Baroque Decorative Art

Stylized prints featuring ornate designs, cherubs, and mythological figures, exemplifying the Baroque period's decorative sophistication.

Month Met Cherubijnen en Putti, Giacomo Laurenziani, 1637 print A monstrance with rectangular top, decorated with five cherubs and two putti. On the pedestal two putti and three cherubins with Garlande. paper etching Ostensorium, Monstrance. Cupids: 'Amores', 'Amoretti', 'Putti'

Month Met Cherubijnen en Putti, Giacomo Laurenziani, 1637 print A monstrance with rectangular top, decorated with five cherubs and two putti. On the pedestal two putti and three cherubins with Garlande. paper etching Ostensorium, Monstrance. Cupids: 'Amores', 'Amoretti', 'Putti'

Pendant Design with Mars Seated Beneath an Arch. Artist: Jan Collaert I (Netherlandish, Antwerp ca. 1530-1581 Antwerp). Dimensions: Sheet: 6 15/16 × 4 13/16 in. (17.7 × 12.2 cm). Series/Portfolio: Designs for Pendants I. Date: after 1581.Vertical panel with a pendant design at center, with Mars seated under an arch against a strapwork background at center. At the sides of the ornament, female figures hold onto strapwork elements, with the one at right seen from behind. Plate 4 from a set of ten plates with pendant designs, with dieties and strapwork backgrounds. The first edition of the series was published in Antwerp by Philips Galle in 1581 and exists in two states; two later editions - the first published by Theodoor Galle after 1600 and the second by Johannes Galle after 1636 - were also produced in Antwerp. Jan Collaert I produced several series of plates with pendant designs, a practice continued by his son, Adriaen Collaert. Museum: Metropolitan Museum of Art, New York, USA.

Promptuarium Artis Argentariae 1750 Giovanni Giardini Italian. Promptuarium Artis Argentariae 350478

Vignette with burning lamp and male mascaron. .

Architectural Ornaments t, Pen and gray ink, yellow, lavender, gray wash, black chalk, ruled border in pen and gray i Support: white laid paper, Bologna, Italy, Italy, ca. 1750, architecture, Drawing, Drawing

Drawing, Design of Escutcheon and Draped Tablet; Léonard Chailleat (Italian, active 1640 - 1650); France; pen and black ink, brush and gray wash, graphite on cream laid paper, lined; 18.9 x 13.2 cm (7 7/16 x 5 3/16 in.)

Vertical Panel with Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis ca. 1600 Paul Birckenhultz German Design for a jewelry pendant hanging from a putto mask (looking downwards to the left) and a ribbon at top, with three pearls descending from the bottom. At center of pendant, a vase flanked by two outward-facing putti and winged insects.. Vertical Panel with Design for a Pendant, from Ars His Myronis Nobilis Effingitus Pagellulis 423600

Print, Design for Decorative Ironwork; Designed by Jean Lamour; Print Maker: Claude Francois Nicole (French, ca. 1700 - ca. 1783); France; etching and engraving on laid paper

Leaf from series with cartouches, 1642 print Eleventh print from a series of twelve with copies to a series with cartouches. Cartouche decorated with garlands of leaves. A small shield hangs at the bottom. A banderole on cartouche. paper etching ornament ~ cartouche

Two coats of arms with helmet, 1625 print Passionate copy to Theodor de Bry coat of arms in the book Emblemata Nobilitati .... leaf from series of coats of arms with empty compartments. Amsterdam paper engraving

Colonnade. A colonnade with a garden with small fountains on the right. Around a rocaille frame with a naked figure at a fountain.

