Biblical and Religious Scenes

Engravings depicting significant biblical events, such as the raising of Lazarus and the entombment, illustrated with dramatic compositions and emotional depth.

Rome, Collignon, François, Italy, Testa, Giovanni Cesare, The Last Communion of Saint Jerome, verso - stamped, View in a church where Saint Jerome receives the last communion from a priest. Jerome is surrounded by people supporting him. The lion lies at his feet. Putti float above. Caption in Italian., print, prent, prints, prenten, height 558 mm, width 364 mm, Italian, 1625 - 1660, print maker, prentmaker, 1637 - 1691, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, French, 1610 - 1687, publisher

The Garden of Love (right block) 1630s Christoffel Jegher Flemish Having realized the potential profits to be made from reproductive prints of his work, Rubens began to engage printmakers from 1619 onward. In the early 1630s, he turned to woodcuts in close collaboration with Christoffel Jegher. Indeed, Jegher's place in art history as the most important woodcutter of his time rests exclusively on the nine large single-page woodcuts that resulted from this collaboration.The Garden of Love is a variation of a picture by Rubens from the 1630s (Museo del Prado, Madrid). Two drawings by Rubens (finished by Jegher; see 58.96.1,.2) served as models. The woodcuts reproduce these drawings in reverse. The drawings, and consequently the prints, transform the composition of the painting into a frieze, most notably by dividing it into two separate parts, pushing the figures to the foreground and cropping the architecture at the top. The inherent nature of the coarse woodcut medium and the effect th

Raising of Lazarus. Artist: Attributed to Laurent de La Hyre (French, Paris 1606-1656 Paris). Dimensions: sheet: 9 13/16 x 7 3/8 in. (25 x 18.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Entombment. Artist: Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore). Dimensions: sheet: 12 13/16 x 9 5/16 in. (32.6 x 23.7 cm). Date: ca. 1530. Museum: Metropolitan Museum of Art, New York, USA.

Engraved copies of The Little Passion n.d. After Albrecht Dürer German. Engraved copies of The Little Passion 400701

The marriage of Saint Catherine. Artist: Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510-1563 Venice). Dimensions: Sheet: 11 7/8 × 8 7/8 in. (30.2 × 22.5 cm). Date: 1550-60. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Peter Strudel depicting the encounter of Mary and Elisabeth at the Golden Gate, executed with light-brown pen and white highlights on gray-brown paper.

Judgement of Solomon Artist's working dates 1616-1675 Flanders. Pen and brown ink, with brush and gray and brown wash, over black chalk, on ivory laid paper, laid down on card . Abraham Jansz. van Diepenbeeck

Rome, Collignon, François, Italy, Testa, Giovanni Cesare, The Last Communion of Saint Jerome, verso - stamped, View in a church where Saint Jerome receives the last communion from a priest. Jerome is surrounded by people supporting him. The lion lies at his feet. Putti float above. Caption in Italian., print, prent, prints, prenten, height 558 mm, width 364 mm, Italian, 1625 - 1660, print maker, prentmaker, 1637 - 1691, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, French, 1610 - 1687, publisher

Italy, Parmigianino, Caraglio, Giovanni Jacopo, Adoration of the Shepherds, verso - stamped, Mary sits before a ruined temple. Next to her, the Christ Child is lifted up by a woman. A group of shepherds stands in front of the crib. In the background of the ruins, Joseph stands by the ox and the donkey., print, prent, prints, engravings, height 209 mm, width 240 mm, Italian, 1505 - 1565, print maker, printmaker, 1526 - 1526, paper, papier, engraving, engraving (printing process), Work conception, 1503-01-11 - 1540-08-24

Hiob Talking to His Friends. Beham, Sebald (1500-1550), graphic artist

Schonaeus, Cornelius, Zuccaro, Federico, Rome, Matham, Jacob, Adoration of the Magi, verso bottom left - stamped, print, prints, height 585 mm, width 398 mm, Northern Dutch, 1571-10-15 - 1631-01-20, print maker, printmaker, 1595 - 1596, paper, engraving, engraving (printing process), Work conception, Italian, 1541 - 1609-07-20, after a design by, 1541 - 1611-11-23, writer

A woodcut by Giuseppe Nicola Vicentino (Rossigliani) around 1539-1540 using Clair-obscur technique in three plates, depicting the worship of the psyche with classical figures.

