Biblical and Classical Prints

Prints illustrating biblical narratives and classical themes, adorned with ornamental frames and detailed scenes depicting moral and dramatic events.

The scouring of the seven brothers and job mistreated by his wife and Satan, Jacob Cornelisz van Oostsanen (Circle of), 1518 - 1522 print Lower part of a magazine, from series of twelve prints. Printed from multiple blocks. Two scenes from the Old Testament, Prefigurations of the Messeling of Christ: on the left the scouring of the seven brothers, with references to Bible texts underneath, Job who is abused by his wife and Satan, with references to Bible texts underneath. Two prophets in the middle. paper Job's wife abusing him; Satan may be present. the martyrdom of the seven Maccabean brothers and their mother under Antiochus IV Epiphanes (2 Maccabees 7)

Illustration at Canto III of TASSO's 'Gerusalemme Liberata'; Jerusalem relieves (part 3); Gerusalemme Liberata (part 3). Ornamental decorative frame with a plane with eight Italian fresh rules at the top. At the bottom of a performance at Canto III of TASSO's 'Gerusalemme Liberata'. A struggle for the city walls of Jerusalem.

The scouring of the seven brothers and job mistreated by his wife and Satan, Jacob Cornelisz van Oostsanen (Circle of), 1518 - 1522 print Lower part of a magazine, from series of twelve prints. Printed from multiple blocks. Two scenes from the Old Testament, Prefigurations of the Messeling of Christ: on the left the scouring of the seven brothers, with references to Bible texts underneath, Job who is abused by his wife and Satan, with references to Bible texts underneath. Two prophets in the middle. paper Job's wife abusing him; Satan may be present. the martyrdom of the seven Maccabean brothers and their mother under Antiochus IV Epiphanes (2 Maccabees 7)

Ceres prevents the murder of triptolemus; Lyncus Scythiae Rex in Lyncem Feram. Ceres changes lyncus in a lynx when he tries to kill the sleeping triplock.

Harvesting with sickle and wine press, 1585 print Four angels harvest grapes and grain with a sickle and throw grapes in a wine press. In the clouds a crowned figure with sickle in hand, sitting on a throne, flanked by two angels. Under the show a reference in Latin to the Bible text in op. 14. This print is part of an album. paper engraving an angel thrusts his sickle into the earth, and gathers the vine

Sixth Engel blows on Bazuin, 1585 print The sixth angel blows on the Bazuin. Next to the angel, God the Father sits on His throne and is the golden altar with the four horns where a voice comes out that the four angels who are trapped must be liberated. The angels and the riders on horses with lion heads row out a third of humanity. Under the show a reference in Latin to the Bible text in op. 9. This print is part of an album. paper engraving the sixth of the seven angels sounds the trumpet: the four angels of destruction are released

Fifth Engel blows on Bazuin, 1585 print The fifth angel blows on the Bazuin and a falling star opens the bottomless pit, from which smoke and grasshoppers appear that hurt people without a stamp on their forehead. Under the show a reference in Latin to the Bible text in op. 8. This print is part of an album. paper engraving the fifth of the seven angels sounds the trumpet: the falling star opens up the bottomless pit: smoke comes out

Saint Francis Heals the Grievous Wounds of One John at Lerida, plate two from Woodcuts from Books of the XVI Century 1512 Germany. Woodcut on paper . Hieronymus Höltzel (Printer)

Woodcut by Hans Schäufelin depicting lifeline and death, showing allegorical figures and symbols of mortality, emphasizing early 16th-century German printmaking techniques.

Flute player and tamboer; Patents Umbzuschlagen ..

Matron Orliens; Ancient habits, modern et worldwide .....

Banner of the Turks; Vero Disegno del Secondudo Stendardo Reale de Turchi. Turks banner. Among two soldiers fighting with two Turkish men in a landscape. Text in letterpress under the show

Title page of Theatrum instrumentorum et machinarum, Bartholomeo Vincent, Julio Paschale, Woodcut on paper, The title, author's, inventory's, and artist's names and the date in a vertical rectangle. Above, a putti on either side of a woman holding a compass and a globe. A man standing, left, with a measure, a ship beside him. Another, right, with a sign of geometry. Sphinxes, fruits, flowers, and a mask below., Europe, 1582, Print, Print

The dance of death: the duke. Woodcut by Hans Holbein the younger.

Exchange of Soldij ..

