-1888 France. Drypoint on ivory Japanese paper . Rodolphe Bresdin

F. R. Leyland , Business people, Ships. James McNeill Whistler (1834-1903). Lithographs

Quast Ferdinand von (1807-1877), cross on the eastern corner of a residential building in Halberstadt (1860): Sketch of Quast, Right Detailed Arms raised on the right. Pencil on paper, 30.4 x 19.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Kreuz an der östlichen Ecke eines Wohnhauses, Halberstadt

The Sunny Smithy 1895 James McNeill Whistler American. The Sunny Smithy 372854

2, from 0-9. Jasper Johns (American, born 1930); published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 400 x 310 mm (image); 515 x 395 mm (sheet). Lithograph from two stones in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Men's head with hat. Leaf 23 Verso from sketchbook VII with 26 sheets.

Landscape from Chełmsko (Schömberg) V. Kubicki, Stanisław (1889-1942), graphic artist

. The woman supervises her singing with the lute game. With her, her are two daughters listening.

Canto I, from 18 Cantos. Barnett Newman (American, 1905-1970); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1964. Dimensions: 634 x 512 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Edelfelt, Albert, work, Sketch book, drawing, 9.5 cm x 17.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Double Apple Palette with Gingham. Jim Dine (American, born 1935); printed by Ben Berns (American, born Netherlands, 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 765 x 565 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

In Black with Yellow Ochre. Robert Motherwell (American, 1915-1991); printed by Zigmunds Priede (American, born Latvia, 1935); published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 460 x 355 mm (image); 760 x 540 mm (sheet). Lithograph in black and yellow ochre on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Bull gustav (1807-1880), vegetable ornaments (without dat.): View. Pencil watercolor on the box, 53.1 x 21.5 cm (including scan edges) Stier Gustav (1807-1880): Grabmal für Schinkel, Berlin

Untitled Etching 1. Barnett Newman (American, born 1905-1970); printed by Donn Steward; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 373 x 602 mm (image/plate); 487 x 750 mm (sheet). Etching with plate tone on white paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Portrait Sketches. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1870-1873. Prints; etchings. Etching and drypoint, with drypoint cancellation

Servitude and military magnitude. Retirement. Alfred de Vigny (1797-1963), French writers, Louis Dunki, illustrator and Clément Bellenger (1851-1898), wood burner. Servitude and military magnitude. "Retirement". Woodcut. 1897-1898. Paris, museum of romantic life.

A pencil sketch by Carl Schuch from around 1868, featuring an indistinct composition, characteristic of his early exploratory works.

Edelfelt, Albert, work, Sketch book, drawing, 12 cm x 18.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Orange Hoop. Helen Frankenthaler (American, 1928-2011); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 470 x 360 mm (image); 640 x 560 mm (sheet). Lithograph from one stone, with graphite notations on folded white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Bril Tussen rain clouds, Pieter Holstein, c. 1967 print Glasses between rain clouds, a naked woman on the right and a pink boxer shorts. paper etching / brush

Study of hands for A Pavane” (oil painting). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Servitude and military magnitude. Cavalier in the rain. Alfred de Vigny (1797-1963), écrivines Français, Paris Dunki. Illétrera bontenger (1851-1898), Graveur sur Bourg. Served et large militai. "Cavalier Sous Bar." Mastrats sur Bois. 1897-1898. Paris, Musée de la Viege.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study of bust of awoman, Pen and ink, Wove, 26.4 × 21 cm (10 3/8 × 8 1/4in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Hanno's Death. Horst Janssen, (German, 1929-1995); printed by Kupferdruckerei Schneider & Co., Berlin; published by Pantheon Presse, Agno, Switzerland. Date: 1973. Dimensions: 220 x 146 mm (image); 223 x 149 mm (plate); 412 x 308 mm (sheet). Etching on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Gamble. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 545 x 352 mm (image); 660 x 508 mm (sheet). Lithograph in dark green on smooth ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Gastone Primon, Abstraction, 1952, ink and wash on paper.

15 Years Magnified Through a Drop of Water. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1972-1973. Dimensions: 441 x 360 mm (image); 755 x 530 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

A 1973 etching by Wander Bertoni depicting a pregnant figure, emphasizing form and gesture in a contemporary style.

Human Miseries, from the Volpini Suite 1889 France. Zincograph in reddish-brown on chrome yellow wove paper . Paul Gauguin

Dagobert Peche's circa 1922 woodcut 'Tablet' on Japanese paper depicts a decorative tablet, emphasizing design, line, and composition.

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum6. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

This 1898 color print on gray construction paper by Emil Orlik depicts a mussel seller presenting seafood at a market.

