Artistic Manuscripts

Illuminated manuscript pages featuring intricate designs with floral motifs, illustrating sacred texts and narratives from medieval times.

'L'Ordinaire des Crestiens', 1494 (1947). Artist: Unknown.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 108r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Songs of Innocence: Introduction. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Sword Fight between Dynadan and a Knight at a Bridge. Jeanne de Montbaston (French, active about 1320 - 1355)

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 149v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

'L'Ordinaire des Crestiens', 1494 (1947). Artist: Unknown.

Breve compendio de la esfera y de la arte de navegar con nuevos instrumentos y reglas ejemplificado con muy sutiles demostraciones / compuesto por Martín Cortés. Publicación original: Sevilla (España), Antón Álvarez, 1551.

Raising Loans from Navis Stultifera (Ship of Fools), Plate 24 from Woodcuts from Books of the 15th Century 1401-1500 Swiss. Woodcut in black, and letterpress in black (recto and verso), on cream laid paper, tipped onto cream wove paper mat . Master of the Bergmann Press

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 107r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 89r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 134v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Inferno Canto XII (Circle Seven, First Ring) from Divina Commedia (Divine Comedy), Plate 52 from Woodcuts from Books of the 15th Century Original 1497 Italy. Woodcut in black, and letterpress in black (recto and verso), on cream laid paper, tipped onto cream wove paper mat . Unknown Italian (Illustrator)

les regnars traversant les perilleuses voyes' 1503 Woodcut by Antoine Vérard (active 14851512) late 15th and early 16th century French publisher, bookmaker and bookseller.

Songs of Innocence and of Experience: Night. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Alchemical apparatus (From: Liber de secretis naturae) by Ulstadius (Ulstadt), Philipus (Philip) (active 16th century) Yale University 1556-1557 Germany Woodcut Graphic arts Mythology, Allegory and Literature,History

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 116v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Inhabited Initial V; Hildesheim, Germany; probably 1170s; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 28.2 × 18.9 cm (11 1,8 × 7 7,16 in.)

Coronation at Winchester, of King William I 1868. known as William the Conqueror William reigned from 1066 until his death in 1087.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 92r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 117r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 114r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 206v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Text sheet with description of the catfalk with candles, 1559 text sheet. print Text sheet with description of the catfalk with candles, the Chapelle Ardente, for plate 1: La Chapelle Ardante Representée and La Figure Suivante (...). Printed text within colored ornamental frame in woodcut. Part of the print series of the funeral procession of Emperor Karel V on December 29, 1558 in Brussels. print maker: Southern Netherlandspublisher: Antwerp paper letterpress printing Brussels

New Modelbüch allen Nägerin u. Sydenstickern (Page 21v). Designer: Hans Hoffman (German, active Strasbourg, 1556). Dimensions: Overall: 7 5/16 x 5 5/16 in. (18.5 x 13.5 cm). Publisher: Jacob Frölich , Strassburg. Date: 1556.Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frlich, Strasbourg.Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publisher's information, and narrative scene on last page. Museum: Metropolitan Museum of Art, New York, USA.

Dante and Virgil with the Vision of Beatrice, c. 1481-1485. Attributed to Baccio Baldini (Italian, c. 1436-1487). Engraving;

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 5 (recto) 1603 Federico de Vinciolo Italian Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc, Paris, dedicated to Catherine de Bourbon, French, 1558-1604.From top to bottom, and left to right:Design composed of 2 sections. Upper section is divided into 2 vertical columns: left column is decorated in the center with a coat of arms that is surrounded by floral and foliage elements, and right column is decorated in the center with a "B" superimposed by an "O", which is encircled by a vine of leaves and further surrounded by flowers. Bottom section consists of 4 squares that are ornamented with a different floral motif; sitting on top of the squares is a pattern of semicircles that are decorated with a leaf motif.. Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 5 (recto). 1603. Woodcut. Jean Le Clerc , Paris

Saint Quiriaco from Heiligenleben (Lives of the Saints), Plate 8 from Woodcuts from Books of the 15th Century Original 1489 Germany. Woodcut in black, and letterpress in black (recto and verso), on buff laid paper, tipped onto cream wove paper mat . Unknown artist (Illustrator)

A huntsman accompanied by his dog runs through the forest blowing his horn. Woodcut and letterpress.

