Baroque Architectural Prints

A collection of intricate etchings and engravings showcasing designs for doors, balconies, and fireplaces in an elegant Baroque style featuring ornate details.

Design for Wainscoting with a Double Door and Dessus de Porte, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Print, Porte-Cochère Design; Designed by Laurent Francart (French, active 1681-1690); Published by Jean Mariette (1660-1742); France; etching and engraving on laid paper

Print, Design for an Iron Balcony; Designed by Gabriel Bonthomme (Active in France, eighteenth century); France; etching and engraving on paper

Print (France)

Print (France)

Print (France)

Print (France)

Bound Print, Title Page; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

Print (France)

Twee secretaires, J.L.Th. Baijer (attributed to), c. 1760 - c. 1765 drawing A secretary, on the front and side with flower branches, stated in graphite a broken top, with a related secretary in an open state. Measure indication along the bottom. Paris paper. graphite (mineral) pen

Design for Wainscoting with a Double Door and Dessus de Porte, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Karl Albert von Lespilliez, 1723-1796, Nicolas Jean-Baptiste de Poilly, French, 1712-after 1758, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Drawing, Entrance wall of an alcove; Italy

Bound Print (France)

Cheval dressing-glass.. Nicholson, Michael Angelo, -1842. Prints, Drawings, Design drawings. 1826. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Mirrors

Bound Print (France)

Domestic Decoration Project (supposed to be for the cabinet of the hotel of Monsieur de Bondy), angle of the rue de Richelieu and the Boulevard Montmartre Alexandre Theodore brongniart. Interior decoration project (supposed to be for the cabinet of the hotel of Monsieur de Bondy), angle of the rie de Richelieu and the Boulevard Montmartre. Drawing.

Bound Print, Design for an Altar; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

Bound Print (France)

Design for picture frame, 1876. William Holman Hunt .

Print

Bound Print (France)

Pews, draughtsman: Johannes Bosboom, 1827 - 1891, paper, brush, h 248 mm × w 337 mm

Rome, Ferranti, Callisto, Italy, Montano, Giovanni Battista, Architettura con diversi ornamenti cavati dall' Antico, Ionic, Ionic order, With variant for the frieze, the cornice and the spandrel. Explanation at the bottom., print, ornament print, prints, ornament prints, height 282 mm, width 180 mm, Work conception, 1534 - 1621, after a design by, 1636 - 1636, second quarter 17th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Italian, publisher

Design for Ceiling Decoration, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Design for Ceiling Decoration., Rome, Italy, 1746-1809, interiors, Drawing, Drawing

Print (France)

Marble Tomb of Cardinal Juan de Tavera, Archbishop of Toledo, in the Hospital of St. John the Baptist at Toledo. Nicolaas Henneman (British, 1813 - 1893)

Drawing (Italy); pen and black ink with gray and blue wash and traces of graphite support: off-white laid paper

Print (France)

Print (France)

Print (Italy)

Design for Fireplace and Grate 19th century Anonymous, British, 19th century British. Design for Fireplace and Grate 386640

Print, Cheminée à la Moderne; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Jean Pelletier (French, born ca. 1736); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Print (France)

Design for a Wall Elevation with Garlands and a Landcape Scene 17th century Anonymous, Italian, 17th century Italian. Design for a Wall Elevation with Garlands and a Landcape Scene 389357

Wall Elevation of the Bedroom of the Prince de Rohan, Hôtel de Soubise, Paris, Germain Boffrand, French, 1667 - 1754, Pen and black, gray ink, brush and gray wash, gouache, graphite, on three joined sheets of white laid paper, incised for transfer to engraving plate, The elevation shows the bed alcove, seen from the side left, and set in beside one (of a pair) Corinthian columns. The rest of the interior shows a fireplace, center, and a double paneled door at the right. The wooden paneling is richly carved and painted, as indicated for the over-doors and the panel at left of the fireplace., 1735-36, interiors, Drawing, Drawing