The angels hold a garland with fruit, Cartouche with lobe ornament, at top two angels Verscheyde Aerdige Compartementen (series title), print maker: Pieter Hendricksz. Schut, Gerbrand van den Eeckhout, publisher: Nicolaes Visscher (I), print maker: Netherlands, publisher: Amsterdam, (possibly), 1655, paper, etching, h 253 mm × w 199 mm

Cartouche with Wings and Escutcheons, Livre de Cartouches Reguliers (Book of Regular Cartouches), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720-1790, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Blank symmetrical cartouche in Rococo style topped by two feathered wings, with large escutcheons at left and right., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Cartouche with lion's head at the top, H. Picart, After Federico Zuccaro, c. 1628 print Passionate copy to page 1 from series with cartouches in frames of rolling work with grotesken, garlands and mascarons published by Pierre Mariette. France paper engraving

Vase with curls, flowers and fruits; Various ecclesiastical objects; Disegni Diversi Inventati E Delineati da Giovanni Giardini da Forlì.numbered Upper Left: No. 75.

Pendant with Apollo with his winch, Hans Collaert (I), 1581 print No. 7 from series of 10 magazines with ornament designs, Antwerp 1581. W. 20 Netherlands (possibly) paper engraving (story of) Apollo (Phoebus). pendant, trinket, 'breloque'

Study with Two Alternate Designs for a Cartouche 19th century Anonymous, Italian, 19th century Italian. Study with Two Alternate Designs for a Cartouche 340196

Design for a Clock, from 'Disegni Diversi'. Artist: Giovanni Giardini (Italian, Forlì 1646-1722 Rome). Dimensions: Plate: 10 11/16 × 6 7/8 in. (27.1 × 17.4 cm). Engraver: Maximilian Joseph Limpach (Czech, active Rome ca. 1700-1730). Date: 1714 or 1750.Design for a standing clock, characterized by two birds resting on one leg, on the left and right side of the base. The base consists of four S-shaped scrolls supporting a crowned coat of arms. Above it a mirror is placed. The round clock plate is held in place by two C-volutes and is decorated with leaf-shaped ornaments. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Design for a Candelabrum; France; pen and ink, brush and wash, on paper; Image: 27.2 x 17.8 cm (10 11/16 in. x 7 in.) 29.4 x 20.2 cm (11 9/16 x 7 15/16 in.) Mat: 45.7 × 35.6 cm (18 × 14 in.)

Hercules in the medallion in the middle of Acanthusranken, Paul Androuet Ducerceau, 1660 - 1690 print This print is part of an album. Paris paper etching attributes of Hercules (with NAME). acanthus ~ ornament. sphinx (lion/woman); 'Sfinge' (Ripa)

Design for Hardware 19th century Anonymous, French, 19th century French. Design for Hardware 362139

Cartouche with two putti and two winged women's figures, Agostino Mitelli, 1636 print A cartouche with two putti and two winged female figures in the edge. The print is part of an album. print maker: Bolognapublisher: RomeBolognaItaly paper etching ornament ~ cartouche. cupids: 'amores', 'amoretti', 'putti'. fabulous beings with wings - AA - female human figure

Ornament with two putti with garlands, 1714 print Numbered top left: no. 94. print maker: Romeafter drawing by: Italyafter design by: ItalyVaticaanstad paper etching ornaments ~ art. coat of arms (symbol of sovereignty). cupids: 'amores', 'amoretti', 'putti'. ornament ~ festoon, garland

Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 29). Artist: After Georges Reverdy (French, active Lyon, 1529-57); After Jacob Floris (1524-1581). Dimensions: Sheet: 7 7/8 × 10 5/16 in. (20 × 26.2 cm)Plate: 5 1/8 × 11 13/16 in. (13 × 30 cm)Overall: 8 1/4 × 10 5/8 in. (21 × 27 cm). Publisher: Carlo Losi (Italian, 1757- after 1805). Date: 1773.Page from an album with 54 prints, 40 of which come from a series published by Carlo Losi in Rome in 1773. For some reason often overlooked, these prints actually reproduce16th-century designs attributed to the enigmatic French artist Georges Reverdy and the better-known Netherlandish artist Jacob Floris. All copies are in reverse. In some cases they are combined with the originals in this album. Several pages in the album are empty, indicating that some prints may have been taken out at some point. Museum: Metropolitan Museum of Art, New York, USA.

