Baptism and Theatrical Scenes

Photographs and sketches capturing scenes of baptism and performance, illustrating dramatic and historical narratives through art.

Lazio Rieti Borgo Velino S. Giovanni, Baptistery. Hutzel, Max 1960-1990 Medieval: Architecture (9th century), baptismal font. Post-medieval: Frescos (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Borgo Velino S. Giovanni, Baptistery. Hutzel, Max 1960-1990 Medieval: Architecture (9th century), baptismal font. Post-medieval: Frescos (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

George Romney, 1734-1802, British, MacBeth: Banquet Scene, undated. Graphite on medium, slightly textured, cream wove paper.

Emilio Sánchez Perrier (Drafstman) / 'Evening Classes at a Drawing Academy, Paris ()'. Ca. 1882. Wash, Black ink, Grey-brown ink, Conté crayon on wove paper. Museum: Museo del Prado, Madrid, España.

Lazio Latina Valvisciolo SS. Pietro e Paolo4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Four gentlemen fishing. Ink drawing by Fritz von Dardel, 1874 Nordic

They do not know the way, plate 70 of 'The Disasters of War' - 1810/14 - 17,7x22 cm - etching, drypoint, burin and burnisher. Author: FRANCISCO DE GOYA. Location: MUSEUM OF FINE ARTS. BOSTON-MASSACHUSETTS.

A Versailles juillet 1919. Dated: probably 1919. Dimensions: overall: 37.6 x 51.4 cm (14 13/16 x 20 1/4 in.). Medium: brush and black ink and black crayon on wove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Escape from a coffin, illustration to One Thousand and One Nights". Pawliszak, Wacław (1866-1905), draughtsman, cartoonist

Temoins à l'audience, 1908. Jean Louis Forain (French, 1852-1931). Etching and crayon;

Figuren op straat.Page 19 From sketchbook XLVIII with 62 pages.

Mariano José Maria Bernardo Fortuny y Carbó, A Street in Seville, 1848-1874, etching and aquatint on beige wove paper.

Flucht der Troer in Die Stadt, pl.10, Gesang XXII Vers 130, "Achill"; Slevogt, Max (1868-1932), Langen, Albert (1869-1909), Albert Langen-Verlag (Munich; Publisher; 1894-1932); 1907 (1907-00-00-1907-00-00);Grecja, Homer (fl. Ca 850 a.c.). Iliada, Royal Prussian Academy of Arts and Mechanical Sciences (Berlin - 1696-1949). Library - Kolekcja, Partage Plus, Troja (Mitol.), Voss, Johann Heinrich (1751-1826). Ilias, Literatura, Modernizm (Styl), Trojańska Wojna

Georges-Antoine Rochegrosse (1859-1938), French painter and illustrator. The executioner's wife. Charcoal, white gouache, ink wash, pen, feather beards. on beige paper. 1884. Paris, house of Victor Hugo. TECHNIQUE MIXTE

Five men at Kaarslicht, Jan van Somer, After Adriaen van Ostade, 1655 - 1706 print Five men are drinking and smoking at candlelight around a table. Amsterdam paper candlestick. drinking. pipe ~ tobacco

Counsel and a Stamp Dealer, John Copley (Manchester, England, 1875 - 1950) 1910

Francisco de Goya (1746-1828), Chinchillarotter, 1797-1798

The Empire Destroys, The Republic Pays. Dated: probably 1918. Dimensions: overall: 32 x 47.5 cm (12 5/8 x 18 11/16 in.). Medium: black crayon and brush and black ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

AAP as a surgeon, Anonymous, 1670 - 1713 print A monkey operates the foot of another monkey. A second monkey is brought into the "operating room". From a stick on the wall, an owl watches the scene. Amsterdam (possibly) paper engraving monkeys, apes. operation, surgery. fabulous animals ~ owls

DINNER-TIME AT MOUNT LEBANON, 1870

Interior with grieving people in a coffin. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 81 mm × w 141 mm. Museum: Rijksmuseum, Amsterdam.

