Artistic Study Works

Diverse artistic studies including a foot sketch and various textures of plates and textiles, highlighting different mediums and historical contexts.

Textile, Medium: silk Technique: two interconnected plain weave structures, Vertically symmetrical formal floral pattern of broad curling leaves and flowers in light green on a light yellow ground., Spain, 17th century, woven textiles, Textile

Upright Venice Made 1879-1880 United States. Cancelled copper plate . James McNeill Whistler

Lefebvre, Jules Joseph (n.1836-03-14-D.1911-02-24), foot study (main title). Graphite pencil on layer paper laminated on cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Textile, Medium: silk Technique: two interconnected plain weave structures, Vertically symmetrical formal floral pattern of broad curling leaves and flowers in light green on a light yellow ground., Spain, 17th century, woven textiles, Textile

SERIE COLMENAS II - 1991- ACUARELA/CERA SOBRE MADERA- 119 X 82 CM. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Study of a male nude model, upright and seen from behind, in the studio of sculptor / painter Jacques de Lalaing.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 264r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Weefselfragment in tapijtwerk.Natural linen fabric with a wide horizontal tire in dark blue wool with natural dotted edges along the weather. At the bottom of a frills board, a narrow blue woven horizontal line and after a strip of non-woven warp threads still two blue horizontal lines.

Album

Le Solenni Esequie di Monsignor Filippo Visconti Arcivescovo di Milano... Dated: 1802. Dimensions: sheet: 51 x 37.3 cm (20 1/16 x 14 11/16 in.) book: 52 x 38 x 1.9 cm (20 1/2 x 14 15/16 x 3/4 in.). Medium: bound volume with 6 illustrations; 5 aquatints after Cagnola and 1 engraved portrait of Visconti after Borroni. Museum: National Gallery of Art, Washington DC. Author: Raffaeli Albertolli and Ferdinando Albertolli after Luigi Cagnola.

Wiik, Maria, work, Sketch book, undateable, drawing, Wiik, Maria, unscheduled, Maria Catharina Wiik 1853 - 1928 a Finnish painter of still life, genre images, landscape paintings and portraits. Lived in Finland

Fragment silk daamast, blue, with pattern of flowers, anonymous, c. 1760 - c. 1770 Baan waved, blue -gray silk tissue with side garlands and tied flower vines in two large, interchangeable diamond patterns. Possible covering fabric. France (possibly) silk damask Baan waved, blue -gray silk tissue with side garlands and tied flower vines in two large, interchangeable diamond patterns. Possible covering fabric. France (possibly) silk damask

Drawing, Design for a Wall Decoration, Possibly for the Corridor; Designed by Frederick Crace (English, 1779-1859); England; graphite on wove paper; Overall: 27.5 x 37.7 cm (10 13/16 x 14 13/16 in.)

Abklatsch of the chalk drawing on page 22, 1887 - 1934 Page 21 from sketchbook XXXIX with 51 pages. Paris paper

Klomp Johannes Franziskus (1865-1946), unaffected altars, church facility, sculptures and ornaments (0-0): Heiligen figure (Soester Cathedral). Blueprint on paper, 31 x 15.5 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Altäre, Kircheneinrichtung, Skulpturen und Ornamente

'Smara III', 1968, Oil on panel, 106 x 76 cm. Author: PABLO PALAZUELO (1916-2007). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Kosode (Kimono) Fragment with Chrysanthemums and Net Pattern. Japan, mid-Edo period (1615-1868), 18th century. Textiles. silk figured satin (rinzu), tie-resist dyed (shibori), with silk and gilt-paper-wrapped-silk thread embroidery

Chimneypiece ca. 1740 French. Chimneypiece 189426 French, Chimneypiece, ca. 1740, Marble, H. 53-1/2 x W. 88-5/8 x D. 19-3/4 in. (135.9 x 225.1 x 50.2 cm.). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1906 (07.225.148)

Ornamental edge with custodians with animals, Bernard Willem Wierink, c. 1910 print paper armorial bearing, heraldry. fable of Reynard the Fox

