Baroque Architectural Drawings

Intricate designs for altars and pavilions from the 17th to 18th centuries, highlighting elaborate ornamentation and classical architectural features.

Design for a triumphal arch, Design for an honorary arch for Archduke Leopold William, draughtsman: Theodoor van Thulden, draughtsman: Erasmus Quellinus (II), 1646 - 1648, paper, pen, brush, h 444 mm × w 287 mm

Design for an Altar 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Design for an Altar 340119

Plan and elevation of a garden pavilion with the coat of arms of Keppel, Daniël Marot (I), 1672 - 1752, Design for a garden pavilion with the coat of arms of the Van Keppel family., draughtsman: Daniël Marot (I), 1672 - 1752, paper, pen, brush, h 352 mm × w 238 mm

Design for a triumphal arch, Design for an honorary arch for Archduke Leopold William, draughtsman: Theodoor van Thulden, draughtsman: Erasmus Quellinus (II), 1646 - 1648, paper, pen, brush, h 444 mm × w 287 mm

Design for an altar of the Virgin, Carlo Marchionni, Italian, 1702-1786, Pen and sepia ink, brush and gray watercolor on laid paper, Two angels support a frame of an image, with two cherubim on top. Two others support a label above. Upon the cornices of a broken pediment sit angels. In the center an escutcheon with a monogram; on its top a cross with two angels beside its base., Italy, 1775-80, architecture, Drawing, Drawing

Design for a grave monument, Anonymous, 1600 - 1700 drawing Flanders paper. ink. pencil pen / brush

Design for the Decoration of the Semi-Dome of a Church Apse ca. 1545-55 Workshop of Battista Franco Italian. Design for the Decoration of the Semi-Dome of a Church Apse 372633

Print, Fireplace; Germany; etching on paper

Design for an Altar, from 'Nouveaux Dessins d'Autels', Nicolas Pineau, French, 1684-1754, Etching on paper, France, ca. 1725, Print, Print

Design of a fireplace with a painting featuring a vase of flowers. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Sir James Thornhill, 1675-1734, British, A Design for a Mural Executed in the Salon at Roehampton House, Surrey: Apollo Carrying off Aeneas in a Cloud, ca. 1715. Pen and brown ink with brown wash over graphite on medium, slightly textured, beige laid paper.

Three fireplaces for the imperial room in Klosterneuburg Abbey designed by Franz Anton Grimm, drawn in brown ink and wash on paper in 1738-1739.

Elevation of Part of an Altar Retable, from 'Architectura und Ausztheilung der V Seulen', Wendel Dietterlinn the Elder, 1551 - 1599, Etching on white laid paper, The design shows a portion of the left side of the retable, including the niche for the Host; statues of Saints are included at the sides and the architectural numbers are heavily overgrown with vine-like vegetation., Stuttgart or Strasburg, Germany, Germany, 1593-94, architecture, Print, Print

Design for a Monument with Minerva 16th century Anonymous, Spanish, 16th century Spanish. Design for a Monument with Minerva 387487

Drawing (Italy)

Fireplace for a wall; Novae Cheminae. A frieze has been displayed between the chimney ball and the cornice with a sacrificial scene in bas-relief. There are two nymphs in addition to a smoldering urn. Copy to print from the Serie Nouvelles Cheminée Faittes and Plusieur and Droits de la Hollande et Autres Prouinces.

Portal decorated with mascarons and garlands and on top of two women with cartouches, Wendel Dietterlin (I), 1593 - 1595 Numbered: 43. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. mask, mascaron ~ ornament. 'Laub- und Bandelwerk' ~ ornament

Drawing, Wall elevation of a vestibule; Italy

Design of a fireplace with bust of a woman and flower festoons. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Submash with square painting, Jean Lepautre, c. 1665 - c. 1670 print The painting is the death of ProCris (). Leaf 4 from series of 6. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Composite head gear, capital and detail of Fries, Giovanni Battista Montano, 1636 print At the bottom are three lines of text. print maker: Italy (possibly)publisher: Rome paper engraving

Two One Half Variants of a Design for Painted Wall Decoration with Arch and Perspective View Inside (recto). Negligible diagrams and compass drawn circle (verso). 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Two One Half Variants of a Design for Painted Wall Decoration with Arch and Perspective View Inside (recto). Negligible diagrams and compass drawn circle (verso). 365529

Design for Decorative Hinges (recto), mid 1500s. Luzio Romano (Italian, active 1528-75). Pen and brown ink over black chalk; framing lines in brown ink (lower left, upper right); sheet: 29.8 x 17.5 cm (11 3/4 x 6 7/8 in.); secondary support: 40.2 x 25.4 cm (15 13/16 x 10 in.).

