Biblical and Historical Illustrations

Prints and drawings showcasing scenes from biblical stories and classical themes, rich in symbolism and ornate details.

Ornaments, anonymous, 1540 - 1600, draughtsman: anonymous, 1540 - 1600, paper, pen, h 194 mm × w 313 mm

ELISA is recognized by the prophets from Jericho and purifies the water; History of Elia and Elisa; Historia Heliae et helisei (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The prophets from Jericho kneel for Elisa and acknowledge that the spirit of Elia has descended on Elisa. The prophets send fifty strong men into the mountains to look for the prophet Elijah, although Elisa discharges them. The strong men leave on their search. Left Elisa at the well of Jericho. It purifies the water by scattering salt. The inhabitants of Jericho watch. Oval show in an ormanetele frame. Print is part of an album.

Ornaments, anonymous, 1540 - 1600, draughtsman: anonymous, 1540 - 1600, paper, pen, h 194 mm × w 313 mm

Hemelaart with the northern constellations, Anonymous, 1708 print Hemelaart with the northern constellations, according to the traditional layout of Ptolemyus and his followers. Left and top right the title cartouches. Numbered in the bottom right: 24. paper engraving zodiac; the twelve zodiacal signs together. star-chart, star map

Decorative Studies; Verso: Anatomical Studies of Toes, Felice Giani, Italian, 1758-1823, Pen and ink, brush and watercolor washes over graphite on cream laid paper, Five studies of ceilings with grotesques; friezes; four candalabra. Verso: two anatomical studies of toes from behind, Italy, 1814-18, graphic design, Drawing, Drawing

Five maps of fortresses, 1673, 1673 - 1675 print Leaf with five floor plans of fortresses that fought in April 1673. Central De Schans and Dorp Gorredijk (Goordijk). Northern Netherlands paper etching fortress Gorredijk

London, Pine, John, Gravelot, Hubert François, Adams, Robert, Ryther, Augustine, Maps of the Spanish Armada (28 and 31 July 1588), Two maps (IX-X) showing the Spanish and English fleets in the Channel at the Strait of Dover. On the left map a wild man sits on a rock with two burning torches in his hands. Next to him a putti on a fish with a coat of arms and a thunderbolt in his hand. On the other side smoking jars. On the right card, Fame is sitting on a rock. She is blowing a trumpet and holding the coat of arms of Charles Howard, the Lord High Admiral and commander-in-chief of the English fleet against the Spanish Armada. The cards are set within an ornamental frame. At the top of the frame is a coin with the portrait of Queen Elizabeth I, flanked by four putti. The coin to the left of this was struck in Zeeland and shows the Spanish ships in a storm with a sun breaking through. On the coin on the right four kneeling and praying figures. On the coat of arms, under the portrait of Eli

Map of Castle and Gardens of Versailles, 1726, 1726 print Map of the castle and the gardens of Versailles. Decorated with cartouches with allegorical figures. Plate no. 46 In part III of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title and inscriptions in French. print maker: Northern Netherlandspublisher: Leiden paper etching palace. French or architectonic garden; formal garden Castle of Versailles

Print, Title Page; Published by Gilles Demarteau (Belgian, active in France, 1722 - 1776); France; etching and engraving on laid paper

Vaulted parlour in a house on the road to Stabiae, Pompeii. Fourth Pompeian Style. Oecus voute dune maison de la rue de Stabies. Quatrieme style. Handcoloured pochoir (stencil) lithograph by Pierre Guzman from his own Decoration murale a Pompei, (Wall decoration at Pompeii), Editions Albert Morance), Paris, 1924.

