Baroque Religious Engravings

Copper engravings featuring religious scenes, predominantly depicting Mary and Christ, showcasing intricate Baroque artistry and symbolism.

Copper engraving by Jacob de Gheyn IIs workshop showing sinners from the Old and New Testament, highlighting biblical narratives and moral instruction.

Copper engraving and etching published by Raphael Sadeler the Elder showing Mary with the Christ child, saints Stephen and Francis, Maria Lactans, and angels presenting the cross, dated 1570-1632.

Copper engraving by Gilles Rousselet from 1650 depicting Mary with the Christ child, young John the Baptist, and Saint Elisabeth. The print shows detailed Baroque linework and religious figures.

Copper engraving by Paulus Pontius showing Maria with child, Saint Antonius of Padua, and the coronation of St. Rosalia, depicting religious figures in ceremonial context, created in the 17th century.

Copper engraving by Gérard Audran between 1660 and 1703 depicting the birth of Mary, showing figures, gestures, and religious symbols.

Copper engraving and etching by Crispin van de Passe from 1584-1637 depicting Mary with the child Jesus and the Holy Family, showing figures, gestures, and religious context.

Copper engraving by Hans Collaert d. Ä. showing the biblical Rejection of Joachim's victim and the Announcement to Joachim, created in 1576.

Etching by Pietro del Pò between 1660 and 1670 portrays the Annunciation to Mary and the birth of Christ, presenting key biblical events in European printmaking.

Copper engraving by Jacob de Gheyn IIs workshop showing sinners from the Old and New Testament, highlighting biblical narratives and moral instruction.

Copper engraving by Michel Lasne from 1617-1618 depicting the Holy Family with John the Baptist, showing figures, gestures, and composition.

Copper engraving by Cornelis Cort depicting Christ on the Mount of Olives (Ölberg), created in 1569. The artwork shows Christ in prayer before his arrest, set in a garden landscape with disciples nearby.

Etching by Gioan Antonio Lorenzini created between 1685 and 1740 depicting Assumption Day with Mary and angels in a religious composition with detailed figures.

Copper engraving by Antonie Wierix II depicting St. Veronica with two angels and instruments of the Passion, representing the acceptance of the cross, created in 1584-1585.

Copper engraving and etching by Jacobus Neeffs, 1630-1690, depicting St. Ignatius of Loyola and St. Francis of Assisi together, highlighting religious figures, gestures, and iconography.

Copper engraving by Johann Sadeler d. Ä. from 1581-1591 depicting the Holy Family with Mary Magdalene and another version with three angels, showing figures and gestures in a devotional setting.

An etching by Johann Adam von Bartsch from 1783 depicting Mary with the infant Jesus and Elisabeth, showing figures, gestures, facial features, and clothing details.

Copper engraving by Jacob de Gheyn II depicting Jesus Christ with Saint Peter. Created between 1591 and 1592, illustrating key New Testament figures and religious scenes.

Copper engraving by Theodor Galle depicting the Passion, death, and resurrection of Jesus, created between 1584 and 1587.

Etching by Pompeo Ghitti depicting the Holy Family, created between 1650 and 1703, illustrating Christian religious figures and iconography.

Copper engraving showing Mary in the sky, surrounded by angels, clouds, and symbolic religious elements. Produced between 1590 and 1629, highlighting devotional themes and detailed figural composition.

Cornelis Cort created a copper engraving in 1577 depicting St. Hieronymus accompanied by two angels, showing figures, robes, gestures, and religious symbolism.

Copper engraving by Crispin van de Passe from 1584-1637 depicting Mary with the child Jesus and John the Baptist as a child, showing figures, gestures, and biblical context.

Etching by Paul van Somer from 1660-1700 depicting the Adoration of the Kings with figures, gestures, gifts, and architectural setting.

Copper engraving by Raphael Sadeler depicting Christ associated with spring, illustrating a symbolic and religious theme from the late 16th century.

Etching by Martin Speer from 1715-1765 depicting the crucifixion of Christ, showing the cross, Jesus, and surrounding figures in a devotional composition.

An engraving by Felice Polanzani, created between 1715 and 1756, illustrating episodes from the life of the Virgin Mary with figures and devotional elements.

