Biblical Figures and Scenes

Dramatic representations of biblical figures, featuring expressions of sorrow and divine themes, in rich dark tones with intense emotional depth.

'Haman Recognizes His Fate', c1665. Artist: Rembrandt Harmensz van Rijn

Sebastiano del Piombo (Copy) / 'Ecce Homo', Italian School, Panel, 61 cm x 50 cm, P00347. Museum: MUSEO DEL PRADO, MADRID, SPAIN. JESUS.

Flight with daughters; unknown painter of the oski; XVII century (1601-00-00-1700-00-00);Lot (Bible), Old Testament (Bible), daughters of Lot (Bible), Italian painting, biblical scenes

Pieta. Vanni, Francesco (1563-1610), painter

Saint Bartholomew. School of Jose Ribera, 17th century. Oil on canvas, 124,50 x 95,50 cm. Gift of the Countess of Lebrija to Sorolla in 1914, in exchange for a portrait. Sorolla Museum. Madrid. Spain.

TRIPTICO IMPROPERIOS-TABLA LATERAL-FLAGELACION. Author: JHERONIMUS VAN AKEN-EL BOSCO-J. BOSCH. Location: MUSEO PROVINCIAL. Valencia. SPAIN.

Painting titled 'Saints Sebastian, Roch and Demetrius' by Ortolano (1480-1525) an Italian painter of the Ferrara School. Dated 16th Century

'Haman Recognizes His Fate', c1665. Artist: Rembrandt Harmensz van Rijn

'Descent from the Cross' (detail), 1547, Spanish School, Oil on panel, P03017. Author: Pedro Machuca. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. MARY MAGDALENE. JOSEPH OF ARIMATHEA. NICODEMO. CRISTO MUERTO.

'Cruxifixion (detail)', ca. 1530-1535, Oil on panel, 278 x 147,5 cm, CE0944. Author: ALONSO BERRUGUETE (1488-1561). Location: MUSEO NACIONAL DE ESCULTURA-COLECCION. Valladolid. SPAIN. MARY MAGDALENE. Mary Of Clopas. VIRGIN MARY. TRES MARIAS.

Francisco Bayeu y Subías / 'The Creation of Adam', 1771, Spanish School, Oil on canvas, 59 cm x 33 cm, P02480. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Resurrection, detail, Piero della Francesca, 1460's, Museo Civico, Sansepolcro, Tuscany, Italy, Europe

Titian (1488-1576) National Gallery, London Painting 110,5x91,9 Bible Noli me Tangere

The Agony in the Garden by Cranach, Lucas, the Elder (1472-1553) / National Museum of Western Art, Tokyo / Renaissance / ca 1518 / Germany / Oil on wood / Bible / 54x32

LA ASUNCION. Author: JACOPO COMIN-JACOBO ROBUSTI-TINTORETTO. Location: ACADEMIA DE BELLAS ARTES. Venedig. ITALIA. VIRGEN DE LA ASUNCION.

National art gallery: saint jerome in the desert by girolamo da carpi, 1534, ferrara, italy

Diego González de la Vega / 'Saint Paul'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Pedro Pablo Rubens / 'Saturn devouring his son', 1636-1637, Flemish School, Oil on canvas, 182,5 cm x 87 cm, P01678. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS.

St Christopher between Saints Rocco and Sebastian, 1532-1535, by Lorenzo Lotto (1480 ca- 1556), oil on canvas, 275x232 cm.

El martirio de san Pedro Arbués / The Martyrdom of Saint Peter Arbués. Date/Period: 1667. Painting. Oil on canvas. Height: 3,200 mm (10.49 ft); Width: 2,050 mm (80.70 in). Author: Baltasar de Echave y Rioja.

ECCE HOMO - SIGLO XVI - OLEO/TABLA - 73 x 50,5 cm - NP 941 - MANIERISMO ESPAÑOL - EN DEPOSITO EN EL MUSEO MUNICIPAL DE MALAGA. Author: LUIS DE MORALES 1510/1586 EL DIVINO MORALES. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Saint Christopher by Bosch, Hieronymus (c. 1450-1516) Museum Boijmans Van Beuningen, Rotterdam 1490s The Netherlands Oil on wood Painting Bible

Apotheosis of the Firmian family in the Olympus, fresco attributed to Paul Troger (1698-1762), Firmian Palace, Mezzocorona, Piana Rotaliana, Trentino-Alto Adige, Italy, 18th century, detail.

SCHEDONI, Bartolomeo (1578-1615). Charity. 1611. Baroque art. Oil on canvas. ITALY. CAMPANIA. Naples. National Museum of Capodimonte.

Michelangelo (1475-1564). The Erythraean Sibyl. Prophetess of classical antiquity. Detail of a fresco (1508-1512) on the Sistine Chapel ceiling. St. Peter's Basilica. Vatican City. Image taken by 1999, before the last restoration.

Vecellio di Gregorio Tiziano / 'Ecce Homo', 1547, Italian School, Oil on slate, 69 cm x 56 cm, P00437. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Giovanni Battista Piazzetta; Italian; Venice 1682-1754 Venice; Saint Christopher Carrying the Infant Christ; 1730s; Oil on canvas.