Paris, Treuttel & Würtz, Lenoir, Alexandre, Le Clerc, Pierre Thomas, Guyot, Laurent, Nouvelle Collection D'Arabesques, Propres A La Décoration Des Apartemens, 7me Cahier, Arabesques with women and dogs, verso - stamped, Arabesques with two nude women holding branches in their hands, horns of plenty and two dogs on either side of a vase., print, ornamental print, prints, ornamental prints, height 293 mm, width 202 mm, French, 1756 - 1806, print maker, printmaker, 1810 - 1810, paper, papier, etching, etchings, aquatint, 1740 - 1796-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1761-12-27 - 1839-06-11, publisher, uitgever, Publicatie

Cartouche with three compartments; Voorshande new compartemente. The middle compartment is large, the other two are small.

Rome, Parisino, Agostino, Bologna, Mitelli, Cartouches par Mitelli, Cartouches, Ornamental head with garlands and a cartouche with female sphinxes, verso - stamped, Above an ornamental head between two garlands with fruits. Below a cartouche with female sphinxes in the edge and a head with horns. The print is part of an album., print, picture, album sheet, ornamental print, prints, pictures, height 250 mm, width 167 mm, 1609 - 1660-08-02, print maker, printmaker, 1636 - 1636, paper, etching, etchings, Publication (Event), Publication, Italian, publisher

Strapwork Design, Charcoal, pen and ink, brush and bistre on paper, Strapwork frame with bears and smoking braziers., Italy, early 17th century, ornament, Drawing, Drawing

Design for a Cartouche, Plate 2 from 'Neü inventierte sehr dienstiche Schilde oder Cartouches'. Artist: After Johannes Rumpp (Central European, active Augsburg ca. 1730-1750). Dimensions: Overall: 8 7/16 × 13 3/4 in. (21.5 × 35 cm). Engraver: Jeremias Wachsmuth (German, 1712-1771). Publisher: Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Date: Printed ca. 1750-56.Ornament print with a design for a cartouche, bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht. Museum: Metropolitan Museum of Art, New York, USA.

Print, Unterschiedlich Augspurgische Goldschmidts Arbeit, "Large Frame Design, Two Chairs and Wall Sconces", Plate 6; Designed by Abraham Drentwet (1647 - 1727); Printed by Georg Heinrich Schifflen (German, 1666 - 1745); Published by Jeremias Wolff (German, 1663-1750); Germany; engraving

Cartouche with lion's head at the top, Pierre Firens, After Federico Zuccaro, 1613 - 1657 print paper engraving

Letter A; Libellus Novus Elementorum Latinorum Cum Aeneis Picturis Usui Aurifabrorum Inservientib. Top left is a grotesque figure in the form of an A. sheet with the letter A from series of 26 sheets with letters from the alphabet.

Cartouche with putto under curtain, Agostino Mitelli, 1636 print A cartouche with a putto on top. A curtain with ribbons hangs above the cartouche. The print is part of an album. print maker: Bolognapublisher: RomeBolognaItaly paper etching ornament ~ cartouche. Cupids: 'Amores', 'Amoretti', 'Putti'. Curtains

France, Mariette, Pierre (I), Zuccaro, Federico, Firens, Pierre, Cartouches in scrollwork frames with grotesques, garlands and mascarons, Cartouche with cherub at the top, On the left and right in the frame is a winged female herm., print, ornament print, prints, ornament prints, height 182 mm, width 151 mm, South Netherlands, French, 1580 - 1638-12-24, print maker, printmaker, 1613 - 1657, first quarter 17th century, second quarter 17th century, third quarter 17th century, third quarter of the 17th century, paper, engraving, engraving (printing process), Work conception, Italian, 1541 - 1609-07-20, after a design by, Publication (Event), Publication, 1596 - 1657, publisher

