Artistic Genre Scenes

Dramatic prints capturing intimate moments and social scenes, often showcasing the interplay of light and shadow in dark settings.

The interior of an inn with soldiers, two of which play trick games. In the background through the doorway the renunciation of Peter, soldiers and the renunciation of Peter, draughtsman: Matthys van den Bergh, 1682, paper, pen, h 198 mm × w 296 mm

The Visitor (La Visiteuse) (L'Intruse / The Intruder). Artist: Albert Bernard (French, Paris 1849-1934 Paris). Dimensions: Image: 14 1/8 × 18 1/8 in. (35.9 × 46 cm)Sheet: 16 1/8 × 22 5/8 in. (41 × 57.5 cm). Publisher: André Marty (French, born 1857). Series/Portfolio: L'Estampe originale, Album III. Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.

James McNeill Whistler, La Vieille aux Loques, 1858 La Vieille aux Loques

The slaughter of a pig, John de Groot (II), After Adriaen van Ostade, 1698 - 1776 print In a shed a man is a pig. Two figures watch. Three children with a pig bladder play in the background. Northern Netherlands paper engraving / brush butcher, slaughterman. shed

The Ringball Player, Rembrandt van Rijn, 1654 print Japanese paper etching golf

Gide et J. Baudry, Paris, Lemercier, Rijn, Rembrandt van, Bisson Frères, Photographic reproduction of an etching of the Entombment of Christ by Rembrandt van Rijn, photograph, photo, page, reproduction, photos, photographically illustrated books, height 209 mm, width 160 mm, French, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after a print by, printer, Publication (Event), Publication, publisher

A gunsmith sits on a chair in front of an anvil, working with a hammer on an object he holds in pliers. Next to the anvil are parts of a suit of armor. Behind him is a fireplace. On the right, his wife is seated with a child in her arms.', Armsmith at Work, print maker: Reinier Craeyvanger, Reinier Craeyvanger, Amsterdam, 1822 - 1880, China paper, etching, h 202 mm × w 166 mm

A woman talking to a priest in a covered archway; folio 59 from the Images of Spain Album 'F' ca. 1812-20 Goya (Francisco de Goya y Lucientes) Spanish. A woman talking to a priest in a covered archway; folio 59 from the Images of Spain Album 'F' 334035

The interior of an inn with soldiers, two of which play trick games. In the background through the doorway the renunciation of Peter, soldiers and the renunciation of Peter, draughtsman: Matthys van den Bergh, 1682, paper, pen, h 198 mm × w 296 mm

Father Feeding Child 1610-85 After Adriaen van Ostade Dutch. Father Feeding Child 396314

L'Eclipse 1869 Félix Bracquemond French. L'Eclipse 384742

The artwork depicts two men standing around a table with one man sitting, showing body posture, gestures, furniture, clothing, and interior details using chalk with white highlights.

Workman's kitchen. Workman's kitchen

Etser, Marinus van der Maarel, 1867 - 1913 print An etcher is bent over his work table. paper etching engraver, etcher

Ottoman man on a donkey, Marius Bauer, 1889 print A man in Eastern clothing driving on a donkey. paper etching ass, donkey Ottoman Empire

The GolfPlayer. Etcher: Unknown After: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Men at a staircase, Marius Bauer, 1890 print Sitting and standing men with tuler tires on and near a staircase. In the middle a standing man with beard and a child. In the foreground a dog. On the right two sitting women. paper etching sloping street; street with steps or stairs. sitting on the ground. head-gear: turban

Bridge of Alcantara, Toledo , Rivers, Bridges, Roads. Joseph Pennell (1857-1926). Prints and Drawings

Painter in his studio, Adriaen van Ostade, 1645 - 1649 print Painter at work in his studio, he sits behind his donkey by the window with a book on a ton next to him. Two assistants prepare paint at a table under a staircase. paper etching / drypoint painter at work, in his studio. painter preparing colours

Peasant interior scene (front) Narcisse Diaz de la Pena (1807-1876). Peasant interior scene (front). On the front, graphite graphite pencil, and on the back, ink of China and graphite pencil, on paper.