Conversation before dinner. Ernst Barlach (Germany, 1870-1938). Germany, 1919. Prints; lithographs. Lithograph on Watteau paper

Don Quixote, James Ensor, circa 1870-1880, drawing, Belgian Art

Campania Salerno Padula Monastery of S. Lorenzo28. Hutzel, Max 1960-1990 There are views of a number of antiquities. Their specific location within the monastery is unknown. There are two views of the tomb of Tommaso Sanseverino and one view of a statue. There are views of the altar, the frescoed ceiling and statues in niches. niches. Views are of the ceiling, paintings, and statues in niches. There are views of the loggia and its balustrade. There are two views of the ceiling fresco. There are views of the fountain, portico, columns and capitals. There are views of the votive cross, loggia, and landscaping. There are views of the cloister, the fountain, and the loggia. There are views of the colonnade, the floor, and frescoes. There are general views of the cloister, the fountain, and the columns. There are interior views of the church altar, the valuted, frescoed ceiling, and comprehensive coverage of the two choir stalls. There are exterior views of the carved wooden door. There are

The Franconian Circus, before 1925. Auguste Brouet (French, 1872-1941). Etching and roulette;

Jean-Louis Forain, Au front de Vincennes. Bolo pacha, French, 1852 - 1931, c. 1914-1919, brush and black ink and black crayon on wove paper

Introducing the champion , Boxers Sports, Sports spectators, Salutations. George Bellows (1882-1925). Prints and Drawings

The Railway Restaurant. Dated: c. 1879. Dimensions: overall: 19.6 x 27.8 cm (7 11/16 x 10 15/16 in.). Medium: pen and brown ink on wove paper laid down. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.

Le Cheval du pltrier (The Plasterers Horse). Artist: Théodore Géricault, French, 1791-1824

Introducing the champion , Boxers Sports, Sports spectators, Salutations. George Bellows (1882-1925). Prints and Drawings

Campania Caserta Capua Chiesa dell'Annunziata6. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

French satirical Illustration, depicting industrial workers killed by dangerous fumes in a factory. 1907

Lazio Roma Grottaferrata S. Maria31. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gustave Doré (1832-1883), designer and François Pierdon (1821-1904), engraver. "Pantagruelists, Pantagruelisans." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101786-8 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

History of France. Paris. Universal Exhibition of 1878. It was held from May 1 to November 10, 1878. The elevators of the Trocadero Palace. Drawing from life by Pellicer. Engraving by Capuz. Detail. La Ilustración Española y Americana, 1878. Author: José Luis Pellicer y Fenyé (1842-1901). Spanish artist. Tomás Carlos Capuz (1834-1899). Spanish engraver.

Ehrström, Eric, work, The church boat is pushed to the waters, 1903, color lino drawing, graphics, SCENE, church boat, boat shed, men, women, water, plate width 11.8 cm, plate height 5.6 cm, leaf width 25.4 cm, leaf height 13.4 cm

Wine press, Charles-François Daubigny, 1827 - 1878, paper, pencil, h 142 mm × w 227 mm

Gustave Doré (1832-1883), designer and Paul Riault (19th century), engraver. "The stalls of the partition." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101789-14 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Théophile Alexandre Steinlen, In the Rain: Mother and Children (Sous la pluie: La mere et les enfants), Swiss, 1859 - 1923, 1915, etching and aquatint

Woodcut by Hans Burgkmair depicting Emperor Maximilian I learning about artillery, including new guns he invented, on wooden stick 1514-1516.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia90. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

George Bellows, The Shower Bath, 1917 The Shower-Bath

In the Upper Gallery (Au Paradis) 1877 Edouard Manet French. In the Upper Gallery (Au Paradis) 337621

Humorous Wine Illustration 1946, Illustration by Julien Pavil, (1895-1952), French 20th century illustrator, humourist and poster artist. He illustrated several books between 1929 and 1945.

Streetcorner (Coin de rue). Dimensions: 40.7 cm x 53 cm, 27.5 cm x 36 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

LEmpereur Guillaume en colère (Kaiser Wilhelm, Angry), from La Guerre de 1914, first series, no. 5. Artist: Auguste Lepère, French, 1849-1918

Woodcut on Japanese paper by Rudolf Kalvach depicting the unloading of goods in Trieste harbor life, created between 1907 and 1910, showing dock workers and cargo handling.

VICTORIA PARK, LONDON, CANADA, NINETEENTH CENTURY ENGRAVING

th, Karlskirche, relief on a triumphal column, Gerlach , Wiedling Buch- und Kunstverlag, publishing house

Forge. .

