Biblical Engravings

A collection of historical etchings depicting scenes from the Bible, illustrating dramatic narratives and various artistic styles from the 16th and 17th centuries.

Epitome in divae parthenices Mariae historiam ab Alberto Durero Norico per figuras digestam cum versibus annexis Chelidonii (Life of the Virgin), Dürer, Albrecht, Impressum Nurnberge, woodcut, letterpress, 1511

The Pope. Dated: 1651. Medium: etching with border "Minerva and Hercules" (Pennington 233B). Museum: National Gallery of Art, Washington DC. Author: Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck.

Daniël interrogates the elders, Heinrich Aldegrever, 1555 print The judge sitting at his seat, listens to Daniël who stands in front of him and reveals the false witness of the two elders. One elder is already fascinated and is included. Third print from a series of four with the story of Susanna. Germany paper engraving Daniel exposes the elders as deceivers

Lot and His Family Fleeing from Sodom, from The Story of Lot 1555 Heinrich Aldegrever German Lot being being led out of Sodom by an angel at left, with his wife and two daughters following at right. Behind them, the gates of Sodom. Based on Genesis 19:16. Plate 3 from a series of four engravings.. Lot and His Family Fleeing from Sodom, from The Story of Lot 428346

Domenico. Dated: 1619. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot after Antonio Circignani.

Allegorial Composition with Figures Working According to an Architectural Plan 17th century Grégoire Huret French. Allegorial Composition with Figures Working According to an Architectural Plan 645771

Pilate Washing His Hands, from The Small Passion ca. 1509 Albrecht Dürer German. Pilate Washing His Hands, from The Small Passion 388056

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Preacher, 1651 Preacher

Maria with the child appears at Keizer Augustus, Bartholomeus Willemsz. Dolendo, After Lucas van Leyden, 1589 - 1626 print The Tiburtine Sibille predicts the arrival of Christ to Emperor Augustus. The Roman emperor Augustus sees Maria with the child in a vision. Out of respect, he kneels on the floor and puts his crown and scepter. Leiden paper engraving the Tiburtine sibyl and Augustus: the sibyl reveals to the emperor a vision of the Madonna in heaven

Epitome in divae parthenices Mariae historiam ab Alberto Durero Norico per figuras digestam cum versibus annexis Chelidonii (Life of the Virgin), Dürer, Albrecht, Impressum Nurnberge, woodcut, letterpress, 1511

The Story of Lot: Lot Welcomes the Angels, 1555. Heinrich Aldegrever (German, 1502-1555/61). Engraving;

Albrecht Dürer (German, 1471-1528), Ecce Homo, probably c. 1509-1510, woodcut

The Agony in the Garden, from The Passion. Martin Schongauer; German, c. 1450-1491. Date: 1475-1486. Dimensions: 164 x 115 mm (sheet trimmed within plate mark). Engraving on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Jupiter in a Chariot Drawn by Two Peacocks above, a king being crowned by a Pope below, from 'The Seven Planets' 1533 After Girolamo Grandi Italian. Jupiter in a Chariot Drawn by Two Peacocks above, a king being crowned by a Pope below, from 'The Seven Planets'. After Girolamo Grandi (Italian, active 1530-48). 1533. Woodcut. Prints

Lot welcomes the angels, Anonymous, After Heinrich Aldgrever, 1555 - 1610 print Lot at the city gate of Sodom, in conversation with two angels. He invites them to eat and spend the night with him. First print from a series of four with the story of Lot (Genesis 19). Germany paper engraving Lot entertaining the angels

Allegory of the power of the Republic of the Seven United Netherlands as Sembership, Bernard Picart (workshop of), 1730 print Neptunus donates his trident, which symbolizes domination on the world's seas, to the personification of the Republic of the Seven United Netherlands. She holds a lance with freedom hats and is surrounded by the personifications of the East India Company (VOC) and the West India Company (WIC). On the right Mercury with his Caduceus points the world map that is rolled out by a putto. With an empty margin. Amsterdam paper etching / engraving Faith, 'Fides'; 'Fede', 'Fede catholica', 'Fede christiana', 'Fede christiana catholica' (Ripa) ~ one of the Three Theological Virtues. personifications of countries, nations, states, districts, etc.. (story of) Mercury (Hermes). (story of) Neptune (Poseidon). map of the world