Bamboo.Bamboo painting is said to have originated when a scholar was sitting in his study one night and noticed the shadows of bamboo plants in his garden projected onto the paper window of his study. He then replicated them in an ink painting. Bamboo is a metaphor for a scholars graceand resilience.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 159r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Edelfelt, Albert, work, Sketch book, drawing, 12 cm x 19.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Scroll Painting, Zhengxing (nickname Wuzhai), 1675 - 1750

Edelfelt, Albert, work, Sketch book, drawing, 17 cm x 11 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Vilnius. Underground, fragment of the dungeon; Bu Hak, Jan (1876-1950); around 1931 (1931-00-00-1931-00-00);

A black pen sketch by Ludwig Rösch from around 1889 shows an indistinct composition with vague forms, executed in pen and lavated technique.

Album, Suittes de Décorations, de six feuilles, a lusage des Thétre, Panneaux, Carosses, &c; Designed by Maurice Jacques; Print Maker: Jacques-Philippe Le Bas (French, 1707-83)

Panel from an Apron Made 1850-1900 Europe. Stripes of cotton and silk, warp-float faced 7 1 satin weave self-patterned by areas of ground weft floats, and stripes of 1 1 plain gauze weave self-patterned by areas of ground weft floats .

Sketchbook, English and French Landscape and Coastal Subjects William Trost Richards (American, 1833-1905). Sketchbook, English and French Landscape and Coastal Subjects, 1880. Graphite on paper, 3 15/16 x 6 7/8 in. (10 x 17.5 cm). In June 1880, before returning to Newport, Richards made a brief expedition to France. His sketchbook records his impressions while traveling, including this charming study of a picturesque French doorway made, perhaps, at Saint-Cloud, or in Paris. American Art 1880

Thomas Patch, 1725-1782, British, A Man Seated, Three-quarter Length, 1760s. Black chalk and red chalk on medium, slightly textured, cream laid paper bound in carta fiorentina.

Japan, Hiroshige (I), Utagawa, Dreaming Courtesan, verso - stamped, Front of envelope with image of sleeping maid and dream of sleeping woman behind screen about her lover with letter., print, envelope, prints, Japan (collection), height 177 mm, width 45 mm, Japanese, 1797 - 1858, print maker, printmaker, 1845 - 1850, second quarter 19th century, paper, papier, nishiki-e, colour woodcut, colour woodblock print

CUADRO. Author: MANUEL RIVERA HERNANDEZ. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Album with perspectivic images of gardens, anonymous, after Hans Vredeman de Vries, 1615 Album with fifteen performances on fifteen album blades. It is a copy of the title page and nine (of eighteen) copies of perspectivic images of gardens associated with the Doric, Ionic and Corinthian construction orders according to Hans Vredeman de Vries, published in 1583 under the title: Hortorum viridarorumque Elegantes et multiplicis formae . Added six copies of performances from a series of eight gardens to design by Vredeman de Vries appeared in 1587. Half parchment tire with marbled plates, in the front and a bract. band: parchment (animal material). paper marbled paper / etching garden. French or architectonic garden; formal garden

Key block for prints from the series: The ClamHouse. Artist: Arthur Wesley Dow, American, 1857-1922

Czarny kot na tle kwiatów. Goryńska, Wiktoria (1902-1945), graphic artist

Drawing, Textile Design: Salambo; Designed by Josef Hoffmann (Austrian, b. Moravia, 1870-1956); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 25.7 × 12.9 cm (10 1/8 × 5 1/16 in.) Mat: 45.4 × 31.8 cm (17 7/8 × 12 1/2 in.)

Ornament with curved lines, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing tracing paper. pencil ornament ~ round and curved forms

Panel, 20th century, 51 1/2 x 15 1/2 in. (130.81 x 39.37 cm), Silk; supplementary weft patterning, Laos, 20th century

Drawing, Textile Design; Made for Wiener Werkstätte (Austria); brush and gouache on paper; 2.2 × 9.2 cm (7/8 × 3 5/8 in.) Mat: 31.8 × 45.1 cm (12 1/2 × 17 3/4 in.)