Copper engraving and etching by Francois Spierre in 1667 depicting the Vision of Saint Theresa, showing figures, gestures, and religious symbols.

Copper engraving by Michiel Coxie, created between 1517 and 1592, depicting the Holy Family with Mary, Joseph, and the infant Jesus in a devotional composition.

Paulus Pontius engraved 'The Crowning Glory of the Virgin Mary' around 1620, depicting Mary crowned by angels with symbolic religious elements in copper engraving format.

An etching by Petrus Feddes from 1614 depicting Christ with the crown of thorns, illustrating the crucifixion scene.

Copper engraving by Adriaen Collaert depicting the life of Jesus, created around 1598. The work shows biblical figures, events, and composition details.

Christ for Herod, Adriaen Collaert, c. 1580 - c. 1590 print Christ for Herod. Part of the press series about the passion of Christ: Passio et Resurrectio D.N. Esu Christi. Edita et Excusa Ab Ad. Collaert. In Prentalbum with two series of 34 and 24 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving Christ before King Herod; sometimes a gorgeous robe is brought (Luke 23:8-11)

Copper engraving by Michel Lasne from 1610-1667 depicting 'Behold the man', showing the figure, facial expression, attire, and posture in a detailed religious composition.

Lucas Kilian engraved 'St. Hieronymus in the Wasteland' between 1590 and 1637, depicting the saint in a barren landscape with religious symbols and contemplative pose in copper engraving format.

Etching by Isaac Duchemin from 1573 depicting Jesus healing the paralyzed and the Wedding at Cana, showing figures in religious scenes with gestures of healing and celebration.

Etching by Remy Vuibert from 1639 depicting the miracle of Paul of Tarsus, showing biblical figures, narrative elements, and religious context.

Copper engraving by Johann Sadeler the Elder created in 1600 depicting a saint in traditional religious attire, shown with gestures and attributes indicating holiness and piety.

Etching by Pietro Antonio Rotari depicting three saints, created in 1725, showing religious figures with halos, robes, and symbolic attributes in a devotional composition.

A copper engraving by Jean Jouvenet, created between 1683 and 1738, illustrating the acceptance of the cross, showing religious figures in a devotional scene.

Copper engraving by Jan Collaert the Younger, 1584-1587, showing scenes from the Passion of Christ, including figures, gestures, and religious iconography.

Copper engraving by Johann Sadeler the Elder, dated 1570-1600, depicting St. Bernardino of Siena and Saint Francis of Assisi receiving the stigmata, showing devotional and religious themes.

Etching by Dirck Volkertszoon Coornhert depicting Christ entering Jerusalem and washing the feet of his disciples, created between 1540 and 1590, showing detailed gestures and Northern Renaissance style.

Johann Georg Bergmüller etching showing Saint Dominic with Madonna and Saint Joseph with the infant Jesus, created 1708-1762, depicting religious figures and iconography.

Copper engraving by Johann Sadeler the Elder from 1598 depicting a saint, showing figure, garments, pose, and religious iconography.

Photo production of the minds according to Christ by Antoine Wiertz, Edmond Fierlants, after Antoine Joseph Wiertz, c. 1863 - in or before 1868 photograph photographic support albumen print Christ

Copper engraving by an unknown artist from the 16th to mid-17th century depicting the Pietà, showing the Virgin Mary holding the body of Christ with detailed composition and religious symbolism.

Copper engraving by Marten de Vos depicting John the Baptist delivering a sermon, produced between 1584 and 1652, illustrating a biblical scene.

Generation of Lazarus; Vita Iesu Salvatoris varish iconibus ab Adriano Collaert Expressa. Revival of Lazarus. Part of the print series about the life of Christ: Vita Iesu Salvatoris varish iconibus ab Adriano Collaert Expressa. In PrentalBum with two series of 34 and 25 engravings respectively with scenes from the life and breast story of Christ.

Copper engraving by Hieronymus Wierix created between 1573 and 1619 depicting a saint, showing human figure, religious attire, and devotional context in late 16th- and early 17th-century style.

This copper engraving by Jacob de Gheyn II, created between 1591 and 1592, depicts the apostle Simon, emphasizing religious representation and detailed figure work.

