Baroque Triumph Arches

Detailed engravings of ornate triumphal arches featuring allegorical figures and rich decorations, capturing a grand historical style.

Imperial court, Augsburg, Götz, Gottfried Bernhard, Feichtmayer, Joseph Anton, Altar, Altar with two female figures, verso - stamped, An altar with rocaille ornaments, with a standing woman on the left and right. Between the two angels on the pillars of the altar cherubim among the clouds. The altar is closed at the top by a putto., print, emboss, ornamental print, prints, ornamental prints, height 380 mm, width 226 mm, German, 1708 - 1774, print maker, printmaker, 1740 - 1745, paper, papier, engraving, engraving (printing process), etching, Austrian, 1696 - 1770-01-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever van privilege

Johann Ulrich Kraus, after Peter Schubert von Ehrenberg, Triumphal Arch for Henry II, 1725 Triumphal Arch for Henry II

Triumphal arch, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault. Artist: Melchior Tavernier (French (born Flanders), Antwerp 1564-1641 Paris); Pierre Firens I (Flemish, Antwerp 1580-1638 Paris); After Abraham Bosse (French, Tours 1602/1604-1676 Paris). Author: Jean-Baptiste de Machault (French, 17th century). Dimensions: Sheet: 11 7/8 × 8 9/16 in. (30.1 × 21.7 cm)Plate: 11 5/16 × 7 15/16 in. (28.7 × 20.2 cm). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

Sermon in the end of the church; Le Pautre, Jean (1618-1682), Mariette, Pierre (1634-1716; m.); around 1660-OK. 1670 (1601-00-00-1700-00-00);

Imperial court, Augsburg, Götz, Gottfried Bernhard, Feichtmayer, Joseph Anton, Altar, Altar with two female figures, verso - stamped, An altar with rocaille ornaments, with a standing woman on the left and right. Between the two angels on the pillars of the altar cherubim among the clouds. The altar is closed at the top by a putto., print, emboss, ornamental print, prints, ornamental prints, height 380 mm, width 226 mm, German, 1708 - 1774, print maker, printmaker, 1740 - 1745, paper, papier, engraving, engraving (printing process), etching, Austrian, 1696 - 1770-01-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, uitgever van privilege

Altar founded by the preachers, 1685, 1685 print Altar founded by the preachers in Antwerp. Part of the illustrations of the decorations founded in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585. Southern Netherlands paper etching other decorative structures (~ triumphal entry, etc.) Antwerp

Augsburg, Stapf, Johann Conrad (18th century), Bergmüller, Johann Andreas, Pulpits, Pulpit with volutes, verso - stamped, In front of the flutist lies a dog and next to him stands a sheep. The rocaille is intertwined with a tree. In the tree two birds. Middle above 69 and top right 326 numbered., print, ornamental print, prints, ornamental prints, height 270 mm, width 186 mm, print maker, printmaker, 1740 - 1762, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1730, after a design by, Publication (Event), Publication, German, 1705 - 1762, publisher

Design for a Tabernacle with Two Variants, from: Tabernacles à l'italienne ca. 1644-66 Jean Le Pautre French. Design for a Tabernacle with Two Variants, from: Tabernacles à l'italienne 399258

Deuromlijsting Met Putti, Anonymous, after Franz Xaver Habermann, 1750 - 1760 print Door frame with rocaille ornaments, leaf motifs, two winged putti, a vase on the left and a cartouche above. Publishing number 298. Augsburg paper etching / engraving Door. Rocaille Ornament. Cupids: 'Amores', 'Amoretti', 'Putti'

Underbias; Nouveaux Liure de Cheminées a la Hollandaise. The chimney attempt consists of two long consoles; Nine Chinese vases are on the cornice. On the console above there are another five. From series of 6 sheets.

Speculum Romanae Magnificentiae: The Altar of Eros ca. 1514-36 Attributed to Agostino Veneziano (Agostino dei Musi) Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one s

Pelisher seen from the front, Jean Lepaut, 1659 print With a hanging hexagonal body supported by consoles and putti. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Collection of planks of furniture: Cabinet. Twelfth cabinet of a sequence of 21 Jacques Androuet du Cillece (1515-1584). Collection of planks: Cabinet. Twelfth cabinet of a sequence of 21. Etching. 1575.