As people collapse with snake bites, Moses brings out the brazen serpent. Woodcut.

Illustration from the 14th German Bible, plate 21 from Woodcuts from Books of the XVI Century. Unknown Artist (German, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1518. Dimensions: 85 × 155 mm (image); 254 × 158 mm (image/te×t); 308 × 209 mm (sheet). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Tekst: up ... Virgil, 1524 - 1562 print paper engraving

Hans Burgkmair I, Conrad Celtis, 1507 Conrad Celtis

A woodcut by Lucas Cranach the Younger from 1563 showing text on the portrait of Rudolf III, illustrating figure, composition, and German Renaissance printmaking techniques.

Anonymous (Italian). David and Bathsheba, ca. 1500. Woodcut. Image: 130 mm x 80 mm (5.12 in. x 3.15 in.).

Malper Höllriglin, Würthin und Zuchtmutter beym Hünerloch auff der Pasten, in einem verdrieslichen Haußprocess, Pl. 32. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

JEROGLIFICO DE LA EDAD DE CARLOS II - GRABADO SIGLO XVII. Author: PRADA F. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Altre donne mentre si fanno biondo i capelli Other women dyeing their hair blonde. Illustrations. 1590. Spencer Collection. Hair preparations, Women , Clothing & dress, Mirrors

Saint John n.d. Albrecht Dürer German. Saint John 387758

Gioventu Ancient; Ancient habits, modern and world around the world ....

The castle of knowledge, flanked by the spheres of destiny and fortune. Woodcut, 1556.

Allegory on the praise of music; Praise to music; Encomium Musices. Allegory on the praise of music. Title print for the series entitled: Encomium Mucies. In the middle an open book with the music notation of the six-membered motet: Nata, Et Grata Polo, et vocum Discordia Concors Musica, Scitque Gays more Flectere, Scitque Deos. Flectere Scitque Feras: At Quisquis Nescius Illa Flextier, is NEC Homo, NEC Fera, Sed Lapis Est (the music was born in heaven and pleases God with her multi-mentioningness that sounds in harmony. She can touch both mortals and Gods, and she can touch. Even wild animals. The one who is not stirred by music is not a human or animal, but a stone). The music book is held by three women's figures: Harmonia, Musica and Mensura. Musica (in the middle) wears a laurel wreath on the head. Harmonia (left) has a winged heart, with ears, in the right hand. Mensura has a T-shaped instrument with bells in the left hand (the precursor of the metronome). The three personificat

Lucius Mutius, Scipio Africanus, and Paulus Aemilius (recto) Battle Scene (verso) from Officia M.T.C., plate 23 from Woodcuts from Books of the XVI Century. Hans Weiditz II (Master of Petrarch) (German, c.1495-1536); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1531. Dimensions: 139 × 156 mm (image, recto); 252 × 169 mm (image/te×t, recto); 138 × 156 mm (image, verso); 243 × 170 mm (image/te×t, verso); 303 × 200 mm (sheet). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Presentation of Christ in the Temple, Printed from three blocks. Mary hands over the naked Christ Child to a priest. Bystanders look on. Architectural ornamentation to the left and right of the scene., print, engraving, book illustration, prints, engravings, height 107 mm, width 144 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlands

Illustration from Geographia , plate 36 from Woodcuts from Books of the XVI Century 1525 Germany. Woodcut on paper . Unknown artist

Armorial panel 1692 Swiss, Canton of Lucerne. Armorial panel 197195

Fifth Engel blows on Bazuin, Adriaen Collaert (attributed to), after Jan Snellinck (i), 1646 print The fifth angel blows on the trumpet and a falling star opens the bottomless pit, from which smoke and grasshoppers appear that hurt people without a stamp on their forehead. Under the show a reference in Latin to the Bible text in op. 9: 1. This print is part of an album. paper engraving the fifth of the seven angels sounds the trumpet: the falling star opens up the bottomless pit: smoke comes out

An ancient baron; Ancient habits , modem and worldwide , increased again by many figures dressetus old recentorumque the world. .

Allegory on Art, 1653 - 1654 print. text sheet A woman with a pen in one hand and a writing table or plate in the other hand balances with a foot on a globe. Putti with symbols of the seven free arts around her. Above her head a pigeon (or heart with wings) as a symbol of inspiration. In addition, an explanation. The text starts with a decorated initial S. The magazine is part of an album. paper engraving / letterpress printing symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). initial

Albrecht Dürer, Detail 19, 1515-1517, woodcut on paper.