Workshop in the silver factory of Begeer. Draughtsman: Anthon Gerhard Alexander van Rappard. Dating: 1868 - 1892. Measurements: h 223 mm × w 303 mm. Museum: Rijksmuseum, Amsterdam.

Bredouilles. l'Equipage d'un Zeppelin. Dated: probably 1915. Dimensions: overall: 32.8 x 50.2 cm (12 15/16 x 19 3/4 in.). Medium: brush and black ink and black crayon on wove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

DA-SC-86-06381. Country: Unknown

M Annanel, Untitled (Mine Accident), 1934 Untitled (Mine Accident)

Portrait of the painter, Giovanni Fattori, by Luigi Levi (1858-1860 - 1939).

The Widows of Courrières 1909 France. Lithograph in black on ivory China paper . Théophile-Alexandre Pierre Steinlen

Fisherwoman with a Net. Date: c. 5 January 1883, The Hague. Dimensions: 10 cm x 6.7 cm. Museum: Van Gogh Museum, Amsterdam.

A Sad Story; Eine Traurige Geschichte. George Grosz (1893-1959). Watercolour, gouache and brush, black ink on paper. Executed in 1937. 59 x 46cm.

Le Vieux Pécheur. Dated: 1839. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Weberzug, Blatt 4. aus dem Zyklus: Ein Weberaufstand. Felsing, Kupferdruckerei (Darmstadt, Monachium, Berlin ; dom wydawniczy, drukarnia ; 1797-1965), publishing house, Kollwitz, Käthe (1867-1945), graphic artist, Schulz (fl. ca 1893-1940), printer

Design for a political cartoon: men's row at a feeder, Albert Hahn (I), after Albert Hahn (II), c. 1800 - c. 1900 drawing Design for a print. cardboard. deck paint. ink. chalk pen / brush political caricatures and satires

The Dijk Bell, Volendam, Sir Frank Short, 1857-1945, British, 1892, Etching, Sheet: 4 7/8 x 4 1/4in. (12.4 x 10.8cm)

Illustration of a market street from a children's book. The strength of the wind has scattered produce across the ground and stolen the hats of passers-by.

Alfredo Ximenez, Untitled (Mexican Man With Bushel of Flowers), c 1939 Untitled (Mexican Man With Bushel of Flowers)

Lynch. Masłowski, Stanisław (1853-1926), draughtsman, cartoonist

Umbria Terni Amelia S. Magno3. Hutzel, Max 1960-1990 Medieval: Augustine church, cloister, 15th century brick & tile tower. Post-medieval: Architecture & architectural sculpture. Interior views of ceiling vault & "false dome". Other interior views include Baroque altar in stone & marble with painted columns, statues in white marble, freizes & columns in reddish marble, 16th century paintings, main altar in colored marble, an organ of late Baroque style with rococo decoration, frescos, cabinet. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex

Figures in Masquerade on the Loggia of the Ducal Palace, Venice, 1925. Italico Brass (Italian, 1870-1943). Crayon; sheet: 22.1 x 27.3 cm (8 11/16 x 10 3/4 in.).

A Magic Lantern. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760-after 1820). Dimensions: Sheet: 13 3/16 × 10 1/16 in. (33.5 × 25.5 cm). Publisher: Rudolph Ackermann, London (active 1794-1829). Date: January 30, 1799. Museum: Metropolitan Museum of Art, New York, USA.

Arab Gypsies in a Tent John Singer Sargent (American, born Italy, 1856-1925). Arab Gypsies in a Tent, 1905-1906. Opaque and translucent watercolor with graphite underdrawing, 12 x 18 in. (30.5 x 45.7 cm). Throughout his Bedouin subjects, Sargent relied primarily on the expressive power of the robed figures (women in blue tobs and men in white) animated by sharp, raking light. He consistently used the black tents as a broad compositional framework, both to exert control over the blazing desert light and to create the shallow pictorial spaces he preferred. Here Sargent also employed a more explicit and romanticized orientalist narrative that features a hooded Gypsy, whose tense hands, brilliantly sketched, hover over the round shape of a tray or bowl. American Art 1905-1906

La Chasse au lièvre. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching on laid paper

State Tretyakov Gallery, Moscow 247x209,8

Before the descent in a coal mine by Deineka, Alexander Alexandrovich (1899-1969)/ State Tretyakov Gallery, Moscow/ 1925/ Russia/ Oil on canvas/ Soviet Art/ 247x209,8/ Genre