Cartouche with a unicorn Cartouches with animals in landscapes (series title), Rolwerk cartouche with a landscape in which a unicorn rubs itself against a tree. The print is part of an album, ornament, cartouche, city view, and landscape with man-made constructions, unicorn, Georg Hermann, Ansbach, 1595, paper, engraving, h 65 mm × w 73 mm

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Floor plan for a fortress, fort or reinforcement (hexagon). Below that a face on a city by the sea (Naples). In the corner at the top left the number 147 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching fortifications, military engineering. mathematics. prospect of city, town panorama, silhouette of city. sea (seascape). ships (in general) Naples

Seven Designs for Decorated Plates 1845-55 Alfred Henry Forrester Alfred Crowquill British. Seven Designs for Decorated Plates 394815

Tuscany Siena Montalcino S. Agostino5. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cartouche with a donkey; Cartouches with animals in landscapes.Rollerwork Cartouche with a Donkey in a Landscape with a Stone Bridge. The Print is part of an al album.

Fragment ca. 1730-40 Italian or French. Fragment 230599

Cartouche with a dog and a duck, 1595 print Rolwerk Cartouche with a landscape in which a dog barks to a duck in a pond. The print is part of an album. paper engraving ornament ~ cartouche. city-view, and landscape with man-made constructions. dog. water-birds: duck

The Land of Cockaigne, 1500 - 1599, Woodcuts, Image 24 15/16 x 39 3/4 in. (63.4 x 101 cm), Paper 24 15/16 x 39 3/4 in. (63.4 x 101 cm)

Ghent, Goesin-Disbecq, Charles de, The new and entertaining game of goose, in what manner and how one plays it the same, verso - stamped, Oval board game with squares numbered 1-63. In the middle field a representation of an inn, brothel scene with two men, a woman and two children around a table, the men are playing backgammon. In the four corners of the game men are making music, dancing and playing games. Below the representation the rules of the game., print, picture, folk print, gameboard, game board, folk prints, prints, height 344 mm, width 423 mm, Publication (Event), Publication, Belgian, 1760 - 1842, publisher, 1795 - 1798, paper, woodcut, letterpress printing, print maker, printmaker

Racing game, ca. 1835, D.K. Muller & Co., 1830 - 1835 print. gameboard Board game called the Engelsche Horse Race, ca. 1835. Circle-shaped racecourse with compartments numbered 1-48. With images of horses in a horse race, spectators under a tent and various horses with their drivers. Part of a group of children's and board games printed in the period ca. 1750-1850. Arnhem paper board-games of chance. horse-racing

TREW, abdias.

Plan for the fireworks display in honor of Emperor Leopold, Nuremberg, November 15, 1686. Artist: G.I. Schneider (German). Dimensions: Sheet (Trimmed): 19 11/16 × 12 7/8 in. (50 × 32.7 cm). Date: after 1686. Museum: Metropolitan Museum of Art, New York, USA.

Stair of the old age. A staircase of the age: a man's staircase. On the stairs of the stairs, walking over the globe (the northern hemisphere), men between the ages of 10 and 100 are. Under the image a fresh in two columns. Numbered at the top right: N. 7.

The owl board / Jeu de la Chouette. The owl game. A circular board game with boxes with objects, animals and dice. In the middle an owl with a mirror. Surrounded by a decorative edge. Under the show the rules in two columns in Dutch and in French. Numbered in the middle above: n. 226. B.

Drawing, Ceiling Decoration, Teatro Valle, Rome; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and dark gray ink, watercolor, black chalk

Stairs of the old age; From the man and down / d'a sweet and d 'different scared. A staircase of the age: a woman staircase. On the stairs of the stairs, in the form of a bridge, women are between 0 to 100 years. Under the bridge a representation of the last judgment. Left a putto and the front right. Numbered at the top right: 4.

Map of the Russian coast with the town of Kola, 1597, 1615 - 1617 print Map of the Russian coast with the town of Kola near Murmansk, where the boats arrived on August 25, 1597. Below and above four examples of the costume of the local residents. Copies to the original illustrations in the travelogue of the journey of Willem Barendsz and Jacob van Heemskerck in 1596-1597 and the stay on the island of Nova Zembla, No. 29. Northern Netherlands paper engraving exploration, expedition, voyage of discovery. landscapes in polar regions. maps of separate countries or regions Nova Zembla. Murmansk. Kola

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral9. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Italy, 16th century. Formation of the Venetian ships. From the treaty Della Milizia Marittima, by Cristoforo da Canal.