Clothing the Naked ca.1737-42 François Hutin This print is from a series depicting The Seven Mercies made by François Hutin presumably during his stay in Rome, from 1737 to 1742. His facility with the etching needle is evident in the expressive forms of the figures and the mastery of light effects. After his death, his son would claim them as his own work, altering the first initial in the signature from "F" to "C" when he published a collection of his etchings in Dresden in 1763.. Clothing the Naked. François Hutin (French, 1686-1758). ca.1737-42. Etching. Prints

Depiction of Ulysses embracing Penelope, drawn in red chalk with reddish wash, featuring brown and greenish-brown spots, sloping fold at the lower quarter, and minor corner damage.

Tirsenia, changed to a lemon tree, Anonymous, After Giovanni Francesco Romanelli, After Cornelis Bloemaert (II), 1620 - 1700 drawing Tirsenia, mother of Harmonillus, turned into a lemon tree. paper. chalk brush other metamorphoses of female persons (with NAME) into trees. trees: lemon-tree

Saint Charles giving communion to the plague-stricken 1725-75 Carlo Innocenzo Carloni. Saint Charles giving communion to the plague-stricken. Carlo Innocenzo Carloni (Italian, Scaria 1686-1775 Scaria). 1725-75. Etching; second state of two. Johann Daniel Herz the Elder (German, Augsburg 1693-1754 Augsburg). Prints

A black chalk drawing depicting a bagpipe player holding a puppet.

Maries crying the dead body of Jesus Christ according to Raphael (Bartsch 38) Marc Antoine Raimondi (1480-vers1534). Maries crying the dead body of Jesus Christ according to Raphael (Bartsch 38). Fight, chisel. 16th century.

Tirsenia changes into a lemon tree. Tirsenia receives the bad news from Ergastus that her son harmonillus is transformed into a lemon tree. As proof he brings her a lemon from this tree. The moment they touch it, she himself also changes into a lemon tree. In the background a picture of vertumnus is the god of fruit and seasons. This print is an illustration for the introduction of G.B. Ferraris book about citrus fruits. By self-made mythological stories, the author tries to explain the origin of the different lemon species.

Woman exposed by Engel, Antony van der Does, after Jan Thomas, 1645 - 1680 print paper engraving pantomime, dumb show, masque

Les trois Rois. 1600. Carracci, Annibale, 1560-1609. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Virgin Seated in a Vaulted Chamber, 1504, Albrecht Dürer, German, 1471-1528, 8 1/2 x 6 in. (21.59 x 15.24 cm) (image), Woodcut, Germany, 16th century

The Adoration of the Magi ca. 1585 Hendrick Goltzius Netherlandish. The Adoration of the Magi 398246

Thesis on the arts and sciences 1664 Johann Jakob Thurneysen, the Elder. Thesis on the arts and sciences. Johann Jakob Thurneysen, the Elder (Swiss, Basel 1636-1711 Basel). 1664. Engraving. Prints

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, God creating Adam and Eve, verso - stamped, God, an old man with a beard, stands in a landscape with Adam and Eve whom he has just created., print, prent, prints, prenten, height 140 mm, width 173 mm, 1578 - 1616-01-11, print maker, prentmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Martyrdom of Saints Peter and Paul 1580-1599 Italy. Pen and black ink, with brush and gray wash, on tan laid paper, laid down on ivory laid paper . Parmigianino

Massacre of the Innocents; group of women and children being attacked, two angels at upper left, after Reni ca. 1640-70 Engraved by Gian Battista Bolognini Italian After a painting by Reni which at the time was in the church of San Domenico in Bologna. Verso is not visible as print is laid to another sheet of paper.. Massacre of the Innocents; group of women and children being attacked, two angels at upper left, after Reni 668771

Hercules Being Dressed as a Woman. Artist: Léon Davent (French, active 1540-56); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet (trimmed): 11 in. × 17 3/16 in. (28 × 43.7 cm). Date: 1540-56. Museum: Metropolitan Museum of Art, New York, USA.

