Baroque Ornamentation

Intricate prints showcasing ornate decorations, featuring floral motifs and elaborate designs typical of Baroque artistic style.

Rome, Parisino, Agostino, Bologna, Mitelli, Cartouches par Mitelli, Cartouches, Shell ornament, rocailles and a cartouche with garland, verso - stamped, Above a shell ornament with vase with fruits. In the middle rocailles. Below a cartouche with ornamental head and garlands. The print is part of an album., print, picture, album sheet, ornament print, prints, height 248 mm, width 165 mm, 1609 - 1660-08-02, print maker, printmaker, 1636 - 1636, paper, papier, etching, etchings, Publication (Event), Publication, Italian, publisher

Ornament with a mascaron, garlands, leaf vines and shell, Bernard Picart (workshop of), 1683 - 1733 print Amsterdam paper etching / engraving / letterpress printing foliage, tendrils, branches ~ ornament. ornament ~ festoon, garland. mask, mascaron ~ ornament. scallop, shell ~ ornament

Ornament with a mascaron, garlands, leaf raft and shell ..

Rome, Parisino, Agostino, Bologna, Mitelli, Cartouches par Mitelli, Cartouches, Shell ornament, rocailles and a cartouche with garland, verso - stamped, Above a shell ornament with vase with fruits. In the middle rocailles. Below a cartouche with ornamental head and garlands. The print is part of an album., print, picture, album sheet, ornament print, prints, height 248 mm, width 165 mm, 1609 - 1660-08-02, print maker, printmaker, 1636 - 1636, paper, papier, etching, etchings, Publication (Event), Publication, Italian, publisher

Drawing (Italy)

Incense vessel in frame with garlands and hybrid puti, bernard picart (workshop or), 1683 - 1733 print Amsterdam paper etching / engraving / letterpress printing foliage, tendrils, branches ~ ornament. ornament ~ hybrid beings; human and animal forms mixed. ornament ~ festoon, garland. mask, mascaron ~ ornament. censer

Panel with leaf raft and flowers; Seer aereth cavity. Leaf from series with on-sided copies to the series The grotesco of Nicasius Rousseel.

Vrouwgezicht en profil in ornamentele omlijsting.Medallion with the face of a woman and profil. In the ornamental frame two eagles, rollerwork and leaf refines.

Mascaron with wings of which some pins run out in fish heads; Das Neuw Grottesken Buch Nürnberg 1610; Leaf of the "Neu Grotesken Buch" 1610. On the mascaron's head, a plateau on which an elephant is on. Leaf from a series of flat decorations with grotesken, cartouches, ovals, mascarons, putti and fantastic beings. The series consists of three title sheets, two text sheets with the assignment and the preface and 60 sheets, spread over three books.

Rand with an empty cartouche, Michiel le Blon, 1611 print Leaf 5 from series of 14 sheets with examples for engraved decorative countries of cups in the form of triangles consisting of tibs, schweifwerk, garlands with putti, animals, birds and masks. paper etching

Drawing, Design for a hair ornament; Designed by Giovanni Sebastiano Meyandi (Italian, active 1762 - 1794); Italy

Four cartouches and a mask; Cartouches; Raccolta di Varii Cappricii. A cartouche with two kissing harpies under a crown. In the corners parts of cartouches and a mask.

Cartouche surrounded by crops and a woman, Pieter Jansz, 1640 - 1645, Cartouche surrounded by crops; on left a woman with corn sheaf and culms in her hair. Design for a print., draughtsman: Pieter Jansz., 1640 - 1645, paper, pen, brush, h 94 mm × w 164 mm

Acanthus Leaves, Birds and Insects, no. CCCLXXII ("Designs for Various Ornaments," pl. 57) April 1, 1792 Michelangelo Pergolesi This design, numbered CCCLXXII, represents acanthus, birds and insects. The print comes from a group that Pergolesi made and published serially in London between 1777 and 1792. There is no title page, but a prospectus of ca. 1786 described the group as: "A great variety of original designs of vases, figures, medallions, friezes, pilasters, panels and other ornaments, in the Etruscan and grotesque style." The complete set contains 67 plates numbered 1-66 (two are numbered 56), with designs within the plates irregularly numbered 1-435 (in Roman numerals at first, then with Arabic numbers). In 1801, after Pergolesi's death, four additional plates of designs were published by a bookseller Dulouchamp (or Dulonchamp).. Acanthus Leaves, Birds and Insects, no. CCCLXXII ("Designs for Various Ornaments," pl. 57). April 1, 1792. Etching and engraving

