Artistic Figure Studies

Sketches and drawings focusing on human figures, drapery, and anatomical studies, emphasizing form and movement across various mediums.

Netherlands, Weissenbruch, Isaac, Human bone with an abnormality, print, prints, height 59 mm, width 81 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Bukkende vrouw.Boxing woman. Leaf 10 Verso from a sketchbook with 40 sheets manufactured in Woerden and Gouda.

Drapery, 1710 - 1772 Page 59 Recto from a sketchbook with 105 sheets. paper. chalk Drapery, Draped Garment, 'Course'

Netherlands, Weissenbruch, Isaac, Human bone with an abnormality, print, prints, height 59 mm, width 81 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Studie van een arm en een hand in een damesportret. Schetsbladen met figuurstudies (series title). Draughtsman: anonymous. Dating: 1610 - 1630. Place: Verona. Measurements: h 286 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

GIPS model of a hand, Alexander Cranendoncq, c. 1800 - c. 1900 drawing paper. chalk hand. piece of sculpture, reproduction of a piece of sculpture (+ reproduction ~ work of art)

Glass bottle, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Partially filled glass bottle with stopper. Above, unfinished sketch of a young figure., USA, 1879, glasswares, Drawing, Drawing

Feather ink drawing by Anton Romako depicting a right human foot, emphasizing anatomical detail.

Woman with a headscarf and a shawl.woman with a headscarf and a shawl, seen on the back. Leaf 43 from a sketchbook with 46 sheets.

A chalk drawing by Wolfgang Huber from circa 1523 depicting a sash with fringes, rendered in black and white chalk on red-brown primed paper with diagonally cut corners.

Draper Study; Thoma, Hans (1839-1924); 1900-1924 (1900-00-00-1924-00-00);

Two folded hands.

Josi, Christiaan, Bray, Jan de, Amsterdam, Ploos van Amstel, Cornelis, Reading woman, verso cardboard and verso print - stamped, only the red plate with register holes., print, prints, height 207 mm, width 185 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1736 - 1738, paper, papier, prenttekening, etching, etchings, crayonmanier, roulette, 1627 - 1697-04-04, intermediary draughtsman, after a drawing by, Dutch, 1768 - 1828-11, supervision

Portrait of an unknown woman. Leaf 2 Verso from sketchbook XII with 19 sheets.

Study for 'Wedding Procession', Elihu Vedder, American, 1836 - 1923, Pastel crayon on paper, Study of a draped sleeve covering the right arm., USA, 1872-1875, figures, Drawing, Drawing

Study of a Decorative Ornament. Dated: 1879/1882. Dimensions: overall: 23.7 x 15.2 cm (9 5/16 x 6 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: PAUL CEZANNE.

Drawing by Rudolf Bacher showing a scene representing yellow fever, executed in pencil, emphasizing human figures, illness, and posture, illustrating 19th century observation and study.

Sketch of a model's legs. Graphite on paper. Date: ca. 1894. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drapery, c. 1751 Page 119 from a sketchbook with 158 pages. paper. chalk Drapery, Draped Garment, 'Course'

Filippo Porreca, Bootjack, c 1936 Bootjack

Drawing, Study of Sleeve for "Sacred Lesson"; Daniel Huntington (American, 1816-1906); USA; graphite, white chalk on brown paper; 22.6 x 28.1 cm (8 7/8 x 11 1/16 in.); Bequest of Erskine Hewitt; 1942-50-59

Francisco Bayeu / 'Minerva'. 1764. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Peasants Going to Work. Jean François Millet; French, 1814-1875. Date: 1863. Dimensions: 121 × 55 mm (image); 143 × 107 mm (sheet). Etching from a portion of the plate on ivory laid chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean Francois Millet.

Study of a Draped Figure ca. 1736-39 Jean François de Troy French Among de Troy's most admired works are his designs for a series of tapestries illustrating the story of Esther, which were commissioned by the Gobelins manufactory in 1736. The designs were prepared through a process that included oil sketches, figure studies, and large-scale paintings. This sheet is a study for a kneeling figure in the foreground of Mordecai Refusing To Bow to Haman.. Study of a Draped Figure 359616

. Three studies among each other. Above a foot in a sandal, in the middle a right hand and under a few feet.