Northern Netherlands, Amsterdam, Kannewet, Johannes (II), Children who invented this old man, That rats started war with cats., Fight between the rats and the cats. The rats ('t Ratten-Schip) storm a castle (Katten-toorn) that is defended by the cats. Unnumbered, marked with a * no. 7., print, etching, folk print, prints, engravings, folk prints, Frederik Muller Historieplaten, height 395 mm, width 288 mm, Publication (Event), Publication, Dutch, publisher, 1725 - 1780, paper, woodcut, letterpress printing, colours, print maker, printmaker

The stairs of old age. A staircase of the age: a parent staircase. On the stairs of the stairs, in the form of a bridge, men and women are aged at the age of 0 to 100 years. Under the bridge a representation of the last judgment. On either side of the show a curtain. Above the image a fresh in three columns, under the image a fresh in four columns. Numbered at the top right: No. 21.

Playing Card. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 16th Century.

The Prodigal Son debauched. 18th Century, colour illustration, of the Biblical, New Testament Story. 1780. In the story, a father has two sons. The younger son asks for his inheritance and after wasting his fortune (the word "prodigal" means "wastefully extravagant"), becomes destitute. He returns home with the intention of begging his father to be made one of his hired servants, expecting his relationship with his father is likely severed. The father welcomes him back and celebrates his return.

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. Ground plan for a fortress, fort or reinforcement (Zevenhoek). Below this a face on a few houses on a river ('Zingle') in the top right of the figure 16 (= the number of the page in the book to which the illustration is placed).

Figure of the fireworks Facts by command of the King ... (IT)

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo15. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

KAADAN partboard (her)

Friedrich I, Elector of Brandenburg.

Design for a Ceiling. Artist: Anonymous, Italian, first half of the 18th century. Dimensions: 10-3/16 x 13-15/16 in. (25.8 x 35.4 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

La terra de Hochelaga nella Nova Francia

Liubov' krepka iako smert'.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Trap des age, Barend Koene (III), 1814 - 1830 print A staircase of old age: a parentrope. On the steps of the stairs, in the form of a bridge, there are men and women between the ages of 0 and 100. Under the bridge a representation of the Last Judgment. Left front a putto and front right. On the gate the text: think the day that is not allowed. A tree on either side of the show. publisher: Amsterdamprint maker: Netherlands paper letterpress printing the ages of man represented by a staircase. Last Judgement

Orgueille et Follie Pride and Folly. 1577 - 1578. Prints, Correspondence. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Decoration and ornament, Patterns (Design elements), Medallions (Ornament areas)

Stair of the old age. A staircase of the age: a parent staircase. On the stairs of the stairs, in the form of a bridge, men and women are aged at the age of 0 to 100 years. Under the bridge a representation of the last judgment. Left a putto and the front right. On either side of the show a tree. In cartouche in the middle of the text 'Dageliks work'.

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Grotesque Frieze 19th century Anonymous, British, 19th century British. Grotesque Frieze 386507

André Thevet's map of the island depicts the marooned Marguerite de La Rocque fighting off two bears in defence of her infant, who lies swaddled beside a small shelter in the background. Bibliothèque nationale de France.