Print, Ornament Design with Hercules; Designed by Paul Androuet Du Cerceau (French, 1623/30 - 1710); Published by François de Poilly (French, 1622 - 1693); France; etching on laid paper

Cartouche with Armorial Trophy, Livre dornements (Book of Ornaments), François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Franz Xaver Andreas Jungwierth, German, 1720-1790, François de Cuvilliés the Elder, Belgian, active Germany, 1695 - 1768, Engraving on paper, Design for upright symmetrical cartouche, topped with a mask and surrounded by ornamental scrollwork. Within the frame, an elaborate armorial trophy featuring a suit of armor, drums, trumpet, a shield, and banners., Munich, Germany, 1738, albums (bound) & books, Bound print, Bound print

Rand ornament with two putti; Randcase ornaments and strikers for goldsmiths. From series from title page and 11 sheets.

Frisian with empty medallion above cartouche with mask; Orders à la mode. Leaf 4 from series with Dutch copies to prints from series with the same name.

Leaf 9 from the episode "Newes Gradesca Büchlein". .

Letter V, Jeremias Falck, after Johann Christian Bierpfaf, c. 1645 - c. 1650 print In the middle of the top is a ornament, left and bottom right a pointed crown with a grotesque figure. print maker: Hamburgafter design by: Germany (possibly)publisher: Germany (possibly) paper engraving

Drawing, Strapwork Design; Italy; charcoal, pen and ink, brush and bistre on paper

Letter V; Libellus Novus Elementorum Latinorum Cum Aeneis Picturis Usui Aurifabrorum Inservientib. Middle up is a ornament shown, left and bottom right a pointed crown with a grotesque figure.

Three designs for silver battle with Saters and Rocailles, Anonymous, 1705 - 1736 print The designs are decorated with saters, half -undressed women, rocailles and horns of abundance. Nuremberg paper etching minerals and metals: silver. ornamenting, decorating ~ applied arts. satyr(s) (in general). 'Cornucopia', Horn of Plenty. rocaille ornament

Designs of curling vegetal shapes, grotesque face. Prints. 1696. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament, Arabesques, Faces

Two crowns with cartouches and putto, Henry Fletcher, 1736 - 1737 print Two half -designs of awards with rocaille ornaments, cartouches and left with a putto next to a bust with Garirle. London paper etching Rocaille Ornament. ornament ~ cartouche. Cupids: 'Amores', 'Amoretti', 'Putti'

Unknown arms in oval, Michiel le Blon, c. 1611 - c. 1625

Motives of leaf raft, flowers and fruit; Ornaments for goldsmiths. Below is a bellows. From series of 7 sheets, first edition.

Germany, Jamnitzer, Christoph, sheet of the 'Neu Grotesken Buch' 1610, Das Neuw Grottesken Buch Nürnberg 1610, Mascaron with wings, recto lower right outside the plate edge - handwritten, Mascaron surrounded by volutes ending in horns. On the volutes lie shells in which a burning candle stands, held by a bird with its beak. To the left and right floats a snake that ends in a spiral. The series consists of three title pages, two text pages with the dedication and the preface and 60 leaves, divided over three books., print, ornament print, prints, ornament prints, 7130, height 147 mm, width 185 mm, 1563-05-12 - 1618, print maker, printmaker, 1573 - 1610, third quarter 16th century, fourth quarter 16th century, first quarter 16th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Two women sitting on pedestal, c. 1660 - c. 1670 print Both women wear a laurel wreath and lean on a horn of abundance. Page 2 from series of 12. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Picart, Bernard, Amsterdam, Ornament with a mascaron, garlands, leaf tendrils and shell, verso - stamped, print, ornament print, book illustration, prints, height 85 mm, width 137 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1683 - 1733, fourth quarter 17th century, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), letterpress printing, supervision

Kandelaber met saters, anonymous, after Jacques Androuet, in or after 1562 print A candle slick, made up of two winged fable being on a pedestal, a vase, a niche with two snakes and a man under an arc. Left under kneels a satar, a second sater runs under the right. Paris paper etching Chandelier, a candlestick. Satyr (s) (in general)

Arch of Septimius Severus, panel, elevation (recto) blank (verso). Dimensions: sheet: 11 9/16 x 17 1/4 in. (29.3 x 43.8 cm). Draftsman: Drawn by Anonymous, French, 16th century. Series/Portfolio: Goldschmidt Scrapbook. Date: early to mid-16th century. Museum: Metropolitan Museum of Art, New York, USA.