Judit with the head of Holofernes, monogrammist EH (engraver) (Possibly), after Christoffel van Sichem (I), After Hendrick Goltzius, 1546 - 1624 print Judit is in the opening of the tent with the head of Holofernes in one hand and the sword in her other hand. She puts the head of Holofernes in the bag that keeps the maid open for her. Netherlands paper etching Judith and Holofernes (Judith 8-16)

Pilatus washes his hands in innocence, Albrecht Dürer, 1509 print Pilatus washes his hands in a saucer that servants to give him full with water. Latin printed text on the back. This print is part of the press series 'De Kleine Passie', consisting of a title print and 36 Biblical scenes (mainly from the suffering story). Nuremberg paper letterpress printing Pilate washing his hands (in innocence)

Albrecht Dürer (German, 1471-1528), The Holy Family with Two Angels in a Vaulted Hall, c. 1504, woodcut

Pilati Handwaschung. Charles Von Bouell (Swiss, active 19th century)

Picart, Bernard, Amsterdam, Traitez de Paix, Allegory of making peace, verso lower right - stamped, Two kings, accompanied by their ministers and officers, shake hands above the altar of peace in a temple. In the sky the all-seeing eye surrounded by rays of light and harpies tumbling from heaven. In the background statues of virtues with Peace and Justice embracing in the middle. In the foreground Ambition, Discord, Deceit and Wickedness chained to War. In the margin a ten-line caption, in two columns, in French., print, engraving, title page, prints, height 368 mm, width 223 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1726 - 1726, second quarter 18th century, paper, papier, etching, etchings, engraving (printing process), Work conception, after own design by

Allegorical glorification of the German emperors Ferdinand I and Ferdinand III, Pieter van Sikkelaer, after Arnold van Westerhout, in Or Before 1679 print Ferdinand I and Ferdinand II sit together on a throne. They both wear a laurel wreath on the head and a scepter or command staff in their hand. Three Putti wear a huge government apple. One of them has a scale in their hand, another one sword: atrtributes of Justitia. Two putti in the air tear up a sheet of paper with the portraits on it and names of Niccolo Macchiavelli and Jean Bodin. Antwerp paper engraving / letterpress printing

Virginius Killing His Daughter. Georg Pencz; German, c. 1500-1550. Date: 1546-1547. Dimensions: 117 x 80 mm (sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Martyrdom of St. Judas Thaddeus. Lucas Cranach (German, 1472-1553). Woodcut;

The Death of Virginia. Dated: c. 1525. Dimensions: overall: 43.2 x 33 cm (17 x 13 in.). Medium: pen and black ink with gray, yellow, and green washes on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christoph Bockstorfer.

Copper engraving depicting Christ in a spring setting, showing his figure and surrounding natural elements, created by Marcantonio Raimondi in the first half of the 16th century.

Gregor XIII., papa .

Throne man surrounded by allegorical figures; Trahat sua quemque voluptas. A throne bearded man and a young man next to him are surrounded by a group of allegorical figures. Almost all figures have their gaze on this pair, a few want to show or offer the young man something. Astronomia offers him an armillaire and religio shows him the Bible.

H. Babylas van Antiochië; Babylas Bisschop van Antiochiën. Aldaar met drie zyner Leerlingen, onthooft.The Holy Babylas of Antioch studies a book and thereby keeps a pen and writing tablet in the attack. Babylas stands on a base where his beheading on the front and that of his three students has been displayed. PRENT In the middle of Large: II: PART PAG. 285.

Mocking of Christ (copy) n.d. After Lucas van Leyden Netherlandish. Mocking of Christ (copy) 364814

The Marriage of theVirgin. Engraver: Marcantonio Raimondi, Italian, ca. 1480-ca. 1534 After: Albrecht Dürer, German, 1471-1528

Triumphant David with the head of Goliat, Anonymous, After Jan Saenredam, After Lucas van Leyden, 1600 - 1650 print David is on the right with a large sword. Goliat's head is spied on the sword. There are some singing and musician women in front of him. Under the show a two -line, Latin text with a description of the scene from 1 Samuel 18. paper engraving David's triumph: the women of Israel come out to welcome David, singing, dancing, and playing tambourines and lyres; David holding the head of Goliath

Admiranda romananum antiquitatum ac veteris sculpturae vestigia. Artist: Pietro Santi Bartoli (Italian, Perugia 1615-1700 Rome); After Giovanni Pietro Bellori (Italian, Rome 1613-1696 Rome). Published in: Rome. Publisher: Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Date: 1693. Museum: Metropolitan Museum of Art, New York, USA.