Fireplaces with medallion and mermaids, Anonymous, After Jean Berain (Le Vieux), 1686 - 1724 print Two ornamented fireplaces. On the left with a medallion with two goddesses, a putto and a servant with a flower basket, a vase, a candlestick in the shape of a chimera and a fireplace with horse heads. On the right with a crowned shell motif, two mermaids and a fireplace with mask with palmette on the head. Augsburg paper etching frequently used ornamental compositions. ornament ~ medallion. merman - AA - mermaid, siren

Decoration of the great pavilion of the Louvre galleries made by the care and plan of SR Girardon sculptor ... (IT)

Design for a Tomb with Herms and a Niche with a Bust Portrait 16th century Anonymous, Italian, 16th century Italian. Design for a Tomb with Herms and a Niche with a Bust Portrait. Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). 16th century. Pen and brown ink, brush and brown wash. Drawings

Fireplace with candlesticks; Schouwen. Schouw with rocaille ornaments, two-armed candlesticks and two putti. Publisher number 274.

Oval Cartouche in a tempelfront, Anonymous, After Jacques Androuet, 1520 - 1584 print In the middle of the top is a putto, fighting with a snake. From series of 32 sheets. The cartouches are partly derived from the prints of Antonio Fantuzzi after the decoration of the gallery of François 1er by Giovanni Battista Rosso. The series is also known under the title Petits Cartouches de Fontainebleau. France (possibly) paper etching

Print, Design for Tabernacle, from "Tabernacles"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 33.9 × 22.1 cm (13 3/8 × 8 11/16 in.)

Cabinet with variant for right half, anonymous, after Jean Lepautre, c. 1680 - c. 1700 print Cabinet with two doors decorated with Bustes from Christ and the Virgin, at the top is a cross. print maker: Netherlandsafter design by: France (possibly)publisher: Amsterdam paper etching

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the real plan and portrait of the House of the Blessed Virgin. Elevation (West). (A. de Vesme 950; Dutuit 143) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Altar from Amor. An architectural room with an altar in a niche. On the altar is a sculpture of amor with its bow and arrow sleeve. At the bottom of the altar a bass relief with a battle.

Louis XIV (king of France), Paris, Mariette, Pierre (II), Lepautre, Jean, Retables d'autels à l'italienne, Altar with a painting of the Assumption of Mary, Altar with a painting of the Assumption of Mary. At the bottom the plan of the altar. Print is part of an album., print, ornamental print, album page, prints, height 215 mm, width 149 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1658 - 1670, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, 1638-09-05 - 1715-09-01, grantor van privilege

France, Blassel, Nicolas, Lenfant, Jean, Les Epitaphes, Epitaph with bust of young woman, The bust stands in a semicircular niche at the top. From a series of 7 sheets., print, ornamental print, prints, ornamental prints, height 224 mm, width 149 mm, 1615 - 1674-03-08, print maker, printmaker, 1625 - 1641, second quarter 17th century, third quarter 17th century, paper, engraving, engraving (printing process), Work conception, 1600 - 1659-03-02, after a design by, Publication (Event), Publication, publisher

. Print at the top right labeled: fol. 132.

Hanger met Victoria, Hieronymus Wierix, 1563 - 1619 print One of 9 sheets, from a series of 12. On six sheets is a figure in the niche. Three pearls hang on each pendant. print maker: Netherlands (possibly)print maker: Antwerp (possibly)publisher: Netherlands (possibly) paper engraving Victory. During, Trinket, 'charm'

Speculum Romanae Magnificentiae: Sepulchre of Julius II 1554 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients compos

Design by Jean le Pautre; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 30.4 x 22.7 cm (11 15,16 x 8 15,16 in.)

Grafnis record Vaas, Johann Thomas Hauer, 1779 - 1788 print Design for a grave tennis with a round arch. In the niche there is a vase with flowers and a head surrounded by jet wreath. Publishing number XXVIII. Ravensburg paper etching / engraving niche-tomb, wall-tomb

Cecca, Francesco.

Design by Jean le Pautre; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 23.3 x 16.4 cm (9 3,16 x 6 7,16 in.)