Woman leaning on a lower door, Anthonie Willem Hendrik Nolthenius de Man, 1803 - 1842 print A woman, seen on the back, leaning on a lower door. Nijmegen paper etching divided door, upper part opened. adolescent, young woman, maiden. leaning figure

The forge , Blacksmiths, Blacksmithing, Forge shops. James McNeill Whistler (1834-1903). Lithographs

James McNeill Whistler, La Vieille aux Loques, 1858 La Vieille aux Loques

Le voleur de poires (1st plate) , Robberies, Pear trees, Pears, Alphonse Legros (1837-1911)

Woman at a Window (from Sketchbook) 1810-20 Thomas Sully American Sully used his sketchbook as a site of inspiration and study, a place where he might jot down a few figures or work out a composition. The book contains drawings after works by David, possibly Michelangelo, Reynolds, Rembrandt, Van Dyck, and other European masters, for the most part taken from prints. Sully was not slavish in using his sources; he took incentive from other artists and obviously felt free to rearrange compositional elements. For example, this drawing of a woman standing at a window is a variation on Rembrandt's 1647 etching of Jan Six. Rembrandt's setting is preserved almost completely, but the Dutch statesman absorbed in reading a journal has been replaced with the neoclassical figure of a woman who, instead of reading the journal in her hands, stares pensively out the window.. Woman at a Window (from Sketchbook) 16023

Print, The Golf Player, 1654; Rembrandt Harmensz van Rijn (Dutch, 1606-1669); Netherlands; etching on paper; 9.6 × 14.3 cm (3 3/4 × 5 5/8 in.); Bequest of George Campbell Cooper; 1896-3-165

Interior with mirror and table with opened book, Barbara Elisabeth van Houten, 1877 - 1950 print A chandelier hangs above the table that is reflected in the mirror. paper. etching book - MM - book open. chandelier, candelabrum. mirror

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Ottoman Bazaar, Marius Bauer, 1889 print A covered bazaar with three figures, two of which are sitting and one standing. paper etching market-hall Ottoman Empire

Street fight between two half -naked men with knives, Adrien Aubry, 1872 print Brussels paper etching street-fights, riots

Rue d'hell, January 1871 Auguste Lan�on (1836-1885). Rue d'Enfer, January 1871. Etching.

James McNeill Whistler, The Forge, 1861 The Forge

Le savant endormi , Scientists, Sleeping, Alphonse Legros (1837-1911)

Jean-Baptiste Carpeaux (1827-1875). Study for a statue of pain. Black stone on green gray paper. Museum of Fine Arts of the City of Paris, Petit Palais. Black cape, study, man, pain, statue, 19th 19th 19th 19th 19th 19th century

Francisco de Goya y Lucientes / 'Habrazo Paternal. Album C, 10'. 1808 - 1814. Wash, Brush, Bistre, Grey-brown ink on laid paper. Museum: Museo del Prado, Madrid, España.

Unidentified illustration- Study of kitchen withfigure. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Ottoman merchants. Three men in oriental clothing in conversation.

An etching partially revised by Rembrandt van Rijn showing the Holy Family with a cat, including a grave strike, created in 1654.

James McNeill Whistler, The Blacksmith, 1895 1896 The Blacksmith

Tuba player in an attic room, Romain Looymans, 1890 print paper etching horn, trumpet, cornet, trombone, tuba. attic, loft

Print, Plate 2, from "Desseins de Queleques Conduites de Troupes, Canons, et Ataques de Villes"; Print Maker: Stefano della Bella (Italian, 1610-1664); Italy

Sketch for Sally in Our Alley,” from Old Songs. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Smoking farmer by fire, Anonymous, After David Teniers (II), 1626 - 1740 print A farmer smokes his pipe by the fire. On the right, a man urinates in the corner. Netherlands paper etching pipe ~ tobacco. open hearth, fire-place. urination

The duet; The Duet. Beatrix and Ethel, wife and sister of Whistler, play the piano together in the artist's house in Paris.

Rag-Picker 1838-1848 France. Drypoint and roulette on ivory wove paper . Charles Émile Jacque

The Scholar, (18th Century)

A student at candlelight table. Copy to the Print of the same name by Rembrandt.

