Biblical Events Artwork

Dramatic depictions of biblical scenes with rich detail, including characters like Christ, anxiety, and somber tones from famous artists.

The Passion: The Betrayal of Christ, 1598. Hendrick Goltzius (Dutch, 1558-1617). Engraving;

The Entombment, from The Passion 1512 Albrecht Dürer German. The Entombment, from The Passion 391190

Woodcut by Albrecht Dürer around 1509 depicting Pontius Pilate washing his hands, showing figures and detailed composition in the Passion series.

Israhel van Meckenem, The Lamentation, c 1480 The Lamentation

The Passion: The Betrayal of Christ, 1598. Hendrick Goltzius (Dutch, 1558-1617). Engraving;

Woodcut by Albrecht Dürer titled 'The Displacement of the Dealers,' part of the Small Passion series (plate 7), created around 1508-1509, depicting the biblical scene of merchants being expelled from the temple.

Daniel Cross-Examining the Elders, from The Story of Susanna. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 4 1/2 × 3 3/16 in. (11.5 × 8.1 cm). Date: 1555.Daniel, seated on a throne at right, addresses the pair of Elders at left. One faces Daniel, while the other's hands are bound by a figure at far left. Based on Daniel 13:52-59. Plate 3 from a series of four engravings. Museum: Metropolitan Museum of Art, New York, USA.

Albrecht Dürer, The Passion: The Entombment, 1512, engraving on paper.

A Dance, Antonio Tempesta, 1565 - 1630 print Three dancing grotesque figures. In the background two ugly women with a rose and two musicians with cave heads play bagpipes and tambourine. Italy paper etching caricatures (human types). group dancing. dancing. musician

Deposition, from The Engraved Passion Made 1512 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

David sees Batseba Baden in his garden, Hans Burgkmair (I), 1519 print King David looks out of a window of his palace (top right) and sees the beautiful Batseba taking a bath in his garden. She is helped by a servant who can offer her one. The palace is in the background. paper Bathsheba attended by servant(s)

Wszyscy Święci w MNK unknown, Schaeuffelein, Hans Leonard (1480 ca 1540)

The Adoration of the Magi ca. 1435-1491 Martin Schongauer German. The Adoration of the Magi 366983

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Judith and Holofernes, Achior tells Holofernes about the Israelites, Achior, the leader of the Ammonites, tells Holofernes, the commander-in-chief of the Assyrian army about the people of the Israelites. He warns him that God supports the Israelites. The print is part of an eight-part series that tells the story of Judith and Holofernes., print, prints, width 190 mm, height, 234 mm, Noord-Nederlands, 1522 - 1590-10-29, print maker, printmaker, 1547 - 1559, paper, papier, etching, etsen, 1498 - 1574, intermediary draughtsman

Albrecht Dürer (German, 1471-1528), The Entombment, 1512, engraving

The Making of Armours, from Hymmelwagen auff dem, wer wol lebt... 1517 Hans Schäufelein German. The Making of Armours, from Hymmelwagen auff dem, wer wol lebt... 669853

Tamar cooks for her sick half-brother Amnon who is in bed. She kneels before a fireplace and stirs a cauldron. In the background, Amnon lies on his bed surrounded by a group of men. A piskeeper stands by the window looking at a jug of urine. Tamar cooks for Amnon History of Tamar and Amnon , print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), publisher: Hieronymus Cock, (mentioned on object), print maker: Haarlem, publisher: Antwerp, 1559, paper, engraving, h 202 mm × w 248 mm

Albrecht Dürer, The Holy Family with the Three Hares, c 1497 1498 The Holy Family with the Three Hares

With wealth, power and pleasure, the devil seduces man, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1550 print The devil paints on a great human heart the image of a bag of money, a naked woman and some crowns and scepters. A young man watches fascinated, and does not notice that a naked woman ties a rope on his foot. In this way man (the young man) is bound by worldly things by his desire. In a cartouche at the bottom of the print a Dutch caption in rhyme. The print is part of a four -part series about the uselessness of hope for money and other secular issues. paper etching / engraving heart symbolism. devil(s) and demons. Desire; 'Desiderio' (Ripa). working situations ~ painter. personifications ~ the life of man. Lust, Luxury, 'Luxuria'; 'Lussuria' (Ripa) ~ personification of one of the Deadly Sins

The Ascension, from The Small Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 1/16 x 3 7/8 in. (12.9 x 9.9 cm). Date: ca. 1510. Museum: Metropolitan Museum of Art, New York, USA.

