Biblical and Historical Scenes

Engravings depicting narratives from the Bible and mythology, illustrating figures in dramatic poses within detailed landscapes and settings.

Death of Requesens, 1576, Theodoor Koning, After Jacobus Buys, 1782 print The Spanish army commander and governor of the Netherlands Requesens unexpectedly dies at the table during a banquet in Brussels, March 5, 1576. Around him are frightened men who wanted to make gestures. This print is part of a series of 24 prints with scenes from the life of Prince Willem I, 1568-1584 and is an illustration in the sixteenth singing. Amsterdam paper engraving dying. altarcross, crucifix Brussels

Copper engraving by Adriaen Collaert from 1587-1676 depicting scenes from the Old Testament, showing figures, actions, and biblical narratives.

The dragon cave at Röthelstein or the hammer at midnight , knights spectacle by Kollmann theatrical picture gallery for the theater newspaper, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Copper engraving by Cornelis Galle the Elder showing humanity awaiting divine judgment, emphasizing moral reflection and the sinfulness of mankind.

Copper engraving depicting 'The Crowning Thread' by Taddeo Zuccaro, showing figures in religious and symbolic composition, created in 1602.

An etching by Christian Wilhelm Ernst Dietrich from 1730 depicting a satyr interacting with a farmer in a rural landscape, showing figures, animals, and natural scenery.

Royal Quartet Game, 1830; Quatuor Royal, and Attendant La Partie de Triomphe! Air du Secret. Cartoon on the loss of Belgium, 1830. Three princes in 1830, the French Charles X, Hussein Dey van Algiers and Karel II Hertog van Brunswijk play a card game and wait for the absent fourth player. The absentee is King Willem I, at his chair are paving stones and a stove pipe, a dog's piss against a seat leg. Through a window, the English king William IV looks inside.

Giovanni de 'Medici enters Florence, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 Giovanni de 'Medici enters Florence with his army and is welcomed by a group of florentines. On the right a horizontal river god. Title in the end margin. Numbered in the middle: 11. Print is part of an album. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: RomeRomeFlorence paper etching / engraving Giovanni de 'Medici enters Florence with his army and is welcomed by a group of florentines. On the right a horizontal river god. Title in the end margin. Numbered in the middle: 11. Print is part of an album. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: RomeRomeFlorence paper etching / engraving

Death of Requesens, 1576, Theodoor Koning, After Jacobus Buys, 1782 print The Spanish army commander and governor of the Netherlands Requesens unexpectedly dies at the table during a banquet in Brussels, March 5, 1576. Around him are frightened men who wanted to make gestures. This print is part of a series of 24 prints with scenes from the life of Prince Willem I, 1568-1584 and is an illustration in the sixteenth singing. Amsterdam paper engraving dying. altarcross, crucifix Brussels

Joas presented to the army, Harmen Jansz Muller, after Maarten van Heemskerck, 1585 print On an elevation in the temple, the high priest King Joas presents to the Royal Guard. The men swear faithfully to the king. At the right at the back, spears and the shields are distributed. At the bottom of the margin a verse in Latin over the show. This print is part of an album. paper engraving Jehoiada gathers a group of soldiers, presents Joash to them and persuades them to swear allegiance to him

A copper engraving and etching by Jean-Baptiste Blaise Simonet from 1780 depicting a scene titled Sensitive Deprivation, emphasizing emotional expression.

Allegory of the Neutrality of the Netherlands in the Austrian Succession War, 1742, Anonymous, After Jan L'Admiral, 1742 print Allegory of the neutrality of the Netherlands in the Austrian Succession War, 1742. The wisdom watches war and peace keeping each other in a large scale. The Dutch Virgin with the Dutch Lion watches armed with freedom. The fame announces the news. With multiple allegorical figures. The numbers 1-20 removed from the show. Marked top left: page 25. Dress version of the original performance. Northern Netherlands paper etching / engraving weighing. scales

Josiah Celebrating Passover Publisher Claes Jansz. Visscher Dutch Copies after Philips Galle Netherlandish After designs by Maarten van Heemskerck Netherlandish published 1643/1646 View more. Josiah Celebrating Passover. Copies after Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). published 1643/1646. Engraving. Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Prints