Design for Jean Grusset grave monument, called Richardot.

Schoorsteenmantel met een feniks en vrouwenfiguren; Schoorsteenmantels.Above and right grotesken. In the middle a seated woman and a winged sphinx on either side of a cartouche. There and a mermaid and a phoenix.

Elevation for a Wall Tomb Attributed to Jean Michel Moreau the Younger French. Elevation for a Wall Tomb 335931

Designs for an Overdoor Decoration (recto); Various Sketches (verso). Artist: Anonymous, Italian, Bolognese, 18th century. Dimensions: 5-1/2 x 3-1/8 in. (14.0 x 7.9 cm). Date: 1740-60. Museum: Metropolitan Museum of Art, New York, USA.

Map and diameter of a gate for a garden, Daniël Marot (II), 1705 - 1769 drawing paper. ink. pencil pen / brush garden buildings. plan ~ architecture

Schools Met Vacizes, Emanuel Eyel, After Frank XAver Hervelman, 1731 - 1775 print Fireplace with rocaille ornaments and two vases. Publishing number 164. Augsburg paper etching / engraving open hearth, fire-place. vase ~ ornament

Monumental bow ..

Three half epitafes and three half altar constructions, 1610 print At the top, six balusters or terms are depicted from the front with five pinnacles, at the bottom, four terms in the form of rolling consoles from the side can be seen. Blad 13 from series of title page and 28 magazines. paper etching

Design for Jean Grusset, named Richardot, Peter Paul Rubens, 1609 drawing paper. ink. chalk pen / brush grave-building, monumental tomb

Design for a pulpit, Jan Claudius de Cock, 1678 - 1736 drawing paper. graphite (mineral). chalk. ink pen / brush pulpit, ambo, chancel. ornament ~ medallion. empress Helena, mother of Constantine the Great; possible attributes: model of church, (royal) crown, crown of thorns, cross, three nails

Etching by Pietro del Pò from 1666 showing scaffolding erected for Queen Anna Maria of France on the main facade of San Luigi dei Francesi in Rome, depicting architecture, figures, and construction details.

Furniture Design 1565-70 Jacques Androuet Du Cerceau. Furniture Design. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1565-70. Etching. Prints

Subsema with medallion, Jean Lepautre, c. 1658 - c. 1670 print Medallion with the kidnapping of Proserpina, on both sides is a putto on a lion. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Altra finestra nel mezzo di detta facciata sopra l'antecedente finestra, con parapetto che fa ringhiera, Stvdio d'architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le misure, piante, modini, e profili: opera de' piv celebri architetti de nostri tempi, Borromini, Francesco, 1599-1667, Specchi, Alessandro, 1668-1729, Engraving, 1702-1721, Architecture by Borromini

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, unknown, Pulpits, Pulpit with putto, Pulpit with rocaille ornaments between two arches. At the top a winged putto points to the letters IHS in a halo. Publisher number 166., print, ornament print, prints, ornament prints, height 289 mm, width 194 mm, print maker, printmaker, 1740 - 1745, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1721 - 1796, after a design by, Publication (Event), Publication, 1695 - 1775, publisher

Design for an Altar Surmounted by a Crucifix in Four Different Views. Artist: Vincenzo de' Rossi (Italian, Fiesole 1525-1587 Florence). Dimensions: Sheet: 22 9/16 x 16 3/4 in. (57.3 x 42.6 cm). Former Attribution: Anonymous, Italian, Florentine, 16th century. Date: 1546-47.While principally known as a sculptor today, early written sources suggest that Vincenzo de' Rossi (1525-1587), the successful pupil of Baccio Bandinelli (1488-1560), also had a career as an architect. This newly discovered drawing by the artist, acquired by The Metropolitan Museum of Art in 2013 as an anonymous Florentine design, more satisfactorily substantiates the references found in the sixteenth-century sources (Vasari 1568, and Borghini 1584) and sheds new light on Vincenzo's activities as a draftsman and architect. The sheet, which depicts a comprehensive design for an altar and is inscribed and signed by the artist at bottom right "Vincentio Rossi", can be considered the first genuine architectural drawing b

Design for a Catafalque 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Design for a Catafalque 389998