Albrecht Dürer (1471-1528). Copper passion: the coronation of thorns (Bartsch 9). 1512. Museum of Fine Arts of the City of Paris, Petit Palais. 77213-5 Chretian art, religious art, bible, Christianity, crown Epines, coronation of Epines, derision, copper engraving, group of people, instrument of passion, mockery, new will, passion of Christ, biblical character, holy character, biblical story , Christian religion, rebirth, biblical scene, religious scene, mocking, life Christ, 16th 16th 16th 16th 16th 16th century

Artist: Hendrick Goltzius, Dutch, 1558-1617, Christ Taken Captive (the Betrayal of Christ), from The Passion, #3 in a series of 12engravings, Engraving, 20.1 × 13.3 cm (7 15/16 × 5 1/4in.), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

Lucas Hugensz. van Leyden's copper engraving around 1513 depicts David's triumph, emphasizing victorious posture, figures, and detailed composition.

Copy of Cornelis Cort: Christ Giving the Key of the Church to Saint Peter, c. 1567. Anonymous, after Girolamo Muziano (Italian, 1528/32-1592). Etching and engraving; sheet: 27.5 x 20.4 cm (10 13/16 x 8 1/16 in.).

Christ Crowned with Thorns 1519 Lucas van Leyden Netherlandish. Christ Crowned with Thorns 364772

Woodcut by Leonhard Beck from 1517 depicting Figure 99 of Theuerdank, showing three evil captains conversing with knights in the palace forecourt.

Goltzius, Hendrick, Netherlands, The Passion, Capture of Christ, verso - stamped, Christ is captured by soldiers in the Garden of Gethsemane. Judas kisses him on the cheek. In the foreground Peter Malchus cuts off an ear., print, prent, prints, height 199 mm, width 133 mm, print maker, printmaker, 1598 - 1598, paper, papier, engraving, engraving (printing process), Work conception, Northern Netherlands, 1558-01 - 1617-01-01, after print by, 1597 - 1667

Copper engraving by Domenico Campagnola depicting the healing of the sick at the lake of Bethesda, created in 1517.

Copper engraving print 'The Calm on the Run' by Lucas Hugensz. van Leyden, circa 1506, showing figures in a landscape with detailed posture, drapery, and environmental elements.

Mucius Voor Porsenna, Benedetto Caliari, 1550 - 1598 drawing paper. chalk. ink pen / brush

Benedetto Montagna, The Agony in the Garden, c 1506 1507 The Agony in the Garden

Torture: mutilation of the face, Antonio Tempesta, 1565 - 1630 print Numbered in the middle: 125. print maker: Italyafter own design by: Italypublisher: RomeVaticaanstad paper etching torture. violent death ~ maltreatment, torture

Francesco. Dated: 1619. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques Callot after Antonio Tempesta.

Unknown, The Small Passion: The Expulsion from Paradise, c. 1630-50, engraving on paper mounted on laid paper.

Titus Manlius Torquatus lets his son behead, Georg Pencz, 1535 print Titus Manlius Torquatus stands next to a precursor of the guillotine, a kind of fall ax, operated by a soldier. The son of Titus Manlius kneels at the device and has put his head through it. The reason for this punishment is depicted in the background, the boy is fighting an enemy against the command of his father. Germany paper engraving Torquatus has his son beheaded because he has fought an enemy in single combat against the strict orders of his father

The Deposition, from The Small Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 5 x 3 7/8 in. (12.7 x 9.8 cm). Date: ca. 1509. Museum: Metropolitan Museum of Art, New York, USA.

