Artistic Posters

Graphic artworks and posters featuring bold designs and themes, ranging from early 20th century illustrations to contemporary graphic art.

Soviet Propaganda Magazine Interior, "Riot Against the Principal Murderer", Bezbozhnik u Stanka (Atheist at his Bench) Magazine, Illustration by Dimitry Moor, 1920's

Jules Cheret (1836-1932) French artist

Henri Matisse / 'The Dance', 1938, 80 x 65 cm. Museum: Centre Georges Pompidou, Paris, France.

French cartoon depicting events surrounding diplomatic efforts to convene the Algeciras Conference of 1906 took place in Algeciras, Spain, and lasted from 16 January to 7 April. The purpose of the conference was to find a solution to the First Moroccan Crisis of 1905 between France and Germany, which arose as Germany responded to France's effort to establish a protectorate over the independent state of Morocco

A color print by Hiram Powers from 1895 depicting 'M'lle New York,' showing the figure or subject in artistic representation.

American 20th Century, Study for Proposed Portfolio Decorated Chests of Rural Pennsylvania, 1941 Study for Proposed Portfolio Decorated Chests of Rural Pennsylvania

Soviet Propaganda Magazine Interior, "Riot Against the Principal Murderer", Bezbozhnik u Stanka (Atheist at his Bench) Magazine, Illustration by Dimitry Moor, 1920's

French mail, 1891..

Benkei with Temple Bell, late 19th century, Unknown Japanese, 11 1/4 x 4 1/8 in. (28.58 x 10.48 cm) (sight), Ink on paper, Japan, 19th century

December 1904, 1904 book. magazine Number 3 of volume 8 (December 1904) of the literary monthly HOTOTOGISU: cover with dark gray frogs in orange -brown water and blue water lily; Back, image of two children a large snowball rolling. paper letterpress printing / color woodcut

Maxime Dethomas, Une Mère; Brocéliande; Les Flaireurs; Des Mots! Des Mots!, 1896 Une Mère; Brocéliande; Les Flaireurs; Des Mots! Des Mots!

'Hands off Leningrad!, Petrov, Georgy Nikolaevich (1904-1944)

Lissitzky, El (1890-1941) State Tretyakov Gallery, Moscow 1922 Colour lithograph Russian avant-garde Russia Poster and Graphic design

Moskau Spartakiada, 1928 by Klutsis, Gustav (1895-1938)/ Russian State Library, Moscow/ 1928/ Russia/ Colour lithograph/ Constructivism/ Poster and Graphic design

Why children commit suicide ... read next month's issue, from General Dynamic F.U.N. Eduardo Paolozzi (British, 1924-2005); printed by Richard Davis, London; published by Editions Alecto, London. Date: 1970. Dimensions: 380 x 254 mm. Photolithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Fidman, Vladimir Ivanovich (1884-1949) Russian State Library, Moscow 1919 Colour lithograph Soviet political agitation art Russia History,Poster and Graphic design Poster

The departure of the municipality.

'Series "Bestiary". Erik Bulatov'. Russia, Moscow, 1996. Dimensions: 29,8x21 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

Cover design for the poem "The Twelve"by Alexander Blok. London: Chatto & Windus, Larionov, Mikhail Fyodorovich (1881-1964)

Choose the SDAP candidates and buries these semi -detached voices, TKB, 1922 poster Election poster in color pressure. Text spread over poster for the parliamentary elections of 1922. A worker turns a polls over two crawling men, a minister and a soldier who probably depict capitalism and militarism respectively. Hilversum paper contrast between rich and poor. voting ballot Netherlands

Piotr Stachiewicz (1858-1938), "You have to forward and ... and" Wieci! " - illustration to the poem by Adam Asnyk; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939); 1909 (1909-00-00-1909-00-00);

A Soviet Ripka, 1920. Ripka (Turnip) - anti-capitalist allegory on a Russian folk tale. Soviet propaganda poster by Dmitry Moor (Orlov). Russia USSR Communism Communist

Exposition Sovietique' (russian exhibition), 1961.

Color poster from 1913 depicting the Jungmühle building and Krüger-Passage in Dortmund, showing architectural details, signage, and urban environment.

Horse Blinders Left, Right. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1968-1969. Dimensions: 406 x 410 mm (image); 500 x 709 mm (sheet). Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

L'incident Rochefort-Wolf,

The Thames in summer silhouette cut by H. L. Oakley depicting rowers on the river, sailing boats and people enjoying the spectacle or a picnic on its banks. Date: 1953

Illustration depicting Jean Jaures, (1859 - 1914), French Socialist with Pierre Bietry (1872 - 1918), a French syndicalist and politician

American poster for le roman Miss Träumerei. Ethel Reed 1874-1912, American graphic artist.

The load (supplement n ° 13) / size and decadence, by Alfred the small.