The Resurrection, detail, Piero della Francesca, 1460's, Museo Civico, Sansepolcro, Tuscany, Italy, Europe

Titian / Salome with John Baptist's Head

'Vision of St Augustine'. Italy, Circa 1460. Dimensions: 28x51,5 cm. Museum: State Hermitage, St. Petersburg. Author: Filippo fra Lippi.

Jose de Ribera (1591-1652). Spanish painter. Ecce Homo, 1632-1634. The State Hermitage Museum. Saint Petersburg. Russia.

Nicolas Auguste Hesse (1795-1869). Sketch for Notre-Dame-de-Bonne-Nouvelle: Saint Joseph. Oil on canvas. 1840. Museum of Fine Arts of the City of Paris, Petit Palais. Chretian Christian, sketch, Notre-Dame-de-Bonne-Nouvelle, Biblical character, Catholic religion, saint, oil on canvas

Belvedere museum. Lucas Cranach the Elder. Stigmatization of St Francis. 1502. Vienna. Austria.

Ferrari, Gaudenzio (ca 1477-1546) National Gallery, London Painting 152,4x84,5 Bible Christ rising from the Tomb

St. Jerome Reading in a Landscape Giovanni Bellini (c1430-1516 Italian) Ashmolean Museum, University of Oxford

The Resurrection, Piero della Francesca, 1460's, Museo Civico, Sansepolcro,Tuscany, Italy, Europe

Philosopher with Mirror, copy after Jusepe Ribera, 1600 - 1652

Guido Reni (1575-1642). Italian painter. Risen Christ, ca.1619. Oil on canvas. National Museum of Fine Arts. Valletta. Malta.

Saint Jerome in the Desert Oil on wood. Jan Sanders van Hemessen (1528-after 1587) Early Netherlandish painter. Jerome, a father of Wester Christian Church (c340-420) compiler the Vulgate. Naked Old Man Bald Beard Book Crucifix

Illustration with Saint Peter by Guido Reni, oil on canvas, circa 1635, 1575-1642, Russia, St. Petersburg, State Hermitage, 73, 5x56, 5

Diogenes, 17th century, Johann Carl Loth, German, 1632-1698, 40 5/8 x 32 3/4 in. (103.19 x 83.19 cm) (canvas), Oil on canvas, Germany, 17th century, A Greek philosopher of the 4th century BCE, Diogenes was a founder of Cynicism, which scorned social norms and polite behavior, advocated an austere and simple life, and held self-control and virtue to be the most important human traits.

Head of Saint John the Baptist. Frans Floris the Elder (ca. 1519-1570). Oil on panel. 46.6 x 34cm.

Saint Augustine in His Study 1490-5 Sandro Botticelli (1444-1510 Italian) Tempera on wood Galleria degli Uffizi, Florence, Italy

Religious painting, 1496-1500, by Pietro Perugino. Pietro Perugino (c.1446/1452 - 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil

Christ in the Tomb' 1460: Giovanni Bellini (1427-1516) Italian artist.

Resurrection, by Antonio Vivarini, circa 1450, National Art Gallery of Bologna, Pinacoteca Nazionale di Bologna, Emilia-Romagna region, Bologna, Italy

The Denial of Saint Peter 1610 Caravaggio (Michelangelo Merisi) Italian Caravaggios late works depend for their dramatic effect on brightly lit areas standing in contrast to a dark background. The picture, a marvel of narrative concision, was painted in the last months of Caravaggios tempestuous life and marks an extreme stage in his revolutionary style. Standing before a fireplace, Peter is accused of being a follower of Jesus. The pointing finger of the soldier and two fingers of the woman allude to the three accusations and to Peters three denials. In 1613 the painting belonged to Guido Reni, who received it from the engraver Luca Ciamberlano as compensation for debts. Listen to experts illuminate this artwork's story Listen Play or pause #5084. The Denial of Saint Peter Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. The Denial of Saint Peter. Caravaggi

Anonymous (Copy after Correggio (Antonio Allegri)) / 'The Agony in the Garden'. XVI century. Oil on panel. Museum: Museo del Prado, Madrid, España.

Anonymous (Copy after Ribera, Jusepe de, lo Spagnoletto) / 'Saint Peter weeping'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Melone, Altobello (c. 1490-before 1543) National Gallery, London Painting 145,5x144 Bible The Road to Emmaus

Alvise Vivarini (Venice, 1442/43-1503/5). Saint John the Baptist (ca. 1475). Tempera and oil on panel. 48.5 x 33.5 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Saint Christopher and the Infant Christ Domenico Ghirlandaio (Domenico Bigordi) Italian This imposing, well-preserved mural is an early work by Ghirlandaio, one of the most popular painters in late-fifteenth-century Florence and a master of the fresco technique. Its provenance is unknown, and the tradition that it decorated a chapel in the church of San Miniato fra le Torri in Florence is probably wrong: that fresco was described by early writers as about twice the size and was attributed to the Pollaiuolo brothers. In true fresco technique, pigments mixed with water are applied directly on a fresh (or fresco) plaster wall. As the plaster sets, a chemical reaction occurs whereby the pigment particles become locked into the wall, giving the work great durability. In the fifteenth century, the design for a fresco was often executed with a red pigment, known as sinopia, on a preparatory layer of coarse plaster ("arriccio"). Over this was laid just the amount of finely ground plaster ("int

Renaissance Art. Espan_a.16th century. Luis de Morales, the Divine (c. 1510-1586). Spanish painter. Ecce Homo. Cathedral Museum. Avila. Castile and Leon.