Lower part of a retable, Wendel Dietterlin (I), 1560 - 1598 print One of 20 magazines from a series (Architectura. Von Ausztheilung, Symmetria und Proportion der Fünff Seulen ...) consisting of 193 magazines and 5 title magazines, divided into five books. This is a second, extensive edition of the series described under Orn Cat I-319. Germany (possibly) paper etching

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Eichel, Emanuel, Schouwen, Schouw, verso - stamped, Schouw with rocaille ornaments and floral motifs. Publisher number 274., print, ornamental print, prints, ornamental prints, height 251 mm, width 196 mm, 1717 - 1782, print maker, printmaker, 1746 - 1746, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

A queen sits on a throne in ornate surroundings, below is an inscription to the wedding of Nicolaas de Vicq and Maria Jacoba van Reit. Etching with engraving by L. Scherm, c. 1701, after J. Goeree after S. Schynvoet.

Triumphoort founded by the Bishop of Antwerp for the Onze-Lieve-Vrouwekathedral, 1685. Triomfpoort founded by the Bishop of Antwerp and the Chapter for the Onze-Lieve-Vrouweka cathedral in Antwerp. Part of the illustrations of the decorations established in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585.

Model for Altar for Woodcarvers. Gottfried Bernhard Götz (German, 1708-1774). Engraving;

Title page: Alcaves à la Francoise; Alcofen à la Francoise. Alcove, the rear wall of which is decorated with paintings.

Subsema with painting by Apollo and Marsyas, Anonymous, After François de Poilly (I), After 1661 - Before 1726 print Various details are depicted on the right. print maker: Netherlands (possibly)after design by: Paris (possibly)publisher: Netherlands (possibly) paper etching

Alexander II. Millennium of Russia print ca. 1862

Parts of chimney mantels, Johann Adam Delsenbach, After Paul Decker (I), 1708 - 1724 print Decorated with grotesken, festons, women's and men's figures. print maker: Neurenbergprint maker: Neurenbergafter design by: Neurenberg (possibly)publisher: Augsburg paper etching chimney-piece, mantelpiece. interior of the house

Design for a Fireplace; Édouard Baldus (French, born Germany, 1813 - 1889); Paris, France; 1866; Heliogravure; 27.7 x 19.2 cm (10 7,8 x 7 9,16 in.)

Grafmonument met Aediculae, Jean Marot (1), 1629 - 1716 print On top of the monument, Cararians are in a circle; At the top right is the number 2. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Underbousa with bust of Roman emperor; Divers Dissoins the Cheminées à la Royale. From second edition.

Graftombe of the Admiraal Maarten Harpertszoon Tromp, Jan Luyken, 1692 print Print at the top right marked: fol. 132. print maker: Amsterdampublisher: Amsterdampublisher: Haarlem paper etching grave, tomb

Decoration of wall and cove list, After 1657 - Before 1678 print At the top you can see a cornice and a balustrade under a cloudy air. From series of 6 unnumbered magazines. paper etching

Schouw with Keizersbuste, Jean Lepautre, 1658 - 1670 print Diameter of a room with a fireplace with emperor bust in Round medallion carried by two sphinxes. On either side a door with Dessus-de-Porte with eagle. Paris paper etching open hearth, fire-place

Altar with circle in Stralenkrans, 1758 - 1820 print Design for an altar on either side crowned with two vases. Above that a cloud with a jet wreath and the number 3 in a circle. paper etching / engraving altar

Furniture Jacques Androuet Du Cerceau French 1565-70 View more. Furniture. Meubles. Jacques Androuet Du Cerceau (French, Paris 1510/12-1585 Annecy). 1565-70. Etching. Prints

Designs for an Altar in a Niche 1735-1817 Flaminio Innocenzo Minozzi Italian. Designs for an Altar in a Niche 343250

Fireplace with around painting; Cheminées à la modern. The worship of Christ is on the painting. From third edition.

On the lid are two crowned lions on either side of the coat of arms of the pins of Nassau-Dietz. The sarcophagus rests on three lions with coats of arms of Nassau (left), Vianden (center) and Katzenellenbogen (right). On top is a cushion with a crown. Sheet from series of 3., Sarcophagus of Hendrik Casimir II: head decorated with arms trophies Sarcophagus of Hendrik Casimir II (series title), print maker: Petrus Aeneae, Petrus Aeneae, (possibly), publisher: anonymous, Franeker, 1680 - 1700, paper, engraving, h 208 mm × w 170 mm

Alcove with variant for right half; Alcofen à la Francoise. Alcove with left two corintean columns with an opening in the wall in which a statue is located. On the right a variant with panels.

TITELBLAD: new ice cream panels, in the manner 'D France; New ice cream panels, in the manner 'D France. Onderboezem Tussen Korintische Pilasters op voetsukken. Rechtsonder Statat: N.22. Tegenzijdige Kopie Naar Prent Uit Series New ice panel fireplace in France.