The Winner 1898 France. Woodcut in black on cream Japanese paper . Félix Edouard Vallotton

Honoré Daumier, Trente secondes de station, 1843 Trente secondes de station

George Bellows, Ghost of Sergeant Pelly, 1918 Ghost of Sergeant Pelly

The oath of the palm game, engraving of living Denon, according to David. (TF)

Illustration by Alphonse Mucha from "Clio" a work by French author Anatole France; 1900. Mucha (1860 - 1939); was a Czech Art Nouveau painter

Bliżej Kultury unknown

Vicke, 1918. Anders Zorn (Swedish, 1860-1920). Etching and drypoint;

Street scene , Karl Wiener -, artist

History of France. Paris. Universal Exhibition of 1878. It was held from May 1 to November 10, 1878. The elevators of the Trocadero Palace. Drawing from life by Pellicer. Engraving by Capuz. La Ilustración Española y Americana, 1878. Author: José Luis Pellicer y Fenyé (1842-1901). Spanish artist. Tomás Carlos Capuz (1834-1899). Spanish engraver.

Watercolor and black ink drawing by Franz Wacik depicting a man bowing and companion figures of Louis XIV in an interior scene over pencil, 1915.

The man with a fire arrow, with spectators, 1695; Victoria Publica; The general joy to the intake of names by Stadholder Willem III, King of England, September 1695. A man puts a fire arrow with a wick, left a smiling boy with a burning torch. Under the show a eight-line verse in which the victory of England and the Netherlands is being led by Willem III. The print is part of the series of eight prints manufactured in response to the conquest of names in 1695.

TheReturn. Artist: James Tissot, French, 1836-1903

Pele de Cordova d'Aguilar, Jean-Louis Raymond (n.1838-06-29-D.1894-08-30), meeting of two painters. Black feather and ink, on graphite. Petit Palais, Museum of Fine Arts of the City of Paris.

An engraving depicting a hurricane lamp. Dated 19th century

Shower-bath, first state , Business people, Bathtubs & showers, Young Men's Christian Association of the City of New York. George Bellows (1882-1925). Prints and Drawings

George Chinnery, 1774-1852, British, Chinese Coolies reading a Proclamation, 1841. Graphite, pen and brown ink on medium, slightly textured, cream wove paper.

Work entitled In Women's Clinic by the Norwegian artist Edvard Munch (1863-1944). This work was produced in 1896.

Illustration to the national epic Kalevala, Kochergin, Nikolai Mikhaylovich (1897-1974)

CASTELLERS - 1929-1930 - GRISALLA Y ORO SOBRE LIENZO - 4,20 x 1,56 m - LAS BODAS DE CAMACHO - COMEDOR DEL HOTEL ASTORIA DE NUEVA YORK. Author: SERT JOSE MARIA. Location: HOTEL WALDORF ASTORIA. NEW YORK.

Around the Lamp by Auguste Louis Lepere, 1888

Un Grand Fleau La Tuberculose - The Great Scourge of Tuberculosis - French Poster, circa 1917

FANCY BALL GIVEN BY THE MAYOR OF LIVERPOOL AT THE TOWN HALL, UK, 1881

Without title Sketch of two farmers at work, Leo Gestel, 1925 - 1927 drawing Leaf with two sketches of farmers at work, on the left a standing farmer with cap and scythe in hand, on the right a farmer on the back with tools in hand Flanders paper. reaping, picking, mowing ~ harvest

el muro de las lamentaciones en Jerusalem, Ephraim Moses Lilien, 1908, Museo Judío de Berlín,diseñado por el arquitecto polaco Daniel Libeskinds , Berlin, Alemania, Europe.

Refugees from Belgium in Roosendaal, 1914. Draughtsman: Leo Gestel. Dating: 1914. Measurements: h 270 mm × w 373 mm. Museum: Rijksmuseum, Amsterdam.

Jean Louis Forain, Scene of a Strike (third plate), c 1897 Scene of a Strike (third plate)

THE CAB QUESTION

Koppen in a crowd, Fons van der Velde, 1880 - 1936 print paper etching / drypoint crowd, mob

in Kazimierz; Skoczylas, W Adys Aw (1883-1934); 1930 (1930-00-00-1930-00-00);

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