Les monuments d'Égypte. Artist: After an illustration by Louis François Cassas (French, Azay-le-Ferron 1756-1827 Versailles). Culture: French, Jouy-en-Josas. Designer: Jean-Baptiste Huet I (French, Paris 1745-1811 Paris). Dimensions: L. 98 1/2 x W. 38 inches (250.2 x 96.5 cm). Manufactory: Oberkampf Manufactory (French, active 1760-1843). Date: ca. 1808.This type of monochromatic pictorial cotton, toile de Jouy, takes its name from the village near Versailles where the first printed textile factory in France was founded. Started by Christophe-Philippe Oberkampf (1738-1815), who had been brought up in the textile industry, the factory began work in 1760. Located in Jouy-en-Josas near the court, it attracted an affluent clientele that appreciated the quality of Oberkampf's fabrics.Printed multicolored patterns on cloth were achieved at first by use of carved wood blocks. By the 1770s, reproductions of finely drawn engravings of pictorial prints and floral and geometric patterns were ma

Design for a Sword-belt, Knife, and Stylus ca. 1555 Pierre Woeiriot de Bouzey II Pierre Woeiriot was trained as a goldsmith, but is renowned for his work as an engraver and printmaker. His prints feature his own original renderings of portraits, biblical scenes, religious emblems, jewelry, and rapier hilts. This engraving of a sword-belt with elaborate mounts, the latter no doubt intended to be executed in silver or gilt bronze, is among his rarest prints. Most of the sheet is devoted to a detailed depiction of an ornate sword-belt consisting of a waist belt, a diagonal strap (called the side-piece or ceinturon), and a sword hanger, which comprises two loops called slings. Each of these elements is adorned with elaborate figural fittings and buckles. In use, the scabbard of a sword or rapier would be held securely in the slings, with the diagonal strap keeping the scabbard at the desired angle. The initials PW (for Pierre Woeiriot) appear on the blade of an axe, seen just to the left o

A depiction of the wars of Emperor Maximilian I by Hans Springinklee, part of the Triumphal Procession, created between 1516-1518. Mounted on a wooden stick, it reflects early 16th-century ceremonial and military illustration.

Scaling with male with Globe, Anonymous, 1634 print A man with Globe and Passer stands next to a scale. Detail of a map of southern Spain with the cities of Granada and Murcia. paper engraving / letterpress printing scales of notation (arithmetic). globe. measuring-instruments Grenade. Murcia. Spain

Gustav II. Adolf, King of Sweden.

Bound Print (France); Collaborator: François Boucher (French, 1703-1770)

Illustration to show setting of a table from a French 18th century cookery book.

Fireworks celebrating the marriage of Emperor Leopold I and Margarita, Vienna 1666. Artist: Melchior Küsel (German, 1626-1683). Dimensions: Sheet (Trimmed): 12 1/8 × 13 3/4 in. (30.8 × 34.9 cm). Date: after 1666. Museum: Metropolitan Museum of Art, New York, USA.

Study for the decoration of the ceiling of the Opéra Comique. Artist: Thomas Couture (French, Senlis 1815-1879 Villiers-le-Bel). Dimensions: Sheet with canted corners: 17 3/16 x 17 3/16 in. (43.7 x 43.7 cm). Date: ca. 1857. Museum: Metropolitan Museum of Art, New York, USA.

Collection of French Costume Designs or Portrait Types; Title Page Anonymous, French, 18th century French Possibly connected to Antoine Caire-Morand French Anonymous, French, 19th century French ca. 1785-90 Oval cartouche decorated by a garland of roses and ribbons, with two circular insets featuring a waistlength female portrait type in late eighteenth-century costume with a fichu and a oversized bonnet. ThetTitle inscription, originally done in graphite is partly erased and has become illegible.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), vignettes for the book Les Triomphes de Louis le Just XIII by the name by Jean Valdor. Three rounds with Latin legend. Sixteenth number of a suite of 34 pieces. (A. de Vesme 952-957. Incomplete; Dutuit manuscript, Italian school, page 83. n ° 166) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Antwerp, Vinck, Franciscus Igantius, The new and entertaining game of goose, in what manner and how to play it yourself, verso - stamped, Oval board game with squares numbered 1-63. In the middle field a representation of an inn, brothel scene with two men, a woman and two children around a table, the men are playing backgammon. In the four corners of the game men are making music, dancing and playing games. Below the representation the rules of the game, print, picture, folk print, gameboard, playing board, prints, pictures, folk prints, height 347 mm, width 401 mm, Publication (Event), Publication, Flemish, publisher, 1767 - 1798, paper, woodcut, letterpress printing, print maker, printmaker