Print (France)

Print (France)

Piotrkow Trybunalski. Royal Castle - a fragment of the portal; Lesser, Aleksander (1814-1884); 1850 (1850-00-00-1850-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Piotrków Trybunalski (Łódź Voivodeship), Royal Castle (Piotrków Trybunalski), architecture, Polish architecture, gift (provenance), details , architectural details, portals (architect), Royal Castles

Doric main frame and seven consoles, 1565 Doric main frame. The metopes in Frisian are decorated with batter. Seven consoles. A scale has been indicated on the print four times. Blad I. The print is part of an album. Antwerp paper etching Doric main frame. The metopes in Frisian are decorated with batter. Seven consoles. A scale has been indicated on the print four times. Blad I. The print is part of an album. Antwerp paper etching

Bound Print, Elevation of a Tomb; Designed by Gilles-Marie Oppenord (French, 1672-1742); Print Maker: Gabriel Huquier (French, 1695-1772); Published by Chez Huquier; France; etching and engraving on paper

Print, Cheminée à la Moderne; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Jean Pelletier (French, born ca. 1736); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Bound Print, Wainscoting with Double Door, Nouveaux desseins de Lambris (New Wainscoting Designs); Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Engraved by Carl Albert von Lespilliez (German, 1723 - 1796); Germany; engraving on paper; Platemark: 25.8 × 30.8 cm (10 3/16 × 12 1/8 in.)

Print (France)

Print (France)

Sketch of an Ornate Doorway, With Columns, and Sculpture, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige, laid paper, Sheet: 5 7/8 × 8 1/8 inches (14.9 × 20.6 cm)

Print, Wall Elevation with a Mirror; Published by Étienne Charpentier (French, 1707 - after 1792); France; etching and engraving on laid paper

Design for a room decoration with niche and ornaments. Draughtsman: Abraham Meertens. Dating: 1767 - 1823. Measurements: h 323 mm × w 508 mm. Museum: Rijksmuseum, Amsterdam.

Print, Armoire à la Moderne; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Philibert Boutrois (French, active 1775-1814); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Composite Order from Rome. Artist: Alfred Henry Forrester Alfred Crowquill (British, London 1804-1872 London). Dimensions: sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm). Date: 1845-70. Museum: Metropolitan Museum of Art, New York, USA.

Eleven copper lanterns. .

Print (France)

Germany, Grossmann, Carl August, Hauer, Johann Thomas, Fireplace frames, verso - stamped, Five designs for ornamented fireplace frames, with floral motifs and a lion's head. Publisher number 55., print, ornament print, prints, ornament prints, height 163 mm, width 222 mm, print maker, printmaker, 1758 - 1798, paper, papier, etching, etchings, engraving, engraving (printing process), Hungarian, 1748 - 1820, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1741, publisher

Credi, Uffizi, 686. Study for a marble chapel with an annunciation over the altar.. Illustrations, Prints. 1903. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , Tuscany (Italy), Painters , Florence (Italy), Drawing, Mary, Blessed Virgin, Saint , Annunciation, Church architecture

Augsburg, Hertel, Johann Georg (I), Birckenfeld, Johann Samuel, Designs for wrought iron ornamental fences, Ornamental fence with floral motifs, verso - stamped, Possibly a balcony fence. Numbered in the middle below 64., print, ornamental print, prints, ornamental prints, height 194 mm, width 298 mm, print maker, printmaker, 1750 - 1750, paper, etching, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Copper engraving prints by Claude Mellan depicting various title pages, created between 1620 and 1688.

Two Schouwen, Pietro Ruga, After Lorenzo Roccheggiani, 1817 print Print is part of an album. paper etching ornaments ~ art. open hearth, fire-place

Print (Germany)

A design for a wooden wall with four changing rooms, including details on tears and cuts, executed in pencil and ink on paper by Carl von Hasenauer, circa 1858.