Pencil sketch by Blasius Höfel depicting the drapery of a sculpture, 1818.

Dado, Jacquemart & Bénard, France, Block-printed on handmade paper, Portion of a balustrade showing one complete baluster and portions of two others. There is a hand rail at the top and a base molding at the bottom. This balustrade design paper was used to separate two different papers in the upper and lower halls of the house at 314 Essex Street, Salem, Massachusetts. This balustrade design was also often used at the bottom of a scenic paper. Printed in grisaille and green., France, 1820-25, Wallcoverings, Dado

Design for a memorial board with two coats of arms. .

Edelfelt, Albert, work, Sketch book, drawing, 11 cm x 20 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Frieze (USA); Manufactured by Howell and Brothers; machine-printed paper, liquid mica; 91.4 x 49.5 cm (36 x 19 1/2 in.)

Pen and graphite drawing on paper showing the situation plan and design of the Mariahilf axis and Schönbrunner Allee at Schönbrunn Castle, Vienna, with spring details in red, gray, and black, multi-colored lavated, dated 1760-1770.

Mirror for a Shadow, Manuel Rivera, 1967, Wood and metal, Museo de Bellas Artes, Bilbao, Spain.

A pencil sketch by Carl Schuch from 1902, showcasing his refined technique and mature style in later years.

Modèles de voitures d'époque Louis XV (Coach Designs from the Louis XV Period), Jean-François Chopard, French, active 18th century, Jean-François Chopard, French, active 18th century, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Bound album of engravings on paper, Bound volume of engravings with designs for carriages and coaches., Paris, France, ca. 1750, albums (bound) & books, Book, Book

Italian Sketchbook Sanford Robinson Gifford (American, 1823-1880). Italian Sketchbook, 1867-1868. Graphite on tan, medium-weight, slightly textured wove paper, 5 x 9 x 7/16 in. (12.7 x 22.9 x 1.1 cm). This sketchbook served as a travel diary for the Hudson River School landscape painter Sanford Robinson Gifford during his journeys in France, Switzerland, and Italy. In this two-page spread depicting the church of Santa Caterina del Sasso, perched precariously on the edge of a cliff overlooking Lake Maggiore in Italy, Giffords precise and assured lines exemplify his skills as a draftsman. A practitioner of plein air sketching, the artist used these drawings as preparatory studies for paintings executed later in his studio. The small framed motifs that appear on this and other pages of the sketchbook show his initial experiments with composition. American Art 1867-1868

Lintel of Senwosretankh ca. 1920-1900 B.C. Middle Kingdom. Lintel of Senwosretankh. ca. 1920-1900 B.C.. Granite. Middle Kingdom. From Egypt, Memphite Region, Lisht South, tomb of Senwosretankh, Pit 8, MMA excavations, 1932-33. Dynasty 12

Klomp Johannes Franziskus (1865-1946), unaffected altars, church facility, sculptures and ornaments (0-0): Heiligen figure (Braunschweig Cathedral). Blueprint on paper, 34.4 x 14.1 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Altäre, Kircheneinrichtung, Skulpturen und Ornamente

Album, Album of Prints: Tome 1 of the Oeuvre of Juste-François Boucher, known as Boucher fils; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Nicolas Dupin (French, active 18th century), Pierre-Gabriel Berthault (French, 1737-1831); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); Album H47.9xW33.9xD3.5 cm

Anonymous, Fleurie loop (main title), 1927. Graphite, ink and gouache on Gray Carton A. Petit Palais, Museum of Fine Arts of the City of Paris.