The waterfall, Pieter Holstein, 1954 - in or before 2008 drawing Thirty -six different images, with the frame of a cat at the bottom right. paper. India ink (ink) brush / collage

George Washington, Brown's Silhouette Portrait Gallery of Famous Americans

Design for advertising brochure `Instruments Salm '. Draughtsman: Reijer Stolk. Dating: 1906 - 1945. Measurements: h 113 mm × w 88 mm. Museum: Rijksmuseum, Amsterdam.

Shadow images; New Dutch childrens prints. Leaf with 11 shadow images from, among other things, portraits of historical figures, a pelican and goats. Numbered at the top right: No. 73.

Color poster by Ludwig Hohlwein depicting German art and decoration in Darmstadt, 1911.

Komsomol hero's post stamps. The All-Union Leninist Young Communist League (known as Komsomol), was a political youth organization in the Soviet Union. It is sometimes described as the youth division of the Communist Party of the Soviet Union (CPSU)

Tree with birds (cover design for the community). Draughtsman: Leo Gestel. Dating: c. 1935. Measurements: h 255 mm × w 217 mm. Museum: Rijksmuseum, Amsterdam.

Portada del diario 'La Humanitat' editado entre 1931 y 1939 y dirigido por Lluís Companys. Colección privada.

Lebedev, Vladimir Vasilyevich (1891-1967) Russian State Library, Moscow 1921 77x69 Gouache on paper Russian avant-garde Russia History

Boys Bathing 1896 Norway. Color burnished aquatint, inked la poupÈe, on buff laid paper . Edvard Munch

NEXO II - 2001 - GOUACHE/PAPEL RICHARD DE BAS. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Give Us This Day Our Daily Bread, The Lord's Prayer; Gieb Uns Heute Unser Taglich Brot, Das Vaterunser. Hermann Max Pechstein (1881-1955). Woodcut with handcolouring. Executed 1921. 62 x 43cm. Edition 6/50.

Étienne Jules Marey. Collotype ? collage by Poyet, 1901.

Guillaume Apollinaire, De Chirico, Giorgio (1888-1978)

The Temptation of Saint Anthony: Pride: Equestrian Statue with Crowd (page 25), c. 1898. Henri Rivière (French, 1864-1951). Book with 47 line blocks (some photo mechanical), hand-colored with stencils; overall: 25 x 32.8 x 1.5 cm (9 13/16 x 12 15/16 x 9/16 in.).

Soviet Propaganda Magazine Interior, Bezbozhnik u Stanka (Atheist at his Bench) Magazine, Illustration by Konstantin Urbetis, 1920's

Time and the hour , Books

Cartel de MCP (Martí, Clavé y Picó), 'Verbenas en Montjuich. Pueblo Español - Barcelona', 1960. Colección privada.

Rudolf Kalvach's 1908 color print documents an art exhibition, illustrating paintings on display, gallery arrangement, and visitor interaction in the 1908 show.

Horse Blinders. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1968. Dimensions: 630 x 710 mm (image); 714 x 1,015 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Builders. Jacob Lawrence; American, 1917-2000. Date: 1974. Dimensions: 760 x 560 mm (image); 865 x 655 mm (sheet). Screenprint in black, red, gray, blue, ochre, and yellow on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

DOMADOR DE ANIMALES (5 JULIO 1937). Author: Francis Picabia.

American 20th Century, Plate 3 From Portfolio Folk Art of Rural Pennsylvania, c 1939 Plate 3: From Portfolio Folk Art of Rural Pennsylvania

Qu'importe lejet pourvu que l'On creuse; Jasi Ski, Feliks Stanis Aw (1862-1901), 1908 (print); 1899-1900 (block) (1899-00-00-1908-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, female acts, Polish graphics, Poland (culture), symbolism (style), purchase (provenance)

Design for title page for: Stijn Streuvels, Reinaert de Vos, 1910, Bernard Willem Wierink, c. 1910 print Amsterdam paper fable of Reynard the Fox

'Poster design Au Bon Marche', c1923. Artist: René Vincent.

Spanish Civil War.'Tu, que estimes Catalunya...tens reservat un lloc als seus batallons de voluntaris del Bruc' ('You love Catalonia.So there is a place for you in Catalan volunteer's battalion of Bruc'). Recruiting poster from the Republican side. SPAIN. CASTILE AND LEON. Salamanca. Archivo Histrico Nacional.

Naked wrestler on red background

Various Kinds of Plaustra. Original caption: Various kinds of plaustra. Die Wagen und Fahrwerke der Griechen und Romer und Anderer Alten Volker by Johann Christian Ginzrot, Vol I. Set of 66 - No. 58.