Rome, Parisino, Agostino, Bologna, Mitelli, Cartouches par Mitelli, Cartouches, Rocailles and flowers, verso - stamped, Above an ornament with rocailles, branches and flowers. Below a frieze of curling branches and flowers. The print is part of an album., print, picture, album sheet, ornamental print, prints, pictures, height 250 mm, width 167 mm, 1609 - 1660-08-02, print maker, printmaker, 1636 - 1636, paper, papier, etching, etchings, Publication (Event), Publication, Italian, publisher

Bound Print, Cartouche Topped by Open Crown; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Franz Xaver Andreas Jungwierth (German, 1720-1790); Germany; etching and engraving on paper; 27.5 × 18 cm (10 13/16 × 7 1/16 in.)

Pendant with Zeus on an eagle, Anonymous, After Hans Collaert (I), 1581 print On top of the pendant, Zeus sits on his eagle, a lightning bolt in his hand. No. 5 from series of 10 sheets with fronts of hangers. Precious stones in settlements of grotesken and rolling work. Netherlands (possibly) paper engraving attributes of Jupiter. attributes of Jupiter: eagle. pendant, trinket, 'breloque'

Seated putto between leaf refrences. .

Wish letter with Arreslede, c. 1700 - c. 1899 print Wish letter with unwritten cartouche within a decorative framework with performances of a horse -drawn slide and skating people. Numbered at the top right: 24. Netherlands paper etching horse-sleigh. skates (winter sports)

Drawing, Grotesque Design; Italy; charcoal, pen and ink on paper

Double Bokaal, Anonymous, After Bernhard Zan, 1500 - 1600 print The cuppa of the bottom jar is decorated with a mascaron, the ears are formed by two eagles. Germany (possibly) paper

Album Of Frames

Arabes of women and dogs; 7ME CAHIER; Nouvelle Collection d'Arabesques, Propres a la Décoration des Apartenens. Arabesque with two naked women with branches in their hands, horns of plenty and two dogs on either side of a vase.

Cartouche with two winged women, Anonymous, After Agostino Mitelli, After 1619 - Before 1642 print From series of 12 magazines. after design by: Italy (possibly)publisher: Bologna paper engraving

Cartouche with garlands and two sitting putti; Cartouches. From series of 12 sheets.

Unknown coat of arms in Ovaal, Michiel le Blon, c. 1611 - c. 1625 print There is an eight -pointed star on the weapon. A banderole can be seen at the top and at the bottom. From series of 20 magazines. Amsterdam (possibly) paper engraving

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork design with putti, bears and birds surrounds an oval reserve., Italy, early 17th century, ornament, Drawing, Drawing

Various Cartouche Designs Francisco Herrera, the Younger ("El Mozo") Spanish 1649 Fourteen prints with cartouche designs by Francesco Herrera the Younger, pasted into the album, two to a page. One of the prints on page 50 of the album stands out from the group. It shows a design for a cartouche with a crown, and is further decorated with a cherub and two hanging festoons. The central compartment is shaped for the inclusion of a coat of arms, but left blank. The other thirteen prints contain larger cartouches that differ in form and execution. The style of engraving is loser, and in certain areas outlines are fully omitted or only executed with a stylus. The prints are all cut within the plate marks at various sizes, which makes it difficult to tell whether they all derive from one and the same series. Only one set of 12 prints is known (documented in SKB Berlin 1939), but the number of plates in this album suggests that Herrera issued more than the single set. Herrera likely made the p

Ornament with a maenade with tambourine and two monkeys. Ornament with centrally a dancing maenade with a tambourine in hand. On either side monkeys and horns from abundance.

Helmet to which a coat of arms hangs; Wearing shifts. With leaf raft. Sheet from series coats of arms with empty compartments.