Interlinear K 50. Josef Albers (American, 1888-1976, born Germany); printed by Irwin Hollander (American, born Netherlands 1927); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1962. Dimensions: 476 x 610 mm (image); 559 x 762 mm (sheet). Lithograph in brown-black from zinc, offset onto stone, on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Sea at Bognor. Theodore Roussel; French, worked in England, 1847-1926. Date: 1895. Dimensions: 46 × 140 mm (image); 100 × 150 mm (sheet; plate mark only partially visible). Monotype in two tones of greenish-blue ink on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Unit (Buffalo). Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 276 x 255 mm (image); 357 x 505 mm (stone). Photolithograph in black from one stone on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Mitrasacme ambigua R. Brown prints, copper engravings, line engravings

Canto IV, from 18 Cantos. Barnett Newman (American, 1905-1970); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1964. Dimensions: 508 x 350 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Landscape Study (from Sketchbook) ca. 1860 John Quincy Adams Ward American Ward, a student of Henry Kirke Brown, became known as the "Dean of American Sculpture." This page is from a sketchbook, which provides an intimate look at the artists working methods. Wards sketches include several classically influenced figures mingled with American Indians on horseback as well as a number of bison.. Landscape Study (from Sketchbook) 16692

A Throw of the Dice #4. Robert Motherwell (American, 1915-1991); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1962-1963. Dimensions: 500 x 365 mm (image); 612 x 458 mm (sheet). Lithograph in black from one stone on newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lacan, E., Ville de Paris, Bilordeaux, Adolphe, Fragment de bois du Cervus belgrandi, Bone of a deer, recto - printed, photomechanical print, page, photographs, photographically illustrated books, PL. 19, 1, 2 nature, Procedé special photo-litho. A. Bilordeaux, AB, height 241 mm, width 190 mm, photographer, 1864 - 1869, paper, photolithography, French, 1807 - 1870, cliché maker, printer, supervision

Servitude and military magnitude. The letter Alfred de Vigny (1797-1963), écrivines Français, Paris Dunki. Illétrera bontenger (1851-1898), Graveur sur Bourg. Served et large militai. "The letter". Mastrats sur Bois. 1897-1898. Paris, Musée de la Viege.

Horse Blinders. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1968. Dimensions: 205 x 712 mm (image); 714 x 1,015 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

ARGANDA - 1961 - O/L - 130X97 CM. Author: FERNANDO ZOBEL (1924-84). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Urban. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1962. Dimensions: 765 mm x 580 (image); 1050 x 750 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Goose - 1889; Berthe Morisot; French; 1841-1895 (Drypoint on cream laid paper).

Study (for the 'Story of Two Quadrats) by Lissitzky, El (1890-1941)/ Private Collection/ c. 1920/ Russia/ Collage and water colours on paper/ Suprematism/ 23,2x17,3/ Abstract Art,Poster and Graphic design

Usuyuki (Vertical). Jasper Johns (American, born 1930); printed by Bill Goldston, James V. Smith and Thomas Cox; published by Universal Limited Art Editions (American, founded 1955). Date: 1980. Dimensions: 453 x 365 mm (image); 750 x 528 mm (sheet). Lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Oak relief, depicted the apotheosis of Jan Sobieski during the siege of Vienna in 1683, Gabriel Blaise, c. 1868 - in Or Before 1873 photomechanical print paper piece of sculpture, reproduction of a piece of sculpture. battle

Antoni Tapies / 'Llambrec-1', 1975, Lithography, 76 x 56 cm. Museum: COLECCION PRIVADA.

LeRepos. Artist: Auguste Rodin, French, 1840-1917

Loose fragments of prints, anonymous, in or before 1596 print Two fragments. Netherlands paper engraving

Sowa, vignette for the weekly "Sphinx"; Bigos Skki, Leon (1871-1928); around 1911 (1907-00-00-1916-00-00);Sphinx (Warsaw-1908-1917)-Illustration, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Witke-Jeżewski, Dominik (1862-1944)-stamp, Poland (Polish ( Culture), Polish drawings, owls (zool.), vignettes (decorations), collection signs

Gauloises Bleues (Raw Umber Edge). Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 292 x 162 mm (plate); 572 x 390 mm (sheet). Color aquatint and etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Rygraf Mosiakie from the collections of Zygmunt Gloger in Jewa, according to Il. Z: Zygmunt Gloger, "Old Polish Encyclopedia Illustrated" (vol. 1-4, Warsaw 1900-1903), vol. 4, p. 190; Sztolcman, W Adys Aw Roman (1873-1950); 1916 (not after 9.05.1916) (1916-00-00-1916-00-00);

Loose fragments of a print of Pyramus and Thisbe, Anonymous, 1580 - 1596 print Northern Netherlands paper engraving Thisbe kills herself with Pyramus' sword (the scene may be represented near a fountain)