The Cumaean Sibyl before Tarquin the Proud 16th century Niccolò dell' Abate Italian This lively narrative scene is related to a lost fresco cycle for the Palazzo Torfanini in Bologna, which depicted episodes from the life of the last king of Rome, Tarquin the Proud. The scene represents the critical moment when King Tarquin decides to purchase the remaining three volumes of the prophetic books offered him by the Cumaean Sibyl. Six of these volumes are already burning in the foreground, cast onto the flames when the king refused to pay the high price demanded by the sibyl. Although Niccolò left for Fontainebleau in 1552, the decorative works that he carried out in Bologna had a lasting influence on artists of that city.. The Cumaean Sibyl before Tarquin the Proud 352885

A 1773 drawing by Charles Nicolas Cochin the Younger showing Telemachos and Mentor arriving at Kalypso's island after a shipwreck, rendered in red chalk.

Portrait piece with four regents and four regents, a servant and a girl, Jacob Adriaensz Backer, 1618 - 1651 drawing paper. chalk brush banquet of elegant company. visiting; receiving guests; elegant company. sitting figure. sitting figure - AA - female human figure. house personnel, servants

A chalk and paint brush drawing by Giulio Carpioni on lavated paper depicting a scene from Greek mythology.

The Martyrdom of St. Peter and St. Paul ca. 1527 Engraved by Giovanni Jacopo Caraglio Italian In Mariette Album, folio 55. The Martyrdom of St. Peter and St. Paul 366700

Scene with a sacrificial tarr; Le Febre, Valentin (1642-1680), Veronese, Paolo (1528-1588), Camen, Jacob Van (1595-1657); 1682 (1682-00-00-1682-00-00);

Moses Draws Water from theRock. Engraver: Caesare Fantetti, Italian, 1650-1700 After: Raphael, Italian, 1483-1520

Men on audience, Battista Franco, 1520 - 1561 print View in a palace hall with a man, sitting in front of an image of the Wine god Bacchus. For the man a group of four men on audience and a dog. Italy paper etching / engraving audition; ruler giving audience

Jael and Sisera, Anonymous, After Lucas van Leyden, 1517 drawing paper. ink pen story of Jael and Sisera

Hunting for the Lungus, Philips Galle, After Jan van der Straet, 1578 print A man returns from the hunt for the lawn. He shows his loot to wife and children. In the background the hunt for the lawn with a crossbow. The print has a Latin caption and is part of a 43-part series about hunting. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving song-birds: warbler. bird hunting (+ bow and arrow)

Apollo and the Muses. Etienne Delaune; French, c. 1519-1583. Date: 1540-1583. Dimensions: 38 × 55 mm (plate); 43 × 60 mm (sheet). Engraving on paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Etienne Delaune.

Rudolf II of Habsburg (German Emperor), Haarlem, Matham, Jacob, Sovius, Simon, Salviati, Francesco, Wedding at Cana, right sheet, verso lower left - stamped, Christ at a table, surrounded by many figures, during the Wedding at Cana. In the foreground on the right, at Christ's request, six jars are filled with water, which will turn into wine., print, prints, height 627 mm, width 336 mm, Noord-Nederlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1599 - 1603, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1510 - 1563-11-11, after a design by, writer, Publication (Event), Publication, publisher, uitgever, 1552-07-18 - 1612-01-20, verlener van privilege

Wierix, Hieronymus, Fierlants, Edmond, Le lattis du jardin, Photo reproduction of Le lattis du jardin by Edmond Fierlants, photograph, photo, page, reproduction, photos, photographically illustrated books, height 79 mm, width 59 mm, Belgian, 1819-06-20 - 1869-12-21, photographer, 1855 - 1860, photographic paper, photo paper, albumen print, albumine print, Work conception, South Netherlands, 1553 - 1619-11-01

Scene from the Dacic Wars, Antonio Fantuzzi (Circle of), 1537 - 1550 print Scene from the Dacic Wars with left men with oxen next to altars. To the bas-relief on the column of Trajanus in Rome. paper etching triumphal column with helical friezes. (story of) the emperor Trajan. war. piece of sculpture, reproduction of a piece of sculpture. animal sacrifice ~ Roman religion Column of Trajanus

Copper engraving by Hendrick Goltzius from 1665-1689 depicting the adjoining of kings, showing figures in ceremonial gestures and detailed symbolic elements.