. In the middle mother's nature seats a cornucopia. To the left of her is a winged man with flowers in his hand. In the rich interior in the background is a cupboard that is filled with glass jars. At the feet of mother nature are similar pots, in which stuffed animals. Also to her feet a frog and framed butterflies and flowers. The scene is flanked by two allegorical figures on pedestrians.

The Story of Lot: Lot Prevents the Sodomites from Violence, 1555. Heinrich Aldegrever (German, 1502-1555/61). Engraving;

Apotheosis Charlotte Amalie Krabbe sitting as a young man in the midst of a round arch architecture under heavenly light on clouds, the arms praying, surrounded by floating winged genius; including their husband Ulrich Christian Gyldenløve sitting in ancient armor, the head mourning on the rights, lying at his feet a lion; On both sides of the arc brackets each one series of eight rule emblems.

After Albrecht Dürer, The Presentation of the Virgin in the Temple, 1514, woodcut on paper.

Birth of a woman; Twelve different scenes. Face in an interior with bed and drapery where a woman, assisted by four women, was given to it.

Martin Schonguer (around 1450-1495). Passion: ECCE HOMO (BARTSCH 15). Engraving (chisel), 1475-1480. Museum of Fine Arts of the City of Paris, Petit Palais. 74736-24 Art medieval, Christianity, engraving in chisel, Christian iconography, religious iconography, Middle Ages, New Testament, biblical character, 15th XV 15th 15th 15th century, engraving

Allegorical Frontispice with portrait of Willem III; Coming king Willem in Holland. Allegorical Frontispice with portrait of Willem III. The Dutch virgin with personnifications of unity, architecture, painting and fame.

De oude man en de Dood; Dodendans.Death leads an old man to his grave. 28th print from a series of death dance expressions; With a picture frame with time and eternity.

Christ Saving Eve 1595-1654 Hans Jakob Nüscheler the Elder Swiss. Christ Saving Eve 362159

Print, The Five Wise Virgins, from the suite "Speculum Virginitatis", 1575-1600; Print Maker: Hieronymus Wierix; Netherlands; engraving on paper; 8.8 × 5.3 cm (3 7/16 × 2 1/16 in.); Bequest of George Campbell Cooper; 1896-3-97

David Playing the Harp Before Saul. Lucas van Leyden; Netherlandish, 1494-1533. Date: 1503-1513. Dimensions: 253 x 183 mm (image); 254 x 184 mm (sheet, trimmed within plate mark). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

The Betrayal of Christ, from The Passion Made 1475-1485 Germany. Engraving on paper . Martin Schongauer

Engraved copies of The Little Passion n.d. After Albrecht Dürer German. Engraved copies of The Little Passion 388867

Andrea Mantegna (1432-1506), "Christ whips", 2nd Half of 15th Century

Figures from Roman antiquity Title page for Willem Hendrik Nieupoort, Rituum, qui olim apud Romanos obtinuerunt, succincta explicatio, 1747, In the middle a base with the title of the book. All around the base all kinds of figures from Roman antiquity. On the left religious objects such as a sacrificial block and sacrificial animals with a temple in the background. On the right military objects, with a triumphal arch in the background. Two putti hold up a medallion with the portrait of Romelus, (story of) Romulus and Remus, cupids: 'amores', 'amoretti', 'putti', Roman religion (including Etruscan religion), temple, shrine, (military) equipment and supply, Jan Goeree (mentioned on object), 1712 and/or 1747, paper, engraving, h 133 mm × w 81 mm

Women Vienna to two dying men in a palace. In a departure of a palace, weeping women are around two men lying on the floor and are at the point of dying. Two women were knocked down at the men and each has taken a hand.

Portrait of a King Frederick IV of Denmark. Frederick IV, king of Denmark, leans against his throne. A lion at his feet. Upstairs, his wife, Queen Louise van Mecklenburg, is worn to heaven by angels and crowned with a laurel wreath. On either side of the show eight coats of arms of Danish cities. The print has a Danish caption in rhyme form.

The ball; The story of sorgheel. One of series of six. Banquet hall with sorghally dancing with ease and wealth. Without corresponding frame and text.