The Master Smith. James McNeill Whistler; American, 1834-1903. Date: 1895. Dimensions: 106 x 72 mm (image); 282 x 227 mm (sheet). Transfer lithograph in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Ten Days. Brice Marden; American, born 1938. Date: 1971. Dimensions: 305 x 385 mm (image); 567 x 760 mm (sheet). Etching and aquatint in black and silver on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Steamboat Fleet. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1875. Prints; etchings. Etching and drypoint, with drypoint cancellation

Southwest Blues. Helen Frankenthaler (American, 1928-2011); printed by Zigmunds Priede and Frederick Genis; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 325 x 325 mm (image); 800 x 574 mm (sheet). Color lithograph from two stones on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Victor Hugo (1802-1885). "Fortress". Brown feather and ink on woven paper. Paris, house of Victor Hugo. 54228-2 Drawing, brown ink, fortress, vellum paper, ruins ruins, 19th XIXth 19th 19th 19th 19th century, pen

Study on a girls head, Gustav Klimt -, artist

Lying feminine nude. Leaf 23 Verso from sketchbook IX with 28 sheets.

Fan, c. 1890. Henri Charles Guérard (French, 1846-1897). Black ink, watercolor, and tinted metal leaf on patterned fabric ; overall: 19 x 60.3 cm (7 1/2 x 23 3/4 in.).

Blue pen draft by Anton Hanak for a Gustav Mahler monument with remarks, produced in a sketchbook from 1925 to 1933.

Double Apple Palette with Gingham. Jim Dine (American, born 1935); printed by Ben Berns (American, born Netherlands, 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1964-1965. Dimensions: 577 x 450 mm. Lithograph with ink tapouts and notations on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Obscure Communication, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 425 × 327 mm (image); 637 × 450 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Loose fragments of prints. Fragments of various prints.

Venice. Helen Frankenthaler (American, 1928-2011); printed by Bill Goldston and Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 434 x 353 mm (image); 785 x 578 mm (sheet). Color lithograph from two stones on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Reading spiritual, 1868 - 1925 print paper drypoint reading

Bull Gustav (1807-1880), ornaments for porcelain paintings on vases (1836): Ornamantdetails. Pencil on transparent, 31 x 22.9 cm (including scan edges) Stier Gustav (1807-1880): Ornamente für Porzellanmalereien auf Vasen

Gauloises Bleues (Raw Umber Edge). Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 292 x 162 mm (plate); 580 x 390 mm (sheet). Aquatint in red on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Frederick Bacon, 1803-1887, British, The Temptation on the Pinnancle, 1835. Line engraving, engraver's proof.

Edelfelt, Albert, work, Sketch book, drawing, 31.5 cm x 25 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Texturology, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 465 × 283 mm (image); 654 × 505 mm (sheet). Color lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Enter Emma. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1966-1969. Dimensions: 300 x 450 mm (plate); 570 x 760 mm (sheet). Etching, aquatint, and open bite in dark brown and metallic silver on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Kruisspin in his web, Jan Mankes, 1916 print paper spiders

John D. Rockefeller. Alexander Calder; American, 1898-1976. Date: 1926-1930. Dimensions: 46.9 x 22.8 x 46.9 cm (18 1/2 x 9 x 18 1/2 in.). Wire and dime. Origin: United States. Museum: The Chicago Art Institute, USA.

Böhmer Franz (1907-1943), Atelier Graf Plettenberg in Berlin-Dahlem (1940-1940): umbrella view. Pencil on transparent, 26.9 x 26 cm (including scan edges) Böhmer Franz (1907-1943): Atelier Graf Plettenberg, Berlin-Dahlem

The Knight Did Not Die at the Crusade, plate five from Love 1898-1899 France. These 12 prints come from Love, a series of color lithographs that form a disjointed narrative about a woman who experiences love, although it is unclear if she is falling in love with a man, nature, or her faith. Each soft and dreamlike image is paired with a caption of fragmented poetry that serves as its title, but these phrases do not directly describe their corresponding images. Maurice Denis, who was also a writer, crafted these puzzling yet evocative captions to add layers of meaning through the interplay of text and image.. Lithograph in peach, pale green, and yellow on light ivory wove paper . Maurice Denis

The enjoyment of a boot, Pieter Holstein, c. 1965 - c. 1968 print Veterlaars, Firend Sigaret A Neonroze Sok. paper. watercolor (paint) etching / brush

Haeberlin Joh. Heinrich (1799-1867), coupled lock (without date): Details. Tusche watercolor on the box, 55.9 x 68.2 cm (including scan edges) Haeberlin Joh. Heinrich (1799-1867): Gekuppelte Schleuse

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