Tabernacle with a painting by Maria with child; Tabernacoli da Ornare e Abellire di Altari. Tabernacle with a painting by Maria with child. Print is part of an album.

The tombstone of Leszek Czarny; Dietrich, Fryderyk Krzysztof (1779-1847), Stachowicz, Michał (1768-1825); 1824 (1824-00-00-1824-00-00);

Design for a Chimneypiece. Artist: Jean Charles Delafosse (French, Paris 1734-1789 Paris). Dimensions: 15 9/16 x 11 9/16 in. (39.5 x 29.4 cm). Museum: Metropolitan Museum of Art, New York, USA.

Graftombe in Trimouille, François Philippe Charpentier, 1790 print Numbered at the top right: No. III, pl. 4, p. 26. print maker: Francepublisher: Paris paper etching grave, tomb

The tombstone of Julius II; Buonarroti, Michelangelo (1475-1564), Beatrizet, Nicolas (1507 cars 1515-va 1565); 16th century (1501-00-00-1600-00-00);Juliusz II (Pope - 1443-1513), Michelangelo Buonarroti, Moses (Bible), Rome (Italy), 16th century (sculpture), tombstones, personality, pope, renaissance (style), sculptures

Underbias in NIS; Underbools. At the top of an emperor on horseback with a weapent probey and fallen soldiers. From series of 6 sheets.

Triomf gate established in the Kipdorp at the Sint-Jacobskerk, 1685; On the dish by Gebuerellycak Iver, in the Kiddorp by S. Jacops. Triomf gate founded by joint effort from the residents of the Kipdorp street at the Sint-Jacobskerk in Antwerp. Part of the illustrations of the decorations established in Antwerp at the celebration in 1685 of the centenary of the liberation of the city by the Duke of Parma in 1585.

Fireplace with terms; Schouwen and wooden paneling in interiors. Schouw flanked by two terms, with a square painting of Venus at the top of a square that mourns Adonis. From second edition.

Paris, Androuet, Jacques, Plane decorations, architectural fantasies and grotesques, Composition with satyrs, verso - stamped, A decorative composition. In the middle below are two satyrs on either side of a basket with leafy tendrils covered by a cloth. The basket hangs from a drapery under an open building in which three herms stand. To the left and right of the drapery a figure lies on a sofa., print, ornament print, prints, ornament prints, height 104 mm, width 69 mm, print maker, printmaker, 1562 - 1562, paper, etching, etchings, Work conception, French, 1515 - 1584

Tomb for Matthias Hovius, Archbishop van Mechelen, David Coster, c. 1700 - in or before 1752 print Architectural setting with a barrel vault carried by Corinthian columns. In the middle the sarcophagus with an image of the sleeping Matthias Hovius with miter. Bishop's weapon is on the sarcophagus. The Hague (possibly) paper engraving grave, tomb

Print, Railings for Chapels, from "Clostures de Chapelles"; Print Maker: Jean Le Pautre (French, 1618-1682); etching on paper; 14.4 × 21.1 cm (5 11/16 × 8 5/16 in.)

Irlande et sa Religion, (Ireland and its Religion), portal design for plate 44 in the 'Nouvelle iconologie historique', Jean-Charles Delafosse, French, 1734-1791, Pen and brush and black ink, wash, black chalk on white laid paper, pen and black ink framing lines, In the form of a portal, two caryatids support a pediment, with swags encasing a central medallion. Lower right, a drawing of religious attributes leans against the door., France, 1765, ornament, Drawing, Drawing

Augsburg, Hertel, Johann Georg (I), Schillinger, Georg Peter, Kanselaltaren, Kanselaltar with Christ Child, verso - stamped, A chancellery altar with columns, rocaille ornaments and vases. The Christ Child with a globe and halo crowns the whole., print, ornamental print, prints, ornamental prints, height 324 mm, width 213 mm, print maker, printmaker, 1705 - 1775, paper, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Sepulchral monument of George Villiers Duke of Buckingham, Westmonasterium, or, the history and antiquities of the abbey church of St. Peters Westminster, Cole, James, Dart, John, d. 1730, Engraving, between 1723 and 1727

Design for a chimney with Diana as goddess of the hunt, Anonymous, after Gerrit de Grendel, 1732 - 1765 Design for a chimney with a performance by Diana with a bow and arch in the hands and a hunting dog on a pedestal. The mantelpiece is decorated with rocaille neatries and volutes. A candlestick on both sides. after design by: Middelburgpublisher: Augsburg paper engraving chimney. (story of) Diana (Artemis). rocaille ornament

. Leaf 18 from second edition of series.