Plate 19: Triumphal arch, elevation of the front, surmounted by a cloud bearing Ferdinand and royal ancestors; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' 1636 Johannes Meursius On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.Triumphal arch decorated with scenes from the life of Emperor Charles V: counselling Ferdinand at top, submissio

Design for a Man's Tomb. Artist: Anonymous, French, 16th century. Dimensions: sheet: 19 x 11 3/4 in. (48.2 x 29.9 cm). Former Attribution: Formerly attributed to workshop of Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Interior Arched Niche Decorated with Portraits and GenreScenes. Artist: Anton Joseph von Prenner, Austrian, 1683-1761

Design for a Fireplace 1633 or after Anonymous, French, 17th century French This drawing reproduces a fireplace published in a print series by Melchior II Tavernier (French, Antwerp 1595-1665 Paris) in 1633. Eight years earlier, Tavernier had hired a young artist called Jean Barbet to record some of the latest novelties in interior design from in and around Paris, which were then etched by Abraham Bosse (French, Tours 1602/1604-1676 Paris). The rich and sculptural designs proved so popular, that shortly after their publication copies were made in The Netherlands, Germany and England. In addition to printed copies, a luxurious set of drawn copies was also made in France intended for the British architect Inigo Jones (British, Smithfield (London) 1573-1652 London) and the so-called Office of Works’ to present to Queen Henrietta Maria (wife of King Charles I of England). Jones was to interpret the designs in his own manner and execute them in several palaces belonging to the English roya

Elevation of the Facade of Santa Maria dell'Orazione e Morte, Rome, Italy, Ferdinando Fuga, Italian, 1699 - 1781, Pen and black ink, brush and gray wash on paper, Design for the two-tiered elevation fo the facade of Santa Maria dell'Orazione e Morte in Rome, Italy. An escutcheon at top flanked by sculptures of two winged figures, a cross above them at center., Italy, 1680-1730, architecture, Drawing, Drawing

Speculum Romanae Magnificentiae: The Arch of Constantine, Rome. Artist: Attributed to Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). Dimensions: mount: 17 1/2 x 12 3/8 in. (44.5 x 31.5 cm)sheet: 11 5/16 x 8 7/8 in. (28.7 x 22.6 cm). Publisher: Published by Antonio Salamanca (Salamanca 1478-1562 Rome). Date: ca. 1514-36.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page

Underbooling with Painting by Apollo and Marsyas; Nouvelles Cheminées à Paneaux de Glace Exécuté Dance Quelques Hôtels à Paris. Different details are shown on the left. From series from title page and 5 sheets, second edition.

Five composite consoles, decorated with rolling work, grotesken and mascarons, Wendel Dietterlin (I), 1593 - 1595 Numbered: 32. Print is part of a book. Strasbourg (France) paper etching other architectural details. composite order ~ architecture. column, pillar ~ architecture. ornament ~ festoon, garland. mask, mascaron ~ ornament. 'Laub- und Bandelwerk' ~ ornament

Drawing, Upper part of a wall and ceiling of a hall; Italy

Part of a portal with vases in Nissen, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, after 1601 Part of a portal with a cassette ceiling and vases in niches. Through the gate a face on two obelisks for a city gate. Rolling in the corners. The print is part of an album. Antwerp paper etching Part of a portal with a cassette ceiling and vases in niches. Through the gate a face on two obelisks for a city gate. Rolling in the corners. The print is part of an album. Antwerp paper etching

Print, Cartouche and Fountain with a Vase Resting on Three Sea Horses; Designed by Pierre Edme Babel (French, 1720-1775); Published by Jacques Chéreau (French, 1688-1776); France; engraving on off-white laid paper; Sheet: 34 x 22.5 cm (13 3/8 x 8 7/8 in.) Platemark: 28 x 19 cm (11 in. x 7 1/2 in.)