The Poet Virgil Suspended in a Basket 1525 Netherlands. Engraving in black on cream laid paper . Lucas van Leyden

Jael kills Sisera; Small series of womenlists. Three scenes from the story of Jael. Left: Jael gives Sisera drink. Middle: Jael kills sleeping Sisera by tent picking through his head. Right: Jael shows Berak and his men where they can find Sisera.

The Women of Weinsberg carry out their men on their backs, Zacharias Dolendo, after Jacques de Gheyn (II), 1606 print The Emperor (Roman King Koenraad III) has taken the city of Winbergen (Weinsberg), December 21, 1140. The townspeople are asked to leave the city and can take what they can carry. The women of Winbergen choose to carry out their men on their backs so that they do not get into captivity. Page from a book with text on the verso. paper engraving / letterpress printing carrying a person on one's back. capture of city (after the siege) Weinsberg

The woodcut 'Martyrdom of St. Sebastian' (c.1506) by Hans Schäufelin depicts St. Sebastian with arrows, emphasizing his posture, expression, and symbols of suffering and sainthood.

Raphael, Raimondi, Marcantonio, Lamentation of Christ, recto bottom - handwritten, print, prints, L, height 213 mm, width 167 mm, Work conception, Italian, 1482 - 1534, after print by, 1513 - 1566, first quarter 16th century, second quarter 16th century, third quarter 16th century, paper, engraving, engraving (printing process), 1483-04-07 - 1520-04-07, intermediary draughtsman, after a drawing by, print maker

Dance Les. Oval with image of a dance lesson. The edge is decorated with tendrils, musical instruments and birds. At the top of a coat of arms with the depicting of a deer. The print is possible in one of the music books of Nicolas Vallet included.

Lucas van Leyden, Joseph Interprets His Dream to Jacob, 1512 Joseph Interprets His Dream to Jacob

Copper engraving by Israhel van Meckenem showing the Sibyl and Emperor Augustus, created in the last third of the 15th century, highlighting historical figures and setting.

Schout van Dordrecht betaalt de boer schadevergoeding. De rechtspraak van Graaf Willem III de Goede, tweede reeks (series title). Draughtsman: Willem Pietersz. Buytewech. Dating: 1619. Measurements: h 159 mm × w 108 mm. Museum: Rijksmuseum, Amsterdam.

Zener, Schouwer and Alchemist, Anonymous, Hans Weiditz (II), 1514 - 1532 print These three figures probably represent the office of the Haruspex, a form of Etruscan oracle art. Print is part of an album. paper letterpress printing 'Haruspex' ~ Roman Religion

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., History of Judah and Tamar, Tamar shows the pledge, On the way to the stake Tamar shows the ring, bracelet and staff that she received from Judah as a pledge. In this way she proves that Judah is responsible for her pregnancy. The print is part of a series about the history of Judah and Tamar, print, prints, width 185 mm, height, 232 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1549 - 1549, paper, papier, etching, etsen, Work conception, 1498 - 1574

FotoReProducty engraving the logis frame.

Israel Van Meckenem the Old (active between 1450 and 1465). "The virgin in the garden". Chisel. Museum of Fine Arts of the City of Paris, Petit Palais. 112279-18 XVEME XV XV 15th 15th 15 CENTURY, engraving

Been amputation through a saw, Anonymous, Hans Weiditz (II), 1514 - 1531 print Print is part of an album. paper letterpress printing amputation

A sacrifice, copied from Trajan's column ca. 1540-45 Léon Davent French. A sacrifice, copied from Trajan's column 337187

The Marriage Scales. A man and woman are sitting on a large pair of scales and being weighed. The bride, holding an open chest of coins, is clearly much richer than the groom, with his bag of coins between his legs. Cupid steals off carrying a sack on his back; there is nothing for him to do, for this is no love match.