Allegorical performance with Clio, Anonymous, After Bernard Picart, in or after 1732 print A young nobleman sits next to Clio, the muse of history. With her left hand, she points to a book about the history of Europe. With the other hand she points to the scene in the background. Fortuna, love and death fly above an exuberant crowd. In the margin a six -line caption in French. Up to the top left numbered Asie Tom. I. paper etching / engraving Clio (One of the Muses); 'Clio' (Ripa). Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). Death As Skeleton (+ Death with Scythe). Love Personified

King Cyrus shows the image of bell to pieces; History of Daniel, bell and the dragon; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. King Cyrus looks at how men call the image of the God to pieces. On the spot where the table was eating, the entrance to the secret access to the temple can now be seen. At the front right Plast a boy in the mouth of Bubble. Under the show an explanatory text in Latin. Print is part of an album.

Cupid dances with two allegorical women's figures. Cupid dances with two allegorical women's figures. In the upper margin two columns with each two lines of Latin text.

Birth of the Prince of Wales, 1688; The Prince of Walles is born the 10/20 Juny 1688; Englants stage, imagending the quick from Jacobus II, king of Great Brittanyen etc. with DESSELFS arrival in Yrlant and further events, I part. Birth of Jacobus Frans Eduard, Prince of Wales, June 20, 1688. Queen's maternity room with many visitors, the child is held by a clergyman. Plate F in the 'Engeants stage' series over the glorious revolution and events from the previous years 1685-1689 (first part). With captions in Dutch and French.

Three performances from the history of Poland, Daniel Nikolaus Chodowiecki, 1796 print The prints are numbered at the top right. With caption and page reference in German and French. Berlin paper etching History. hunting accidents. ruler, sovereign. index finger forwards, pointing, indicating. study; 'studiolo'; library. book

Giovanni de 'Medici receives refugees from Prato, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 Giovanni de 'Medici, sitting on a rock, receives the refugees from Prato. Title in the lower margin. Numbered in the middle below: 10. Print is part of an album. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: RomeRomeFlorence paper etching / engraving Giovanni de 'Medici, sitting on a rock, receives the refugees from Prato. Title in the lower margin. Numbered in the middle below: 10. Print is part of an album. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: RomeRomeFlorence paper etching / engraving

In the presence of Almanzor, Gonzalo Gustos identifies the heads of his sons; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Gideon and the sheepskin; Gideon's history; History of Gideon; Den Grooten Figuer Bibel (...). Gideon kneels down the sheepskin. The dew is only on the sheepskin. On the right in the background, Gideon kneels for the second time at the sheepskin. This time the dew only falls around the sheepskin and not on the sheepskin. Gideons men look surprised. Under the show a reference in Latin to the Bible text in RI. 6:36. This print is part of an album.

Engraved title page for the second part of the picture: Nicolas de Fer, Les Forces de l'Europe, 1696; Les Forces de l'Europe, Ou Description des Principales Villes, Avec Leurs Fortifications: Dessignées PAR LES MEILLEURS Engineers, private party Celles (...) De La France, Dont Les Plans DEVEÉ LEVEZ PAR M. DE VAUBAN. Engraved title page with an allegorical representation of the victories of the French army in Europe with Central France sitting on a throne. Part of the second part (1693) of the picture in which bundles are the eight parts of Les Forces de l'Europe issued between 1693-1697. The printing works consists of 175 plates with plans (from Sébastien Le Preterre, Seigneur de Vauban) from renowned strong cities and fortresses in the nine-year war. Title in French.

Copper engraving by Johann Sadeler the Elder from 1589 depicting scenes of the Passion, showing figures, gestures, and interactions within the biblical narrative.

Giovanni de 'Medici voted Pope Leo X, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 Two performances. Left: Giovanni de 'Medici, elected Pope Leo X, receives the tribute of the other cardinals. Right: a river god (the Tiber), a putto and a dog and a basilica in the background. Title in the end margin. Numbered below: 14. Print is part of an album print maker: Italyafter design by: Vaticaanstadpublisher: RomeRomeFlorence paper etching / engraving Two performances. Left: Giovanni de 'Medici, elected Pope Leo X, receives the tribute of the other cardinals. Right: a river god (the Tiber), a putto and a dog and a basilica in the background. Title in the end margin. Numbered below: 14. Print is part of an album print maker: Italyafter design by: Vaticaanstadpublisher: RomeRomeFlorence paper etching / engraving

Sébastien Bourdon's copper engraving (1650-1720) depicts a portrait of Johann Jacob Mesmes, showing facial features, attire, and formal posture.