Coat of arms of the Reynst family; Coats of arms with empty barrels and empty cartouches.From Series or 6 sheets.

Three edge designs for silver cups, Michiel le Blon (Circle of), c. 1597 - c. 1656 print Examples for engraved decorative countries of cups in the form of triangles consisting of tendrils, schweifwerk, garlands and animals. paper engraving ornaments ~ art. foliage ~ ornament. ornament ~ festoon, garland. other ornament derived from animal forms. animals. molluscs: snail

Design for a Decorative Vase. Date/Period: From 1750 until 1800. Drawing. Brush and brown wash, pen and brown ink on paper. Author: UNKNOWN.

Commodes, Anonymous, after Franz Xaver Habermann, 1731 - 1775 print Two commodes with three drawers, with rocaille ornaments. Publishing number 178. Augsburg paper etching / engraving ornamental cupboard. rocaille ornament

Woman with bird in hand; Decoration for edges of cups, scales and plates.

Vase with flowers and tendrils; Das Neuw Grottesken Buch Nürnberg 1610; Leaf of the "Neu Grotesken Buch" 1610. Two tendrils end in mascarons, two in fish cups with trunks and two in dog headers. The vase is on a foot, consisting of turtles. Leaf from a series of flat decorations with grotesken, cartouches, ovals, mascarons, putti and fantastic beings. The series consists of three title sheets, two text sheets with the assignment and the preface and 60 sheets, spread over three books.

Cartouche with monogram surrounded by curls and grasses, Gerrit Visscher, after Jacques de la Joue (II), 1690 - 1710 print Cartouche with monogram surrounded by curls and grasses. At the top three monograms, at the bottom two monograms. Amsterdam paper etching / engraving ornaments ~ art. fantasy ornament. ornament derived from plant forms. ornament ~ cartouche. letter combinations such as letterword, anagram, letter square, monogram, etc.

Two patterns with precious stones and ranks, Anonymous, After Daniel Meijer, After 1618 - Before 1623 print In the pattern on the left a lion is processed at the top, in the pattern a cherubine on the right. print maker: Germany (possibly)after design by: Germany (possibly)publisher: Paris paper etching

Panel with leaf vines that run out in three grotesque samples, 1684 print Leaf from series with opposite copies to the series De Grotesco by Nicasius Rousseel. Amsterdam paper engraving / etching

Two Table Designs 1565-70 Jacques Androuet Du Cerceau. Two Table Designs. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1565-70. Etching. Prints

Plate 10, from XX Stuck zum (ornamental designs for goblets and beakers). Master A.P.; German, active early 17th century. Date: 1601. Dimensions: 115 x 85 mm (image/plate); 140 x 100 mm (sheet). Punch engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Print (Italy)

France, Le Sueur, Vincent, Ornament with leaf motifs, verso - stamped, A vignette with symmetrical ornament with wickerwork and leaf motifs., print, ornament print, prints, ornament prints, height 56 mm, width 67 mm, print maker, printmaker, 1678 - 1743, paper, papier, woodcut, French, 1668 - 1743, unknown

Design for a watch position, c. 1760 Design for a watch position with a hose that shines a bird, crowned by a straw roof. London paper. graphite (mineral). ink pen / brush clock

Ornament with a mascaron surrounded by leafs, Bernard Picart, 1683-1733

Cartouche with flower and leaf motifs; Cartouches and seedill motifs. Four rocaille ornaments and a rocaille cartouche. Publisher number 72.

Shell motif with carrots, Pierre Quentin Chedel, After Juste Aurèle Meissonnier, 1738 - 1749 print A shell motif with carrots and mushrooms. Print number 15. Paris paper etching scallop, shell ~ ornament. plants cultivated for their edible roots or tubers, e.g. potato, turnip

Daniel Mignot, Title Page Brooch, Snail like Animals Above, Centaurs with Banners at Bottom, 1596 Title-Page: Brooch, Snail-like Animals Above, Centaurs with Banners at Bottom

Rocaille omlijstingen.Rocaille ornaments with floral motifs and figures. Publisher number 63.