Illustration from "Geographia", plate 36 from Woodcuts from Books of the XVI Century. Unknown Artist (German, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1525. Dimensions: 327 × 218 mm (image/te×t); 394 × 257 mm (sheet). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

16th-century etching by an unidentified monogrammist showing a portrait with allegorical accessories, including symbols and decorative motifs.

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Christ Preaching on Divorce, print, book illustration, prints, height 98 mm, width 142 mm, Northern Netherlandish, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlandish

Human Body, Anonymous, 1600 - 1699 print The front view of a human body with images of the signs of the zodiac connected by lines to certain parts of the body. Two columns with six lines each Dutch text each in the lower margin. paper letterpress printing zodiacal man; zodiac combined with parts of the human body

events Protestant Reformation 1517 - 1555 flyer caricature on the pope ""Gorgoneum Caput"" (Gorgon Head) woodcut attributed to Tobias Stimmer (1539 - 1585),

Prince Adalgis; Aldegisius; Liber chronicarum. A flower celk with a banner carrier. The text identifies the man as Adalgis, Prince of the Lombards and son of Desiderius. The print is part of an album.

Babylon from Schedel Weltchronik (Schedel's World History), Plate 9 from Woodcuts from Books of the 15th Century Original 1496 Germany. Woodcut and letterpress in black (recto and verso) on cream laid paper, tipped onto cream wove paper mat . Unknown artist (Illustrator)

Illustration from Heldenbuch, plate 32 from Woodcuts from Books of the XVI Century 1590 Germany. Woodcut on paper . Virgilius Solis, the Elder

Martyrdom of four male saints, their bodies bound to spiked wheels. Woodcut by Cr.P. ().

La operina di Ludouico Vicentino, da imparare di scriuere littera cancellarescha. Arrighi, Ludovico degli, Woodblock, 1522-1523

Coin master, woodcut, Amman 1568

Amsterdam, Sichem, Christoffel van (I), Menno Simons. Uut Frieslant, Portrait of Menno Simons, verso lower right - stamped, leaning on a crutch. In his hand he holds an open book containing the Bible verse 1. Cor. 3. Below the portrait a Dutch biography, around a wide ornamental frame. In it in two cartouches are the name and address of Van Sichem., print, prints, height 158 mm, width 130 mm, height 336 mm, width 256 mm, Noord-Nederlands, 1546 - 1624-10-20, print maker, printmaker, 1555 - 1624, paper, papier, engraving, engraving (printing process), woodcut, letterpress printing, Work conception, after a design by, Publication (Event), Publication, publisher

Engel Kelent Satan, 1585 print An angel with the key to the underground depth ketent the dragon or Satan (for a thousand years) and puts him in a underground well with fire. Under the show a reference in Latin to the Bible text in op. 20. This print is part of an album. paper engraving an angel with a key and a chain binds the dragon (Satan) and casts him into the pit

Essempio di recammi, page 4 (verso) 1530 Giovanni Antonio Tagliente Italian Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right:design composed of large circle with smaller circle placed inside. Outer circle is black and decorated with white interlace pattern. Smaller circle is illustrated with various animals, including fantastical creatures like dragons and a unicorn by river bank in foreground with mountainous landscape in background. Banner at top of inner circle: "IMPAVIDA VIRTVS".. Essempio di recammi, page 4 (verso) 357722

Feast Calendar in Pictures and Songs, Sacred and Secular (Fest-Kalender in Bildern und Liedern, Geistlich und Weltlich). Franz Graf von Pocci (German, 1807-1876); written by Guido Görres (German, 1805-1852). Date: 1834-1839. Dimensions: 236 × 193 × 24 mm. Book with lithographs in black on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Horae Beatae Mariae Virginis Horae Beatae Mariae Virginis, late 15th century. Manuscript in opaque watercolor and ink with gold, 6 × 4 1/2 × 1 1/2 in. (15.2 × 11.4 × 3.8 cm). European Art late 15th century

Doesborch, Jan van, Netherlands, Swart van Groningen, Jan, Portrait of Charles V, verso lower left - stamped, One of seven portraits of rulers., print, book illustration, prints, height 51 mm, width 37 mm, Northern Netherlands, 1500 - 1562, print maker, printmaker, 1530 - 1530, second quarter 16th century, paper, woodcut, Publication (Event), Publication, publisher