Copper engraving and etching by Carl Gustav Amling from 1697-1698 depicting Otto I von Wittelsbach at an audience and founding Landshut.

Tower of Babel and Abraham gives a tenth part to Melchizedek, Simon Fokke, 1791 print Two Biblical performances from Gen. 11 and 14. Numbered below: 7. Amsterdam paper etching the Tower of Babel. Abraham gives Melchizedek a tenth of the booty he has recovered

Six performances from Müller's Siegfried von Lindenberg, Daniel Nikolaus Chodowiecki, 1783 print The performances are numbered at the top right from seven to twelve. They also contain a caption and designation to what place within the text it belongs. paper etching Literature. interior of the house. city-view, and landscape with man-made constructions. horse. disguise. dog. book - MM - book open. index finger forwards, pointing, indicating. baring the head, lifting one's hat

Daniël scatters ash on the temple floor; History of Daniel, bell and the dragon; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. To prove that not the image of God calling the food, but the priests, decreases Daniël ash on the floor of the temple. King Cyrus lets the door of the temple seal so that nobody can come in unnoticed and eat the food. Two narren in the foreground. Under the show an explanatory text in Latin. Print is part of an album.

Memorial for Willem III, 1702, 1702 print Memorial for King William III, at his death on March 19, 1702. Allegorical representation with a bust of William III on a pedestal, at the front of the English and Dutch virgins and the Dutch lion. Above the bust the fame blows on her trumpet. Three verses of four lines in the caption. Amsterdam paper etching / engraving Symbolic Triumphs of individual person. Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa)

Pests of grasshoppers and hail; History of Moses for the Exodus; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. In the foreground the eighth plague that God left over Egypt: a grasshopper. The pharaoh recommends one of his soldiers to kill the grasshoppers. On the left a servant fills a jug with water. In the background left the seventh plague of Egypt: Hailstones. On the background left and right Aaron and Moses that calls the teasing. Under the show a reference in Latin to the Bible text in ex. 9 and 10. This print is part of an album.

Andrews Vesalii

Struggle between the gods and the giants, 1589 print The giants try to conquer the sky from the earth through mountains and with buns where the Olympic gods houses. The gods fight back with weapons like a spear, lightning and trident. In the lower margin a four -line explanation, in two columns, in Latin. paper engraving battle of the Giants against the gods: gigantomachy

Figures in a forge and on the land at work, Hendrik Numan, 1746 - 1788 print Haarlem paper smith, blacksmith. agriculture

The sister of Almanzor Troost Gonzalo Gustos; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Jobs prosperity restored; History of Job; Historia Jobi (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. After all the misery that Job has happened to double his possessions. Job receives his friends and remaining family members at the gate of his house. His children and his cattle are in the foreground. A party is given in the garden in the background. Under the show a reference in Latin to the Bible text in Job 42. Prent is part of an album.

Copper engraving by Johann Sadeler the Elder depicting a figure sitting on a fountain as part of an allegory of love. Created between 1570 and 1600, illustrating symbolism and human figures.

The Schikgodinnen weave the lifecy of Mudarra, which is knighted by Almanzor, Antonio Tempesta, After Otto van Veen, 1612 print Explanatory numbers in the show. Caption in Spanish and Latin. print maker: Italypublisher: Antwerp paper etching tales and fairy tales. Fates, Parcae (Moirae). becoming a knight, knighting

Teasing the frogs, mosquitoes and blades; History of Moses for the Exodus; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. In the foreground the second plague that God left over Egypt: a frog plague. A group of people sitting at the table with frogs everywhere. In the background the pharaoh is attacked by mosquitoes and blades. In the background Aaron with his staff and Moses. Under the show a reference in Latin to the Bible text in ex. 8. This print is part of an album.

