Baroque Art Details

Close-up details from famous Baroque paintings, showcasing elaborate textures, clothing, and angelic figures, infused with dramatic lighting and rich colors.

Vitale Sala 1803-1835. The meeting of Dante with Paolo and Francesca. about 1823. oil painting on canvas cm 162.5 x 228.5. detail.

EL BUFON DON SEBASTIAN DE MORRA - DETALLE DEL PUÑO - 1643/1644 - OLEO/LIENZO - NP 1202 - BARROCO ESPAÑOL - CONJUNTO 3306 -. Author: DIEGO VELAZQUEZ (1599-1660). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

South Corridor, Great Hall. Adonis mural of the Lyric Poetry series by Henry O. Walker. Library of Congress Thomas Jefferson Building, Washington, D.C.

The Brazen Serpent, by Robusti Jacopo known as Tintoretto, 1575, 16th Century, fresco. Italy, Veneto, Venice, Scuola Grande di San Rocco, Upper Hall. Detail. Wing of an angel top left on cloud next to snake serpent.

'Tarquinius and Lucretia'. Italy. Dimensions: 114x136 cm. Museum: State Hermitage, St. Petersburg. Author: Felice Ficherelli (Il Riposo) ( ).

'The Burial of the Count of Orgaz' (detail), 1587, Oil on canvas. Author: EL GRECO-Domenikos Theotokopoulos (1540-1614). Location: IGLESIA DE SANTO TOME. Toledo. SPAIN. NUÑEZ DE MADRID ANDRES.

SAN PABLO ERMITANO - 1640 - BARROCO ESPAÑOL. Author: JUSEPE DE RIBERA. Location: CATEDRAL-MUSEO DIOCESANO. GRANADA. SPAIN. SAN PABLO ERMITAÑO.

Vitale Sala 1803-1835. The meeting of Dante with Paolo and Francesca. about 1823. oil painting on canvas cm 162.5 x 228.5. detail.

'Two Angels', 17th century, Oil on canvas, 43 x 67 cm, P02777. Author: BARTOLOME ESTEBAN MURILLO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Loneliness at dawn, 1794-1796, by Johann Heinrich Fussli (1741-1825), oil on canvas, 95x102 cm.

Moses Draws Water from a Rock, by Robusti Jacopo known as Tintoretto, 1577, 16th Century, fresco. Italy, Veneto, Venice, Scuola Grande di San Rocco, Upper Hall. Whole artwork. Male figure man with beard clouds bottom right.

The Dream of Constantine ca. 1455 Piero della Francesca (ca.1415-1492 Italian) Fresco San Francesco, Arezzo, Italy

El Greco (Doménikos Theotokópoulos) (1541-1614). Spanish painter born in Crete. Altarpiece depicting the Immaculate Conception, 1607-1613. Oil on canvas. From the former Chapel of Doña Isabel de Obaille, in the Church of San Vicente, Toledo. Museum of Santa Cruz. Toledo. Spain. (On loan, Parish Church of San Nicolás de Bari, Toledo).

Estudio Anatómico. Museum: COLECCION PARTICULAR. Author: THEODORE GERICAULT.

Portrait of the deceased in 1661 son of Krzysztof Pac (1621-1684) and Klara de Mailly-Laskaris (1630-1685); after 1661 (1661-00-00-1665-00-00);State Art Collections (Warsaw - 1922-1939) - collection, curtains, infants, infancy, Krosnowski collections (1914-1926)

Jean-Honoré Fragonard, Les jets d'eau, c. 1765-70, brush and brown ink and brown wash over pencil on laid paper.

MERCEDARIO AHORCADO - SIGLO XVII - BARROCO ESPAÑOL. Author: ZURBARAN TALLER.

LECCION DE CANTO-DET. Author: Jean Antoine Watteau. Location: PALACIO REAL-PINTURA. MADRID. SPAIN.

SED MISTERIOSAS - 1890 - BAJORRELIEVE EN MADERA DE TILO POLICROMADA - 73x95. Author: PAUL GAUGUIN. Location: MUSEE D'ORSAY. France.

Eleuterio Pagliano (1826-1903). Italian painter. The Death of Tintoretto's Daughter, 1861. Oil on canvas, 163 x 101 cm. Modern Art Gallery, Milan, Italy.

Robert Smirke, 1752-1845, British, Falstaff with Mistress Quickly and Bardolph, 1825. Pen and brown ink, brown wash, gouache and oil, partially varnished on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper.

Francisco Domingo Marques, lovers of Teruel, oil on canvas, Alava Fine Arts Museum, Vitoria, Basque Country, Spain

The Adoration of the Shepherds, by Robusti Jacopo known as Tintoretto, 1579, 16th Century, fresco. Italy, Veneto, Venice, Scuola Grande di San Rocco, Upper Hall. Detail. Bottom center face of boy hen ox.