Vasco da Gama on audience at King of Calcutta, Herman Padtbrugge, 1676 print Vasco da Gama and his entourage bend for the king of Calcutta. The king is lying on a throne under a canopy. In the background face to Calcutta. Amsterdam paper etching / engraving historical persons. audition; ruler giving audience Portugal. Kolkata

Jacques Callot after Antonio Circignani, Knight of Malta, 1619 Knight of Malta

Allegorical glorification of the German emperors Ferdinand I and Ferdinand III. Ferdinand I and Ferdinand II are jointly on a throne. They both bear a laurel wreath on the head and a scepter or command staff in hand. Ring Putti carry a huge migger. One of them has a scales in hand, another a sword: Atributes of Justitia. Two putti in the air tear a sheet of paper with the portraits and names of Niccolo Macchiavelli and Jean Bodin.

Albrecht Dürer (1471-1528). The little passion on wood: the derision of Christ (Bartsch 30). 1508-1509. Museum of Fine Arts of the City of Paris, Petit Palais. 77216-14 Catholic art, Chretian art, religious art, Christianity, Holy History, Christian iconography, Religious Iconography, New Testament, Passion of Christ, Renaissance, Life Christ, Engraving

The Lamentation, from The Small Passion ca. 1509 Albrecht Dürer German. The Lamentation, from The Small Passion 387427

Allegorie op de meetkunde; Titelpagina voor: Pomponius Mela, De situ orbis libri III, 1744.Under a map of the world, geometry, with drawing and measuring instruments in the hands and a map. A man signs a map on the right behind the world map. In the foreground is a woman with chunks of classical antiquity. Title page for a book by Pomponius Mela, the earliest Roman geographer.

Allegorical performance with a chart woman in harness. Allegorical show with a chart woman in harness and freedom hat on her staff. To her feet a lion with sword and book. Behind her the letters SPQV (a reference to Venice).

Maria in de tempel. Hartvormige tekeningen met scènes uit het leven van Maria (series title). Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 60 mm × w 54 mm. Museum: Rijksmuseum, Amsterdam.

Psyche is worn to a mountain, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print On the advice of Apollo, the King's daughter Psyche is carried to a mountain where she will be left alone. Children with torches and two musicians with trumpets are at the forefront. At the back the grieving parents of Psyche are running. The mountain is on the right in the background. Italian text in two cartouches in STUDMARGE. Numbered twice in the bottom left: 5. Italy paper engraving Psyche is brought away in a mournful procession. horn, trumpet, cornet, trombone, tuba. torch. city-view, and landscape with man-made constructions

A copper engraving by Marcantonio Raimondi from around 1503-1504 depicting the Adoration of the Shepherds, showing figures, gestures, and stable setting.

The Parables of the Lost Sheep, the Woman with Pieces of Silver and the Prodigal Son. Dated: probably c. 1576/1580. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Albrecht Dürer, The Resurrection, 1510 The Resurrection

Judith with the head of Holofernes, Jacques Callot, 1621 - 1635 print Judith puts the head of Holofernes, that she has just chopped off with a sword, on a scale that her maid will stop for her. Holofernes's soul lies behind her in bed in an army tent. Under the performance a caption in Latin. print maker: Nancypublisher: Paris paper etching Holofernes' head is put on a dish, and covered with a cloth

Copper engraving by Jean Duvet from 1546-1555 depicting the martyrdom of John, showing figures, gestures, and composition.

The rich man on his deathbed, Heinrich Aldeglever, 1554 print The rich man is dying in his bed, a number of people on his company. At the foot of the devil who holds his earthly riches. Under the show The text: Dives Epulo Extremum Hic Obit Diem Luce 16. Third print from a series of five. Germany paper engraving Dives dies; his soul is brought into hell by devils

Woman points two others on the porcelain on the cupboard for them; The Porselyn.

Of Christian Teutschen Grand Prince Hercules and Bohemian Royal Miss Valisha Wonder History

Jacques Callot after Fabrizio Boschi, Bartolomeo, Farrier, 1619 Bartolomeo, Farrier

Quenching of the Thirsty. Dimensions: plate: 11 x 14.9 cm (4 5/16 x 5 7/8 in.) sheet: 20 x 25.2 cm (7 7/8 x 9 15/16 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Conrad Meyer.