Drawing, Strapwork Design; Italy; charcoal, pen and ink, brush and watercolor on paper

Germany, Monogrammist SB (16th century), Designs for goldsmiths, Crowned medallion with the Ghent Altarpiece, verso - stamped, Crowned medallion, with the Ghent Altarpiece in the middle, flanked by putti. Print is part of a series of designs and decorations for goldsmiths., print, ornamental print, prints, height 48 mm, width 60 mm, height 192 mm, width 164 mm, German, print maker, printmaker, 1596 - 1596, paper, engraving, engraving (printing process)

Vari disegni di merletti 1639 Bartolomeo Danieli Italian Bartolomeo Danieli published five books of lace patterns between 1610 and 1639. The early seventeenth century was a key period in the development of early lace techniques. Lacemakers developed both needle and bobbin lace techniques that eliminated the need for a woven base, thus permitting less geometric, more free-flowing and pictorial lace designs. Danieli's designs show a thorough knowledge of these new techniques.Danieli was not the only Italian producing lace pattern books at this time; at least two other designers of note, Cesare Vecellio and Isabetta Catanea Parasole, also published books during the late sixteenth and early seventeenth century. However, Danieli's work represents the height of Italian lace design, exemplified by the delicacy of his etchings and the opulent patterns.. Vari disegni di merletti 688592

Coat of arms of the Reynst family, c. 1611 - c. 1625 print From series of 6 magazines. paper engraving armorial bearing, heraldry

New Modelbüch (Page 22v) 1615 Andreas Bretschneider German Designed by Andreas Bretschneider, German, ca. 1578-1640, printed by Henning Gross the younger, Leipzig.Etched hand-colored title page, 29 etched plates (including 3 counterproofs), 20 pages of designs including 4 duplicates.. New Modelbüch (Page 22v) 680887

Two Frisians with leaf refines; Nouveau Livre d'Orgenens d'Orfevrerie. The upper fries is designed along an axis in the middle with an alternative to the right half, the lower consists of a continuous rank with flowers and birds.

Cartouche, c. 1628 - before 1647 print Cartouche with coats of arms, a heavenly ball and a globe and two oval medallions with portraits of Aristotle and Plato. Antwerp paper engraving

Flat decoration with grotesken; Newes Gradesca Büchlein. Bacchus sitting under a bow of wingerds, flanked by flower vases held by monkeys. Leaf 8 from series with grotesque flat decorations with lobe ornaments.

Two vertical motifs and a narrow frieze of leaf vines, Anthonie de Winter, after Thomas Lejuge, c. 1690 - c. 1700 print Leaf from series with copies to Stefano della Bella, Gilles Légaré, Thomas Lejuge and others. Amsterdam paper engraving

Letter H.Letter H against a background with braid and a half-lucky figure.

Grotesque Design; verso: a Landscape, Charcoal, pen and ink, brush and watercolor on paper, Strapwork frame with harpies and masks/ Verso: view of a town in a valley., Italy, early 17th century, ornament, Drawing, Drawing

Plate 20, from XX Stuck zum (ornamental designs for goblets and beakers) 1601 Germany. Punch engraving with traces of burin in black on ivory laid paper . Master A.P.

Drawing, Design for a Censer; Italy & Germany; pen and ink, brush and wash on paper

Ornament with a Palmette, 1501 - 1600. Engravings, 1 1/2 x 3 11/16 in. (3.8 x 9.3 cm), Paper / Sheet 1 13/16 x 4 1/16 in. (4.6 x 10.3 cm). Stamped in black ink, verso Samuel Isham Collection, Cream laid

Stylized Acanthusblad, Anonymous, After Johann Leonhard Eisler, 1726 - 1734 print Nuremberg paper etching acanthus ~ ornament

Ovale cartouche, anonymous, c. 1500 - c. 1600 print On the left and right there are two winged dogs on the rolling work. From series of 17 magazines. France (possibly) paper etching

Striker with two birds and fruit trophies, Laurent Jansz MICKER, After Adriaen Muntinck, c. 1675 - c. 1700 print At the top an edge with tenders. Page 7 from a series of 6. Amsterdam paper engraving

Two Variant Half Designs for a Cartouche. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: Overall: 5 7/8 x 6 7/8 in. (15 x 17.5 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Visscher, Claes Jansz. (II), Janssen, Hans, Verscheyden Edges and Spits, Spit with tendrils in the form of a lamberkijn, Sheet from a series with decorations for silver cups., print, ornamental print, prints, ornamental prints, height 94 mm, width 142 mm, Work conception, 1605, after a design by, 1631 - 1631, second quarter 17th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Plate 6: a cartouche supported by a duck below and decorated with two nymphs whose arms become tree branches, from 'Nouvelles inventions de Cartouches'. Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: sheet: 5 1/16 x 3 7/8 in. (12.9 x 9.8 cm). Publisher: Pierre Mariette le fils (French, Paris 1634-1716 Paris). Series/Portfolio: 'Nouvelles inventions de Cartouches'. Date: ca. 1647. Museum: Metropolitan Museum of Art, New York, USA.