Half -round field in Rolwerkcartouche with masks, 1625 print Leaf from series of coats of arms with empty compartments. Amsterdam paper engraving

Frame with painter's attributes, Johann Thomas Hauer, 1758 - 1820 print Design for a round frame with painting attributes, flowers, a trumpet and lances. Paris paper etching / engraving ornaments ~ art (+ framing decorations). tools, implements of painter

Three Frisians of Leaves and Flowers, Anonymous, After Paul Androuet Ducerceau, c. 1670 - c. 1685 print Designed along a central axis, with opposite halves. At the middle Frisian there is a tree in the background. Leaf from series of 12. print maker: France (possibly)after design by: France (possibly)publisher: Paris paper etching

Ornament with a maenade with tambourine and two monkeys, Bernard Picart, 1683 - 1733 print Ornament with a dancing Maenade with a tambourine in hand. On both sides monkeys and horns of abundance. Amsterdam paper etching / engraving ornaments ~ art. dancing. ornament derived from animal forms. fabulous animals ~ monkeys. maenad(s), female bacchant(es)

Compositions with Minerva and Putto on Dolphin, Anonymous, After Jean Berain (Le Vieux), 1686 - 1724 print Decorative compositions with braid on four panels. Arcades with shell motifs and masks at the top. Left under braid and putti. In the middle under braid, an arcade, caratids, a medallion with Minerva and a putto sitting on a dolphin. Right under braid and sphinxes. Augsburg paper etching frequently used ornamental compositions. (story of) Minerva (Pallas, Athena). cupids: 'amores', 'amoretti', 'putti'. dolphin ~ ornament

Sheet with Various Studies of Candelabra Grotesques, Foliage and a Cartouche 1500-1700 Anonymous, Italian, 16th to 17th century Italian. Sheet with Various Studies of Candelabra Grotesques, Foliage and a Cartouche 343154

Minema coat of arms; MUSARUM SECRETUM. Coat of arms, probably belonging to series Secretum Musarum from Vallet.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Designs of rocaille ornaments, Rocaille ornaments with leaf motifs, verso - stamped, Publisher number 117., print, ornamental print, prints, ornamental prints, height 203 mm, width 311 mm, German, 1721 - 1796, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Three Frisians with cartouches; Orders à la mode. Every Frisian has a cartouche in the middle with a marbled edge. An orange tree is shown in the upper cartoche, in the lower mask. Sheet from series of 12.

Cartouche with winged female figures and bunches Fruits, Agostino Mitelli, 1636 print A cartouche with female figures that overflow into the ornament in the edge. At the bottom of the cartouche, four bunches with fruits are hanging. The print is part of an album. print maker: Bolognapublisher: RomeBolognaItaly paper etching ornament ~ cartouche. fabulous beings with wings - AA - female human figure

Design for a silver centrepiece Design for a silver centrepiece, draughtsman: Claude Ballin (II), (workshop of), Paris, c. 1745 - c. 1747, paper, pen, brush, h 510 mm × w 750 mm

France, Mariette, Pierre (I), Zuccaro, Federico, Firens, Pierre, Cartouches in scrollwork frames with grotesques, garlands and mascarons, Cartouche with mascaron, Mascaron with ends of draperies in its mouth., print, ornament print, prints, ornament prints, height 185 mm, width 142 mm, South Netherlands, French, 1580 - 1638-12-24, print maker, printmaker, 1613 - 1657, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, Italian, 1541 - 1609-07-20, after a design by, Publication (Event), Publication, 1596 - 1657, publisher

Brooch with Table-Stones, Butterflies at Top, and Peacocks and Hermes at Bottom, 1596, Brooches: pl.9 Holl. 49-66, engraving, Hollstein, no. 57, State only, Daniel Mignot (artist) German, active 1593/1596

Grotesque Design, Charcoal, pen and ink on paper, Strapwork with animals and harpies frame a center square panel. At top, a cherub and floral swag., Italy, early 17th century, grotesques, Drawing, Drawing

Amsterdam, France, Ducerceau, Paul Androuet, Frisians with leaf tendrils, Two leaf tendrils, In the middle respectively a crown of leaves and a mask., print, ornament print, prints, ornament prints, height 165 mm, width 263 mm, Work conception, French, 1630 - 1710-02-01, after a design by, 1680 - 1700, fourth quarter 17th century, first quarter 18th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, publisher

Cartouche with two putti and two winged women's figures; Cartouches; Cartouches par mitelli. A cartouche with two putti and two winged women's figures in the edge. The print is part of an album.