Copper engraving by Cornelis Cort depicting the Adoration of the Magi, created in 1567. The artwork shows the three kings, the infant Jesus, Mary, and attendants in a detailed religious composition.

An etching by Bernhard Rode depicting Jesus in the Garden of Gethsemane, showing figures, posture, gestures, setting, surrounding elements, and religious context, created between 1748 and 1797.

Copper engraving by Jacob Matham, 1610, showing the grave of Christ with surrounding figures, tomb architecture, and expressions of mourning.

Copper engraving by Frederick Bloemaert depicting John preaching in the desert; created between 1631 and 1690, showing religious narrative and desert landscape.

Copper engraving by Jan Wierix illustrating scenes from the life of Christ, including miracles and teachings, showing figures, gestures, and landscape, created in 1572.

1639-1693 etching by Jonas Umbach showing a saint, including iconographic elements, posture, and surrounding space.

Etching by William Unger from 1886 depicting Saint Justina, shown with a founder paying homage, highlighting religious figures, gesture, and Christian iconography.

Copper engraving by Lucas Vorsterman depicting the Holy Family with John the Baptist as a child and St. Elisabeth, produced between 1630 and 1670.

Copper engraving by Schelte Adamsz. Bolswert from 1630-1659 depicting the Holy Family with a goldfinch, showing figures, gestures, and religious symbolism.

Copper engraving by Adriaen Collaert depicting St. Teresa of Avilas life, created in 1613. The print illustrates her devotion, prayer, and mystical religious experiences.

Copper engraving by Cornelis Galle the Elder, 1596-1650, depicting female saints with figures in religious compositions and symbolic gestures.

Copper engraving by Pieter de Jode depicting scenes from the life of St. Katharina of Siena, created in 1597, showing religious events and late 16th-century European engraving techniques.

Copper engraving by Lucas Kilian, 16th-17th century, depicting Saint Jerome with traditional attributes, showing detailed figure and religious iconography.

Copper engraving by Philipp Galle created around 1577 depicting the seven mental works of mercy, showing human figures, gestures, and ethical-religious teaching in 16th-century style.

An etching by William Unger from 1886 depicting the Presentation of Christ in the Temple, showing figures, posture, and garments in a religious scene.

Copper engraving by Philipp Galle from 1580 depicting Christ as the light of the world with radiating light, figures, gestures, and symbolic elements.

This etching by Christian Wilhelm Ernst Dietrich depicts the Passion of Christ, illustrating scenes from the biblical narrative, created between 1750 and 1820.

Opwekking by Lazarus, Adriaen Collaert, after Jacques de Bie, after Maerten de Vos, c. 1580 - c. 1590 print Lazarus generation. Part of the press series about the life of Christ: Vita iesu Salvatoris Varijs Iconibus Ab Adriano Collaert Expressa. In Prentalbum with two series of 34 and 25 engravings with scenes from life and the suffering story of Christ respectively. paper. gold (metal). silver (metal) engraving the raising of Lazarus ('Lazarus, come out')

Copper engraving by Hieronymus Wierix depicting Christ with evangelist symbols, created in 1581, illustrating Christian iconography, religious figures, and 16th-century ecclesiastical art.

Copper engraving and etching by Philipp Galle depicting the apostles Peter and Johannes, showing figures, gestures, clothing, and religious iconography. Created in 1558.

This etching by Simone Cantarini shows the Virgin Mary with the Christ Child, the crossing, and the crowning of Mary, produced between 1630 and 1648. The work focuses on religious themes and ceremonial gestures.

Copper engraving by M. Christophori (17th century) depicting the coronation of the Virgin Mary, showing figures, gestures, crowns, and ceremonial elements in European baroque style.

Copper engraving by Raphael Sadeler the Elder depicting the coronation of Mary and the martyrdom of Saint Laurentius, created between 1580 and 1632, illustrating Christian religious events.

Copper engraving by Simon Gribelin from 1712 depicting the Adoration of the Kings, illustrating the biblical scene with detailed figures and composition.

Copper engraving and etching by Lucas Kilian from the 16th-17th century showing the holy family with Saint Katharina, including figures, gestures, and composition.