The alcove design of the King of France; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Furniture Design 1565-70 Jacques Androuet Du Cerceau. Furniture Design. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1565-70. Etching. Prints

Design for a Lady's Tomb. Artist: Anonymous, French, 16th century. Dimensions: sheet: 17 5/16 x 11 9/16 in. (43.9 x 29.3 cm). Former Attribution: Formerly attributed to workshop of Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Project for the decoration of a chapel, Black chalk, pen, ink, brush, and grey, brown and rose water colors on paper., Italy, 1700-1730, architecture, Drawing, Drawing

Design of wainscot with fireplace in the middle with an oval mirror above it and five Chinese vases above the mirror. unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Drawing, Design for an Altar; Designed by Filippo Marchionni (Italian, 1732-1805); Italy; pen and brown ink, brush and gray wash, black chalk, streak of brown chalk on white laid paper

Rubens, Peter Paul, Southern Netherlands, Posterior portae triumphalis facies. Historiae similes, Back of the triumphal arch Arcus Fernandi on the Vrijdagmarkt; entry of Ferdinand into Ghent in 1635 (no. 12), back - stamped, Back of the triumphal arch Arcus Fernandi on the Vrijdagmarkt. Triumphal arch decorated with historical and allegorical scenes and figures. Sheet no. 12 in a set of 42 plates illustrating the publication of the description of the entry of Cardinal Infante Ferdinand of Austria into Ghent on 28 January 1635 as the new governor of the Spanish Netherlands., print, prent, prints, prenten, Frederik Muller Historieplaten, height 375 mm, width 237 mm, print maker, prentmaker, 1635 - 1636, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1577-06-28 - 1640-05-30

Bernini (1598-1680), S. Maria del Popolo, Rome. Marble altar (without dat.): View marble altar (15th century). Photo, 39.3 x 24.8 cm (including scan edges)

Salon with fireplace; Décoration Propre Pour Un Sallon; 82E CAYER SUITE DES Models Contenant Plusieurs Décorations de Lambris A L'Usage des apartments; Septemary volume, recueil élémentaire d'Architecture (...). A salon with pilasters, two doors and an ornamented fireplace. On either side of the fireplace are vases and panels with putti and coats of arms. Above the DESSUS-DE ports with putti and medallions with two portraits. Print number 488.

Johann Ulrich Kraus, after Peter Schubert von Ehrenberg, Triumphal Arch for Charles V, 1725 Triumphal Arch for Charles V

Escutcheon for a Coat-of-Arms, Charcoal, pen and ink, brush and watercolor on paper, At center, a crowned escutcheon with pairs of putti and caryatids. On either side, figures in sculpture niches. Above, two floral vases., Italy, 1600-1625, ornament, Drawing, Drawing

Graftombe of Willem I, Prince of Orange, 1623; Architectura Moderna or Buildinge van Onsen Tyt (...) Mr. Hendrick de Keyser (...) and Cornelis Danckerts (...) Amsterdam 1631, PL. XXXIX. Graftombe or Palatergraf of Willem I in the new church in Delft, completed in 1623. Seen from the front with the image of the sitting prince. At the top right 'XXXIX'.

Design for a Ceiling 18th century Anonymous, Italian, Bolognese, 18th century Italian. Design for a Ceiling 389992

Deposito di papa Urbano VIII. eretto nella Basilica Vaticanan, Stvdio d'architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le misure, piante, modini, e profili: opera de' piv celebri architetti de nostri tempi, Aquila, Francesco Faraone, ca. 1676-1740, Bernini, Gian Lorenzo, 1598-1680, Specchi, Alessandro, 1668-1729, etching, 1702-1721

Design for a Stage Set, Showing Right Half Only 1698-1772 Attributed to Prospero Zanichelli Italian. Design for a Stage Set, Showing Right Half Only 345795

Design for a Stove and Wall Fountain () 1598 Workshop of Friedrich Sustris Central European This sheet contains two drawings separated by a thin vertical line in the middle. It is not entirely clear whether they represent two views of the same object, or whether they in fact show two different elements of an interior. The design on the left is clearly recognizable as the side elevation of a large stove, typical for Central Europe from the late Middle Ages onward. The design on the right could be one of two things. It might be a frontal view of the same stove, outfitted with a niche and vessel to supply hot water. Although ingenious, this does not appear to have been common at the time however. It might therefore sooner have to be considered as a separate design for a wall fountain or lavabo. From contemporary views of interiors it is known that the combination of stove and lavabo was often found in the bedroom and it was not uncommon to match their designs in the endeavor to create so

Design for the Entrance to a Chapel 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Design for the Entrance to a Chapel 340400

Design for a wall cupboard, c. 1650 - c. 1775 Verso sketches of profiles. Florence paper. ink. chalk pen decorative furniture. ornamental cupboard

Monument to Anna Jagiellonka - board 17 from the album "The graves and monuments of Polish kings in Krakow" (edition II); Dietrich, Adolf Fryderyk (1817-1860), Stachowicz, Micha (1768-1825), Lemercier, Rose Joseph (Paris 1851 (edition); 1822-1827 (matrix) (1822-00-00-1851-00-00);