Smid by a fire, Pieter de Josselin de Jong, 1895 print paper etching smith, blacksmith

Nocturne: Furnace. Dated: 1880. Dimensions: plate: 17.15 x 23.18 cm (6 3/4 x 9 1/8 in.) sheet (includes tab with signature): 17.78 x 23.18 cm (7 x 9 1/8 in.). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

James McNeill Whistler, Pierrot, 1889 Pierrot

Woman views a canvas on a donkey, 1890 print Leaning against the donkey is a portfolio with drawings or prints and a cloth with a cityscape. Materials from a print maker are on the ground. All over a silhouette of a few buildings. paper drypoint tools, implements of graphic artist. print, e.g.: engraving, etching, lithograph. easel. picture, painting

Molenaar by a bag of flour, Willem Witsen, c. 1910 - c. 1911 print paper windmill. miller

Mixing the paint, draughtsman: Anthon Gerhard Alexander van Rappard, 1868 - 1892, paper, h 365 mm × w 240 mm

Old woman sitting in the kitchen, Félicien Rops, 1874 print Brussels paper. etching old woman. kitchen-interior

Old woman by Haard, Jan Veth, After Jozef Israëls, c. 1883 - c. 1893 print Old woman, sitting on chair, her hands warming the fireplace. To the right next to her a stool with bowl on it. On the left on the wall is a wall clock. Netherlands paper warming oneself at a fire (or hearth, stove, fire-pan, brazier)

Three singers in an open window near candlelight, 1846 - 1900 Satire at the literary meetings of the Rederijkers. The diamond -shaped blazon under the window refers to this, normally this shield wore the weapon of the rederijkers. The wine jug can also be associated with them, because the wine brought inspiration for their activities. This print is part of an album. Haarlem paper etching Satire at the literary meetings of the Rederijkers. The diamond -shaped blazon under the window refers to this, normally this shield wore the weapon of the rederijkers. The wine jug can also be associated with them, because the wine brought inspiration for their activities. This print is part of an album. Haarlem paper etching

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, The Jewels - unidentifiedillustration, Graphite, black ink and wash, gouache, Blue wove, 30.2 × 22.8 cm (11 7/8 × 9in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Woman with child on a bench against a facade, print maker: Charles Emile Jacque, (attributed to), France, 1843, paper, etching, drypoint, h 70 mm, w 78 mm

Two men follow the command of a third to throw a corpse in the canal, Gustave Buschmann, 1842 print paper etching murder. violent death, being killed; being mishandled and maltreated; seeking death (+ death by murder)

From Spaanse Heidin Preciosa; Spaanse Zigeunerin Preciosa; Collection of eighty-five original prints.The print is part of an album.

The burial laying.

Peasant with a Wheelbarrow. Jean François Millet; French, 1814-1875. Date: 1855. Dimensions: 168 × 135 mm (image); 279 × 227 mm (sheet). Etching and drypoint in dark brown on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean Francois Millet.

La tête du supplicié , Alphonse Legros (1837-1911)

Moonlight , Moonlight, Boats, Helms, Sailboats. Frank W. Benson (1862-1951). Prints and Drawings

La Marchande de Moutarde (The Mustard Seller) 1858 United States. Etching with foul biting in black ink on cream laid paper . James McNeill Whistler

Ottoman store, Marius Bauer, 1890 print A merchant and a customer in Eastern clothing in a store. Both hold a canvas. At the bottom the number 82 is printed in mirror image. paper etching shop, store Ottoman Empire

Sketches of a sitting man and two standing figures, draughtsman: Eugène François de Block, 1838, paper, pen, brush, h 86 mm × w 86 mm

Jan Six, Pierre François Basan, after Rembrandt van Rijn, 1733 - 1797 print paper etching historical persons

Etser at LampBlagen, François Bonvin, 1874 print paper. Japanese paper etching engraver, etcher. artist at work, in his workshop

Prison Scene, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/8 x 7 1/2 inches (13 x 19.1 cm), correctional institution, dark, genre subject, prison, shadow

Figures in a gate. Page 13 From a sketchbook with 27 sheets.