Bologna, Carracci, Ludovico, Italy, Cantarini, Simone, Saint Benedict expelling a demon, recto lower left - embossment, A wildly struggling, demon-possessed man is held by two men. In the background on the left stands Saint Benedict, assisted by two men. In the foreground on the right two women are ducking away., print, prints, verso - stamped, M, height 400 mm, width 275 mm, Italian, 1612-08-21 - 1648-10-15, print maker, printmaker, 1622 - 1648, paper, papier, etching, etchings, 1555 - 1619-11-13, after a painting by

Mary, John and others under the cross. Draughtsman: anonymous. Dating: 1500 - 1599. Measurements: h 165 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.

Rome, Orlandi, Giovanni, Italy, Polidoro da Caravaggio, Alberti, Cherubino, The Israelites flee from Egypt, verso - stamped, A group of Israelite men, women and children fleeing. They all carry an urn. On the right stands the old Moses pointing with his right hand. A woman kneels in front of him. In the lower margin is a text in Latin and a coat of arms., print, prent, prints, prenten, height 235 mm, width 415 mm, 1553 - 1615, print maker, prentmaker, 1576 - 1576, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1490 - 1543, after a design by, Publication (Event), Publication, publisher

Etching by Augustin Hirschvogel, 1548, depicting the appeal of the apostles, emphasizing figures, gestures, and collective action.

Rome, Rossi, Giovanni Giacomo de', Italy, Testa, Pietro, Giovanni Cesare, Dido on the pyre, verso - stamped, Queen Dido lies on a pyre. Around her are mourning men and women. Above Dido floats Iris who takes a hair of Dido to release her soul. Behind Iris sits Juno with a peacock on a cloud. Caption in Latin in the lower margin., print, prent, prints, prenten, height 330 mm, width 460 mm, Italian, 1625 - 1660, print maker, prentmaker, 1637 - 1691, paper, papier, etching, etsen, 1612 - 1650, after, after a painting by, Publication (Event), Publication, 1627 - 1691, publisher

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Francken, Ambrosius (I), Collaert, Hans (I), Den Grooten Figuer-Bibel, Parables from the New Testament, Vorder histories within Ierusalem, Parable of the wise and foolish virgins, bottom right - handwritten in brown ink, The ten wise and foolish virgins wait in the foreground for the bridegroom. The five wise virgins on the left keep their oil lamp burning. The five foolish virgins on the right make music, drink and sleep while leaving their oil lamp behind. In the background, Christ as the bridegroom receives the wise virgins. The foolish virgins knock on the door in vain. Below the image a reference in Latin to the Bible text in Mat. 25:1. This print is part of an album., print, album leaf, prints, 117, 4, height 222 mm, width 280 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1544 - 1618-10-16, after a

October (one of a series representing the labors of the months) 1690 or slightly earlier Jonas Umbach German. October (one of a series representing the labors of the months) 334991

Creation of Adam and Eve; Biblical scenes; Historia del Testamento Vecchio / Dipinta in Roma Nel Vaticano da Raffaelle di Urbin (...). Adam and Eva are created by God into a landscape. EVA is created from Adam's rib.

FotoReProducty engraves the trunks.

The Story of Susanna: Susanna Accused of Adultery, 1555. Heinrich Aldegrever (German, 1502-1555/61). Engraving;

The lamentation of the dead Christ who is supported by the Virgin Mary and surrounded by other figures ca. 1515-16 Marcantonio Raimondi Italian. The lamentation of the dead Christ who is supported by the Virgin Mary and surrounded by other figures 342539

The Greeks go on board after the fall of Troy, Theodoor van Thulden, after Francesco Primaticcio, 1633 print The Greeks go on board and take prisoners of war with trojans. In the background the burning city of Troy. A few Greeks are trying to avoid the blows in the foreground. Paris paper etching / engraving the Greeks prepare to leave Troy

Copper engraving, 1522-1524, depicting the biblical scene of Isaac blessing Jacob with figures in period attire.