Hand study Pascal Adolphe Jean Dagnan-Bouveret (1852-1929). Hand study. Graphite pencil on layer paper.

Print made by Oliverio Gatti, 1568-1651, Italian, Studies for the Instruction of Painters, two suites. Rome, c. 1630, undated. Line engraving on medium, slightly textured, cream laid paper.

Drawing, Drapery Study; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on tracing paper; 17.2 × 16.9 cm (6 3/4 × 6 5/8 in.); 1914-38-163

Guard figure study by Alexander Rothaug on brown paper using pencil, coal pencil, chalk, and white highlights, showing posture and uniform.

Portrait heads of a sleeping Alphons Grandmont.Leaf 15 verso from a sketchbook with 31 sheets.

Verona Sketchbook: Ram's head (page12), 1760. Francesco Lorenzi (Italian, 1723-1787). Black chalk with white heightening ; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.).

Dinet, Alphonse-Etienne (n.1861-03-28-D.1929-12-24), Hand study (main title). Graphite pencil and high ink ink and white gouache enhancement on laid paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Cushion of an Armchair. Dated: 1886/1889. Dimensions: overall: 15.2 x 23.7 cm (6 x 9 5/16 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: PAUL CEZANNE.

Detailed Sketch of the Stone Relief of a Flower, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 9/16 × 13 3/4 inches (26.8 × 34.9 cm)

Sketchbook Peter Frederick Rothermel (American, 1817-1895). Sketchbook, 1857. Graphite with ink and watercolor on cream, medium-weight, slightly textured wove paper, 5 11/16 x 8 5/8 x 3/8 in. (14.4 x 21.9 x 1 cm). This forty-two-page sketchbook contains drawings by the history painter Peter Frederick Rothermel of scenes in Genazzano, Italy, forty miles east of Rome. He documented the local architecture, sculpture, landscape, and people, while also including sketches for narrative subjects. The costumes and daily life of the townfolk are captured in several skillful figure studies, including this image of a man leaning against a stone wall. American Art 1857

Studies of a hand. Draughtsman: Willem Bastiaan Tholen. Dating: 1870 - 1931. Measurements: h 325 mm × w 255 mm. Museum: Rijksmuseum, Amsterdam.

The kiss. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 196 mm × w 135 mm. Museum: Rijksmuseum, Amsterdam.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), collection of various documents used for portraiture art. Head of old soldier looking in the air. Twenty-sixth issue of a suite of 38 pieces. (A. de Vesme 351; dutuit 130) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

A study of God's robe, a detail from the Heller-Altar, on green primed paper with black and gray brushwork and white highlights, by Albrecht Dürer, 1508.

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John Singer Sargent, Study of Adam for the Fifteen Mysteries of the Rosary, 1903 1916 Study of Adam for the Fifteen Mysteries of the Rosary

pointing left hand and wrist, Elihu Vedder, American, 1836 - 1923, black crayon, white chalk on blue-gray paper, pointing left hand and wrist, USA, ca. 1890, Drawing, Drawing

Il Tombe dans l'abîme, la tête en bas. Odilon Redon (France, Bordeaux, 1840-1916). France, 1896. Prints; lithographs. Lithograph

Drawing, Study of Right Foot; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on tracing paper; 16.3 × 10.2 cm (6 7/16 × 4 in.); 1914-38-110

Washed up bones; A few bones by breaking the Dyk by Loenen, raised by the water. Bones that were washed up to a dyke breach at Loenen during the flood of 1809 flooding large parts of Central Netherlands.

Félix Bracquemond, Head of a Cock Head of a Cock

Etching by Pierre Mignard from 1630-1695 showing studies of human figures, illustrating poses, anatomy, and gestures in Baroque printmaking.

Dead bird, hung on the legs, Marie Danse, 1877 - 1909 print There is a fly with the bird. paper etching birds. insects: fly

Lying figure ..

Drapery, two studies for The Mirror of Venus 1868-1883 England. Graphite on ivory wove paper . Sir Edward Burne-Jones

Mull of fur, a handkerchief and a mask ..

François Bouchers etching from 1717-1726 depicts a standing woman wearing a cloak, shown from the back, emphasizing figure composition and detailed engraving.