The Landing of Christopher Columbus in the New World from a 15th century book. From The National and Domestic History of England by William Aubrey published London circa 1890

Het Uilenbord / La Chouette, 1800 - 1833 print. gameboard The owl game. A circular board game with compartments containing objects, animals and dice. In the middle an owl with a mirror. The whole surrounded by a decorative edge. Under the show the rules in two columns in Dutch and in French. Numbered in the middle: n. 226. B. Turnwood paper letterpress printing board-games. board-games of chance. owls

Wish letter with steamboat and putti, c. 1780 - c. 1899 print Wish letter with unwritten cartouche within a decorative framework with representations of a steamboat and from putti with vases with flowers on columns. Numbered bottom left: No. 8. Netherlands paper ships (in general) (+ propulsion of vehicle, ship, etc. by steam). cupids: 'amores', 'amoretti', 'putti'

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Floor plan for a fortress, fort or reinforcement (hexagon). Below that a face on a city in a river landscape (Le Quesnoy), for which a skirmish takes place. In the corner at the top left the number 137 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching fortifications, military engineering. mathematics. prospect of city, town panorama, silhouette of city. river. battle Quesnoy, the

Design for Victory holding a Wreath and Trumpet and Studies for Various Decorations, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and gray-brown wash over black chalk on laid paper, At left, in right triangle, winged female genius, seated beside candelabrum, raises wreath with right hand and holds trumpet in lowered left hand. At upper right, in semicircle, two seated figures on either side of motif with inscription above: Fondi delli semicercole cinabro o verde; in rectangle below, two figures, one seated, one standing with inscription above: Fondo del quadro del trionfo della/ Guerra azzuro figure color/ li altri camei son cinabro verde e/ nero; in rectangle below, sketch of triumphant Peace with inscription above: Fondo del quadro della Pace trionfo verde altri camei tu/ rchino nero e rosso bucaro., Italy, 1812, figures, Drawing, Drawing

Drie kroonlijsten. Architectuuronderdelen (series title). Draughtsman: anonymous. Dating: 1500 - 1599. Place: Italy. Measurements: h 215 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Pictorial print ca. 1785 British. Pictorial print. British. ca. 1785. Cotton wefts, linen warps. Textiles-Printed

Decorated robe of Mandan second chief Mah-to-toh-pa, Four Bears. It depicts 12 battle scenes against the Sioux, Cheyenne and Arikaree. Handcoloured lithograph from George Catlin's Manners, Customs and Condition of the North American Indians, London, 1841.

Canvas of Jouy: Federation's Day, 1790 (TF)

Belelegation Games, c. 1830 Two cardboard sheets in cassette, cardboard with green and, with the openings brown paper, covered; game; b. Fortress in purple, light brown and green, L.B. and R.B. 2 Drawings of soldier that canon off. L.O. and r.o.: martial scenes. On both sheets a system of red -colored points, connected by red diagonal and vertical lines and black horizontal. Back orange-green paper with decorations. cardboard printing

Design for a Frieze with Wreath and Festoons 18th century Anonymous, British, 18th century British. Design for a Frieze with Wreath and Festoons 363298

Mosaic Marble "Ornament". Dated: c. 1936. Dimensions: overall: 34.2 x 24.7 cm (13 7/16 x 9 3/4 in.). Medium: watercolor, pen and ink, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Gordena Jackson.