Rijn, Rembrandt van, The Flight into Egypt: night piece, verso center bottom - pencil, print, prints, Rembrandt f. 1651, verso lower left, verso central, C. 13635, height 127 mm, width 110 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1651, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by

Elaine. Date/Period: 1870. Painting. Oil on canvas. Height: 1,584 mm (62.36 in); Width: 155 mm (6.10 in). Author: SOPHIE GENGEMBRE ANDERSON.

Crispin and Scapin, by Honore Daumier, circa 1864, Musee D'Orsay Art Gallery, Paris, France, Europe

Samson and Delilah; 1628/29 Rembrandt; Dutch (1606 Leiden -1669 Amsterdam)

Lady Macbeth Seizing the Daggers', exhibited 1812, by Henry Fuseli. Discovered in the collection of the Tate, London.

The Little Art Lovers, Hippolyte Michaud, 1840 - 1886 painting The small art lovers. In a painter's studio, two naked children view a portfolio with drawings. On the left a palette with brushes, against the wall a large painting. panel. oil paint (paint) art collecting. person stimulating the arts; art lover, connoisseur, maecenas, patron. criticizing and discussing art, art criticism. child between toddler and youth (of undetermined sex). drawing, sketch

Detail from the painting titled 'Belshazzar's Feast' by Rembrandt Harmenszoon van Rijn (1606-1669) a Dutch painter and etcher. Dated 17th Century

EL PARAISO TERRESTRE-DET. Author: WATTEAU, ANTOINE. Location: LOUVRE MUSEUM-PAINTINGS, PARIS, FRANCE.

Emilia-Romagna Ferrara Pomposa Abbazia di Pomposa, Museo44. Hutzel, Max 1960-1990 Medieval: Fragments: capitals (Byzantine, 6th century), also capitals carved with human faces; marble friezes (10th century, later inscriptions); cornices, (with spolia) 11-12th centuries; ciborium; frescos. Post-medieval: Terracotta statuary, "neo-classical" (Hutzel); frescos: Bolognese, 14th century Antiquities: Amphora; grave monuments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

'The Head of a Girl'. Germany, 17th century. Dimensions: 49x37,5 cm. Museum: State Hermitage, St. Petersburg. Author: CHRISTOPHER PAUDISS.

Woman Reclining on a Bed, or The Indolent Woman - 1899 - 96x106 cm - oil on canvas. Author: PIERRE BONNARD (1867-1947). Location: MUSEE D'ORSAY. France.

Moses Draws Water from a Rock, by Robusti Jacopo known as Tintoretto, 1577, 16th Century, fresco. Italy, Veneto, Venice, Scuola Grande di San Rocco, Upper Hall. Detail. Far right mid-field woman holding plate.

El aseo, mujer peinándose/1910. Museum: MUSEE D'ORSAY PARIS FRANCIA. Author: Pierre-Auguste Renoir.

Spanish school. Detail of the painting of the dome. 1798. Madrid, hermitage of San Antonio de Florida. Author: FRANCISCO DE GOYA. Location: Ermita de san Antonio de la Florida. MADRID. SPAIN.

Bloemaert, Frederick, Abraham, Utrecht, 15 small figures, Woman with a veil over her head, verso - stamped, Standing woman, front view, with loose-fitting clothing and a veil over her hair., print, prints, height 120 mm, width 90 mm, 1614 - 1669, print maker, printmaker, 1635 - 1669, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1566-12-25 - 1651-01-27, after a design by, Publication (Event), Publication, publisher

Filippo neri

Interior de cocina (La raya). Museum: MUSEE DU LOUVRE PARIS FRANCIA. Author: JEAN-BAPTISTE-SIMEON CHARDIN.

Richard Parkes Bonington, 1802-1828, British, Seated Turk, 1826. Oil on canvas.

Death / Death (Tbl. X) Portfolio: A Love / Love Klinger, Max (1857 1920)

The small art lovers, Hippolyte Michaud, 1840 - 1886

The Squire of LowDegree. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Allegory of the Frailty, by Pieter van der Willigen, 1635-1694, Russia, Moscow, Pushkin Museum of Fine Arts

'Feast of Herod with the Beheading of St John the Baptist' (detail), 1630-1633, Oil on canvas, P01940. Author: BARTLOMIEJ STROBEL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN JUAN BAUTISTA.

BELLA DAMA - SIGLO XX. Author: HORACIO SILVA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Martyrdom of St Peter, by Merisi Michelangelo known as Caravaggio, 1600 - 1601, 17th Century, oil on canvas. Italy, Lazio, Rome, Santa Maria del Popolo Church, Cerasi Chapel. Detail. Hand saint: holy St Peter nail cross.