Paris, Marhoniere, Michel de, Reads, Antoni van, The four evangelists, Mark the evangelist writes his gospel, verso lower left - stamped, Mark the evangelist sits writing in a book that lies on his lap. The lion lies at his feet. A city in the background. Entirely in an ornamented frame., print, prent, prints, prenten, height 384 mm, width 505 mm, 1545 - 1592, print maker, prentmaker, 1572 - 1575, paper, papier, houtsnede, Publication (Event), Publicatie, publisher

S. 1, Thief TyteloblattS. 1, Thief Tyteloblatt

Horae Beatae Mariae Virginis Unknown. Horae Beatae Mariae Virginis, ca. 1425-1460. Manuscript in opaque watercolor and ink with gold, book: 8 × 5 3/4 × 2 3/8 in. (20.3 × 14.6 cm). European Art ca. 1425-1460

Faunus, Michel Wolgemut (workshop of), 1493 print A flower chalice with a king. He has a scepter and a government apple in his hands. The performance is part of the succession of Italian king in the Liber Chronicarum. The text identifies the man as a faunus. The print is part of an album. paper letterpress printing king

Display of the Vierighen Doorn ('s -Hertogenbosch), 1561, 1561 - 1562 Scene from the play of the Vierighen Doorn ('s-Hertogenbosch), 1561. Mozes and Aaron at an Olmboom with wine rank. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp Scene from the play of the Vierighen Doorn ('s-Hertogenbosch), 1561. Mozes and Aaron at an Olmboom with wine rank. For the land jewel of Antwerp in 1561. Antwerp paper Antwerp

Roman soldier; PRIVILEGED SOLDIER; Ancient Habits, Modern Et Worldwide: Again Increased by Many Figures: Dressetus Antiquorum, Recentorumque Totius Orbis. Roman soldier in Kuras and plumened helmet, with dagger and lance. In ornamentrand.

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia27. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Delli Cassi, 1598 paper paper

Mediocre woman; Ancient habits, modern et worldwide .....

Publius Cornelius Scipio Africanus; Scipio Africanus; Liber chronicarum. A flower celk with a man. He is wearing a hat. The text identifies him as a scipio Africanus. The print is part of an album.

Hans Burgkmair I (German, 1473 - 1531), Joshua, David and Judas Maccabaeus, 1516, woodcut

Bishops, Prophets, and Kings from Schedel Weltchronik (Schedel's World History), Plate 10 from Woodcuts from Books of the 15th Century. Unknown Artist (Augsburg, 15th century); printed and published by Johann Schönsperger the Elder (German, ca. 1455-1521); original text by Hartmann Schedel (German, 1440-1514); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1496. Dimensions: 300 x 205 mm. Woodcut and letterpress in black (recto and verso) on cream laid paper, tipped onto cream wove paper mat. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Duke Otto of Saxony and his Wife, Theokemia from Sachsen-Chronik (Saxon Chronicle), Plate 33 from Woodcuts from Books of the 15th Century. Unknown Artist (Mainz, late 15th century); printed and published by Peter Schöffer (German, c. 1425-c. 1503); original text by Conrad Botho (German, active 1475-c. 1501); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1492. Dimensions: 161 x 125 mm (image); 277 x 203 mm (sheet). Woodcut in black with hand-colored additions, and letterpress in black (recto and verso), on cream laid paper, tipped onto cream wove paper mat. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

The Man Who Therefore Preached to the Reeds (recto) and The Armed Noble Who Presumed Much but Did Little (verso) from Fabulae et Vita (Fables and Life), Plate 26 from Woodcuts from Books of the 15th Century Original 1492-1500 Germany. Woodcut and letterpress in black (recto and verso) on buff laid paper . Unknown artist (Carver)

King Thelxion; Thesion; Liber chronicarum. A flower celk with a king, turned to the left. He has a richestraat and a scepter in his hands. The show is part of a series of kings in the Liber Chronicarum. The text identifies him as King Thelxion, son of Apis. The print is part of an album.