Joachim embracing Saint Anne under the golden gate in Jerusalem, after Dürer. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 11 1/4 × 8 1/16 in. (28.5 × 20.5 cm). Series/Portfolio: Life of the Virgin. Date: ca. 1500-1534. Museum: Metropolitan Museum of Art, New York, USA.

Samuel sacrifices a mammal with Jahwe, Dirck Pietersz. Crabeth, 1540 - 1550 drawing Design for a glass window, with a performance by Samuel that sacrifices a suckling lamb to Yahweh; In the background: the Philistines are defeated by the Israelites and Samuel sets up a memorial (1 Sam. 7: verse 9-12); Probably for the same house as in inv. No. RP-T-1992-84. paper. chalk. ink pen

Lucas Cranach the Elder (German, 1472-1553), Saint John the Evangelist, woodcut

Possible design for a print, Exodus of the Spanish garrison from Breda (1637), draughtsman: anonymous, draughtsman: Pieter Jansz. Quast, (rejected attribution), 1637 - 1700, paper, pen, brush, h 184 mm × w 115 mm

Diepenbeeck, Abraham van, Antwerp, Jode, Pieter de (II), Lavinia's hair catches fire, verso lower left - stamped, The long hair of Lavinia, the daughter of King Latinus, catches fire. King Latinus sits on his throne, under a canopy, and looks on. In the foreground various spectators. In the background a statue of Saturnus eating one of his children. Top right: 7. Illustration from the seventh book of Virgil's Aeneas., print, book illustration, prints, height 194 mm, width 147 mm, South Netherlands, 1606-11-22 - 1674, print maker, printmaker, 1662 - 1662, paper, papier, engraving, engraving (printing process), etching, 1596-05-09 - 1675, intermediary draughtsman

Wisdom of Jesus Sirach, below; Gnomae Seu Sententiae Vitae Utiles ex ecclesiastico. Ornamental picture frame with medallions in which from left to right: interior with an old man in a four-poster bed. In the foreground a sleeping man.; Landscape with a couple. For the woman lies the head of a snake. Left of the man a lion and a bear. From Sir. 25: 13-19: "No worse poison than the poison of a snake, no worse venge than the venge of a woman. I'd rather live with a lion and a dragon than with a malignant woman. The malice of a woman changes her gaze and makes her face so much like that of a bear. "; Interior with richly dressed couple at the table.

A woodcut by Albrecht Dürer from 1498-1499 depicting the crossing of Christ, illustrating figures, composition, and early German printmaking techniques.

After Lucas van Leyden, Last Supper, engraving.

The Passion: Descent from the Cross, 1521. Lucas van Leyden (Dutch, 1494-1533). Engraving;

Wierix, Hieronymus, Amsterdam, Sichem, Christoffel van (II), The Childhood of Our Lord Jesus Christ, Youth of Christ, Christ Child Picks Up Wood Chips, verso lower left - stamped, Joseph chops wood from a tree trunk. The Christ Child picks up the chips. He is helped by two angels who collect the wood in their cloaks. Mary sits with them and is spinning. In the bottom margin four lines of Dutch text., print, prints, height 137 mm, width 87 mm, Noord-Nederlands, 1581 - 1658-07-02, print maker, printmaker, 1617 - 1617, paper, papier, houtsnede, letterpress printing, boekdruk, Work conception, Zuid-Nederlands, 1553 - 1619-11-01

Couple with death; Dance dance. Print from a series of seven. Woman and man with falcon on arm, are embraced by death with hourglass in right hand.

The beheading of Johannes de Boper, Albrecht Dürer, 1510 print A executioner puts the head of John the Baptist on a scale that holds a woman (Salome). The beheaded body of John lies on a block in front of her. Nuremberg paper Salome is given the head of John the Baptist by the executioner

Judge with Death, Anonymous, Hans Holbein (II), After 1547 print paper dance of Death; Death together with one or more human beings

The death of Maria, Martin Schongauer, c. 1470 - 1491 print Maria is in a large four -poster bed, surrounded by the twelve apostles. In the foreground a candle on a large standard. Germany paper engraving the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming)

Judith with the Head of Holofernes, Anonymous, Christoffel van Sichem (I), 1600 - 1610

Copper engraving by Lucas Hugensz. van Leyden depicting beggars, created around 1509.