The birth of Jacobus Frans Eduard, Prince of Wales, 1688, 1691 print The birth of Jacobus Frans Eduard, Prince of Wales, 10 June 1688. Standing in front of the childbirth of Queen Maria of Modena, Father Peters keeps the newborn child up. Plate 1 in a series of 20 plates about the Glorious Revolution in England in the years 1688-1691. Northern Netherlands paper engraving the new-born child

Sick man visited by death, Daniel Nikolaus Chodowiecki, 1777 print Berlin paper etching Literature. Death as skeleton. sick-bed

Triumphal trip of the poverty, Christian von Mechel, after Federico Zuccaro, after Hans Holbein (II), 1780 - 1795 print paper etching The Poor. Cariot, Triummphal Car. Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance'. Novel Personifications of Abstract Concepts

The workshop of the surgeon guild, 1731, Abraham Zeeman, 1731 print Face in the workshop of the surgeon guild in Amsterdam, 1731. Various patients are helped in all sorts of ways. An anatomical lesson in the background. Different allegorical representations on the walls. Northern Netherlands paper etching / engraving dissection. medical examination, medical treatment Amsterdam

Man with sword and scales, possibly scipio africanus major, 1660 print On the left, the personalized moderacy pours water from a jug in a bowl. The personalized victory crowns the Roman soldier in the middle, possibly Scipio Africanus Major. There is a river god in the front. A hilly landscape in the background. This print is part of an album. paper etching (Story of) Cornelius Scipio Africanus. (Story of) Cornelius Scipio (Cornelius Scipio). Temperance, moderation; "Misura '(Ripa)

Two performances from the life of Thoseus, Daniel Nikolaus Chodowiecki, 1794 print Left: Theseus finds the weapons of his father. Right: Theseus catches the bull of Marathon. Nummered at the top right: 1, 2. Berlin paper etching (story of) Theseus. Theseus takes the sword and the sandals of his father Aegeus from under the rock; usually in the presence of his mother Aethra. Theseus captures the bull of Marathon

Copper engraving by Hans Collaert the Elder depicting Ahasver giving Haman his seal ring, with Esther, Ahasver, and Haman at a banquet, created between 1579 and 1585, illustrating ceremonial attire and interactions.

The Court of the King of Pegu, 1604, 1644 - 1646 print The court of the king of Pegu, November 1604. In the foreground musicians and an elephant under a canopy, the elephant kneels on his throne in front of the king. Part of the illustrations in the report of the second trip to the East Indies for the VOC under Steven van der Hagen, 1603-1608, No. 6. Northern Netherlands paper engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions. trunked animals: elephant Pegu

Collection of Egmond and Horne, 1567, 1568 - c. 1572 print Collection of the Counts of Egmond and Horne by Alva in the Hof van Culemborg on the Zavel in Brussels, September 10, 1567. Face in the hall where Alva lays hands on the shoulder of Egmond in the foreground in the foreground, Horne becomes right drained. In the background, Alva stands up of discussions at a table. With caption of 8 lines in German. Nummered in the bottom left: 49. The print is part of an album. Cologne paper etching law and jurisprudence (+ arrest) Brussels. Zavel

Sabijnse Virgerenroof, Bartolomeo Pinelli, 1816 print Sabijnse Virgens are taken away by Roman soldiers on behalf of Romulus. Romulus is on an elevation in the background on the right. Rome paper etching rape of the Sabine women: they are carried off by Romulus and his men during a feast

Card No. 2. Episodes from the history of the human species creating a man in: Manuel pour l'arsb de la Jeunesse Par Stoy Schleuen, Johann Friedrich (1739 1784), Chodowiecki, Gottfried (1728 1781)

Relief with the judgment of Lucius Junius Brutus in the Vierschaar of the Town Hall on Dam Square, Hubert Quellinus, After Artus Quellinus (I), 1655 print Relief with the judgment of Lucius Junius Brutus in the Vierschaar of the Town Hall on Dam Square in Amsterdam. Consul Lucius Junius Brutus, standing on the right, gives the executioner sign to execute the verdict and behead his son. His other son has already been beheaded and lies at his feet. When a conspiracy against the young Roman republic came to light and Brutus' sons Titus and Tiberius turned out to be among the conspirators, he condemned them - just like the others - to death. De Vierschaar was a public court that was only used by Schout and Aldermen for pronouncing death sentences. Under the show two columns with three lines of Latin text. At the bottom mark marked: C. paper etching / engraving L. Junius Brutus has his two sons beheaded because they joined a conspiracy City Hall of Amsterdam (1655-1808)