Cartouche with cherub at the top; Cartouches in role frames with grotesken, garlands and mascarons. Left and right is a winged female Herme in the frame.

Ornamented frame with three depictions of New Testament stories, including Christ heals the paralyzed man and the outpouring of the Holy Spirit. Bottom right 'No. IV.', Framed with representations from the New Testament, print maker: Hendrik Numan, (mentioned on object), publisher: Erven de Weduwe Jacobus van Egmont, (mentioned on object), print maker: Haarlem, publisher: Amsterdam, 1761 - 1804, paper, h 413 mm × w 331 mm

Cartouche with two mascarons on volutes, c. 1628 print Along the sides, garlands hang on ribbons. France paper engraving

Fanière brothers, neo-Renaissance pendant with sirens (main title). Graphite, gouache on transparent vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Cartouche with lobe ornament consisting of two compartments, Pieter Hendricksz. Schut, Gerbrand van den Eeckhout, Nicolaes Visscher I, 1655

Strapwork Design, Charcoal, pen and ink, brush and watercolor on paper, Strapwork design with putti, caryatids and masks surrounds an oval reserve., Italy, early 17th century, ornament, Drawing, Drawing

Amsterdam, Visscher, Claes Jansz. (II), Janssen, Hans, Verscheyden Randen en Spitsen, Spit with an oval, empty compartment, Sheet from a series with decorations for silver cups., print, ornament print, prints, ornament prints, height 97 mm, width 145 mm, Work conception, 1605, after a design by, 1631 - 1631, second quarter 17th century, paper, etching, etchings, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Bound Print, Frame with Masks and Trees; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; etching and engraving on paper; 26.5 × 17.1 cm (10 7/16 × 6 3/4 in.)

Jewelry or Ornament Design. 1593. Mignot, Daniel (French engraver and goldsmith, active from 1593, died 1616). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

François Collignon after Stefano Della Bella, Cartouche, probably 1646 Cartouche

Design for a chandelier for the Amsterdamse Schouwburg. .

Raschdorff Julius (1823-1914), honor table for Count von Schleinitz, Berlin (April 10, 1885): View. Coal on transparent, 98.5 x 67 cm (including scan edges) Raschdorff Julius (1823-1914): Ehrentafel für Graf von Schleinitz, Berlin

Frame with performances from the New Testament. Ornamented picture frame with six representations of stories from the New Testament, including Christ washes the feet of the disciples, Christ in the court of Getemane and the crossbearing of Christ. Bottom right 'No. III.

Wall panel with two standing women under oval frame, c. 1600 - c. 1699 print A landscape with a ruin can be seen in the list. Copy to sheet 11 from the Livre De Diverses Grotesques series, Peintes Dans Le Cabinet de la Reine Régente, Au Palais Royal. France (possibly) paper engraving

Radiant star in ornamental cartouche, 1723 print Vignette of Bernard Picart with a large star in the center of small stars radiant above a hilly landscape. Around ornaments and the motto: Inter Omnes. paper etching / engraving stars. foliage, tendrils, branches ~ ornament. mask, mascaron ~ ornament

Design for a Cartouche, Plate 3 from 'Neü inventierte sehr dienstiche Schilde oder Cartouches' Printed ca. 1750-56 Jeremias Wachsmuth Ornament print with a design for a cartouche, bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for a Cartouche, Plate 3 from 'Neü inventierte sehr dienstiche Schilde oder Cartouches'. After Johannes Rumpp (Central European, active Augsburg ca. 1730-1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Jeremias Wachsmuth (German, 1712-1771)

Double leaf shelf from which a young Hercules sprouts, Johannes Jacobsz Folkema, After Thomas Lejuge, After 1697 - Before 1718 print There is a bird above Hercules' head. Amsterdam paper engraving