Plates 15 and 16 from Poèmes et Lithographies. Pablo Picasso (Spanish, 1881-1973); printed by Mourlot Frères, Paris; published by Galerie Louise Leiris, Paris. Date: 1948-1949. Dimensions: 631 x 491 mm (image); 657 x 503 mm (sheet). Lithograph in black on off-white wove paper (discolored to ivory). Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.

The Victorious (Die Siegreichen). Artist: Rudolf Kalvach (Austrian, Vienna 1883-1932 Kosmanos). Dimensions: Sheet: 5 1/2 × 3 9/16 in. (14 × 9 cm). Publisher: Wiener Werkstätte. Date: 1907. Museum: Metropolitan Museum of Art, New York, USA.

Custom Print I, from the portfolio "11 Pop Artists, Volume I". Peter Phillips; English, born 1939. Date: 1965. Dimensions: 610 × 508 mm. Silkscreen on heavy white cardstock. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Anton Hanaks blue pen draft from 1925 to 1933 illustrating design ideas and remarks for a Gustav Mahler monument.

Umbra vitae (Shadow of Life). Artist: Ernst Ludwig Kirchner (German, Aschaffenburg 1880-1938 Frauenkirch). Author: Georg Heym (German (born Poland), Jelenia Góra 1887-1912 Berlin). Dimensions: 9 1/16 × 6 1/4 in. (23 × 15.8 cm). Printer: Spamersche Buchdruckerei. Publisher: Kurt Wolff. Date: 1924.Umbra Vitae is Kirchner's masterpiece in book art. The artist was obsessed by Heym's haunting poems, which explore such themes as alienation, death, estrangement, loneliness, and war. Kirchner selected the poems included here, created corresponding images, and designed the book. In 1915 he had enlisted "involuntarily voluntarily" in the German army; he trained to serve as a driver and, although he never saw combat, was haunted by the experience. After suffering a breakdown, he was hospitalized and discharged. Kirchner's subsequent works extend his earlier themes of alienation but also reflect the trauma of the war. After his hospitalization, he retreated to a small Swiss village and made this b

Design for the cover of 'The Community', with a representation of birds in a tree. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 270 mm × w 217 mm. Museum: Rijksmuseum, Amsterdam.

Den Arbeitern von Kursk (The Workers ofKursk). Artist: J RoschkowAuthor: Vladimir Majakovski, Russian, 1893-1930

Gustav Klutsis (1895-1938). Russian-Latvian artist. The Lenin Enrolment. Male and female workers join the ranks of the CPR - the party of Ilyich!. Design for a poster, 1924. Photomontage, collage and gouache on paper, 33,8 x 24,6 cm. Latvian National Museum of Art. Riga. Latvia.

Sketch for the panel "Workshop of a metallurgical plant" for the decoration of Petrograd by November 7, 1918.

Advert for Pourpre d'Orient (Crimson of the Orient), perfume by Roger and Gallet, 1930. Artist: Unknown

Composition in a circle. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

COLLAGE. Author: VALLEJO (S XX). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Kulaks were a category of relatively affluent farmers in the later Russian Empire, Soviet Russia, and early Soviet Union. The word kulak originally referred to independent farmers in the Russian Empire who emerged from the peasantry and became wealthy following the Stolypin reform, which began in 1906. The label of kulak was broadened in 1918 to include any peasant who resisted handing over their grain to detachments from Moscow. According to the political theory of Marxism-Leninism of the early 20th century, the kulaks were class enemies of the poorer peasants. Vladimir Ilyich Lenin described them as 'bloodsuckers, vampires, plunderers of the people and profiteers, who fatten on famine'. Marxism-Leninism had intended a revolution to liberate poor peasants and farm laborers alongside the proletariat. In addition, the planned economy of Soviet Bolshevism required the collectivisation of farms and land to allow industrialisation or conversion to large-scale agricultural production. In pr

COLLAGE. Author: VALLEJO (S XX). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Russia, Study for Mystery-Bouffe

Gazette du Bon Ton, 1921 - No. 1, Pl. III: Gray & Rose Lacquer Salon, MAM, 1921 Salon with pink wall panels and gray furniture in paint. The columns are made of marble. Planche III from a series of four lithographs entitled: 'Intéiurs Modernes Par Mam' from Gazette du Bon Ton 1921, No. 1. Explanation about the furniture on page "Explication des planches". paper fashion plates. panelling. drawing-room, 'salon'. furniture to put things on. column, pillar ~ architecture

Has Jazz a Future, plate seventeen from Bunk!. Sir Eduardo Paolozzi; British (1924-2005). Date: 1972. Dimensions: 424 × 292 mm. Screenprint and lithography on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Paris (Ier arr.), France Exhibition of English posters at the Museum of Decorative Arts , (French - Paris ( Ier arr. ) , France Exposition d' affiches anglaises au musée des Arts Décoratifs). Museum, poster, rear, propaganda, exhibition, drawing, Registration , information, First World War, Political Life, Art, France, Paris, English posters