Edelmoedigheid van Scipio, Diana Mantuana, after Giulio Romano, c. 1557 - c. 1612 print Scipio de Older gives a captured virgin back to her fiancé who squeezes him down. Latin text in a cartouche bottom left. Italy paper engraving the continence of Scipio: he restores a captive woman to her bridegroom Allucius, who kneels before him; the ransom offered by the bride's parents is given to Allucius as a wedding-gift

Resting Silenus and its entourage in a landscape, Pierre Brebiette, 1608 - 1650 print paper etching non-aggressive, friendly or neutral activities and relationships of Silenus. thiasos, i.e. Bacchus' revel-rout, bacchanal without Bacchus

Copper engraving print by Gilles Rousselet showing Bathsheba presenting her son Solomon to assume the throne, dated around 1645.

Marriage by Dang, Daniel Nikolaus Chodowiecki, 1788 print Berlin paper etching betrothal and marriage

Two performances from the stories of Wilhelm Gottlieb Becker, Daniel Nikolaus Chodowiecki, 1797 print Berlin paper etching interrupted meeting, lovers caught by surprise. kneeling figure. on fire, ablaze. pilgrim(s)

Allegory of the promise of love, Melchior Küsel (I), after Johann Wilhelm Baur, 1682 print Text in German in the lower margin. Numbered in the bottom right: 35. Print is part of an album. Augsburg paper etching Force of love, force of love yes in the water as in the ground '(Ripa)

Gil Blas tries to get his ring back as an agent from the insane Camilla, Daniel Nikolaus Chodowiecki, 1783 print paper etching Literature. interior of the house. four poster bed. police. Alarm, Fright; 'Spavento', 'Terrore' (Ripa)

Circumcision from Sichem; History of Dina and Sichem; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Sichem is circumcised. On the right, the just circumcised Chamor, the father of Sichem, is supported by a boy. At the bottom of the margin a reference in Latin to the Bible text in Gen. 34. This print is part of an album.

Virginius kills his daughter Virginia, Ludwig Gottlieb Portman, after Jacobus Buys, 1793 print Virginius kills his daughter Virginia with a sword to save her the desire of Appius Claudius and to safeguard her from slavery. The latter had falsely claimed that he owned her. A crowd of Romans watches. Utrecht paper death of Virginia: she is stabbed to death by her father, the centurion Virginius, in order to save her from the lust of Appius Claudius, who had her falsely claimed as a slave and was giving judgement in her case. slavery; serfs and the enslaved

Noah goes on board the Ark, Crispijn van de Passe (I), 1700 - 1750 with his family and the animals print A procession of animals enters the ark, of each kind a few. A swarm of birds above the ark. Front left Noah and his family. In the margin a two -way caption in Dutch. print maker: Utrechtpublisher: Amsterdam paper engraving Noah and his family enter the ark

A 1636 copper engraving by an unknown engraver depicting the spoils of Marcellus, showing figures, objects, and symbolic elements in an etching.

Looting by patriots in Brussels, 1790; Vols, Assassins, Violences, Pillage, Commise à Bruxelles LE 16 Avril 1790 (...); Brabant Review, 1787-1790. Violent looting, robbery, murder and assault by patriots in the house of the La Rue in Brussels, 16 April 1790. Hereby the date January 11, 1791 written by hand. Part of a large group of prints related to the events of the Brabant Review and the period 1787-1790.

Woodcut by Jacob Lucius from 1530-1597 depicting Jesus as a child and his friend, highlighting figures, gestures, and composition.

Parable of the rich fool; Similarities from the New Testament; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. A rich man leaves even bigger barns for his resources and his grain. He sits at the table between his money. There is a poor exchange in the opened coffin. Under the show a reference in Latin to the Bible text in Luc. 12:16 And to the continuation of the story: the rich man will die at night. This print is part of an album.

Teasing the frogs, mosquitoes and blades; History of Moses for the Exodus; Historia Plagarum in Aegijketo (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. In the foreground the second plague that God left over Egypt: a frog plague. A group of people sitting at the table with frogs everywhere. In the background the pharaoh is attacked by mosquitoes and blades. In the background Aaron with his staff and Moses. Under the show a reference in Latin to the Bible text in ex. 8. Print is part of an album.