Fragment (Japan)

Fundstelle Bei Mondschein by Paul Klee, ink on paper, 1934, (1879-1940), UK, England, London, Christie's

THE MARRIOT GAME - 1992 - VINILICO DISPERSION Y PIGMENTOS SOBRE LIENZO - 198x112. Author: JUAN USLE. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Sketches of Kyosai. Artist: Kawanabe Kyosai (Japanese, 1831-1889). Culture: Japan. Dimensions: 8 1/2 x 5 3/4 in. (21.6 x 14.6 cm). Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

Meeting of the Eight Immortals. Qiu, Ying (1501-1552), painter

SIN TITULO - SIGLO XX - COLLAGE - 190x160. Author: MARIA FELIPE. Location: PRIVATE COLLECTION. Coruña. SPAIN.

Drawing, Designs for Woven Paisley; brush and orange-pink, yellow gouache, graphite on brown oiled translucent paper; 21.6 × 16.7 cm (8 1/2 × 6 9/16 in.) Mat: 18 × 14 cm (7 1/16 × 5 1/2 in.)

Grille, Carl von Hasenauer -, draft

Sutra Cover. China. Date: 1590-1599. Dimensions: 35.6 × 12.6 cm (14 × 5 in.)Repeat 14.3 × 11 cm (5 5/8 × 4 3/8 in.). Silk and gold-leaf-over-lacquered-paper strips, plain weave with supplementary patterning wefts bound in plain interlacings. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Male head with bushy eyebrows and whiskers. Norblin de la Gourdaine, Jean Pierre (1745-1830), graphic artist

Diego de Urbina/Flagelación y adoración de los reyes, 1230x 325 cm, 1569. Procedencia, convento de Santa Cruz, Segovia; Convento de Santo Domingo el Real, Segovia; adquiridas a la comunidad de monjas dominicas, 1949. Depositado en el Monasteria de María del Parralen (Segovia). Museum: MUSEO DEL PRADO, MADRID, SPAIN.

CUADRO. Author: MANUEL RIVERA HERNANDEZ. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Jo (canceled plate), James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), 1861, Copper plate, Plate: 6 1/16 x 9 1/16in. (15.4 x 23cm), portrait

Sidewall (England); machine-printed, glazed paper; 56 x 28 cm (22 1/16 x 11 in.)

Sampler Made 1 CE-200 CE Peru. Images of birds are often presented in polychrome ceramics and textiles created by Nazca artists. the birds depicted in this panel are delicately rendered in white outlining and colored highlights, with embroidery reminiscent of earlier Paracas needlework. In their beaks, they carry various flora along with crustaceans, fish, insects, snakes, spiders, and worms. The design may have deeper meaning, using the food chain as a metaphor for transformation. There is a group of several similar examples of embroidered birds of Nazca origin, often referred to as samplers. Some scholars theorize that these works relate to a specific workshop or are evidence of strict guidelines and regulations for production.. Cotton, plain weave; embroidered with cotton and wool (camelid) in back, cross, double running, running, satin, and stem stitches . Nazca

Deraisme, Pierre -Georges (n.1859 - D.1932), ring (main title), 1912. Graphite, gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Metal Frame Daguerreotype (Brass). Dated: c. 1941. Dimensions: overall: 34.7 x 24.5 cm (13 11/16 x 9 5/8 in.) Original IAD Object: 4 1/2" long; 3 1/4" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Frank M Keane.

SIN TITULO V - 1992 - TECNICA MIXTA - 100x100. Author: JOSE MARIA SICILIA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

PINTURA. Author: JOSE LUIS GOMEZ PERALES. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Abklatsch of the chalk drawing on page 19 Verso, c. 1886 - 1934 Page 20 Recto from sketchbook LV with 21 sheets. Amsterdam paper

CUISINIER CHINOIS-1986-(MIXED MEDIA ON CANVAS)118 1/4X76 3/4. Author: MIQUEL BARCELO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Lazio Viterbo Viterbo Museo Civico15. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-

ESCULTURA - SIGLO XX. Author: EMILIO MARTINEZ (S XX). Location: GALERIA JUANA DE AIZPURU. MADRID. SPAIN.