After Albrecht Dürer, The Circumcision, 1514, engraving on paper.

Lucas van Leyden, The Tribute Money, c 1523 The Tribute Money

Jozef tells his dreams to Jakob, Heinrich Aldgrever, 1532 print Joseph stands for his father Jakob and tells him his dreams, the brothers listen. Joseph is sleeping in his bed at the back of the room. His dream about the grain and the sun, moon and stars that bend in front of him is visible through a window. First print of three with the story of Joseph. Germany paper engraving Joseph relating his dreams (the two dreams combined)

The Triumph of David, Lucas van Leyden, 1511 - 1515 print David with the head of Goliath in his right hand and a sword in the left. Woman with Triangel and Bladerkrans opposite him. Low Countries paper engraving David's triumph: the women of Israel come out to welcome David, singing, dancing, and playing tambourines and lyres; David holding the head of Goliath

Mucius Scaevola for Porsenna, draughtsman: Benedetto Caliari, 1550 - 1598, paper, pen, brush, h 342 mm × w 259 mm

Woodcut by the Monogrammist MW from the 16th century depicting a crossing scene, showing human figures and architectural elements in interaction.

The Betrayal and Capture of Christ. Dated: c. 1480. Dimensions: sheet (trimmed to plate mark): 16.6 x 11.8 cm (6 9/16 x 4 5/8 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Martin Schongauer.

The expulsion of sorgheel; The story of sorgheel. One of series of six. Poverty drives away sorghally, pover, macack and wealth. Without corresponding frame and text.

Artist: Hendrick Goltzius, Dutch, 1558-1617, Flagellation of Christ, from The Passion, #6 in a series of 12engravings, Engraving, 20.2 × 13.3 cm (7 15/16 × 5 1/4in.), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

Albrecht Dürer, The Lamentation, 1507 The Lamentation

A surgeon operates on the eye of an immoral old man, while the efforts of Time and Minerva to cure his inner corruption are rebuffed. Line engraving after O. van Veen, 16--.

Ecce Homo, from "The Passion of Christ" 1597 Hendrick Goltzius Netherlandish Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucass prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltziuss famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the Life of the Virgin.The Passion of Christ was extremely popular during Goltziuss own lifetime and well beyond. This is

Tobit becomes blind, 1645 - 1646 print Tobit sits in a chair next to the fireplace like from a bird's nest, hanging on the beams of the ceiling, bird droppings falls down. In his eyes, this ends up and the man becomes blind. Next to Tobit are his wife Anna and his son Tobias. The print is part of an album. paper letterpress printing a bird dropping falls in Tobit's eyes

Nine men, Jan Harmensz. Muller (Manner of), After Lucas van Leyden, 1581 - 1628 print Copy in mirror image. Three groups of three men with similar headgear and gestation. paper engraving male sex; man. head-gear: hat (+ men's clothes)

Pilate washes his hands in innocence, Hieronymus Wierix, 1563 - before 1619

The Betrayal of Christ. Dated: 1568. Dimensions: plate: 29.2 × 21.1 cm (11 1/2 × 8 5/16 in.) sheet: 30.2 × 22 cm (11 7/8 × 8 11/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Girolamo Muziano Cornelis Cort.

Albrecht Dürer, The Decapitation of Saint John the Baptist, 1510, woodcut on paper.

St. Peter Rebuked for his Curiosity about St. John, 1511 - 1515, Woodcuts, approx. 2 11/16 x 2 3/16 in. (6.8 x 5.5 cm), Paper/Sheet approx. 2 11/16 x 2 3/16 in. (6.8 x 5.5 cm), Mat/Mount approx. 3 x 2 3/8 in. (7.6 x 6 cm)

Saint John the Evangelist and Saint Jerome after D�rer (Bartsch 643) Marc Antoine Raimondi (1480-vers1534). Saint John the evangelist and Saint Jerome after D�rer (Bartsch 643). Fight, chisel. 16th century.

