Biblical and Mythological Etchings

Etchings representing biblical themes and mythological figures, showcasing intricate narratives and compositions from various artists of the Renaissance.

Etching by Giovanni Citosibio Guidi depicting Tobias with the angel and scenes of St. Emereniana and St. Agnes, produced between 1626 and 1635.

Etching by Giovanni Citosibio Guidi depicting Tobias with the angel and scenes of St. Emereniana and St. Agnes, produced between 1626 and 1635.

Etching by Romeyn de Hooghe from 1665-1708 showing a series of various scenes with human figures, architecture, and landscape elements in a European setting.

Copper engraving by Hendrick Goltzius illustrating mythological and allegorical subjects, created in 1588, showing classical figures and symbolic narratives.

Etching by Gerard de Lairesse depicting putti playing, created 1660-1690, showing figures, movement, and playful activity.

Copper engraving by Pierre Woeiriot between 1555 and 1596 depicting the second journey of Joseph's brothers to Egypt and the discovery of Moses, showing figures, composition, and narrative scene.

Copper engraving and etching titled 'Hexensabbat' by an unidentified engraver, created in the early 17th century, depicting a witches' gathering with detailed figures and landscape.

Copper engraving by Hieronymus Lederer depicting the Sanguine and Phlegmatic temperaments, created between 1600 and 1615. The print represents human humors through symbolic figures in detailed engraving.

Copper engraving by Raphael Sadeler the Elder from 1597 depicting allegories of hunting and wedding, showing human figures, animals, and symbolic elements.

A copper engraving by Philipp Galle, 1562, depicting the four evangelists with figures, symbolic attributes, and detailed composition.

Copper engraving and etching by Crispin van de Passe, created in 1612, illustrating scenes from the Book of Genesis with biblical figures and narrative elements.

Copper engraving print by Étienne Delaune between 1538 and 1583 representing the months of July, August, and September with symbolic imagery.

Copper engraving by Léonard Gaultier around 1631 depicting multiple scenes, showcasing narrative elements and detailed figurative compositions.

A 16th-century woodcut and copper engraving by Georg Pencz showing various representations including figures, scenes, and compositions from the early modern period.

Etching and copper engraving by Dirck Volkertszoon Coornhert depicting Passion scenes, produced between 1540 and 1590, illustrating biblical events and figures.

Etching by Giovanni Domenico Tiepolo from the 18th century depicting the escape to Egypt with Mary and the child, accompanied by St. Franz de Paula and St. Antonius of Padua, showing religious figures and detailed composition.

Etching by Bernhard Rode around 1777 depicting the Parzen spinning threads and Silen, illustrating mythological figures in classical composition.

Copper engraving and etching by J L L C Zentner from 1700-1787 depicting a hunting scene with a rabbit in a vineyard, showing an exuberant social gathering of hunters in 18th-century Europe.

Copper engraving by Philipp Galle depicting a triumphal procession with human figures, horses, banners, and 16th-century celebratory context.

Etching by Godfried Maes depicting Minerva and Hercules with a coat of arms, and Maria with the child, created between 1649 and 1700, showing classical and religious figures.

Copper engraving by Pieter de Jode depicting the temperaments Choleric and Melancholic, created around 1600.

Etching by Johann Georg Wille (1730-1808) depicting Landsknechte soldiers and a rider, showing figures, attire, and compositional details.

Copper engraving by Hendrick Goltzius depicting Judah and Tamar and the angel proclaiming to Manoah and his wife the birth of Samson, created between 1678 and 1686, showing figures, narrative, and compositional detail.

Etching by Nicolaes Pietersz. Berchem, mid 17th-18th century, depicting landscapes with shepherds, showing figures, terrain, vegetation, and pastoral scenes.

Title leaf etching by Marcus Gheeraerts I for a book of animal fables, created in 1567, showing decorative illustrations and motifs representing animals and storytelling elements.

Etching by Hans Holbein the Younger depicting the Dance of Death, showing skeletons, human figures, gestures, and symbolic representation of mortality, created in 1780.

Copper engraving and etching by Dirck Volkertszoon Coornhert depicting Joseph and David, created after 1540.

Copper engraving by Cornelis Cort around 1560 depicting Noahs sons covering him after the flood, showing figures, gestures, and Biblical narrative.

Etching by Antonio Tempesta from 1606-1620 depicting scenes from Ovid's Metamorphoses, showing mythological figures, transformations, and classical narrative in detailed Renaissance engraving style.

Copper engraving and etching by Antonie van der Does from 1636 illustrating a narrative scene with figures and objects, using detailed 17th-century engraving techniques.

Copper engraving by Adriaen Collaert from 1587-1676 depicting scenes from the Old Testament, illustrating biblical narratives, figures, and key events.

Etching by Jonas Umbach from 1639-1693 depicting Maria holding the child, showing figures, gestures, and religious symbolism.

Copper engraving and etching by Nicolas Henri Tardieu from 1690-1749 illustrating events in the life of Constantine the Great, showing figures, architecture, and historical symbolism.