178. Piotr; 179. and in; 180. Juda Tadeusz (); 181. Creation of Ewa; 182. Wawrzyniec; 183. Na Ciem of Maria; 184. Wawrzyniec; 185. Urszula (); 186. Trinity Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Netherlands, Amsterdam, Putte, widow Hendrik van der, Birds, verso - stamped, Sheet with 4 representations of birds, including a canary and a parrot. Below each image a six-line verse. Numbered top center: 121., print, popular print, prints, popular prints, height 425 mm, width 310 mm, Publication (Event), Publication, Dutch, publisher, 1765 - 1767, paper, woodcut, letterpress printing, print maker, printmaker

CANTIGA STA MARIA Nº206-F72R-EL PAPA LEON SE CORTA LA MANO ANTES BESADAS POR UNA MUJER-S XIII. Author: Alfonso X of Castile. Location: BIBLIOTECA NACIONAL COLECCIÓN. Florenz. ITALIA.

Livre de Moresques, page 6 (verso). Artist: Francesco di Pellegrino (Italian, born Florence, died 1552). Dimensions: Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm). Published in: Paris. Publisher: Published by Hiérosme de Gormont; Previously published by Cornelis Bos (Netherlandish, Hertogenbosch ca. 1510-before 1566 Groningen). Date: 1546.This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first published in book form by the artist in Paris in 1530 under the title La Fleur de la Science de Pourtraicture. It is considered the first elaborate publication to introduce the exotic designs in Western Europe, although the ornament was known already through the import of textiles and other objects from the Near East. The publication of the ornament in books and prints immensely increased the interest of native artist and it soon became highly fashionable. Pellegrino's designs were reordered and presented in compressed form in the Livre de Moresque,

Maximilian as Commander-in-Chief; and Maximilian Conversing in Seven Languages; with Portraits of Emperors and Kings (Maximilian's Forerunners), from the Arch of Honor, proof, dated 1515, printed 1517-18 1515 Albrecht Altdorfer The scenes of Maximilian's private life are by Albrecht Altdorfer; the busts of emperors and kings are by Hans Springinklee; and parts of decorative columns are by Springinklee or Wolf Traut after Albrecht Dürer.. Maximilian as Commander-in-Chief; and Maximilian Conversing in Seven Languages; with Portraits of Emperors and Kings (Maximilian's Forerunners), from the Arch of Honor, proof, dated 1515, printed 1517-18. Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). 1515. Woodcut and letterpress. Prints

La operina di Ludouico Vicentino, da imparare di scriuere littera cancellarescha. Arrighi, Ludovico degli, Woodblock, 1522-1523

Decorated Text Page with half figure of Eusebius; Mesrop of Khizan (Armenian, active 1605 - 1651); Isfahan, Persia; 1615; Tempera colors, gold paint, and gold leaf on glazed paper; Leaf: 23 x 17.1 cm (9 1,16 x 6 3,4 in.)

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 44v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 234v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

New Modelbüch allen Nägerin u. Sydenstickern (Page 14v) 1556 Hans Hoffman German Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frӧlich, Strasbourg.Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publishers information, and narrative scene on last page.. New Modelbüch allen Nägerin u. Sydenstickern (Page 14v) 683038

Les Monnoyes d'or & d'argent. Dimensions: 2 7/8 × 4 5/16 × 7/16 in. (7.3 × 11 × 1.1 cm). Published in: Ghent. Publisher: Josse Lambert (Flemish, ca. 1491-ca. 1556 Ghent). Date: 1544. Museum: Metropolitan Museum of Art, New York, USA.

Ground Beetle and Scarab; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575); Vienna, Austria; 1561 - 1562; illumination added 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

This circa 1475 colored woodcut by an anonymous artist depicts an anti-Judaistic representation titled 'Der Jewish Usury', showing figures and symbolic elements in historical context.