'Dance I', 1994, Oil on canvas, 74 x 57 cm. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Staff and Gourd. Tōrei Enji (Japan, 1721-1792). latter half 18th century. Paintings; scrolls. Hanging scroll; ink on paper

PLUMA - 2004 - OLEO SOBRE PAPEL JAPONES - 69x47 cm. Author: FRANCISCO RAMIREZ PRADILLA (1975-). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Male act, Egon Schiele -, artist

LADO SUR DEL INTRADOS DEL ARCO OCCIDENTAL DEL GRAN SALON DEL CASTILLO DE QUSEIR AMRA - DANZARINA DESNUDA - SIGLO VIII - DINASTIA OMEYA. Location: CASTILLO. QUSEIR AMRA.

Dado, Block-printed on handmade paper, Inset panel dado printed in grisaille: bead-and-reel motif on the interior of molding., H# 314 , France, 1790, Wallcoverings, Dado

Title Unknown (Woman Pensive) Alphonse Mucha (1860-1939 Czech)

Panel 17th century. Panel 446830

Window from Sant Climent de Taüll. Date/Period: End of 11th century. Mural painting. Fresco transferred to canvas. Height: 760 mm (29.92 in); Width: 595 mm (23.42 in). Author: UNKNOWN.

EQUIPO 57 COLECTIVO DE PINTORES QUE TRABAJARON COMO TAL DURANTE 5 AÑOS. SON ESTOS , JUAN SERRANO , JOSE DUARTE , ANGEL DUARTE , AGUSTIN IBARROLA , JUAN CUENCA " SIN TITULO , 1960 " COLECCION DE AUTORES ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Recto: crucifixion; Verso: fragment of an unpainted composition; 1790-1820 (recto); 18th century (Verso) (1701-00-00-1820-00-00);

Design for a Stage Set. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Etching by an unidentified monogrammist from 1544 depicting a medallion with a coat of arms, showing heraldic symbols and decorative elements.

Luigi Schiavonetti after William Blake, The meeting of a Family in Heaven, 1808 and 1813 Luigi Schiavonetti after William Blake (Italian, 1765 - 1810), The meeting of a Family in Heaven, 1808 and 1813, etched copper plate, Rosenwald Collection 1943.3.1747

The Eight Drunkards Unidentified artist. The Eight Drunkards 51533

Wall of the central room with painted decorative elements, Abbey of St Mary Nascent, Morimondo, Lombardy, Italy, 12th century.

Jean-Baptiste Emile Dropsy (1848-1923). "Medal plate. Victimam Mundi". Metal, bronze. Museum of Fine Arts of the City of Paris, Petit Palais. 57564-8 Bronze, metal, numismatics, medal plate

Grosso Agontano of Autonomous Rimini fromUnknown . Ruler: Autonomous Rimini, Italian, 1250-1385 Artist: Unknown

Two old Dutch healers and two other scenes, Anonymous, c. 1700 - c. 1790 Four round glasses in a wooden rough with handle. On the far left: a man pulls the molar of a woman seated in a chair. A man watches in the background. To the right of that: A boy aimed a cloud pump on the bare rear of a woman. An older man light with a candle. To the right of that: a woman, seated behind a dressing table, is hugs from behind and grabbed by a man at the chest. Both look at each other. On the far right: three caricatural figures at a table, one with a telescope, the other with a filled carafe. There are different jars on the table. Netherlands glass. wood (plant material). oil paint (paint). oak (wood)

Album, Album of Designs with Putti after F. Boucher; Print Maker: Pierre-Alexandre Aveline (French, 1702-1760), Louis-Félix Delarue (French, 1730 - 1777), Jacques-Gabriel Huquier (French, 1730 - 1805); After François Boucher (French, 1703-1770); Published by Gabriel Huquier (French, 1695-1772), Jacques-François Chéreau (French, 1742 - 1794)

Francisco Bayeu / 'The Virgin and Child'. XVIII century. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Textiles-Woven

TORRE DEL VIGILANTE- 1993 - 100x70- CARTON/TABLE- DE LA SERIE LUGARES. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Nine French Bank Notes I. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1964. Dimensions: 305 x 504 mm (image); 579 x 806 mm (sheet). Lithograph in beige on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Edo (1615-1868). Textiles-Woven

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