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9. Abraham from the son of his Isaac makes God the victims; 10. Jakub, on a journey to Syrian Mesopotamia; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Paris, French Crown, Chéreau, Jacques-François, Lalonde, Richard de, Berthault, A Cahier de Bordures à l'usage de la Sculpture &c, avec leurs Profils, Three frames, verso - stamped, A frame with oak leaves, a frame with two tendrils and a frame with acanthus leaves., print, ornament print, prints, ornament prints, height 223 mm, width 348 mm, print maker, printmaker, 1784 - 1785, paper, etching, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, granter of privilege

Family tree of the Habsburg House (second sheet); Family tree of the Habsburg House, Series A. Stamboom of the Habsburg House with Top Maximiliaan I.

Bentjes, on Diss' Great Print Institute of Rating Low Work, The ADE Go The Stars Del, the Young Binn 'OON' T KLASJEN, 1822 - 1849 print A staircase of the old age: a men's staircase. On the steps of the stairs, walking over the globe (the northern hemisphere), there are men between the ages of 10 and 100. Under the image one fresh in two columns in Frisian. publisher: Deventerprint maker: Netherlands paper letterpress printing the ages of man represented by a staircase. human life divided into stages. globe Europe. Portugal. Russia. France. Street of Taiwan. Persia

View of the Solfatara at Pozzuoli, outside of Naples. Draughtsman: Gerard ter Borch (I). Intermediary draughtsman: Gerard ter Borch (I). Dating: c. 1611. Place: Naples. Measurements: h 140 mm × w 202 mm. Museum: Rijksmuseum, Amsterdam.

Germany, Silber, Jonas, Bottoms of bowls: landscapes with biblical and mythological scenes, Abraham sacrifices Isaac, verso lower left - stamped, From a series of 8 sheets, print, emboss, ornamental print, prints, ornamental prints, diameter 139 mm, German, print maker, printmaker, 1572 - 1582, third quarter 16th century, fourth quarter 16th century, paper, stipple engraving, Work conception, after a design by, Publication (Event), Publication, publisher

Map of the four crafts, Gerard Coeck, c. 1670 print Map of the four crafts. At the top right a cartouche with title. At the bottom right a bowl: Schale of a Vlaemsche Myle, 15 make a graedt and hold Rynandtsche rods in 2000. paper etching / engraving maps of separate countries or regions Zealand. Four crafts

Pascard of a large part De Wadden Islands, Jan Luyken, 1681 - 1799 print PAS card of the Dutch and German Wadden Islands, Friesland and Groningen, from Terschelling to Wangerooge, with two compass roses, the north is below. At the top left a cartouche with the title and address of the publisher, flanked by a Frisian woman and a sailor. Two barrels and a pile of cheeses under the address. At the bottom right a Meerman and a mermaid with a line at the scale in German, Spanish and English or French miles. Amsterdam paper etching / engraving merman. merman - AA - mermaid, siren. cheese. key. seaman Wadden Sea. Friesland

Snakes and lizards. Etching, 18--

A group of people attacking a giant snail ca. 1880-1910 José Guadalupe Posada. A group of people attacking a giant snail. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Etching on zinc. Prints

Celestial Map of the Southern Sky (Imagines coeli meridionalis). Albrecht Dürer; German, 1471-1528. Date: 1515. Dimensions: 431 x 433 mm (image); 585 x 463 mm (sheet). Woodcut in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Twenty-Four Cavorting Cavaliers. Dated: 1652. Dimensions: plate: 23.1 x 32.3 cm (9 1/8 x 12 11/16 in.) sheet: 27.8 x 37.3 cm (10 15/16 x 14 11/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Means used to raise the marble block of the statue of Louis XIII at the height of the pedestal.

Execution to Prague. Woodcut from: Witeb, Johanes Gorman: Preferential execution, this is a thorough relation What masses in the shape find command of the Roman. Keys. Mayest. Etc. Against the Bohemian Directors and other prisoners Mondays Mondays 11. 21 Junii of this 1621th year in the Royal Capital of Prague, the execution was denied and completed. 1621 Dresden: Slub, Hist.Germ.C.518,21

Second century, Anonymous, 1667 - 1672 print Second century presented as a bear: the events from Simon to Alexander. Part of a Prentalbum composed of 21 prints from the world history of Johannes Buno of 1672. paper etching / engraving beasts of prey, predatory animals: bear

Gabriel Vallseca / Carta naútica, 1439. Museu Marítim de Barcelona.