Uilenspiegel: the beggar family, Lucas van Leyden, 1520 print Uilenspiegel: the beggar family. Bag -playing man with two children in the basket on his back, next to him a woman with a child on the shoulder. They carry a donkey, loaded with children. A boy with an owl is on the front. Low Countries paper engraving / etching Eulenspiegel. Beggar. 'driving people', vagrants. Bagpipe, Musette - CC - Out of Doors

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history XXI. A man, Mazet from Lamprechio, and a nun are fondling each other in a barn. They are being watched by another nun., print, engraving, book illustration, prints, engravings, height, 73 mm, width 79, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after own design by

Philip Galle, after Maerten van Heemskerck, Honor, Splendor, Parasiti, Fama (The Deceptive Effects of Wealth), 1563 Honor, Splendor, Parasiti, Fama (The Deceptive Effects of Wealth)

Wierix, Hieronymus, Amsterdam, Sichem, Christoffel van (II), The Childhood of Our Lord Jesus Christ, Youth of Christ, Christ Child Sleeping in the Cradle, verso lower left - stamped, Landscape with the Christ Child sleeping in his cradle. Two angels watch over him. Mary sits next to the cradle and embroiders., print, prints, height 87 mm, width 65 mm, Northern Netherlands, 1581 - 1658-07-02, print maker, printmaker, 1617 - 1658, paper, papier, houtsnede, Work conception, Southern Netherlands, 1553 - 1619-11-01

Vatican City, Papal Court, Rome, Rossi, Giovanni Giacomo de', Raphael, Italy, Bartoli, Pietro Sante, Representations by Raphael in the Vatican, Domine quo uenis; uenio iterum crucifigi, Christ Appearing to Peter, Christ Appearing to Peter after the Resurrection (Domine Quo Vadis). Christ holds a cross with a banner and Peter a large key. In the background soldiers and architecture. Title and reference to Bible text in the lower margin. Print is part of an album., print, picture, album sheet, prints, height 104 mm, width 266 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, etching, etchings, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07, after a design by, Publication (Event), Publication, 1627 - 1691, publisher, granter of privilege

Christ Before Pilate, from The Fall and Salvation of Mankind Through the Life and Passion of Christ. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 3 1/8 × 2 3/16 in. (7.9 × 5.5 cm). Date: ca. 1513. Museum: Metropolitan Museum of Art, New York, USA.

Woodcut and type print by Lucas Cranach the Elder from around 1512, edition 1539, depicting the martyrdom of St. John with detailed figures, gestures, and narrative composition.

Woodcut by Hans Schäufelin depicting the twelve apostles, created in 1513.

The generosity of Scipio, draughtsman: Benedetto Caliari, 1550 - 1598, paper, pen, brush, h 342 mm × w 259 mm

Scene from the dacic wars. Scene from the Dacisian wars with links men with oxen next to altars. To the bas-relief on the column of Trajan in Rome.

A woodcut by Hans Brosamer from 1550 depicting Abraham and the Israelites departing from Haran, illustrating biblical figures and movement.

The Scourging of Christ n.d. Albrecht Dürer German. The Scourging of Christ 387725

Wierix, Hieronymus, Amsterdam, Sichem, Christoffel van (II), The Childhood of Our Lord Jesus Christ, Youth of Christ, Christ Child Picking Up Wood Chips, verso lower left - stamped, Joseph chops wood from a tree trunk. The Christ Child picks up the chips. He is helped by two angels who collect the wood in their cloaks. Mary sits with them and is spinning., print, engraving, prints, engravings, height 83 mm, width 67 mm, Noord-Nederlands, 1581 - 1658-07-02, print maker, printmaker, 1617 - 1658, paper, papier, houtsnede, Work conception, Zuid-Nederlands, 1553 - 1619-11-01

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