Pictures with Putti, Engelen and Sater. Four ornamented picture frames. Top with olive branches and putti with musical instruments. Below two angels on either side of a vase or urn and a winged skull. Below with two Saters. Under with an exploding bomb, falling figures and militaria.

Drawing (Italy); Possibly by Carlo Marchionni (Italian, 1702-1786), Filippo Marchionni (Italian, 1732-1805); pen and black ink, brush and gray wash on paper; 18.3 x 11.7 cm (7 3/16 x 4 5/8 in.)

Graphite drawing by Francesco Borromini showing a lattice design with construction details for San Carlo alle Quattro Fontane, Rome, on medium-strength paper.

Two panels with modern grotesken; Panels with arabesken and modern grotesken. The panels are separated by an ornamental border with three consoles with vases. At the bottom left are two men with a basement above their heads, right-hand picking children of grapes. From series of 6 blades, including 4 blades with the four elements and two blades on which two vertical panels are always.

Ornament with precious stones .. The print is part of an album.

Charlot, Claude, Anthoine, Poirel, Dominique, Deruet, Leclerc, Sébastien (I), Monuments and festivities during the entry of Charles IV into Nancy, 1641, Frieze with quiver, A frieze with a quiver and putti on garlands flanked by bundles of arrows., print, engraving, ornament print, book illustration, prints, engravings, ornament prints, height 54 mm, width 180 mm, French, 1637-09-26 - 1714-10-25, print maker, printmaker, 1664 - 1664, second quarter 17th century, paper, papier, etching, etchings, Work conception, 1588 - 1660-10-20, after a design by, Publication (Event), Publication, publisher

Design for Silverwork with Garlands, Birds, and Grotesque Motifs ca. 1568-1633 Hieronymus Bang German Ornament design with a bird standing on its left leg, facing right on a bushel of fruit (including grapes), at center. To the left and right, grotesques with bird's heads and horse's legs. From a set of ten plates.. Design for Silverwork with Garlands, Birds, and Grotesque Motifs 423366

Four lids of snuff boxes. Top left with masks and putti. Upper right with half-figures and a woman on a man's back. Lower left with women and two putti. Bottom right with garlands and a young man holding a vase., Lids with figures in landscapes Neue invention oder entwurff von Schnupftoback Dosen (series title), print maker: anonymous, Jean Mariette, (copy after), publisher: Johann Christoph Weigel, Germany, 1670 - 1725, paper, etching, h 166 mm × w 230 mm

Frame with putti. An ornamented picture frame with acanthus motifs, garlands, vases with flowers and a mask at the bottom. Left and bottom right putti. At the top are two putti with a lute and a book on either side of a vase.

Copy of series with the same title, published by Michiel le Blon. Sheet 14 from series of 14 sheets with examples for engraved decoration borders of cups in the form of triangles consisting of tendrils, Schweifwerk, garlands with putti, animals, birds and masks, Guirlande met drie bouquets van fruit Somige Eenvoldige Vruchten en Spitsen (series title), Michiel le Blon, print maker: anonymous, publisher: Balthasar Caymox, Neurenberg, (possibly), after 1611 - 1635, paper, engraving, h 81 mm × w 105 mm

Rand with head of girl, Michiel le Blon, 1611 print Leaf 9 from series of 14 magazines with examples for engraved decorative countries of cups in the form of triangles consisting of tibs, schweeifwerk, garlands with putti, animals, birds and masks. paper etching

Germany, Bierpfaf, Johann Christian, Hamburg, Falck, Jeremias, Libellus Novus Elementorum Latinorum Cum AEneis picturis usui Aurifabrorum inservientib, Letter F, print, ornament print, prints, ornament prints, height 205 mm, width 157 mm, 1609 - 1677-02-07, print maker, printmaker, 1645 - 1650, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, publisher

Drawing, Project for an Escutcheon; Italy; pen and brown ink, brush and brown wash on light brown laid paper

Half cartouches and ornaments. Artist: anonymous. Draughtsman: anonymous. Dating: c. 1866 - c. 1900. Measurements: h 340 mm × w 240 mm. Museum: Rijksmuseum, Amsterdam.