Copper engraving by Theodor Galle depicting the mythological scene of Apollo and Marsyas, showing figures, instruments, and narrative elements, produced between 1557 and 1612.

1813 etching by Johann Adam Klein depicting a Heuhuhrwerk (hay clock) and a Russian cart driver, showing the wagon, horse, and rural environment.

Charles Macret engraved 'Bread; Diana' between 1730 and 1814, depicting the goddess Diana alongside elements of bread in copper engraving and etching format.

This etching by Franz Stöber, produced between 1810-1858, shows figures from Greek mythology with detailed line work and classical artistic style.

Copper engraving by Gilles Rousselet from 1620-1686 depicting illustrations from an hours book, showing devotional scenes, ornamentation, and textual elements.

Etching by Johann Christian Klengel (1770-1824) depicting various representations and genre scenes, illustrating daily life and human activity.

Lithography by Ferdinand Piloty the Older, 1800-1844, depicting a girl attacked by fauns and Venus on a fountain, showing figures, gestures, and classical setting.

Copper engraving by Hendrick Goltzius depicting the biblical meeting of King Ahab and Prophet Elijah, created between 1580 and 1617, illustrating human figures and 16th-17th century religious narrative.

Copper engraving and etching by Cornelis Boel depicting scenes from the life of Charles V, created around 1614. Highlights historical events and courtly scenes of the Holy Roman Emperor.

Etching by Salomon Gessner from 1773-1777 depicting Chloe with the singer Milon, hunter Aeschines giving a pumpkin bottle to the shepherd Menalka, and a faun singing, illustrating book scenes and characters.

Etching by Karl Russ showing the ruler on the throne, a boy in front, a knight, and the Count of Habsburg, created between 1809 and 1818.

Copper engraving and etching by Aegidius Sadeler the Younger created around 1622 depicting an allegorical representation of the marriage of Emperor Ferdinand II and Eleonora de Gonzaga, showing figures, symbolism, and ceremonial elements.

This 1491 woodcut by Michael Wolgemut depicts the 41st and 42nd figures as treasure keepers from Stephan Fridolin, showing posture, costume, and illustrative detail within the book illustration.

A copper engraving by Pierre Woeiriot between 1550 and 1596 depicting Noah and the biblical flood.

Copper engraving and etching by Pieter de Jode II from 1620-1700 depicting St. Augustine with allegorical figures, showing detailed figures, gestures, and symbolic elements in a book illustration.

Etching by Romeyn de Hooghe showing various individuals at a deathbed scene, created between 1665 and 1708.

Copper engraving by Hans Collaert the Elder illustrating the story of Solomon, created after 1579, depicting key episodes and figures from his biblical narrative.

This etching and copper engraving by Jan Alexander Janssens, created around 1700, depicts the story of Achilles, illustrating mythological narrative and heroic figures in early 18th-century Flemish art.

Raphael Sadeler the Elder created a copper engraving and etching in 1583 showing Lot with the angel and Lot with his daughters, depicting figures, gestures, and biblical narrative composition.

Etching by Theodor van Thulden, 1633, depicting scenes from the adventures of Odysseus.

Copper engraving and etching by Adriaen Collaert from 1580-1634 depicting scenes from Genesis, including creation, Adam and Eve, and early biblical events.

Painting by Cornelis Dusart depicting skiing activities in November and December, created between 1680 and 1704.

Etchings and copper engravings by Justus Sadeler depicting the months May and June, created between 1590 and 1620. The prints show seasonal activities and figures in detailed composition.

Etching and copper engraving by Karl Agricola from 1811-1819 showing the dance of fauna with Kalisto in a mythological scene.

Etching by Jean Pesne from 1643-1700 illustrating the baptism of Christ with detailed 17th-century line work and composition.

Engravings and etchings by Bernard Picart dated 1704 and 1720 depicting the Council of Nicaea and a classical scene of Coriolanus being urged by his family to spare Rome.

Etching by Melchior Küsel showing New Testament narratives with figures, gestures, and events, created in the 17th century.

Etching by Guillaume Duvivier from 1650-1666 depicting the temptations of St. Antonius and a woman with a chicken, showing figures, posture, and mid-17th century European printmaking techniques.

Etching by Dirck Volkertszoon Coornhert depicting scenes from the story of Joseph, created between 1549 and 1550, showing Joseph in narrative biblical moments.

1671 etching by Wenzel Hollar showing hunting scenes with hunters, dogs, and game animals, capturing action and landscape elements.

Scene U La Gerusalem Messa is Free, Infra Baldel ,FRE AREN Giovanni Battista Piazzetta, 1745 print Ornament edge with flowers, plants, a hunting scene and an eagle. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. fruits and vegetables ~ ornament. armorial bearing, heraldry. roe-hunting

A 16th-century etching by Jost Amman depicting rulers with heraldic coats of arms, showing identity and nobility.

Copper engraving by Maarten van Heemskerck depicting Saint Peter healing a patient with his shadow, showing the saint, the patient, and surrounding figures, created around 1575.