Offer of Cain and Abel; History of Cain and Abel; Historia Caini et Abelis (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The brothers Cain and Abel each bring a sacrifice. Cain's sacrifice is refused, because the smoke goes down. Abel's sacrifice is accepted by God, the smoke goes up. A sunbeam shines on Abel, which stretches his arms to heaven. The altar of arable farmer Cain are fruit and vegetables. Sheep lie at the Altar of Veehoeder Abel. At the bottom of a reference to the Bible text in Gen. 4 in Latin. Print is part of an album.

Triumphwagen from Karel V and Ferdinand, after the liberation of Vienna of the Turks, ca. 1532, no. 7, 1690 - 1710 print Procession with Charles V and his brother Ferdinand I sat in a triumphal wagon pulled by horses. Preceded by soldiers with standards and loot and horn blowers behind the victory torch -bearers. Bowed prisoners on the right and background, ca. 1532. With caption of four lines in Latin. print maker: Northern Netherlandspublisher: Leiden paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Vienna

Valerius for gross; Elogio Funebre, Pronunciato da P. Valerio, Consolo Al Suo colleague G. Gross, Morte Sul Campo di Battaglia, Contro Li Tarquinij per La Libertà di Roma Sua Patria; History of the Roman Empire; Frontespizio della Iistantia Romana. Publius Valerius Publicola gives a fun of a crowd soldiers during the funeral of Brutus.

Head and hand of Nikanor shown to the people, 1579 print The severed head and hand of Nikanor are shown to the people in Jerusalem. Nikanor wanted to eradicate Israel, but the Israelites conquered him and his army. Under the show a reference in Latin to the Bible text in 1 bubble. 7:27. Print is part of an album. paper engraving Nicanor's head and hand hung near Jerusalem (+ variant)

. Two biblical performances. Above: Simson destroys the columns of the Philistine Temple with his last forces and kills themselves and the filistines present. Below: the men of the Stam Benjamin rob the women from Silo. Among the performances a reference to the Bible texts and the titles in Dutch and French.

Avarice, from the 'Seven Deadly Sins' ca. 1547 Léon Davent French. Avarice, from the 'Seven Deadly Sins' 337637

Badende Batseba and the Prophet Natan at David, Jacob Folkema, 1791 print Two Biblical performances from 2 Sam. 11 and 12. Badende Batseba Spied by David, and the prophet Natan warns David. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 57. publisher: Amsterdampublisher: Dordrecht paper etching David, from the roof (or balcony) of his palace, sees Bathsheba bathing. David rebuked by Nathan

Four representations from classical history; Illustrations from classical history. Four representations from the classic history of one plate, numbered from LXV to LXVIII and all has a caption. Top left: murder and mistreatment of TULUS TULIUS. Bottom left: Brutus discharges his sons. At the top right: Corionalus' mother and wife begged to finish it fighting. At the bottom right: Verginaius kills his daughter. LXV and LXVI LEGVI LEGISTRATIONS LARGE: Against Bladz. 33. LXVII AND LXVIII LEGISTRATION LIMITED: Against Bladz. 70.

Gonzalo Gomez excels in the game and Doña Lambra insults Lara and her sons, Antonio Tempesta, After Otto van Veen, 1612 print Explanatory numbers in the show. Caption in Spanish and Latin. print maker: Italypublisher: Antwerp paper etching palace. monsters of mixed human and animal shape; 'Mostri' (Ripa). joust, tilt. tales and fairy tales

Political candour, i.e. coalition resolutions of June 14th, 1805 , Politicians, Nobility, Authors, Government officials, Public speaking, Capitols, Legislative bodies, Sheridan, Richard Brinsley, 1751-1816, Grey, Charles Grey, Earl, 1764-1845, Fox, Charles James, 1749-1806, Wilberforce, William, 1759-1833, Tierney, George, 1761-1830, Pitt, William, 1759-1806, Abbot, Charles, Baron Colchester, 1757-1829, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Walpole, George, 1758-1835, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Great Britain. Parliament. House of Commons. James Gillray (1756-1815). Prints and Drawings