Ornament met monstrans met Christusmonogramm..

Acanthusranken, 1697 print Acanthus vendors in symmetrical pattern. paper engraving acanthus ~ ornament

Cartouche with shell at the top, Pierre Firens, After Federico Zuccaro, 1613 - 1657 print In the middle below are two crossed palm leaves behind the cartouche. paper engraving

Design for a glass window with blank coats of arms and putti. Design for a glass window with a coat of arms in the middle with a climbing lion, flanked by two putti with two blank coats of arms each. At the top of an allegorical figure, representing a woman with a arrows bundle and a sheep surrounded by putti.

Rear View of the Wooden Structure of a Carriage 18th century Anonymous, Italian, Bolognese 18th century artist Italian. Rear View of the Wooden Structure of a Carriage 346398

Copy of series with the same title, published by Michiel le Blon. Sheet 5 from series of 14 sheets with examples for engraved decoration borders of beakers in the form of triangles consisting of tendrils, Schweifwerk, garlands with putti, animals, birds and masks, Spire with an empty cartouche Somige Eenvoldige Vruchten en Spitsen (series title), Michiel le Blon, print maker: anonymous, publisher: Balthasar Caymox, Neurenberg, (possibly), after 1611 - 1635, paper, engraving, h 83 mm × w 105 mm

Plate 30, from Neüw Grotteßken Buch (New Grotesque Book), Christoph Jamnitzer, German, 1563 - 1618, Engraving on laid paper, Ornamental cartouche, right, composed of an auricular, cartilage-like form showing a grotesque mask, edged in bead-work and feathers. At left, a snail-like animal being pushed forward by an ox with feathers for horns., Germany, 1610, ornament, Print, Print

Antique-Style Ornament Frieze Design: Rinceaux with Grotesque Figures and Animals early 16th century Anonymous, Italian, 16th century Italian. Antique-Style Ornament Frieze Design: Rinceaux with Grotesque Figures and Animals 356334

Cartouche for coat of arms. Print no. 8 in a bundle of eight numbered prints with cartouches for coats of arms, first leaf entitled "New weapon Schilde". Tied together with a string in a cover of 19th-century decorative paper.

Drawing (Italy)

Frontal View of the Main Carved Wooden Structure of a Carriage. Artist: Anonymous, Italian, late 17th to early 18th century. Dimensions: sheet: 12 1/2 x 8 3/4 in. (31.8 x 22.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

Design for a Door Knocker, c. 1760 - c. 1780 Bologna paper. chalk pen / brush door-knocker, doorbell

Two panels with modern grotesken, Daniël Marot (I), 1712 print The panels are separated from each other by an ornamental edge with three consoles with vases. Bottom left are two men with a basement above their heads, on the right children pick grape bunches. From series of 6 sheets, including 4 sheets with the four elements and two sheets on which there are two vertical panels each. print maker: Netherlands (possibly)after own design by: Netherlandspublisher: Amsterdam paper etching ornament ~ grotesque. vase ~ ornament

Series of Small Flower Motifs, Plate 5. Artist and engraver: Paul Androuet Ducerceau (French, 1623-1710). Dimensions: Plate: 5 9/16 × 8 1/16 in. (14.1 × 20.5 cm)Sheet: 7 9/16 × 10 1/16 in. (19.2 × 25.6 cm). Publisher: Nicolas Langlois (French, Paris 1640-1703). Date: ca. 1670-85.Plate 5 from an untitled series of six plates with designs of flower motifs, possibly meant for silk embroidery. This plate presents two motifs designs in oblong format with a flower from the ranunculus family on the left and a rose on the right. Museum: Metropolitan Museum of Art, New York, USA.

Arch-shaped ornament; Nouveau Livre De Serureries (...). An arch-shaped ornament with leaf motifs and a rectangle filled with braid.

Picture frames with candlesticks and putti; Picture frames for panels and mirrors. Three frames with rocaille ornaments and leaf motifs. On the left and right two putti, on the left two double candlesticks. Publisher number 171.

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