Etching by Nicolas Chaperon from 1632-1656 depicting Bacchantes, showing mythological female figures and ritual gestures.

Woodcut illustration by Christoffel van Sichem III for the Biblia Sacra, produced between 1646 and 1657, showing biblical scenes and Flemish engraving techniques.

Etching by Antonio Fantuzzi from 1540-1545 showing Roman soldiers accompanied by women, illustrating sixteenth-century Italian engraving and historical Roman scenes.

Etching by Michael Willmann depicting a martyr presented before a Roman emperor, created between 1645 and 1706, showing historical figures and imperial setting.

Etching by Gillis van Scheyndel showing a riverbank landscape with a boat and a landscape depicting a music-making court society, created between 1615 and 1660.

Copper engraving by various artists, created around 1632, depicting emblematic illustrations for sayings and poems in books, showing figures, symbols, and text elements.

The etching by Bernhard Rode between 1748-1797 depicts various scenes including a dancing bear, illustrating animals, figures, movement, and period attire.

Etching by Francesco Giovane from 1630-1670 depicting Saturn seated with putti, illustrating mythological figures and composition.

Copper engraving and etching by Grégoire Huret around 1643 depicting a title leaf with multiple antique scenes, showing figures, landscapes, and architectural details.

Copper engraving by Harmen Jansz. Muller from 1565 depicting Christ's holy wounds with figures and gestures in a religious scene.

Copper engraving by Cornelis Galle the Elder depicting human sins and penance as an emblem, created around 1600.

Heinrich Guttenberg's copper engraving and etching from 1770 to 1818 portrays 'The Witch's Dabbat', demonstrating detailed printmaking and depiction of supernatural themes.

Copper engraving by Pierre Dufour, 1576, depicting a pig hunt with hunters, showing preparation, tracking, and landscape elements.

Etching by Comte Anne Claude Philippe de Caylus depicting a sequence of fish, showing aquatic life and detailed naturalistic representations, created between 1712 and 1765.

Freedom, Eendracht and De Nederlandse Leeuw, Cornelis van Noorde, 1759 print Haarlem paper Freedom, Liberty; 'Libertà' (Ripa). Agreement, Unity; 'Concordia', 'Concordia insuperabile', 'Concordia militare', 'Concordia di Pace', 'Unione civile' (Ripa). symbols of particular nations, states, districts, etc.

Woodcut by Dirck Volkertszoon Coornhert depicting the return of the prodigal son, created around 1548.

Etching by Allart van Everdingen, 1641-1675, depicting scenes from Roman de Renart with figures skiing, animals, and surrounding landscapes with hills and forests.

Copper engraving by Servatius von Raben showing a Roman emperor mounted on horseback, with detailed depiction of armor and ceremonial attire, from 1590-1635.

Copper engraving by Cornelis Bloemaert depicting Pope Alexander VII and the allegory of Jason with the Golden Fleece, created between 1620 and 1692.

Etching by Daniel Nikolaus Chodowiecki from the mid-18th to mid-19th century showing various illustrated scenes with figures, gestures, and domestic and public contexts.

Etching by Carlo Saraceni dated 1580-1620 depicting the beheading of John the Baptist, showing figures, gestures, execution scene, and architectural setting.

Copper engraving and etching by Dirck Volkertszoon Coornhert depicting the sayings of Solomon, created in the 16th century.

Copper engraving print by Cornelis Galle the Elder from 1596-1650 depicting a guardian angel, showing figure, gesture, and religious symbolism.

Copper engraving by Theodor Galle illustrating the biblical story of Abraham, depicting figures, gestures, and narrative events from 1591 to 1633.

Etching by Romeyn de Hooghe from 1706 depicting allegorical representation of the wars of independence of the United Netherlands, including soldiers, symbols, landscapes, and Baroque composition.

Etching by Matthäus Merian the Elder from 1631 illustrating a scene from the Old Testament, Exodus, with figures, landscape, and architectural elements.

Copper engraving by Albrecht Dürer depicting the Love Application, showing figures in interaction and allegorical or romantic context, created after 1496.

Philipp Galles copper engraving of David from 1557 to 1612 depicts narrative biblical scenes with figures, events, gestures, and symbolic actions.

Etchings depicting various scenes with women, created by Daniel Nikolaus Chodowiecki between 1758 and 1764.

Copper engraving by Hendrick Goltzius depicting Adam and Eve with the snake and Judith with the head of Holofernes, produced around 1585.

An etching by Francesco Antonio Meloni depicting Mercury and Amor, created between 1696 and 1713, showing mythological figures in interaction with symbolic gestures.

Copper engraving and etching by Jean Michel Moreau, created around 1800, illustrating scenes for a book associated with Voltaire.

Etching by Francesco Antonio Meloni depicting the biblical story of Elieser and Rebekka, created between 1696 and 1713, showing two figures and narrative composition.

71. Opening of this baking; 72. Opening of the sixth stake at which the earth's sate; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

An etching by Jean Audran created between 1717 and 1726 depicting a landscape with children playing, representing the allegory of summer.

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