De tooverlantaarn onder zogt om de geretigheid van't spul onder de schaduuw dar lantaaren ist goet wat te beschaaren. 1720. Ridder, Jan de, 1665-1735. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

The bravery of intestines stripped for peace, 1713; The bravery ignored to peace / La Vaillance Desentraille Pour La Paix; Plates about the peace of Utrecht from 1713 / 't Lusthof from MoMus. Martyrdom of Saint Erasmus. The show used here in connection with the peace of Utrecht, 1713. Verses in Dutch and French. Part of a group of 28 new and old plates adapted to illustrate the Peace of Utrecht in 1713. Part of the print work is issued under the collective title 't Lust-Hof of Momus with the bundled series of cartriders during the 1901-1713 of the Spanish Succession War.

Story with representations of murder and death penalty (F. 852.), Abraham Dircksz. Santvoort, 1667 print Story in eight scenes with some performances of murder and death penalty. At the top left a few hunters. In addition, a woman turns away from a man in a garden. Below a man with letters next to a show with a man and a woman for a bedroom. Among them a few murders. Bottom left a man and a woman under a tree. At the bottom right people in a house with a figure in the background on a stake. At the top right: F. 852. print maker: Netherlandspublisher: Amsterdam paper etching death penalty, execution. murder. fighting

Jacques Callot, Mysteries of the Passion, c 1631 Mysteries of the Passion

Son of Alcest with his father's creditor, Daniel Nikolaus Chodowiecki, 1775 print Due to unfortunate circumstances, Alcest has lost his assets and ended up in a debt. His son begs one of the creditors to be merciful to his father. The creditor agrees. He then lets the son of Alcest marry his only daughter. The financial problems have been solved thanks to the dawn of the daughter. Numbered at the top right: 9. paper etching Literature. betrothal. money-lender, usurer

The Adoration of the Shepherds Andrea Schiavone (Andrea Meldola) Italian ca. 1560

Joshua orders the sun and moon to stand still Enjozua and the five overcome kings, Simon Fokke, 1791 print Two Biblical performances from the book Joz. 10. Numbered below: 36. Amsterdam paper etching Joshua orders the sun and the moon to stand still over Gibeon and Aijalon until the Amorites who had besieged the city of Gibeon are routed. Joshua and the five kings of South Canaan (Joshua 10:1-27)

Copper engraving by Jérôme David from the 17th century depicting the martyrdom of Saint Bartholomew, showing the saint, execution instruments, and dramatic composition.

Copper engraving by the Wierix family depicting 'Behold the Man', created between 1570 and 1620.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Velde, Esaias van de (1587 1630)

Faam and Minerva with the weapon of Maria de 'Medici, 1639 Title print with the crowned weapon of Maria de 'Medici, held by the fame and Minerva, possibly intended here as patroness of the arts. Both women also hold a banner with part of the title. Under an altar with the monogram am (Alma Mater). There are three crowns on the altar. They symbolize the three children of Mary de 'Medici who sat on the throne in 1639: Louis was King of France, Elisabeth was Queen of Spain and Henrietta Maria was married to Karel I of England. Two young women with a stick and mirror keep a laurel wreath above the crowns. The print is part of a book about the reception of the French king mother Maria de 'Medici to England. London paper etching Title print with the crowned weapon of Maria de 'Medici, held by the fame and Minerva, possibly intended here as patroness of the arts. Both women also hold a banner with part of the title. Under an altar with the monogram am (Alma Mater). There are three crowns on t

Story with representations of murder and death penalty (F. 815.), Abraham Dircksz. Santvoort, 1667 print Story in eight scenes with some performances of murder and death penalty. Love in the top left in bed. In addition, two men by a fire. Left below a carriage in a ditch. On the right a woman kills a man in a forest. Below that a company around a table and a boy by a cow. At the bottom left a few people on a square. A man and a woman are hung up right. At the top right: F. 815. print maker: Netherlandspublisher: Amsterdam paper etching death penalty, execution. murder. fighting

Return of Stadholder Willem V on September 20, 1787, Daniel Nikolaus Chodowiecki, 1788 print Berlin paper. pencil etching / manuscript History. four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. crowd, mob