Augsburg, Hertel, Johann Georg (I), Habermann, Franz Xaver, Pulpits, Pulpit with the transfiguration of Christ, verso - stamped, Pulpit with rocaille ornaments and the transfiguration of Christ in the presence of the apostles Peter, John and James. Publisher number 304., print, ornamental print, prints, ornamental prints, height 292 mm, width 192 mm, print maker, printmaker, 1731 - 1775, paper, papier, etching, etchings, engraving, engraving (printing process), German, 1721 - 1796, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1695 - 1775, publisher

Design for Mantlepiece, from 'Cheminées a la Modern', Jean Le Pautre, French, 1618-1682, Etching on paper, The overmantle shows gaines with half-figures of women holding a garland, which is suspended from the beak of an eagle, and flanking a circular landscape. Two children crouch beside a mask on a pedestal over the opening., Europe, France, ca. 1660, Print, Print

Subsema flanked by two women, Jean Lepautre, c. 1710 print The women hold a garland of flowers, above the architrave is an eagle for a cloth. From the second edition. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper etching

Wall of trellis with niche; Bersseaux Executes A VERST (...); Nouveaux Liure de Bersseaux et Trilliages. In the niche is a picture of Venus and Cupid on a pedestal, in a basin. From series of 6 sheets.

States of Holland, States-General, Vondel, Joost van den, Verhulst, Rombout, Campen, Jacob van, Northern Netherlands, Dalen, Cornelis van (II), Tomb of Maarten Harpertsz. Tromp, 1653, Tomb of Admiral Maarten Tromp, killed in the naval battle at Terheide on 10 August 1653. The tomb in the Old Church in Delft completed in 1656. On the pedestal two verses of four lines by Vondel. In the caption the dedication to the States General in Latin., print, prent, prints, prenten, height 643 mm, width 419 mm, Noord-Nederlands, 1638-12-28 - 1664-10-09, print maker, printmaker, 1656 - 1656, third quarter 17th century, derde kwart 17e eeuw, paper, papier, engraving, engraving (printing process), Work conception, 1595 - 1657-09-13, after a design by, 1624-01-15 - 1698-11-27, after an image by, 1587-11-17 - 1679-02-05, writer, granter of privilege

Oval mirror with Apollo and Cyparissus, c. 1660 - c. 1701 print The left variant of the table has a putto as a leg. From series N ° 7. print maker: Netherlands (possibly)after design by: Paris (possibly)publisher: Amsterdam paper etching homosexual love

Carlo Antonio Buffagnotti, Architectural Motif with Bust and Two Lamps, c 1690 Architectural Motif with Bust and Two Lamps

Drawing, Project for a Pediment; Italy; pen and ink, brush and grey watercolor wash on laid paper.

Grave monument for Francois Lemoine; Grave monuments for artists. Tomb monument for the artist Francois Lemoine. His name is on the tombstone, on which a column is an angel with a bazing and a bust of the artist. On either side of the column a seated women's figure.

Ornamented fireplace with cartouches, 1726 - 1741 print Fireplace with rocaille ornaments and cartouches at the top right and left. Nuremberg paper etching / engraving open hearth, fire-place. rocaille ornament. ornament ~ cartouche

Room with fireplace with shutters; Schouwen and wooden paneling in interiors. Room with fireplace in the middle. The mantelpiece is closed with two lendh. Above one around medallion with a bacchian scene. Links opens a door.

Antonio Tempesta or Agostino Ciampelli, An Architectural Wall Design in Honor of Henry IV, the Gallic Hercules, c 1600 An Architectural Wall Design in Honor of Henry IV, the Gallic Hercules

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Lambris a la Romaine, Wall decoration with variant, recto upper right, outside plate edge - handwritten in pen in brown ink, On the left is an imperial bust in an oval., print, ornament print, prints, ornament prints, 53, height 158 mm, width 231 mm, French, 1618-06-28 - 1682-02-02, print maker, printmaker, 1661 - 1661, third quarter 17th century, paper, etching, etchings, Work conception, after own design van, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, gever van privilege

Grandes Cheminees a laRomaine. Artist: Jean Le Pautre, French, 1618-1682

Nuremberg, Weigel, widow Johann Christoph, Schübler, Johann Jakob, Second Book of New Works, Ornamented fireplace, verso - stamped, Fireplace with rocaille ornaments and series title., print, ornamental print, title print, prints, ornamental prints, height 277 mm, width 178 mm, print maker, printmaker, 1726 - 1741, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, German, 1689 - 1741, after a design by, Publication (Event), Publication, publisher

Grotesque ornament with the goddess Diana in the middle; Grotesque ornaments. .