Lying woman at a source ..

Woman leaned over under underneath, Nicolaes Maes (Possibly), 1644 - 1693 drawing paper. deck paint. ink pen / brush divided door, upper part opened. leaning forward - AA - female human figure

Man and Two Children at Window Artist's working dates 1745-1829 France. Brush and gray wash over graphite on ivory laid paper . Style of Jean Louis de Marne

Design for a print, Companionship around a seated greybeard, draughtsman: Reinier Craeyvanger, 1822 - 1880, paper, brush, h 273 mm × w 194 mm

The Smithy, Whistler, James McNeill (1834-1903), 1880 - 1881, Etchings

Feder drawing by Ernst Stöhr depicting a woman searching or lifting a load, emphasizing posture and action.

Announcement of the edicts of Karel V in Antwerp, Henri Leys (Baron), 1825 - 1869 print paper etching / drypoint crowd, mob

Woman with child on a bench against a facade, print maker: Charles Emile Jacque, (attributed to), France, 1843, paper, etching, drypoint, h 68 mm, w 78 mm

Woman looks in a cradle, Bernardus Johannes Blommers, 1855 - 1885 print Netherlands paper etching / drypoint cradle, crib. mother and baby or young child

The scales, 1921, by Ernest Stephen Lumsden. Gift of Sir John Ilott, 1952.

Et quand vous auriez pris la Lombardie! après... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Begging girl, Philip Zilcken, 1867 - 1890 print paper etching / drypoint beggar. girl (child between toddler and youth)

The Raven on the Bust of Pallas, third illustration of Mallarmés translation of Poes “The Raven”. Artist: Édouard Manet, French, 1832-1883

Rembrandt van Rijn, The Circumcision in the Stable, 1654 The Circumcision in the Stable

William Mulready, 1786-1863, Irish, Denial and Disappointment, undated. Black ink on moderately thick, slightly textured, cream wove paper.

Leuckart Certificate (Penelope) n.d. Max Klinger German. Leuckart Certificate (Penelope) 384495

The Ringball Player ('Het Klosbaanje'), Anonymous, After Rembrandt van Rijn, After 1654 print paper etching golf

MillinersShop. Artist: Maurice Delcourt, French, 1879-1916

Two figures hunt a rat in the pantry, Ferdinand de Braekeleer (I), 1802 - 1883 print paper etching storage space. rodents: rat. rat exterminator

Interior with a woman and two children, Henri de Braekeleer, 1860 print paper etching interior ~ representation of a building. adult woman. mother and baby or young child. child (at home). (flying a) kite

Standing man with beer mugs. Artist: Félicien Rops (Belgian, Namur 1833-1898 Essonnes). Dimensions: 11-1/4 x 8-1/4 in. (28.6 x 21.0 cm). Museum: Metropolitan Museum of Art, New York, USA.

Albert Besnard, Confidences, 1900 Confidences

Max Liebermann, East Frisian Peasants Eating Supper, 1893 Max Liebermann (German, 1847 - 1935), East Frisian Peasants Eating Supper, 1893, charcoal and black chalk heightened with white on light green wove paper, with later touches of red chalk along the top (recto); charcoal on greenish paper (verso), Wolfgang Ratjen Collection, Purchased as the Gift of Merritt P. Dyke 2007.111.17

The meal in Emmaüs.

Rembrandt, Tobiat blessing Tobias, Philip Henry Delamotte, 1855 - 1858 Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 10. paper. photographic support. cardboard albumen print Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 10. paper. photographic support. cardboard albumen print

Tuscany Grosseto Montemerano S. Giorgio6. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

Two Opzijking Kneeldvoed Women, Alphonse Legros, 1847 - 1911 print France paper drypoint / engraving one person praying. kneeling figure

Kneeled potato slots. Behind her a basket and a spade. On the right a group of trees. Page 46 From a sketchbook with 44 sheets.

Kitchen interior with family. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 169 mm × w 194 mm. Museum: Rijksmuseum, Amsterdam.

Anders Zorn, The Master Smith, 1907 The Master-Smith

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