The Flagellation of Christ, with the Pavement 1475-1480 Italy. Engraving in black on ivory laid paper . School of Andrea Mantegna

The lamentation of the dead Christ who is supported by the Virgin Mary and surrounded by other figures. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: 8 1/4 x 6 9/16 in. (21.0 x 16.6 cm). Date: ca. 1515-16. Museum: Metropolitan Museum of Art, New York, USA.

Portrait of Rafael. Portrait of the artist Rafael in an oval on a balustrade. In addition to the portrait two large vases where smoke off. At the top right, an angel floats with a trumpet and a laurel wreath. Under the portrait a cartouche with text in Latin. The cartouche is flanked by women's figures that personalize painting, sculpture and architecture.

Amsterdam, Pietersz., Doen, Cornelisz. van Oostsanen, Jacob, The Little Passion, Christ before Annas, Cornelisz van Oostsanen, Christ is led before Annas by armed men. Print is part of a book., print, book illustration, prints, height 113 mm, width 82 mm, height 141 mm, width 101 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1523 - 1523, paper, woodcut, Publication (Event), Publication, publisher

Louis XIII Listens to the Provost of the Merchants of Paris on December 23, 1628 1629 Abraham Bosse French This plate was the frontispiece for a publication celebrating the triumphant return to Paris of King Louis XIII following the Siege of La Rochelle. In this formally constructed scene, the king is shown seated in a chair while Christophe Sanguin, the provost of the Merchants of Paris, and other officials kneel before him. The display of Frances military power visible through the windows is echoed in the military subjects of the tapestries covering the walls. The political and monarchical value of such images is reflected in the large number of impressions of this print—seven hundred.. Louis XIII Listens to the Provost of the Merchants of Paris on December 23, 1628 386456

Potifar's wife accuses Jozef, Heinrich Aldgrever, 1532 print Potifar's wife shows her husband's cloak of Joseph. She accuses Joseph of wanting to seduce her. Third print of three with the story of Joseph. paper engraving Potiphar's wife before her husband: she accuses Joseph of trying to violate her, using the cloak as evidence

Allegory of geometry, Johannes van der Spyck, 1744 print A map of the world contains geometry, with drawing and measuring instruments in the hands and a map. Rear right, a man draws a card on the basis of the world map. In the foreground is a woman with debris from classical antiquity. Title page for a book by Pomponius Mela, the earliest Roman geographer. Leiden paper etching quadrivium (personification of Arithmetica, Geometria, Astronomia, and Musica). map of the world

Amsterdam, Hoorn, Jan Claesz ten, Luyken, Jan, Title page for: S. Vries, Franckrycks church and worldly state, 1684, Persecution of Protestants in France, verso - stamped, Four representations with scenes about the persecution of Protestants in France., print, title page, prints, height 142 mm, width 85 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1684 - 1684, paper, etching, etchings, Publication (Event), Publication, 1639 - 1715, publisher

Isaak greeting Rebekah, 1549 print Back in Canaan, Eliezer and Rebekka are welcomed by Isaac. Rebekka greeted Isaac with a kiss. The print is part of a series about Isaac's search for a woman. Haarlem paper etching Isaac, walking in the fields, meets Rebekah

Sasso, Angela.

This 1516 woodcut by Meister IS depicts the resurrection of Lazarus, created using verso type pressure techniques.

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Advocate, 1651 Advocate

The Disputation of Saint Catherine of Alexandria. Dated: 1727. Dimensions: overall: 34.5 x 21.5 cm (13 9/16 x 8 7/16 in.). Medium: pen and black ink over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: GEORG WILHELM NEUNHERTZ.

Umbria Perugia Spoleto Palazzo Comunale, Pinacoteca Comunale0. Hutzel, Max 1960-1990 Interior views focus on the paintings. A few frescoes and one reliquary are also included. (Negatives show artifacts displayed in exterior sections of the Palazzo Comunale, which is the structure that houses the Pinacoteca.) Among the subjects of the paintings are: the Calling of St. Matthew (after Caravaggio), portrait of a Palettoni, the Annunciation, Job, St. Sebastian, Charity, Venus, several Madonna and Childs (one after Giovanni Bellini), St. Ponziano, St. Agatha, the Dormition of the Virgin, Christ, the Crucifixion, and the Holy Family. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanes

Parable of the workers in the Wijngaard, Johannes Wierix, After Bernardino Passeri, 1593 print After their work in the vineyard, the workers receive the wages of one denarie of the steward of the landlord. At the top of the facade medallions with other scenes from the story. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the labourers in the vineyard ~ parable of Christ (Matthew 20:1-16). at the end of the day the lord pays all the labourers equally; those that worked all day object

Constantijn appoints new knights, Antonio Tempesta, 1565 - 1630 print Constantine sits on a throne and appoints new knights. A dog runs in the foreground. Italy paper etching emperor. becoming a knight, knighting. dog

The Last Judgment, from The Small Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 x 3 13/16 in. (12.7 x 9.7 cm). Date: ca. 1510. Museum: Metropolitan Museum of Art, New York, USA.