At the Deathbed Gottlieb, Maurycy (1856 1879)

Rogier v.d.Weyden, Deposition

Study of Hands 1859-1860 Edgar Degas (1834-1917 French) Oil on canvas Musee d'Orsay, Paris, France

ROMA 977A, Fresco Angel with tambourine by Melozzo da Forli, Museo Vaticano, photograph, photo, photos, ROMA - Melozzo da Forli - Angelo con tamburo., height mm, width mm, photographer, 1880 - 1910, fourth quarter 19th century, first quarter 20st century, first quarter 20th century, paper, photographic paper, photo paper, cardboard, gelatin silver print, developing gelatin silver print

DIBUJO-MEDALLAS DE LA PROCLAMACION DE LA CONSTITUCION EN 1820. FERNANDO VII (1784-1833).

Charles Perrault (1628-1703). French writer. Tom Thumb. Hop-o'-My-Thumb's ogre. Engraving by Gustave Dore (1832-1883), 1862. Colored.

Peter I on His Deathbed, Caravaque, Louis (1684-1754)

Death (Plate 10) (Tod) from the series Eine Liebe, Opus X. Dimensions: 50.6 cm x 68.5 cm, 31.9 cm x 45.6 cm, 22.9 cm x 35.3 cm. Museum: Van Gogh Museum, Amsterdam. Author: MAX KLINGER.

S ISIDRO REZANDO ANTE LA VIRGEN DE ATOCHA. Location: MUSEO DE HISTORIA-PINTURAS. MADRID. SPAIN. VIRGEN DE ATOCHA. SAN ISIDRO LABRADOR.

Cupid and Psyche - Palace Green Murals - Zephyrus Bearing Psyche to the Mountain, 1881. By Sir Edward Burne-Jones and Walter Crane. A scene from William Morris' epic poem, 'The Earthly Paradise'.

Saint Matthew, Pontormo, Jacopo da, 1528.

Judith and Holofernes, Jan de Bray, 1659

Saint Isabel of Portugal Healing the Wounds of a Sick Woman Santa Isabel de Portugal curando a una enferma. Date/Period: 1799. Painting. Height: 22 cm (8.6 in); Width: 32 cm (12.5 in). Author: FRANCISCO DE GOYA.

LA CUCAÑA - 1787 - O/L - 169 X 88 CMS - DETALLE - CONJUNTO Nº 86374. Author: FRANCISCO DE GOYA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

MUJER HACIENDO LA CAMA - 1979 - 72x84. Author: CRISTOBAL TORAL. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Eugene Delacroix (1798-1863). French painter. Lion mauling a Dead Arab, 1847. National Museum. Stockholm. Sweden.

Hope, Watts, George Frederic, 1885.

Depiction by Ignace Cietty of ancient sculptures, objects, and weapons, executed in black ink, brush, black washes, watercolor, and gouache with white highlights on blue paper.

Bettona (Umbria - PG), Municipal Art Gallery. Perugino, Madonna della Misericordia with Saints Stephen and Jerome and the patrons, tempera on wood, second decade of the 16th century

severed head of Saint Paul, Spanish anonymous, 17th century, oil on canvas, Vitoria, María Inmaculada Cathedral, Álava, Spain.

Juan Luna / 'The Death of Cleopatra', 1881, Oil on canvas. Museum: MUSEO DE BELLAS ARTES, BILBAO, SPAIN.

Altarpiece of San Bernardino, by Lotto Lorenzo, 16th Century, 1521, oil on canvas, cm 287 x 268

Bartolomeo Coriolano after Guido Reni, Cupid Asleep Cupid Asleep

Z. Olszewski, Shakespeare: Romeo and Julia. - in the tomb of the Kapulet family; Salon Painters Publishing House (Kraków; 1895-1949); around 1910 (1905-00-00-1915-00-00);

fine arts, Rembrandt Harmensz van Rijn, 15.7.1606 - 4.10.1669,painting, ""The blessing of Jacob"", detail, 1656, oil on canvas, 173 cm x 209 cm, state museum, Kassel, Germany, Europe, fine arts, baroque, 17th century, Ephraim, Manasseh, Harmenszoon, Harmenszon,

Samson and Delilah James Tissot (1836-1902 French) Jewish Museum, New York

View of old town from across river

Young Woman with a Pearl Necklace. Date/Period: Ca. 1662. Painting. Oil on canvas. Height: 55 cm (21.6 in); Width: 45 cm (17.7 in). Author: JOHANNES VERMEER.