Margaretha van Bavaria, 1586 - 1587 Margaretha van Bavaria, back, with scepter and crown. Her weapon shows a double -headed eagle, shared with four climbing lions. Nummered at the bottom 6. The print is part of a book with descriptions and performances of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving Margaretha van Bavaria, back, with scepter and crown. Her weapon shows a double -headed eagle, shared with four climbing lions. Nummered at the bottom 6. The print is part of a book with descriptions and performances of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving

PortraT van Hermann Hamelmann, Anonymous, Johann Benjamin Brühl, 1701 - 1763 print Leipzig paper engraving historical persons. armorial bearing, heraldry. scholar in his study. bookshelves. handwriting, writing as activity

Berengarius van Tours, Michel Wolgemut (workshop of), 1493 print A flower chalice with a man. He has a hood on his head. The text identifies it as Berengarius of Tours. The print is part of an album. paper letterpress printing

This 1515 woodcut by Dürers workshop shows Roman Caesars and Charlemagne on the left-wing freeal pair of Emperor Maximilian Is honorary gate.

January the young child Date: 1523

Albrecht Dürer's workshop woodcut (1515) depicts the Venetian War 1508-1510, showing soldiers, ships, and battle formations on the honorary gate of Emperor Maximilian I.

Husband and wife with a young tree, Theodor Matham, after Adriaen Pietersz van de Venne, 1625 print An elegant dressed pair looks at a young tree, the trunk of whom is bound to a second branch, to make him grow straight. Book illustration from: Jacob Cats, Houwelijck, 1625. Middelburg paper engraving / letterpress printing trees (+ plants used symbolically). relations between the sexes

Recueil de la diversité des habits 1562 François Desprez French. Recueil de la diversité des habits 348625

superstition different magicians and fortunetellers engraving by David Weidenhuber title for ""Magialogia"" by Bartholom_us Anhorn Germany circa 17th century private collection historic historical Europe Germany 17th century esotericism occultism magic sorcerers,

Facsimile of ornamented page by Bernard Salomon from La Metamorphose d'Ovide Figuree a Lyon par Jan de Tournes 1557 From A Catalogue of a Collection of Engravings Etchings and Woodcuts by Richard Fisher published 1879

The Franklin depicted in Richard Pynson's edition of the Tales Date: First published: circa 1387

(Liber chronicarum) Registrum huius operis libri cronicarum cum figuris et ymagibus ab inicio mundi. Artist: Michael Wolgemut (German, Nuremberg 1434-1519 Nuremberg); Wilhelm Pleydenwurff (German, Nuremberg ca. 1460-1494 Nuremberg). Author: Written by Hartmann Schedel (German, Nuremberg 1440-1514 Nuremberg). Binder: Bound by Art Bookbinding Studio. Dimensions: Overall: 17 13/16 x 12 11/16 x 2 3/4 in. (45.2 x 32.2 x 7 cm). Printer: Printed by Anton Koberger (German, Nuremberg ca. 1445-1513 Nuremberg). Date: July 12, 1493.One of the most famous early illustrated books, this ambitious text chronicles the history of the world, from the Creation to 1493, with a final section devoted to the anticipated Last Days of the World. It was illustrated with more than 1,000 woodcuts designed by the talented German artists Michael Wolgemut and Wilhelm Pleydenwurff, with the assistance of their studio apprentices, among whom was the young Albrecht Dürer. Museum: Metropolitan Museum of Art, New York, U

Portray Van Hayreddin Barbarossa, Anonymous, c. 1535 print Italy paper historical persons

Cultivation and care of grapevines Woodcut book illustraion by Pietro de Crescenzi, ca. 1233-ca. 1320. Published: 1493

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 3 (recto). Dimensions: Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm). Published in: Venice. Publisher: Cesare Vecellio (Italian, Pieve di Cadore 1521-1601 Venice) , Venice. Date: 1601.Published by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice.Poem printed in black at bottom of page with an illustrated scene above. Scene depicts a female marble statue in the center, behind which 2 women sew textiles and a man sculpts another statue. This scene is framed on the top, left, and right sides by borders decorated with floral motifs. Museum: Metropolitan Museum of Art, New York, USA.

Venetian woman already seventy years; Ancient habits, modern and world around the world ....

Wunderbare, erschreckliche, unerhorte Geschichte Geschichte (Title page) Ivan the Terrible by Oderborn, Paul (ca 1555-1604) / Private Collection / 1588 / Germany / Woodcut / Portrait /

Woodcut by Johann Schöffer depicting gentlemen giving advice on legal matters, created between 1507 and 1508, illustrating a judicial or advisory scene.