The sister of Almanzor Troost Gonzalo Gustos, Antonio Tempesta, After Otto van Veen, 1612 print Explanatory numbers in the show. Caption in Spanish and Latin. print maker: Italypublisher: Antwerp paper etching tales and fairy tales. bedroom. consoling the sorrowful ~ one of the (seven) spiritual Acts of Mercy

Print (France)

Storming of the Burgemeesterskamer in the town hall of Amsterdam, 1747, Reinier Vinkeles (I), After Jacobus Buys, 1786 print Incredible people break the mayor's room in the town hall of Amsterdam Open, November 9, 1747. Amsterdam paper etching / engraving plundering ~ riot City Hall of Amsterdam (1655-1808)

Das Lied von der Glocke, nach Friedrich Schiller. Kunstverein in München (Monachium ; towarzystwo ; fl. 1815-1914), merchant employer, Wick, Wendelin (fl. 1842-1853), printing house, Schleich, Adrian (1812-1894), graphic artist, Nilson, Christoph Friedrich (1811-1879), draughtsman, cartoonist

Esau sells his first birthright to Jakob, Anonymous, After Maerten de Vos, 1585 print Esau has returned hunger from hunting. His hunting dogs are next to him. He sells his first -birth law to his younger brother Jakob for a plate of lentils that he already has in his hands. Jakob and Rebekka are sitting at the table. Under the performance a reference in Latin to the Bible text in Gen. 25. This print is part of an album. paper engraving Esau, returning hungry from the hunt, sells his first birthright to Jacob for a pottage of lentils

Sophie en Herr Rare, Daniel Nikolaus Chodowiecki, 1777 print Sophie is staying in an inn in Insterburg. In the middle of the night she finds out that there is a strange man in her room. De Waardin and one of the guests come to her screams. Then it turns out to be 'Herr Selten' (later he turns out to be called Herr Less), a mysterious man who has previously met Sophie on the way. In order not to compromise Sophie, he acts as a Sophie's husband. Numbered at the top right: 1. paper etching Literature. (lovers) kissing each other. hotel, hostelry, inn

Residents of Morocco, 1726, 1726 print Man and wife of Morocco, dressed in local costume, in the background a city. Plate no. 489 in Part XX of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. print maker: Amsterdampublisher: Leiden paper etching / engraving Africans. folk costume, regional costume Morocco

St. Sebastian's Fair Anonymous, Netherlandish, 16th century Netherlandish. St. Sebastian's Fair 389496

Death due to illness and plague among the people of Leiden, 1574, Willem de Haen, 1612 - 1614 print Death due to illness and plague among the people of Leiden, during the siege of Leiden, 1574. Interior with group of Leiden men and women who die of exhaustion, hunger and illness. A coffin is carried away in the middle. Without the sculpted frame with Hermen on either side. Imagined at the bottom: d. paper engraving starvation, famine

Cartoon on the Treaty of Fontainebleau, 1785, Anonymous, 1785 - 1786 print Cartoon on the Peace closed in Paris, which ended the Ketel War, the disputes between the Netherlands and the Austrian emperor Jozef II, November 10, 1785. The Netherlands paid 8.5 million guilders and accepted other humiliating conditions. The Dutch envoy signs the acte to the satisfaction of the emperor and other foreign representatives. The money paid by the Netherlands is dragged to the empty money boxes. In the caption four -line verses in German. print maker: Germanypublisher: Augsburg paper etching / engraving signing of peace treaty, concluding the peace

Roof from Proserpina; Metamorphoses from Ovid. Pluto pulls Proserpina on his car, which is being pulled by horses. Her girlfriends and possibly her mother Ceres remain desperately behind. Above a putto with two torches. In the undermaster a three-legged explanation of the show in French.

Arrival of Queen Maria from Modena in France, 1688; The Queen Lant to Calais lerses with the Prince of Walles and lots of Lords and Paters; Englants stage, imagending the quick from Jacobus II, king of Great Brittanyen etc. with DESSELFS arrival in Yrlant and further events, I part. Arrival of the fled English Queen Maria from Modena with the Prince of Wales in Calais in France, at the end of December 1688. She is received on the quay by representatives of the French king. Plate M in the 'Engeants stage' series over the glorious revolution and events from the previous years 1685-1689 (first part). With captions in Dutch and French.

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