Design for a Fountain in a Niche flanked by Terms 1652-1725 Giovanni Battista Foggini Italian. Design for a Fountain in a Niche flanked by Terms 346365

Michelangelo Buonarroti .

Titelblad: new ice cream cheminees, in the manner 'd France, Anonymous, after Daniël Marot (i), after 1703 - Before 1800 print Subsema between Corinthian pilasters on foot sucks. At the bottom right state: N.22. Opposite copy to print from series Nouvelle Cheminese à Panneaux de Glace a la Kleke de France. paper etching

A draft for a wall decoration showing mythological figures positioned in a landscape with pillars in the background, drawn with pencil, ink, and brown and gray tones.

Title page: Architectura von den Funf Seuvlen (...), 1610 print Portal on a pedestal and crowned with a broken pediment, the five columns stand for different orders. There are two niches in the middle, each with a trophy of carpenters and wood-cutting tools. Title page from series consisting of a title page and 28 magazines. paper etching / engraving

Four half top favors with eight swim fillings; Das other Buech Germacht Auff Die Zway Colons, Corinthia und Composita. Four half top favors with batter, grotesken and garlands. In the upper corners there are four large and two small swim fillings with roller and fitting work and two small swim fillings with leaf refines. The print is part of an album.

Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck 1756 Bartolomeo Crivellari. Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck. "Le Pitture di Pellegrino Tibaldi e di Niccolò Abbate esistenti nell'Instituto di Bologna". Bartolomeo Crivellari (Italian, active 18th century). 1756. Etching and engraving. Prints

Ionian main frame, capital, basement and fries, anonymous, after giovanni battista montano, 1636 print At the bottom are two lines of text. From the first edition. after design by: Italy (possibly)publisher: Rome paper engraving

Two Alternate Designs for a Doorway 1700-1780 Anonymous, Italian, Piedmontese, 18th century Italian. Two Alternate Designs for a Doorway 340681

Underbools with emperors' bust; Cheminées et Lambris. The undertakes are between two arches that offer a gallery. From a second edition of series sheets with undertakings and wooden paneling.

Portal with three doors, Pieter van der Borcht (i), after Hans Vredeman de Vries, c. 1583 print The door pieces are decorated with cartouches in a frame of rolling work. The main frame consists of an articulated architraaf, a Frisian with cartouches and garlands and a cornice on modillons. Leaf 2 of 15 numbered sheets + title page from a series of 16. Netherlands (possibly) paper etching

H. Ambrosius van Milaan, kerkvader; Ambrosius, Bisschop van Milanen, Werd door een wonderdaad van de dood bevryd.The sacred church father Ambrosius of Milan, standing on a base. On the front the scene in which the arm of a murderer by a miracle stiff the moment he wants to kill Ambrosius. III. PART PAG. 461.

Jupiter gives the Cyclopes instructions for the forging of the shield of Thoseus, Jean Louis Roullet, After Pietro Locatelli, After Ciro Ferri, 1655 - 1699 print Upper half of a promotion print dedicated to Keizer Leopold I. paper engraving / snipping (story of) Jupiter (Zeus). weapons. armour

Triumph arch with musicians, Sébastien Leclerc (I), After Claude Deruet, in Or Before 1664 print Triumph arch crowned with musicians on a balcony. The passage flanked by eight columns, two statues of putti and four Corinthian pilasters. Above the columns are musician puts. paper etching triumphal arch. more than one musician with instrument Nancy

Augsburg, Stapf, Johann Conrad (18th century), Bergmüller, Johann Andreas, Pulpits, Pulpit with rocailles, verso - stamped, print, ornament print, prints, ornamental prints, height 272 mm, width 186 mm, print maker, printmaker, 1740 - 1762, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1730, after a design by, Publication (Event), Publication, German, 1705 - 1762, publisher

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