Den Haag, Nijhoff, Martinus, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Extraordinary fairground performance at the Binnenhof on 8 May, Political cartoon, 1882, The Hague, Political cartoon about The Hague politics. Circus with athletes. Plate published in the weekly De Nederlandsche Spectator, no. 19, 1882., print, cartoon, prints, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1882 - 1882, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1826-12-26 - 1894-09-24, publisher

Opera nazionale balilla, fascism

Design for a book band for: Aart van der Leeuw, De Kleine Rudolf, 1930, Leo Gestel, 1928 - 1930 drawing paper. pencil. watercolor (paint) brush (LEEUW, De kleine Rudolf) specific works of literature (with AUTHOR, Title). boy (child between toddler and youth). head-gear: hat (+ men's clothes)

The winner

Tête á Tête on the 968th Floor of a Skyscraper (Tête á Tête am Wolkenkratzer 968 Etage). Artist: Moriz Jung (Austrian (born Czechoslovakia) Moravia 1885-1915 Manilowa (Carpathians)). Dimensions: Sheet: 5 1/2 × 3 9/16 in. (14 × 9 cm). Publisher: Wiener Werkstätte. Date: 1911. Museum: Metropolitan Museum of Art, New York, USA.

Permanent open-air historical exhibition, Topograhie des Terrors, Niederkirchnerstrasse, Berlin, Germany, Europe

Anonymous Russian National Library, St. Petersburg 1927 28,4x35 Colour lithograph Applied Arts Russia Poster and Graphic design

During late 1920s and 1930s Japan, a new poster style developed that reflected the growing influence of the masses in Japanese society. These art posters were strongly influenced by the emerging political forces of Communism and Fascism in Europe and the Soviet Union, adopting a style that incorporated bold slogans with artistic themes ranging from Leftist socialist realism through Stateism and state-directed public welfare, to Militarism and Imperialist expansionism. Though diverse in their messages, all bear the stamp of the ovebearing proletarian art of the time, reflecting shades of Nazi Germany, Socialist Russia and Fascist Italy in the Far East.

EQUIPO CRONICA. 1965-1981. RAFAEL SOLBES (1948-1991). MANUEL VALDES(1942- ) " PANFLETO ", ACRILICO SOBRE LIENZO, 1973. INSTITUTO VALENCIANO DE ARTE MODERNO.

20th Anniversary Chernobyl Nuclear Disaster Memorial, Chernobyl, Ukraine

Cock. Gilbert and George (b.1943, b.1942). 16 black and white photographs in metal frames. Signed and dated 1977. 246 x 206cm.

Indian art of the United States Prehistoric art living traditions - Indian art for modern living : Museum of Modern Art. circa 1936-1941.

This colored work by Leopold Stolba from 1905 depicts the XXIV. Secession Exhibition, showing exhibition hall, artworks, frames, visitors, and interior architectural elements.

The conquest of the Heart of Housewives with 'IRA' household powder did not go on a snail, Reijer Stolk, 1906 - 1945 drawing Two snails that crawl over a heart. paper. ink. pencil pen / brush advertisement, notice

Band design for: Thérèse Hoven, Mariëtte, 1898, Willem Wenckebach, in Or Before 1898 drawing Design with five stylized flowers whose stems in the form of curved lines overlap in a smooth pattern. cardboard. paper. India ink (ink). deck paint. pencil pen / brush flowers ~ ornament - AA - stylized

Cartel modernista. Bodas de plata de FC Barcelona, 1924. Museo de Historia de Barcelona (MUHBA). Author: JOSEP SEGRELLES.

Design for the title page of "Das Interieur". Artist: Erwin Puchinger (Austrian, Vienna 1875-1944 Vienna). Dimensions: Sheet: 12 11/16 × 8 7/16 in. (32.2 × 21.5 cm)Support: 15 7/16 × 10 5/16 in. (39.2 × 26.2 cm). Date: 1902. Museum: Metropolitan Museum of Art, New York, USA.

Anonymous Russian National Library, St. Petersburg 1928 21,2x35,5 Colour lithograph Applied Arts Russia Poster and Graphic design

N.M. H.C. Westermann; American, 1922-1981. Date: 1975-1976. Dimensions: 455 x 608 mm (image); 610 x 760 mm (sheet). Color woodcut on Japanese paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Degenerate Art, Cover Title 1936 Posters

Poster for Magasin des Buttes Chaumont. Chéret, Jules (1836-1932), French painter and lithographer who became a master of Belle Époque poster art. He has been called the father of the modern poster.

Adrìa Gual, Theatre figurine. Museum: Institut de Teatre, Barcelona.

Potemkin, Russian Avant Garde

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