Guide for Constructing the Letters m and n. Joris Hoefnagel (Flemish / Hungarian, 1542 - 1600)

Hand painted wood engraving

Unfalo Causing a Fall of Theuerdanck's Horse, from Theuerdanck. Artist: Hans Schäufelein (German, Nuremberg ca. 1480-ca. 1540 Nördlingen). Author: Melchior Pfintzing (German). Dimensions: Sheet: 14 1/2 × 9 7/8 in. (36.8 × 25.1 cm). Publisher: Hans Schönsperger. Date: 1517. Museum: Metropolitan Museum of Art, New York, USA. Author: Hans Schäufelein.

Jacob Wrestles with the Angel. Jost Amman (Switzerland, Zurich, active Germany, 1539-1591). Germany, 16th century. Prints; woodcuts. Hand-colored woodcut

Keizer Constantijn the Great on horseback, Anonymous, 1499 print Leaf from a book. Constantine the Great and two soldiers on horseback, one of which carries a flag. Germany paper riding a horse, ass, or mule; rider, horseman

Abruzzo L'Aquila Celano Museum51. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 201v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Abruzzo L'Aquila Celano Museum69. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Seneca Murdered in His Bathtub; Nero Cuts Open His Mother's Belly.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia57. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gart der gesuntheit - Ortus sanitatis (Herbarius) March 28, 1485 Peter Schöffer the Elder German. Gart der gesuntheit - Ortus sanitatis (Herbarius) 343820

Woodcut by Albrecht Dürer from 1515 depicting the canonization of St. Leopold and Maximilian I as a hunter at the honorary gate, showing detailed figures and narrative composition.

Hermes and the craftsmen; Zeus and modesty., 1480, Florence

The Murder of Pharaoh's Son. Unknown

Decorated Initial T with Flower from a Manuscript 1300-1500 Europe. Manuscript cutting in tempera, colored inks, and silver leaf, with Latin inscriptions in brownish black and red inks, ruled in red, on vellum .

Aiming Points on the Body. Date/Period: Ca. 1410. Folio. Tempera colors, gold leaf, silver leaf, and ink on parchment. Height: 279 mm (10.98 in); Width: 206 mm (8.11 in). Author: Fiore Furlan dei Liberi da Premariacco.

Woodcut, Anatomical Fugitive Sheet, c.1540

Abruzzo L'Aquila Celano Museum15. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Paolo93. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Moses before Pharaoh and Thermutis; Ghent, Belgium; about 1475; Tempera colors, gold leaf, and gold paint on parchment; Leaf: 43.8 x 30.5 cm (17 1,4 x 12 in.)

Album # 2; Detail of stained glass border has decorative patterns, blue and red background Gsell-Laurent workshop. Album # 2; Stained glass edge detail with decorative patterns, blue and red background. Chromolithography.

The Kelmscott Chaucer - The Works of Geoffrey Chaucer Now Newly Imprinted, 1896

Job by workshop of Jean Fouquet, watercolor on parchment, 1450-1499, USA, New York, Morgan Library & Museum, 16,2x10,6

Fraktur. Dated: 1935/1942. Dimensions: overall: 42 x 51.2 cm (16 9/16 x 20 3/16 in.). Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Richard Barnett.

Book of Hours (French), Mid-15th C., Workshop of the Bedford Master (15th C. French), The Huntington - San Marino, California

COMENTARIOS DEL APOCALIPSIS-PAGINA ILUMINADA-PROCEDE DE SAN PEDRO CARDEÑA. Author: BEATO DE LIEBANA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

The Works of Geoffrey Chaucer, now Newly Imprinted, 1896, William Morris; Author: Geoffrey Chaucer; Illustrator: Edward Coley Burne-Jones; Engraver: Wood engravings by William Harcourt Hooper; Editor: Frederick S. Ellis; Printer: William Morris at Kelmscott Press, Hammersmith, England; Publisher: Kelmscott Press, Hammersmith, England, British, 1834 - 1896, 17 x 12 x 2 5/8 in. (43.18 x 30.48 x 6.67 cm) (closed), Wood engravings, letterpress in black and red ink; bound volume, England, 19th century

The Beheading of Saint John the Baptist. Unknown

Des Circkels unnd Richtscheyts, auch der Perspectiva und Proportion der Menschen und Rosse, kurtze, doch gründtliche underweisung deß rechten gebrauchs. Artist: Heinrich Lautensack. Dimensions: Overall: 11 3/4 x 8 1/4 x 1/2 in. (29.9 x 21 x 1.3 cm). Printer: Printed by Georg Rab (German, 1561-1580). Publisher: Published by Sigmund Feyerabend and Heinrich Lautensack (German). Date: 1564. Museum: Metropolitan Museum of Art, New York, USA.