Altar of Amor, Agostino Veneziano (Possible), After Rafaël, 1500 - c. 1536 print An architectural space with an altar in a niche. On the altar there is a sculpture of Amor with his bow and arrow case. At the bottom of the altar a bass relief with a battle. Italy paper engraving / etching battle. fighting. (story of) Cupid, Amor (Eros). altar. piece of sculpture, reproduction of a piece of sculpture. interior of church

Rocaille Motifs and Dados, from Set No. 120, Franz Xaver Habermann, German, b. Poland, 1721-1796, Johann Georg Hertel, German, ca. 1700-1776, Etching on paper, Plate 3. Two columns stand before the ends of a dado. Rocaille motifs., Augsburg, Germany, 1750-1770, Print, Print

Print, Design for a Choir Screen; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 22.5 × 15.3 cm (8 7/8 in. × 6 in.)

Design for a Tabernacle with Two Variants, from: Tabernacles à l'italienne. Artist: Jean Le Pautre (French, Paris 1618-1682 Paris). Dimensions: sheet: 6 1/4 x 9 1/8 in. (15.9 x 23.1 cm)plate: 6 1/8 x 8 3/4 in. (15.6 x 22.2 cm). Publisher: Jean I Leblond (French, ca. 1590-1666 Paris). Date: ca. 1644-66. Museum: Metropolitan Museum of Art, New York, USA.

An Architectural Wall Design in Honor of Henry IV, the Gallic Hercules. Dated: c. 1600. Dimensions: overall: 33.2 x 46.6 cm (13 1/16 x 18 3/8 in.). Medium: pen and brown ink with brown wash over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta or Agostino Ciampelli.

Fireplace with terms; Schouwen and wooden paneling in interiors. Schouw flanked by two terms, with a square painting of Venus at the top of a square that mourns Adonis. On either side of the bosom a niche with image of Apollo.

Print (France)

Design for a Pulpit, Plate 4 from an Untitled Series of Pulpit Designs. Artist: Carl Pier (German, active Augsburg, ca. 1750). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for a suspended pulpit shown in frontal elevation. The pulpit is characterized by a baldachin of rocaille ornaments leading up to a representation of the Holy Ghost in the form of a pigeon, surrounded by rays of sunshine. This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Second Edition. Door with blank frame Nouveau Livre d' Porte d'La Chambre , Jean Lepautre, print maker: anonymous, publisher: Reinier Ottens (I), print maker: Netherlands, (possibly), publisher: Amsterdam, publisher: Amsterdam, publisher: Amsterdam, 1726 - 1750 and/or 1750 - 1765, paper, etching, h 216 mm × w 148 mm

Niche 16th century Anonymous, Italian, 16th century Italian. Niche 342275

Design for an Arch Through Which Is Seen a Fountain with Two Putti (recto); Design for an Architectural Structure (verso). Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 14 1/8 x 9 3/16 in. (35.8 x 23.4 cm) ; irregular. Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Three tombs, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Upper row, left. The architectural setting is similar to 1938-88-1298, right row, above. The scheme of the monument is a variation of 1938-88-1298, left row, below. The pedestal has two offsets, with a festoon in the upper one as the only decoration. Above it sit two female allegories. On top of the sarcophagus is a pedestal. Upon it a figure, standing, carrying a medallion together with a putto standing beside her, at right. At left, another putto, kneeling. At right: the architectureal setting is the usual intercolumniation with the entablature. In the upper part is a drapery with in front a medallion with a bust portrait, surrounded by branches and supported by two flying putti. Below is a pedestal with a relief. Sitting upon it, beside an urn, are two femal allegories. Lower row, horizontally. The architectural setting is similar to 1938-88-1296, with a niche si

Design for an Altar with a Variant 18th century Attributed to Anonymous, German, 18th century German. Design for an Altar with a Variant 383185 Artist: Attributed to Anonymous, German, 18th century, Design for an Altar with a Variant, 18th century, Graphite, pen and black ink, watercolor, sheet: 11 3/4 x 6 7/16 in. (29.9 x 16.3 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1952 (52.570.82)

Portal with carpet for the passage and at the top Zeus on an eagle flanked by Women Op Leeuwen, Wendel Dietterlin (I), 1593 - 1595 Numbered: 25. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. Doric order ~ architecture. specific aspects, allegorical aspects of Jupiter; Jupiter as patron