Drawing, Project for the entrance wall of a salon with alternative suggestions, 1760-70; Manufactured by Jean-Charles Delafosse (French, 1734-1791); France; pen and ink, brush and rose and brown washes, graphite on white paper; Sheet: 30.8 x 45 cm (12 1/8 x 17 11/16 in.)

Print (France)

Print, Gaines pour porter des Bustes; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Nicolas Dupin (French, active 18th century); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

Print, The Gentleman's and Cabinet-Maker's Director; England; etching on off-white laid paper

Make, c. 1830 - c. 1850 Paris tracing paper. graphite (mineral) pen Paris tracing paper. graphite (mineral) pen

Drawing (Italy)

Vestigia delle Terme di Tito. Sordino decoration in room 29; Carlone, Marco (1742-1796), Smuglewicz, Franciszek (1745-1807), Brenna, Vincenzo (1741-1820), Manna, Pietro (17 ..- 18 ..); after 1776 (2nd edition of black and white) (1776-00-00-1801-00-00);Rome, Sas-Zubrzycki Jan, collection, Vestigia delle Terme di Tito, 1776, Illustration, archeology, antiquity, purchase (provenance)

Left row: above, between wall and a two-winged gate, both outlined, is a tripartite pedestal with a column between two figures. Above stands a vase with flowers. Below, rough sketch of the left side of an elevation with the scheme of pylons, laterally, and figures upon pedestals between the curved gates. Right row, above: two figures of the same height as the curved gate they flank. Caption: "quatro formi". Center, at right: one rough sketch for the motif of the figures in 1938-88-1715. Below, detail: one of these figures and the upper panel of the gate. A faun gripping the bars below the points. It is flanked by wo oblongs with a lozenge ornament. Below the points, a frieze in the panel of the gate. In the center, the bars have knobs. Only part of the background of the top left row is colored. Date: ca. 1790. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.

Print, The Gentleman's and Cabinet-Maker's Director; Designed by Thomas Chippendale (1718 - 1779); England; etching on off-white laid paper

Drawing, Designs for Two Chairs in; England; watercolor, graphite support: white wove paper; 14.5 x 25 cm (5 11/16 x 9 13/16 in.) dims. = widest point Mat: 45.7 x 35.6 cm (18 x 14 in.)

Design for Fireplace and Grate. Artist: Anonymous, British, 19th century. Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Design for a Chimneypiece, Pen and ink, brush and gray watercolor on paper, Horizontal rectangle. Design for a chimneypiece intended to be executed in white marble. At the sides two female hermae, respectively with flower and grain wreaths upon their heads. In the central frieze, kneeling putti support a garland. Below, the plan and the scale. Very similar to 1938-88-641 with a few alterations of proportions., Rome, Italy, ca. 1800, architecture, interiors, Drawing, Drawing

Print

Black ink draft by Concz Welcz from 1532 depicting a design for a trophy, showing decorative elements, structure, and composition.

Print (France); Print Maker: Mathieu Nicolas Goulet de Saint-Morien (French, active late 18th c.)

Project of the Tarza; Podczaszy Skki, Karol (1790-1860); 1836 (1836-00-00-1836-00-00);Krzyżanowscy - collection, altars, purchase (provenance)

Design for room wall, Jurriaan Andriessen, c. 1752 - c. 1819, draughtsman: Jurriaan Andriessen, c. 1752 - c. 1819, paper, pen, brush, h 153 mm × w 279 mm

Painting in the Campo Santo in Pisa, representing the curse of Cham, c. 1875 - c. 1900 photograph Holy Field cardboard. photographic support albumen print picture, painting. Noah curses Ham (and Canaan) Holy Field

Wentzel Hans Ulrich (1887-1917), aviation monument. Monthly competition February 1917 (02.1917): site plan 1: 400; Scale bar. Ink on cardboard, supplemented with colored pencil, 49.4 x 32.2 cm (including scan edges) Wentzel Hans Ulrich (1887-1917): Fliegerdenkmal. Monatskonkurrenz Februar 1917

Design for a Chimneypiece. Artist: Sir William Chambers (British (born Sweden), Göteborg 1723-1796 London). Date: 1740-1800. Museum: Metropolitan Museum of Art, New York, USA.