Abruzzo L'Aquila Celano Museum81. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Il Modo de temperare le Penne... Artist: Eustachio Celebrino (Italian, active 16th century). Author: Ludovico Arrighi (Italian, 16th century). Dimensions: 8 1/4 x 5 7/8 x 5/8 in. (21 x 15 x 1.6 cm). Publisher: Vicentino & Celebrino , Venetia. Date: 1523. Museum: Metropolitan Museum of Art, New York, USA.

Single Leaf Excised from a Gospel Book: The Nativity (recto) and St. Matthew (verso), c. 1190. Germany, Helmarshausen Abbey, 12th century. Ink, tempera, silver, and gold on vellum; sheet: 34.6 x 23.4 cm (13 5/8 x 9 3/16 in.); framed: 52.4 x 39.7 cm (20 5/8 x 15 5/8 in.); matted: 48.9 x 36.2 cm (19 1/4 x 14 1/4 in.). This leaf comes from a volume that is preserved in the Trier Cathedral Library in Germany (Codex 142).

Gart of health. ED: Johann von Cube

Joseph and Aseneth; Ghent, Belgium; about 1475; Tempera colors, gold leaf, and gold paint on parchment; Leaf: 43.8 x 30.5 cm (17 1,4 x 12 in.)

Chess Problem; Northern France, France; late 14th century; Tempera colors and gold leaf on parchment; Leaf: 24.8 x 16.8 cm (9 3,4 x 6 5,8 in.)

Illustration from Thierbuch , plate 42 from Woodcuts from Books of the XVI Century 1563 Switzerland. Woodcut on paper . Hans Asper

Design for a title page for: Onder Neerlands Vlag, 1899, Carel Adolph Lion Cachet, 1899 print Under the title The text: 'With benevolent cooperation of Dutch writers and artists'. This print is part of a folding leaf. Amsterdam paper. watercolor (paint). pencil foliage, tendrils, branches ~ ornament - AA - stylized

The Crowning with Thorns; Ghent, Belgium; about 1475; Tempera colors, gold leaf, and gold paint on parchment; Leaf: 43.8 x 30.5 cm (17 1,4 x 12 in.)

Spring snowflake, Leucojum vernum, and daffodil, Narcissus poeticus. Handcoloured woodblock engraving of a botanical illustration from Adam Lonicer's Krauterbuch, or Herbal, Frankfurt, 1557. This from a 17th century pirate edition or atlas of illustrations only, with captions in Latin, Greek, French, Italian, German, and in English manuscript.

Spring Snowflake, Tree Frog, Wallflower, and Marine Mollusk.

Museum of sacred art, Norman Cathedral of Santissimo Salvatore, Cefalu with picturesque old town, Cefalu, Sicily, Italy, Europe

Coats of arms of the Kingdoms of Bohemia with lion rampant, Norway with lion holding a Danish axe, and Ireland with a king on a throne holding a sceptre. Royaumes: Boheme, Nordvegve, Hirlande. Handcoloured woodblock engraving from Hierosme de Baras Le Blason des Armoiries, Chez Rolet Boutonne, Paris, 1628.

The Repentance of Aseneth; Ghent, Belgium; about 1475; Tempera colors, gold leaf, and gold paint on parchment; Leaf: 43.8 x 30.5 cm (17 1,4 x 12 in.)

The Fall of the Idols of Heliopolis; Ghent, Belgium; about 1475; Tempera colors, gold leaf, and gold paint on parchment; Leaf: 43.8 x 30.5 cm (17 1,4 x 12 in.)

Lamorat and Tristan Fighting; Paris, France; about 1320 - 1340; Tempera colors, gold paint, and silver and gold leaf on parchment; Leaf: 39.4 x 29.8 cm (15 1,2 x 11 3,4 in.)

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