Map of Delfshaven, Johannes de Ram, 1678 - 1703 print Map in a nutshell perspective. At the bottom right on a column The scale: 50 Delf - and - Rynandsche rods. At the top in the middle a cartouche with the title and the weapon of Delfshaven. At the bottom right a legend 1-26. Two fishermen to the left. paper etching / engraving maps of cities. coat of arms (as symbol of the state, etc.) (+ city; municipal). fisherman. fisherman showing catch Delfshaven

Netherlands, Amsterdam, Founder, heirs of widow Cornelis, The tree of liberty is consecrated;, And old and young show themselves glad, As Amstel maidens, while singing, Surround Him, dancing hand in hand, Sheet with a large representation of the consecration of the tree of liberty on the Revolutieplein (the Dam) in Amsterdam on March 4, 1795. A circle of girls dance around the tree, while other people watch. Below the representation a text in two columns. Numbered top right: No. 70., print, prent, volksprent, prints, prenten, volksprenten, height 420 mm, width 326 mm, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1715 - 1813, paper, papier, houtsnede, letterpress printing, boekdruk, print maker, prentmaker

Indian flower 'cambang matjang'. Draughtsman: Jan Brandes. Dating: 12-Jun-1784. Place: Jakarta. Measurements: h 195 mm × w 155 mm. Museum: Rijksmuseum, Amsterdam.

Vignette showing the two hands in the air, one holding pot leaves, the other a quill, crossing 'swords' with each other. Vignette by Moses Polak. Presumably this is the writer Moses Salomon Polak, Pencil overcomes quill Triumph! Myn potloot heeft victori , print maker: anonymous, Netherlands, 1821 - 1874, paper, etching, engraving, h 90 mm × w 125 mm

Sampler, Laura Bowker, American, 1805 - 1843, Medium: silk and metallic (metal-wrapped silk core) embroidery, linen foundation, painted paper, kid leather Technique: embroidered in stem, satin, knot and couching stitches on plain weave foundation Label: linen embroidered with silk and metallic yarns in stem, satin, knot and couching stitches, painted paper, Embroidered sampler with two alphabets, a set of numerals, a verse and a landscape within a deep vine border of flowers and grapes. The landscape includes a woman standing by a tree, sheep, and a large basket of flowers., The verse reads:, Jesus permit thy name to stand, As the first efforts of an infants hand, And while her fingers o'er this canvass move, Engage her tender heart to seek thy love, Fitzwilliam, New Hampshire, USA, 1817, embroidery & stitching, Sampler

Design for a ceiling painting with putti, flowers and garlands.

Pietro Russo / Carta naútica del mediterráneo, 1508. Museu Marítim de Barcelona.

Decoration around the pump on the large market in Middelburg, at the arrival of ZM the king Willem III within that city, on the 21 May 1862. Decoration around the pump on the Grote Markt in Middelburg, on the occasion of the visit of King Willem III to the city on May 21, 1862.

Le Puy. Dated: 1894. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Obiavlenie o pribytii angliiskoi kompanii komediantov.. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1881. Rare Book Division. Folk art , Russia (Federation), Russia , Social life and customs, Engraving, Russian

Sedge Hats on a Lattice, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Kasa hats refer to various styles of traditional Japanese straw hats. Samurai helmets were often painted in black and or red. Black differentiated the low-class samurai warriors. These kasa hats are tattered on top of a lattice weave pattern. Silk threads are added to support the stencil structure., Japan, 1780-1830, textile designs, Katagami, Katagami

Postcard to Willem Bogtman, Richard Nicolaüs Roland Holst, 1930 Roosendaal Publisher: Paris cardboard. ink writing (processes) / pen / collotype

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