Print (France)

Frame with Dragons, Troisième Livre de Cadres (Third Book of Frames), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Carl Albert von Lespilliez, German, 1723 - 1796, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Etching and engraving on paper, Upright frame design for a mirror or painting, circular form, topped with two dragons surrounded by scrollwork. Vegetal decoration complete the ornamental scheme., Munich, Germany, 1740-68, albums (bound) & books, Bound print, Bound print

Cartouche with Image of Veronica's Veil with Alternate Designs for the Left and the Right Halves. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 9-5/16 x 6-1/16 in. (23.7 x 15.4 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Oval Cartouche with text from Solon, 1558 - 1630 print There are a man and a woman on the cartouche. At the top left and top right are Hermen, bottom left and bottom right are weapon trophies. Belongs to series of 6 magazines. Netherlands (possibly) paper etching

Intake of Saint -Venant, 1710, 1712 - 1715 Intake of Saint-Venant. The siege opened on September 6 and the city taken by the Allies on September 30, 1710. The central representation of the army camp and the siege was set in a richly decorated ornamental frame with a cartouche with a map of the city at the top. At the bottom a cartouche with the description of the events in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ... of the Spanical Successions Krieg Ca. 1720. Augsburg paper etching / engraving Saint-Venant Intake of Saint-Venant. The siege opened on September 6 and the city taken by the Allies on September 30, 1710. The central representation of the army camp and the siege was set in a richly decorated ornamental frame with a cartouche with a map of the city at the top. At the bottom a cartouche with the description of the events in German. Leaf in the bound collection of plates released under the title: Repraossentatio Belli ...

Two capitals, 1644 - 1718 print Two ornamental capitals. The upper capital with horns with fruits. The print is part of an album. paper etching ornaments ~ art. capital (~ column, pillar)

Drawing, Architectural Ornaments t; Italy; pen and gray ink, yellow, lavender, gray wash, black chalk, ruled border in pen and gray, support: white laid paper; 26.2 x 16.4 cm (10 5/16 x 6 7/16 in.) Mat: 35.6 x 45.7 cm (14 x 18 in.)

Plate 17, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental cartouche, with birds, over flaming shells, above, and flying fish suspended from vines, either side. At the sides are spiralling vines which terminate in winged serpents., Germany, 1610, ornament, Print, Print

Cartouche with two saters, Michiel Mosijn, after Gerbrand van den Eeckhout, 1640 - 1655 print A mask at the top. Two saters hold on to the sides of the cartouche, their heads and hooves are hidden in ornamentation. Amsterdam paper engraving / etching

Letter T, Jeremias Falck, after Johann Christian Bierpfaf, c. 1645 - c. 1650 print Leaf with the letter T from series of 26 sheets with letters from the alphabet. print maker: Hamburgafter design by: Germany (possibly)publisher: Germany (possibly) paper engraving

Design for a Painted Ceiling 1716-81 Attributed to Giovanni Antonio Torricelli Italian. Design for a Painted Ceiling 346247

Oval cartouche with rollerwork; Oval cartouches for a black background. Rollerwork decoration with left and right the wing of a bird in a rectangular frame.

Design for Plasterwork Cartouche. Artist: Anonymous, Italian, 18th century. Dimensions: 11 7/16 x 11 3/4 in. (29 x 29.8 cm). Date: ca. 1700. Museum: Metropolitan Museum of Art, New York, USA.

Cartouche with two children's heads and two putti; Cartouches in role frames with grotesken, garlands and mascarons.

Coat of arms with helmet on substrate; Wearing shifts. Three leaf rights can be seen on both sides. ONSAGE COPY TO THE COMPANY OF THEODOR DE BRY IN THE BOOK EMBLEMATA NOBILITATI .... Leaf from series Coats of arms with empty compartments.

Escutcheons. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Edge with two birds and fruit; Some one-full fruits and strikers.

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