Diane et la femme au corset noir. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints. Aquatint

Gluteal and femoral muscles of the leg: side view, with a small pencil sketch of a leg. Pen and ink, with pink and brown watercolour washes, by C. Landseer, ca. 1815.

Ten noses from different perspectives, Roubillac, After Pierre Thomas Le Clerc, 1784 - 1796 print Paris paper etching drawing, sketch. parts of the face: nose

Robert Pohle, Eagle Billethead, 1935 1942 Eagle: Billethead

Skull, jaw-bones and paws of a gopher and a beaver: fourteen figures. Etching, 1840/1870

Anatomical study of the abdominal cavity of a woman, Pieter van Gunst, after Gerard de Lairesse, 1685 print Anatomical study of the abdominal cavity of a woman. T. 52 at the top right. Amsterdam paper engraving abdomen, belly (human being) - AA - female human figure

Console, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Supporting cornices. Turned toward the right. Spirals are at both ends. The front is covered with bosses and, above, with leaves. Usual background., Rome, Italy, 1775-1790, architecture, Drawing, Drawing

A pencil and white highlight study by Josef Danhauser from 1840 of Franz Liszt's hands at the piano, showing gesture and musical posture.

A chalk drawing by Hans Tichy depicting a woman wearing a floral dress appearing to float.

Hippopotamus amphibius capensis (Hippopotamus), draughtsman: Robert Jacob Gordon, Nov-1777 - Jan-1778, paper, brush, brush, pen, h 660 mm × w 480 mm, h 265 mm × w 401 mm, h 222 mm × w 367 mm

Arm. Date: December 1884-May 1885, Nuenen. Dimensions: 20.8 cm x 34.4 cm. Museum: Van Gogh Museum, Amsterdam.

Zes Voeten, Francesco Bartolozzi, After Giovanni Battista Cipriani, 1796 print Italy paper etching foot

Verdriet, Samuel Jessurun de Mesquita, 1914 print A naked woman is leaning against a wall with her arm in front of her face. paper woman (showing herself) undressed, quasi-nude

Michel Paul jun. (1922-1943), left hand, wristwatch holding (approx. 1937): Motif as Inv.No. 42432: View left hand the draftsman P. Michel, holding a wristwatch between the thumb and index finger. Pencil on paper, 41.2 x 28.5 cm (including scan edges) Michel Paul jun. (1922-1943): Linke Hand, Armbanduhr haltend

Drawing, Study: A left hand; Italy; black and red crayon on paper

Mythological or Biblical scene. Artist: anonymous (possibly). Draughtsman: Moses ter Borch (mentioned on object). Dating: c. 31-Dec-1657. Place: Zwolle. Measurements: h 88 mm × w 114 mm. Museum: Rijksmuseum, Amsterdam.

'Study of a Man's Hand with its Palm Dawn'. France, Circa 1760. Dimensions: 30,5x44 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-BAPTISTE GREUZE.

Study for The Rock. Peter Blume; American, born Russia, 1906-1992. Date: 1943. Dimensions: 162 x 216 mm. Graphite on cream wove paper (discolored to tan), tipped on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Deraisme, Pierre -Georges (n.1859 - D.1932), snake bar (main title), 1903. Graphite. Ink on block sheet. Petit Palais, Museum of Fine Arts of the City of Paris.

Study: A left hand, Black and red crayon on paper, Vertical composition of a left hand raised with spread fingers, seen from the inside. Written below at right: 'G.M. Viani.', Italy, 1650-1700, figures, Drawing, Drawing

The Redfish. Georges Braque; French, 1882-1963. Date: 1941. Dimensions: 245 × 397 mm. Graphite on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Study for Festival 1870-1880 England. Brown and red chalks on buff wove paper, hinged to cream wove paper . Sir John Edward Poynter

Six hands; Cipriaan's principles of drawing; Cipriaan Rudiments or Drawing. .

Sheet of Six Antique Coins , 1825. Eugène Delacroix (French, 1798-1863), Published by the artist (September 15, 1865 issue). Lithograph with tint stone; sheet: 27.3 x 36 cm (10 3/4 x 14 3/16 in.); image: 19.2 x 25.3 cm (7 9/16 x 9 15/16 in.).

Edelfelt, Albert, work, Sketch book, drawing, 9 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Twice the tail of a fish, with color notes. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 289 mm × w 237 mm. Museum: Rijksmuseum, Amsterdam.