Théodora met een dolk; Titelpagina voor: Corneille, Pierre. Théodore vierge et martyre. Tragedie chrestienne, 1663.There is left Théodora in a room. She has a mustache and is about to commit suicide with a dagger. There are two bodies at her feet, including the body of Didymus. Didymus knew the Virgin Théodora with the help of a change trick managed to free from a brothel. Soldiers inside her storms. Above theater curtains and a cartouche with the title.

Frontispiece to 'Le sorti di Francesco Marcolini da Forli intitolato Giardino di Pensieri' 1540 Giuseppe Salviati (Giuseppe Porta, called Il Salviati) Italian This woodcut of a scholarly gathering is fully signed by Giuseppe Salviati yet is an almost exact copy of an engraving by Marco Dente, who died in 1527. The only changes are the adaptation of the book in the foreground to represent Marcolini's fortune-telling book and the addition of the pack of cards required for divination. That Giuseppe so prominently signed a copy suggests that he cut the block himself-indeed, it was usually the cutter rather than the designer who signed or monogrammed a woodblock.. Frontispiece to 'Le sorti di Francesco Marcolini da Forli intitolato Giardino di Pensieri' 366853

Depiction of Christs civilization with consumption, drawn in black chalk, gray-brown brush and white corrections on gray-brown paper, showing folds and stains.

Christ appearing to Saint Margaret of Cortona. Artist: Pietro Marchesini (Italian, Pistoia 1692-1757 Pistoia). Dimensions: Sheet: 19 3/16 × 12 1/2 in. (48.7 × 31.8 cm). Date: 1728. Museum: Metropolitan Museum of Art, New York, USA.

Silence and speech. The personification of silence is in addition to a smoking oil lamp. The two figures links personalize the talkability. The seated figure of this two points to the pensive silence and seems to talk about her.

Episode from the history of Cyrus and Panthea: Abradatas receives a letter from Panthea, Abradatas receives a letter from Panthea, draughtsman: Laurent de La Hire, France, 1616 - 1656, paper, brush, h 297 mm × w 405 mm

Greed driven out of the temple of the muses, ugo da carpi, after bangdassare peruzzi, 1502 - 1532 print Greed (Avaritia) In the form of a woman is driven by Hercules from the temple of the muses. On the left in the foreground is Apollo with his winch and behind him is Minerva. They are surrounded by the muses, including Euterpe with a whistle and melpomenene with a mask. Italy paper (story of) Hercules (Heracles). Hercules as personification of Virtue. Apollo and the Muses, Apollo Musagetes. wind instruments. Euterpe (one of the Muses); 'Euterpe' (Ripa). Melpomene (one of the Muses); 'Melpomene' (Ripa). (story of) Minerva (Pallas, Athena)

Ceres refuses help to Psyche, master of the dice, after Michiel Coxie (I), c. 1530 - c. 1560 print On the left the kneeling psyche who asks the goddess Ceres for help. On the right is Ceres with a horn of abundance, scythe, rake and corners. Italian text in two cartouches in STUDMARGE. Numbered twice in the bottom left: 19. paper engraving Psyche with Ceres. 'Cornucopia', Horn of Plenty. city-view, and landscape with man-made constructions

People Fleeing a Burning City 16th century Anonymous, French, School of Fontainebleau, 16th century French. People Fleeing a Burning City 368804

Mustafa, the cousin of Sultan Murat IV, is strangled on his order, 1639, Caspar Luyken (attributed to), 1701 print Frankfurt am Main paper etching / letterpress printing violent death by strangling. death penalty, execution

Return of the Holy Family from Egypt (recto); Studies for the Return from Egypt (verso). Artist: Giovanni Baglione (Italian, Rome 1566-1643 Rome). Dimensions: 6-7/8 x 8-1/8 in. (17.5 x 20.6 cm). Date: 1599-1600. Museum: Metropolitan Museum of Art, New York, USA.

Antiochus IV of Syria, sick and injured by a fall from his chariot, dictates his will as surgeons bandage his leg. Etching by N. Hallé, 1738.