Happy Dawn, by Angelo Morbelli (1853-1919), oil on canvas, 100x152 cm.

Andrea Mantegna / 'Lamentation of Christ', c. 1480, Tempera on canvas, 68 x 81 cm. Museum: Galleria Brera, Milan, ITALIA. JESUS.

Europe, Ireland, County Mayo. Ballintubber Abbey, Woodcarving detail

Alexander Pushkin on deathbed, Russia, Moscow, Russian State Archive of Literature and Art

Allegorical Figure of a Woman with a Shield or a Mirror (Prudence), Giovanni Battista Tiepolo, c. 1740 - 1750 painting Half -naked allegorical female figure, sitting in the clouds with a shield or mirror. Probably the personification of caution (prudentia). Pendant of SK-A-3437. Grisaille on golden surface. canvas. oil paint (paint) protective weapons: shield

SAN JUAN BAUTISTA - 1597-98 - DETALLE - OLEO/LIENZO -BARROCO ITALIANO - Conj nº 62632. Author: MICHELANGELO MERISI DA CARAVAGGIO (1573-1610). Location: CATEDRAL-INTERIOR. Toledo. SPAIN.

'Judith and Holophernes', 1867, Acrylic on wood, 15 x 15 cm. Author: DOMENICO GNOLI (1933-1970). Location: PRIVATE COLLECTION. Rome. ITALIA.

France,Ile-de-France,Chantilly,Chateau de Chantilly,The Psyche Gallery,Stained Glass Window Depicting Psyche and Cupid

Descent from the Cross', 16th century by Jacopo Bassano il Vecchio. From the Museu Nacional de Arte Antiga, Lisbon, Portugal.

Danae, the Tower of Brass, Edward Burne-Jones, 1877-1878,

Woman with bandage on her eyes by George Frederic Watts, Oil on canvas, 1886, 1817-1904, United Kingdom, London, Tate Britain, 142x111,8

EL BUFON DON DIEGO DE ACEDO "EL PRIMO" - DETALLE DE LAS MANOS - 1642-1644 - OLEO/LIENZO - NP 1201 - BARROCO ESPAÑOL - CONJUNTO 12954. Author: DIEGO VELAZQUEZ (1599-1660). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Skull and hourglass, passage of time, Historical, digitally restored reproduction from a 19th century original.

Totenschädel und Sanduhr, Lauf der Zeit, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert.

Marco Palmezzano (ca.1458-1539). Italian painter. Head of Saint John the Baptist, ca.1496. Lazaro Galdiano Museum. Madrid. Spain.

Andrea Solari Copy / 'The Head of Saint John the Baptist'. XVI century. Oil on panel. Museum: Museo del Prado, Madrid, España.

The Virgin after Botticelli; La Vierge d'Apres Botticelli. Fernand Khnopff (1858-1921). Sanguine on card. Executed in 1909. 40 x 31.5cm.

The Dead Soldier. Date/Period: Ca. 1789. Painting. Oil on canvas. Height: 1,016 mm (40 in); Width: 1,270 mm (50 in). Author: Joseph Wright of Derby.

France,Ile-de-France,Chantilly,Chateau de Chantilly,The Psyche Gallery,Stained Glass Window Depicting Psyche and Cupid

Strike. Lentz, Stanisław (1861-1920), painter

The Launderesses 1884 Edouard Manet (1832-1883 French) Musee du Louvre, Paris, France

Still Life with a Boy Blowing Soap-bubbles by Dou, Gerard (Gerrit) (1613-1675) / National Museum of Western Art, Tokyo / Baroque / c. 1635 / Holland / Oil on wood / Still Life,Genre,Mythology, Allegory and Literature / 48x39,7

Bedroom with Two Women, Vallotton, Felix, 1904.

Aleksander Gierymski (1850-1901). Polish painter. A Florentine Page, 1884. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.

My Children Abbott H. Thayer (American, 1849-1921). My Children, ca. 1896-1910. Oil on canvas, 48 1/16 x 60 3/8 in. (122.1 x 153.3 cm). Although Abbott Handerson Thayer's children (Gladys, Mary, and Gerald, left to right) modeled for this painting, it does not look like a standard portrait, and the children's actual identities may have little to do with Thayer's overall aims for the work. The painting was not intended to convey a particular religious content, but its composition and elaborate frame recall Italian Renaissance altarpieces showing the Virgin Mary with saints. Other elements such as the laurel wreath in Mary's hands, her classicized drapery, and the phantom wings formed by the contours of the foliage against the sky align her with the ancient Greek goddess Athena-Nike (a winged figure representing victory). In the end, this image, so filled with allusions to the art of the past, presents Thayer's vision of the human spirit at its noblest: the expression of love, strength,

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