Title print for the De Batavian Uprising series, 69-70, 1768 - 1770 print Round allegorical performance in which personifications Roma and Batavia on the battlefield shake hands. In the foreground the river gods of the Tiber, Maas, and Rhine. First print in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series by Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). personifications of countries, nations, states, districts, etc. Netherlands

Illustration from Biblia cum concordantiis, plate 74 from Woodcuts from Books of the XVI Century. Unknown Artist (French, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1514. Dimensions: 64 × 82 mm (image); 288 × 207 mm (image/te×t); 323 × 234 mm (sheet). Woodcut on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Woodcut by Lucas Cranach the Elder depicting a house regiment scene.

Doetechum, Joannes van (I), Netherlands, The Blue Huyck (sheet 2), The Blue Huyck (sheet 2). Various proverbs on a sheet: ro Dese sith between two chairs in the asse, lo: Dith is a primal blaser (ear blower), rb: Dese ruert den duijm, middle: Dese beschitt de entire werrelt., print, prints, Frederik Muller History plates, height 370 mm, width 288 mm, Northern Dutch, 1530 - 1605, print maker, printmaker, 1577 - 1577, fourth quarter 16th century, paper, engraving, engraving (printing process), Publication (Event), Publication, Northern Netherlands, publisher

Men in the fire oven, 1740 print The Babylonian King Nebuchadnezzar on horseback and surrounded with soldiers sees how Sadrak, Mesak and Abednego in the burning oven are miraculously assisted by a fourth figure, which makes the king decide to give the order to their salvation. There are three men in front of the oven who were killed of the hot fire through the blazing flames. In the background kneeling figures around the golden statue that Sadrak, Mesak and Abednego refused to worship. A title above the show. Below six verses and a reference to Daniël 3: 23-24. The print is part of an album. paper letterpress printing to his astonishment King Nebuchadnezzar sees four men (one of them usually represented as an angel) in the furnace; the king commands them to come forth

English 16th Century, King John (right side), 16th century King John right side

A 16th century husbandman plants a stake for climbing plants - illustration to Richard Pynson's printing of 'The Kalender of Shepardes' Date: circa 1500

Count Godfried III with the Bult, 1586 - 1587 Count Godfried III with the bump (as regent for Dirk V), turned back and left. His weapon is a combination of a climbing lion and a shield with crossbar (the weapon of Lorraine). He has a rocket in his right hand. At the bottom of part of the old numbering: 3. The print is part of a book with descriptions and representations of the Counts of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving Count Godfried III with the bump (as regent for Dirk V), turned back and left. His weapon is a combination of a climbing lion and a shield with crossbar (the weapon of Lorraine). He has a rocket in his right hand. At the bottom of part of the old numbering: 3. The print is part of a book with descriptions and representations of the Counts of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving

Oktober; Maanden van het jaar.A man stands in a large ton of grapes to squeeze next to a spiting man and a man wearing a basket on his back. There are vineyards in the background. A scorpion at the top left.

Liudolf van Saksen and his wife, Michel Wolgemut (workshop of), 1493 print A flower challenge with a king and queen. They have a sword and scepter in their hands. The performance is part of the family tree of Emperor Henry II The Holy in the Liber Chronicarum. The lyrics and shield identify the man as Liudolf van Saxony. The print is part of an album. paper letterpress printing king. queen, empress, etc. (wife of a ruler)

A dissection in progress. From 'Le livre de la propriete des choses' (On the Properites of Things) written by the English Franciscan monk Bartholomew Glanville, called Bartolomaeus Anglicus, c1230-1240 and translated by Jean Corbechon in 1372. Woodcut fr

Illustration to the mirrir of true rhetoric, title page with publishers sign, woodcut by Albrecht Dürer, historical, digital improved reproduktion of an old woodcut.

Interior of the bookstore of Theodore de HANSY.Interior of the publisher's store and book seller Theodore de Hansy on the Pont Au Change in Paris. On either side of the departure high bookcases and a counter. The window offers views of the Pont Neuf with the La Samaritaine pump. The Hansy address under a cartouche with the H. Nicolaas and the Ton with three children.

Crucifixion of Saint Andrew from Missale Monasteriense, plate 65 from Woodcuts from Books of the XVI Century. Unknown Artist (French, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1520. Dimensions: 101 × 71 mm (image); 256 × 157 mm (image/te×t); 308 × 224 mm (sheet). Metalcut on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Initial letter I on patterned background 1520 Anonymous, Italian, 16th century. Initial letter I on patterned background 700397

of 2