Large-scale drawing by Josef von Führich depicting Jesus sentenced to death by Pilate, first station of the Way of the Cross in St. Johann Nepomuk, Vienna II, executed in coal and black chalk on gray-blue paper, 1843-1844.

The Death ofAnanias. Woodcutter: Ugo da Carpi, Italian, ca. 1480- 1532 After: Raphael, Italian, 1483-1520

The Judgment of Solomon 1654-1714 Giuseppe Passeri (Passari) Italian. The Judgment of Solomon 340449

Tobias and the Archangel Raphael, from The Story of Tobias 1543 Georg Pencz German. Tobias and the Archangel Raphael, from The Story of Tobias 341268

The Beggars ca. 1509 Lucas van Leyden Netherlandish. The Beggars. Lucas van Leyden (Netherlandish, Leiden ca. 1494-1533 Leiden). ca. 1509. Engraving. Prints

Depicts 'The Burial' by Monogrammist WH, created as a copper engraving print in the last quarter of the 15th century, showing figures, coffin, and funeral scene.

Italy, Rosa, Salvator, The genius of Salvator Rosa, recto lower - handwritten in brown ink, Salvator Rosa sits on the ground on the right with his hand resting on a cornucopia. With his other hand he gives his heart to Honesty (Sinceritas), a female figure with a dove. On the right behind the artist stands Liberty (Libertas). On the left in the foreground kneels Painting (Pictura) with a painting and palette and in front of her on the ground a fish. Behind her stand a satyr and Equality (Aequitas), dressed in a toga. In the background a sarcophagus. Bottom right two lines of Latin text., print, prints, verso - stamped, 1135 99, height 461 mm, width 275 mm, Italian, 1615-06-20 - 1673-03-15, print maker, printmaker, 1662 - 1662, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

The holy family. Artist: Lucas van Leyden (mentioned on object). Draughtsman: Hendrick Hondius (I) (possibly). Dating: 1583 - 1649. Measurements: h 169 mm × w 130 mm. Museum: Rijksmuseum, Amsterdam.

Portrait piece with four regents and four regentesses, a servant and a maid, Jacob Adriaensz. Backer, 1618 - 1651, draughtsman: Jacob Adriaensz. Backer, draughtsman: Adriaen Backer, 1618 - 1651, paper, brush, h 215 mm × w 406 mm

Christ Before Caiaphas, from The Passion of Christ, plate 10. Artist: Grégoire Huret (French, Lyon 1606-1670 Paris). Dimensions: Sheet: 19 3/4 × 14 3/16 in. (50.2 × 36 cm). Series/Portfolio: The Passion of Christ. Date: 1664. Museum: Metropolitan Museum of Art, New York, USA.

Baudous, Robert de, Zuccaro, Taddeo, Haarlem, Matham, Jacob, Foot washing, verso lower left - stamped, Christ washes the feet of the apostles., print, prints, height 298 mm, width 404 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1616 - 1616, paper, engraving, engraving (printing process), Italian, 1529-09-01 - 1566-09-02, after, after painting by, Publication (Event), Publication, 1574 - 1659, publisher

Drawing by Pierre-Jacques Cazes depicting the Adoration of the Shepherds using black chalk, brown feather, gray wash, and heightened white on deck to emphasize forms and figures.

Print made by Abraham Blooteling, 1640-1690, Dutch, Hercules before the Temple of Janus, between 1680 and 1690. Mezzotint on medium, moderately textured, cream laid paper.

Giuseppe Agellio's drawing depicts the discovery of Saint Sylvester on Mount Soracte by the Messenians and Constantines, executed in chalk, red chalk, feather, and ink.

Heilige Maagschap, Giulio Bonasone, After Giulio Romano, 1501 - 1580 print A group of figures. Four adult women: Maria, Anna, Maria-Klopas and Maria-Salome. Three adult men: Alpheüs, Zebedëus and Joseph. Three children: Christ and possibly John the Evangelist and Simon (later Peter). Italy paper etching / engraving Holy Family, and derived representations. Holy Kinship

. The drunk fate is on a rock and coast one of his daughters. She holds a wine glass in hand and embraces her father. The other daughter stands in the hand with a jug. Both daughters tempt their father's destiny and carry it drunk so that they can carry his children (Gen. 18: 31-34). In the background: the burning Sodom and Lots woman as a salt pillar (Gen. 18: 24-26).