Anatomical Study and Sketch of Kneeling Figure 1475-1564 Italy. Pen and brown ink on ivory laid paper . Follower of Michelangelo Buonarroti

Study of a Coat and Breeches. Drawing. Graphite and watercolor on medium, slightly textured, cream laid paper. Height: 238 mm (9.37 in); Width: 152 mm (5.98 in). Author: James Ward.

Hands Drypointing, Francis Seymour Haden, 1818-1910, British, 1877, Etching and drypoint on medium, moderately textured, cream laid paper, Sheet: 7 5/8 x 11 1/2 inches (19.4 x 29.2 cm), Plate: 5 1/2 x 8 3/8 inches (13.9 x 21.3 cm), and Image: 5 1/2 x 8 3/8 inches (13.9 x 21.3 cm), artist, burin, craftsmanship, drypoint, engraving, figure study, genre subject, graver, hands, holding, plate, sleeves, surface, working

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Bonnet. Dated: 1935/1942. Dimensions: overall: 30 x 23 cm (11 13/16 x 9 1/16 in.). Medium: graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Dorothy M. Gerhard.

Sketch leaf with two figures, anonymous, 1650 - 1670 drawing Bologna paper. chalk

Study of Right Foot, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Study of a right foot and ankle, from straight on. Toes pointing towards lower left corner., USA, ca. 1895, figures, Drawing, Drawing

Study for The Rock. Peter Blume; American, born Russia, 1906-1992. Date: 1942. Dimensions: 279 x 216 mm. Graphite on cream wove paper (discolored to tan), tipped on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Center, half-length male figure with arms raised, gesturing towards upper left corner. Additional studies of hands and arms, left and right. Date: ca. 1894. Graphite and chalk on paper, laid down on board. Museum: Cooper Hewitt, Smithsonian Design Museum.

Chaucer at the Court of Edward III, Two Hand Studies, 1847 Artist: Ford Madox Brown, Black Chalk On Paper, 19th Century, Sketch, Pre-Raphaelite

Cookie Cutter. Dated: c. 1941. Dimensions: overall: 32.1 x 35.5 cm (12 5/8 x 14 in.) Original IAD Object: 4 1/2" high; 11 3/8" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Adolph Opstad.

Wife

Drawing, Study of Right Foot; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on brown paper; 15.8 × 12.7 cm (6 1/4 × 5 in.); 1914-38-143

Study sheet with upper arm, shoulder and torso. Draughtsman: Jan Toorop. Dating: 1915. Measurements: h 165 mm × w 200 mm. Museum: Rijksmuseum, Amsterdam.

Sculpture of one of the daughters of Niobe; Sculptures from ancient times. The image misses the head, an arm and fingers. Caption in Latin. Print is part of an album.

Study of aTankard. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Horse attacked by a lion, Antoine Alexandre Joseph Cardon, After Guiliam van den Kieboom, 1772 - 1773 Sculpture of a horse attacked by a lion. Image made by François van Uffel and Guillaume van den Kieboom in the Raepstraat. Numbered in the top left of the plate: 4. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp Sculpture of a horse attacked by a lion. Image made by François van Uffel and Guillaume van den Kieboom in the Raepstraat. Numbered in the top left of the plate: 4. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp

'Chunks of Basalt at the Foot of the Promontory of Yachi (Aci)'. Series of Preparatory Drawings for the Engraved Edition "Picturesque Journey around the Islands of Sicily, Malta and Lipari" (Voyage pittoresque des isles de Sicilie, de Malte et de Lipari... Par Jean Houel, Peintre du Roi. Paris. 1782. V.1; 1784.V.II.1785.V.III.1787.V.IV. ). France, Late 1770s. Dimensions: 28x40 cm. Museum: State Hermitage, St. Petersburg. Author: Jean-Pierre-Laurent Houel.

Right Hand Holding Short Rod. Dated: 1847. Dimensions: sheet: 10.5 × 21.3 cm (4 1/8 × 8 3/8 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Horatio Greenough.

Arthur-Joseph Guéniot (1866-1951). Two anatomical studies. Flayed arm (front); Dissected man corpse (back). Black stone. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

No title rose, vignette for biography of Gestel by PORF. W. van der Pluym. Rose

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