Alkoof with variant for the right half, Jean Lepautre, 1678 print On the left a door with Dessus-de-Porte with a vase. On the right a wall with two Corinthian pilasters with a emperor's bust in between. Leaf 3 from series of 6 sheets. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Design for a Salon Wall, Pen and ink, brush and watercolor, black crayon on paper, A mantelpiece is flanked by narrow wall panels and folding doors., Italy, 1790, drawing, drawing

Design for a Salon Wall, Pen and ink, brush and watercolor, black crayon on paper, Folding doors are near the corners. In the middle of the wall projects a panel between two pilasters showing in its top part candle brackets, a relief, ornaments. A cupboard stands before its bottom part., Italy, 1790, drawing, drawing

Front of the Triumphpoort Arcus Fernandi on the Vrijdagmarkt; Entry of Ferdinand in Ghent in 1635 (no. 5), 1635 - 1636 print Front of the triumph gate Arcus Fernandi on the Vrijdagmarkt. Triumph gate decorated with historical and allegorical scenes and figures. Page No. 5 in a whole of 42 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper engraving triumphal arch Ghent. Friday market

Allegorical show ..

Drawing, Stage Design, Sepulchral Building in Egyptian Style; After Mauro Antonio Tesi (Italian, 1730 - 1766); Italy; graphite on laid paper

Gate -shaped wall decoration with vases such as crowning, Wendel Dietterlin (I), 1593 - 1595 Numbered: 18. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. Doric order ~ architecture

Wall decoration with a niche with a bear, deer and boar head and at the top of Diana with five leashed dogs, Wendel Dietterlin (I), 1593- 1595 Numbered: 22. Print is part of a book. Strasbourg (France) paper etching ornament derived from architectural details. parts of church exterior and annexes: portal. Doric order ~ architecture. specific aspects, allegorical aspects of Diana; Diana as patroness - triumph. ornament derived from animal forms

Half of rectangular ceiling; Ceilings à la modern. In the middle a blank round surface surrounded by small panels with leaf raft and portrait medallions. From second edition.

Paris, Mariette, Pierre (II), Cochin, Nicolas, Holy House of the Virgin Mary, septentrion side, verso - stamped, The septentrion side of the marble Renaissance enclosure of the Holy House of the Virgin Mary in the Basilica della Casa Santa in Loreto. The enclosure contains statues and reliefs by Andrea Sansovino, Ranieri Nerucci and Antonio da Sangallo the Younger. The whole was designed by Donato Bramante., print, prent, prints, height 234 mm, width 345 mm, French, 1610 - 1686, print maker, printmaker, 1649 - 1649, paper, papier, etching, etchings, Publication (Event), Publication, 1634 - 1716, publisher, uitgever

Framing Element with Figures () 17th century Anonymous, Italian, 17th century Italian. Framing Element with Figures () 367104

Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, Left row, above: the setting is as in 1938-88-1292 right. The sarcophagus is supported upon a base by two supports; it has the shape of a tub, and a pediment. Behind it is the straight wall, supporting above it a pedestal with the kneeling figure, and two female allegories sitting beside. Below: the right framing of the niche is indicated. Below is a pedestal with figures at he front and a putto sitting upon its upper edge. Upon it stands the sarcophagus covered partly by a cloth. Above is a sitting female allegory with the oval medallion, and a kneeling one supporting the crown above it (a variation of 1938-88-1296 with the executed entablature. Below is a pedestal with a relief at the front. The tub-like sarcophagus is supported by two crouching lions. Upon its cover stand two female allegories, leaning upon an oval medallion, which stands

Wall Decoration 16th century Anonymous, Italian, 16th century Italian. Wall Decoration 342223

The order of the architecture of the third floor of the rooms of the rooms in the Louvre Court Jacques I Androuet du Hoop (1515-1584). The order of the third floor architecture on the rooms side in the Louvre yard. Engraving.

Design for an elaborate arch 19th century Anonymous, French, 19th century French. Design for an elaborate arch 392393

Stanislaus of Szczepanów (1030 Szczepanów 1079 Krakow) Bishop of Krakow Chapel of Stanislaus in Krakow from: Friend of the Lud year Ix, no. 15 (8 October 1842) G Siorowski, Bogumi Teofil (1819 1887)

Design for a plasterwork bracket. Artist: Anonymous, Italian, 18th century. Dimensions: 7 x 5 5/16 in. (17.8 x 13.5 cm). Date: ca. 1700. Museum: Metropolitan Museum of Art, New York, USA.

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