A blindfolded Cupid holds a burning torch for a man and a woman in festive attire standing hand in hand next to him. This print is part of a series of ten numbered prints: a title print and nine prints depicting two or three masked and/or dressed up figures, a blindfolded Cupid with a torch for a couple in festive attire The masquerades (title series), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Leiden, 1595 - 1596, paper, engraving, h 225 mm × w 170 mm

The Flight intoEgypt. Artist: Hieronymus Hopfer, German, ca. 1520-1563 After: Albrecht Dürer, German, 1471-1528

Allegory on trade with Mercury. Mercury stands on a pedestal that is decorated with the coat of arms of France, the bazuin blowing fame flies next to its head. In the foreground, the personnifiction of labor and trout is on the right, wrapped in a rug occupied with ants. She points to a wreath surrounded oval with the inscription "AUL", in her left hand she holds a horn filled with money. On the left is an Eastern merchant in fabrics and packaged merchandise, waiting behind him two camels.

Antwerp, Galle, Theodoor, Sterre, Johannes Chrysostomos van der, Cornelis (I), Saint Norbert at the court of Emperor Henry V, Saint Norbert is chaplain at the court of Emperor Henry V. The courtiers and the king look up to him and he enjoys great respect, with beautiful clothes and beautiful women. The print has two Latin inscriptions: one above and one below the image., print, book illustration, prints, height 163 mm, width 93 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1622 - 1622, paper, engraving, engraving (printing process), 1591 - 1652, writer, Publication (Event), Publication, 1571 - 1633, publisher

Artist: Albrecht Dürer, German, 1471-1528, Christ before Caiaphas, from The EngravedPassion, Engraving, 12.2 × 7.8 cm (4 13/16 × 3 1/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

The flogging; The passion. Christ, bound to a pillar in an urban environment, is beaten by two men with a branch forest and a scourge. This print is part of a series of twelve passengers.

Specklin, Veit Rudolf, Holbein, Hans (II), Old men united around a throne with ancestor, Old men united around a throne with ancestor. Depiction of a genealogical register. In the margin above the image is the text I Paralip. I 1 Chronicles 1., print, book illustration, prints, height 60 mm, width 85 mm, height 82 mm, width 97 mm, German, 1498 - 1543-11-29, print maker, printmaker, 1538 - 1538, second quarter 16th century, paper, woodcut, French - 1550, block cutter

Adoration of the shepherds. Draughtsman: anonymous. Dating: 1550 - 1599. Place: Nederlanden. Measurements: h 201 mm × w 314 mm. Museum: Rijksmuseum, Amsterdam.

Psyche punished by smart and pain, master of the dice, after Michiel Coxie (i), c. 1530 - c. 1560 print The personifications of smart and pain punish Psyche on behalf of the goddess Venus. Venus sits on the right on a chair and watches. Italian text in two cartouches in STUDMARGE. Numbered twice in the bottom left: 21. paper engraving other scenes from the story of Cupid and Psyche. Pain, Sorrow, Sadness; 'Dolore', 'Dolore di Zeusi' (Ripa)

Lazio Roma Rome Gesu37. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Christ Driving the Merchants (or Money Changers) from the Temple, from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Woodcut on paper, Interior of the temple, with Christ in the foreground, listing his whip about his head. A man lies prone at his feet. Other men in the background, left and right. Monogram of Dürer, lower left., Germany, ca. 1509-1511, Print, Print

Christ Taken Captive (the Betrayal of Christ), from The Passion, #3 in a series of 12engravings. Artist: Hendrick Goltzius, Dutch, 1558-1617

Joseph and Potiphar's Wife, from The Story of Joseph 1546 Georg Pencz German. Joseph and Potiphar's Wife, from The Story of Joseph 431826

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