Print, Cheminée à la Moderne; Designed by Jules-François Boucher le fils (French, 1736 - 1782); Print Maker: Jean Pelletier (French, born ca. 1736); Published by Chez Le Pere et Avaulez, Charles Le Pere (French, active 18th century), Pierre-Michel Avaulez (French, active 1772 - d. 1774); France; engraving on off white laid paper

16th -century French cabinet of Hout, on the Exposition Rétrospective of 1877 in Lyon, France, Anonymous, 1877 - in Or Before 1880 photomechanical print Lyonprinter: Paris paper ornamental cupboard (+ wood and other phytogenic material) Lyon

Rev. James Bulwer, 1794-1879, British, One from A Volume of Drawings and Prints, 1834. graphite, pen and black ink, gray wash on sligthly textured, moderately thick, cream wove paper.

Three photo productions of decorative images, c. 1875 - c. 1900 photograph Left and right (44 and 45) Drawings of different decorations on one leaf, center (43) A print of two putti in a richly decorated interior by Giovanni da Udine. Europe cardboard. photographic support albumen print drawing, sketch. ornament ~ hybrid animals. cupids: 'amores', 'amoretti', 'putti' Europe

Print (France)

Germany, Grossmann, Carl August, Hauer, Johann Thomas, Omrichtingen van haarden, Five designs for ornamented fireplace frames, with floral motifs and lion's head. Publisher number 55., print, ornamental print, prints, ornamental prints, height 163 mm, width 221 mm, print maker, printmaker, 1758 - 1798, paper, etching, engraving, engraving (printing process), Work conception, Hungarian, 1748 - 1820, after a design by, Publication (Event), Publication, 1741, publisher

Drawing, Tureen; Unknown (Italian); Italy; pen and ink, brush and wash on cream laid paper; 13.1 x 21.5 cm (5 3/16 x 8 7/16 in.)

Wilkinson Tracing, Two designs for tables for Aston Hall, 1820. Ink on tracing paper. Designer: Richard Bridgens,. Draughtsman: Thomas Wilkinson

Trumeau de GlaceDifférement, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on off-white laid paper, Germany, 1745, interiors, Print, Print

Aquatint and color etching by Jean François Janinet showing the interior view of the Four Nations, created in 1787, highlighting architectural elements and spatial arrangement.

Print (Italy)

Print (France)

Falls into bank, anonymous, 1650 - 1800 drawing A tomb with octagonal medallion with an old man in the pij and putto with the text Charitas. On the right a side view of a bank and draperies. paper. ink. watercolor (paint) pen / brush grave, tomb. bench

Pillar with a symbol of justice, at the front of the Palace of Justice in Brussels, Belgium, Anonymous, c. 1889 - in or before c. 1894 photomechanical print This print is part of a cover with 30 prints on 28 magazines and a title page. Brussels paper collotype court building. column, pillar ~ architecture. Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues Palace of Justice

Sarcophagus of Pope Hadrian IV, Vatican Grottoes, Rome, John Flaxman, 1755-1826, British, 1787, Graphite on medium, slightly textured, cream laid paper bound in vellum, Sheet: 8 5/8 x 6 inches (21.9 x 15.2 cm) and Spine: 9 inches (22.9 cm)

Print (France)

Entrance wall of a salon. Pen and brown ink, brush and brown wash on off-white laid paper. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Print (France)

Augustus Welby Northmore Pugin, 1812-1852, British, Design for a Gothic Chair, Front and Side Views, undated. Graphite on thin, slightly textured, cream wove paper.

Bound Print (France); Engraved by Charles Nicolas Ransonnette (French, 1793 - 1877)

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