A drawing by Pietro Paolo Baldini showing Christ and the Samaritan at a fountain, executed in chalk with feather and brush, enhanced with white highlights.

Woodcutter: Niccolò Boldrini, Italian, ca. 1500-after 1566, After: Titian (Tiziano Vecellio), Italian, Venice, ca. 1488-1576, The Mystic Marriage of St.Catherine, ca.1540, Woodcut, sheet: 32.8 × 45.9 cm (12 15/16 × 18 1/16in.), Made in Italy, Italian, 16thcentury, Works on Paper -Prints

Circumcision, draughtsman: Giovanni Battista Cungi, 1500 - 1569, paper, pen, brush, h 243 mm × w 176 mm

Feather drawing with laved technique on brownish paper by Pieter de Jode depicting the key handover of Petri, showing figures and gestures, with signs of folding and abrasion.

Two Women Talking. Artist: Hans Weiner (German, Munich ca. 1575-ca. 1619 Munich). Dimensions: 5 7/8 x 7 13/16 in. (15 x 19.8 cm). Date: late 16th-early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Antipater, Abraham Delfos, after Monogrammist IW (inventor), 1741 - 1820 print A woman on her knees begs a man with a laurel wreath. There are two women and a number of soldiers around. paper etching

The Royal Family of Troy Mourning the Death of Hector 1734-1802 Gaetano Gandolfi Italian. The Royal Family of Troy Mourning the Death of Hector 338823

Hercules before the Temple of Janus, Print made by Abraham Blooteling, 1640-1690, Dutch, after Gerard de Lairesse, 1640-1711, Flemish, Published by Abraham Blooteling, 1640-1690, Dutch, between 1680 and 1690, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 14 3/16 × 10 11/16 inches (36 × 27.2 cm) and Image: 13 5/8 x 10 11/16 inches (34.6 x 27.2 cm), aggressive, unfriendly activities and relationships of Hercules, architectural subject, club (weapon), death, door, fighting, Greek, harpies, hero, killing, legend, man, mythology, nude, portrait, quarrel, relief, religious and mythological subject, sandals, temple, togas, trees, wings (costume accessories), women, wreaths, Italy, Lazio, Roma, Roman Forum, Rome, Temple of Janus

Tobias heals the blind tobit; Story of Tobias. The blind Tobit is in a chair. Tobias is behind him and lubricates the bile of the fish. On the right is Anna kneeling. The angel is on the left. Tobias dog in the middle.

Raphael, Raimondi, Marcantonio, Italy, Veneziano, Agostino, Lamentation, verso - stamped, The body of Christ is mourned by the Marys and other followers. In the background Golgotha with the three crosses., print, prent, prints, height 215 mm, width 173 mm, Italian, 1490 - 1536, print maker, printmaker, 1516 - 1516, paper, papier, engraving, engraving (printing process), Work conception, 1482 - 1534, after print by, 1483-04-07 - 1520-04-07, intermediary draughtsman

Who beats the piggy bank to shards has lost his tensions, he knows it; Proverbs to Karel van Mander. Two boys are about to hit their money box with a hammer. A poor old man who leans on a stick indicates them that they might be able to stay even better. Otherwise it will prove them as him. The man makes a talk gesture with three vast fingers. Under the show a verse in Latin from Franco Estius and a Dutch verse: the spaer-pot too Vroedh Ghemaeckt to shards ... in the youngth years.

The Mocking of Christ. Niklaus Manuel Deutsch (Swiss, 1484 - 1530)

Apollo and muses on mountain parnassus. Apollo plays on a winch and is surrounded by nine muses on the Parnassus mountain. Dealers Discise with each other and putti share laurel wreaths. Below the print is a inscription that refers to the source of inspiration for this performance.

Maarten van Heemskkk (1498-1574), Josias commands that the people must keep the patch as prescribed in the covenant book, 1569

Last Supper, from The Passion, No.1 in a series of 12engravings. Artist: Hendrick Goltzius, Dutch, 1558-1617

of 3