A copper engraving by Raphael Sadeler the Elder, 1580-1632, depicting the Adoration of the Magi and the birth of Christ with figures, gestures, and symbolic elements.

Copper engraving by Pieter de Bailliu, created between 1630 and 1700, depicting Saint Teresa and Saint Bridge with detailed religious figures, gestures, and iconography.

Etching by Philip Lambert Spruyt from 1742-1801 depicting Christ accepting the cross, showing figures, cross, and symbolic Christian elements in European 18th-century style.

Copper engraving depicting Maria with the Christ child on a globe with a snake, and Mater Dolorosa, showing figures, gestures, and symbolic elements. Produced between 1627 and 1678, emphasizing religious narrative and composition.

Copper engraving by Johann Hogenberg depicting the flagellation of Christ, created between 1584 and 1618.

A copper engraving by Nicolaas Ryckmans created between 1616 and 1626 depicting Christ, the Virgin Mary with child, and Saint Anna, illustrating biblical figures in 17th-century engraving style.

Copper engraving by Jacob Matham from 1604 depicting the birth of Jesus Christ. The artwork shows Mary, Joseph, infant Jesus, and surrounding figures with symbolic religious elements in early 17th-century European style.

Copper engraving published by Philipp Galle from 1580-1587 showing Passion scenes of Christ, illustrating the crucifixion with detailed figures and 16th-century religious iconography.

An etching by Remoldus Eynhoudt from 1630-1680 depicting Christ ascending or appearing with angels in a spring setting.

Etching by Giuseppe Maria Roli created between 1665 and 1727 depicting a pope enthroned granting a blessing, illustrating seventeenth-century Italian religious ceremonial engraving.

Copper engraving and etching by Jacques Callot from 1590-1748 depicting saints, apostles, and evangelists, showing figures, gestures, and religious iconography.

Etching by Antonio Gherardi depicting the stake of St. Martina being extinguished by rain, created between 1660 and 1700, illustrating divine intervention and martyrdom.

Copper engraving by Cornelis Galle the Elder from 1590-1650 depicting Mary, Jesus, and Joseph, showing figures, gestures, and composition.

Copper engraving by Philipp Galle depicting episodes from the Passion of Christ, produced between 1580 and 1587, showing the crucifixion and associated scenes.

Copper engraving by Jan Wierix from 1569-1620 depicting Christ in the atrial and the Resurrection of Christ, including figures, gestures, and architectural elements.

A copper engraving by Giulio Bonasone from 1561 depicting the Holy Family, showing Mary, Joseph, and the infant Jesus in a devotional scene.

This copper engraving by Nicolaes de Bruyn, produced between 1618 and 1619, depicts scenes from the Passion of Christ, emphasizing religious narrative, figure composition, and detailed engraving.

Copper engraving by Nicolas Lastmann depicting Christ on the Mount of Olives, created in 1608, illustrating a biblical scene from the Passion of Christ.

Illustration by Heinrich Friedrich Füger, 'The Messiah', created 1805-1843, showing a religious figure at the center, surrounded by compositional details and iconography.

Marriage of Saint Catharina of Alexandria, William Unger, After Domenico Feti, 1861 - 1889 print Vienna paper. etching the mystic marriage of St. Catherine of Alexandria with the infant Christ: the Christ-child puts a ring on her finger

17th-century etching depicting Melchizedek presenting bread and wine, showing the biblical priest with detailed gesture, altar, and offering.

Copper engraving by Cornelis Galle the Elder depicting the birth of John the Baptist and the Holy Clan, produced between 1630 and 1678, illustrating Christian religious narratives.

Copper engraving by Pieter de Jode II depicting the Virgin Mary with a sleeping Christ child and John the Baptist as a boy, created between 1631 and 1637. The work shows religious iconography and detailed figures.

Etching by Albrecht Dürer after 1508 depicting the holy bishops Nikolaus, Ulrich, and Erasmus, showing figures, attributes, and religious composition.

Etching by Bernardino Capitelli depicting St. Antonius of Padua as an emblem, created between 1605 and 1639, showing the saint with traditional iconography including a book, lily, and halo.

Copper engraving by Willem van Swanenburg from 1610 depicting the Resurrection of Christ, showing Christ rising from the tomb, surrounding figures, drapery, and architectural details.

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