Dôrer, Albrecht (1471-1528) National Gallery, London Painting 23,1x17,4 Bible Saint Jerome

The Bard. Date/Period: 1778. Painting. Oil on oak. Height: 292 cm (114.9 in); Width: 229 cm (90.1 in). Author: Benjamin West.

The Descent from the Cross' (detail), c1520, Artist: Jan Gossaert. A stooping Joseph of Arimathea holds Christ's crown of thorns. Gossaert (c1478-1532) is usually seen as the founder of the Romanist art movement, the first group of Flemish painters to be influenced by the Italian Renaissance. From the State Hermitage Museum, St Petersburg.

Flemish school . Saint Christopher. 62x36 cm. Madrid, Prado museum. Spain. Author: ANONIMO FLAMENCO. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

France, Strasbourg, Judith and the servant

CAVARO, Pietro (-1538). Descent. beg. 16th c. Detail. Renaissance art. Oil. ITALY. SARDINIA. Cagliari. National Picture Gallery.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig

Ekman, Robert Wilhelm, work, Let the children come to me, painting, 55 cm x 46 cm

Ecce Homo, 1605, by Michelangelo Merisi, known as il Caravaggio (1571-1610), oil on canvas, 128x103 cm.

Trinity and Dead Christ Supported by Angels by Robert Campin, Oil on wood, circa 1435, circa 1375-1444, Belgium, Leuven, Stedelijk Museum Vander Kelen-Mertens, 127,7x93

St Jerome, Pieter van der Werff, 1710 painting The saint Hieronymus sitting in a cave, reading in a book. In front of him on a rock are an hourglass, a skull and a rolled -up sheet of paper. panel. oil paint (paint) St. Jerome as hermit in a landscape, reading

Adam Elsheimer (and workshop) / 'Ceres and Stellio', ca. 1605, German School, Copper, 30 cm x 25 cm, P02181. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

G. DE LA TOUR. St. Joseph the Carpenter. Musee de Beaux Arts, Besancon

El bautismo de Cristo, por Juan de Flandes Painting; oil on panel; painted surface: 124.2 x 79 cm (48 7/8 x 31 1/8 in.) overall (panel): 125.3 x 81.1 cm (49 5/16 x 31 15/16 in.) framed: 143.2 x 99.1 x 10.8 cm (56 3/8 x 39 x 4 1/4 in.);

The Temptation of Adam' : 16th century. The Master of Lucretia . Oil on wood.

The Repentant Magdalen. Date/Period: 1648. Painting. Oil on canvas Oil on canvas. Height: 1,159 mm (45.63 in); Width: 889 mm (35 in). Author: Philippe de Champaigne.

'Portrait of a Man'. Holland, 18th century. Dimensions: 21,8x17,3 cm. Museum: State Hermitage, St. Petersburg. Author: Anonymous Artist. 18th century.

Christ on the Cross with Saints Mary, John the Evangelist and Catherine of Siena; Marco Pino (Italian (Neapolitan), before 1520 - 1587,1588); about 1570; Oil on panel; 181.6 x 120.7 cm (71 1,2 x 47 1,2 in.)

Vicente Carducho / 'Ataulf, Visigoth King', 1634-1635, Spanish School, Oil on canvas, 205 cm x 118 cm, P03377. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

SAN PANTALEON-TALLA EN MADERA POLICROMADA-ESCULTURA BARROCA S XVII. Author: JOSE DE MORA (1655-1724). Location: ST ANNE'S CHURCH. GRANADA. SPAIN.

Allegory of Good Government, by Lorenzetti Ambrogio, 1338 - 1340, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico, Sala della Pace. Detail. Army hand armed man he holds a sword with a pommel: knob he goes past cranium: skull head bearded man he tears away: pulls away: wipes out: drives out helmet metal background geometric decoration.

Giovanni Bellini, Pietà 1460

Tobias and the Angel 1460's. Workshop of Andrea del Verrocchio (1435 - 1488), Italian painter

Francesco Benaglio, Saint Jerome, Italian, c. 1432-1492, c. 1470-1475, tempera on panel

Carlo Crivelli (1435-1495). Italian painter. St. Bartholomew, 1472. Tempera on wooden panel (28 x 15,5 cm). Pinacoteca Castello Sforzesco, Milan, Italy.

San Joaquín y Santa Ana. Date/Period: Ca. 1617-1620. Painting. Oil on canvas. Height: 148 cm (58.2 in); Width: 83 cm (32.6 in). Author: FRANCISCO PACHECO.

The Song of Simeon, Rembrandt, Harmensz van Rijn, 1631.

Montagnana, Jacopo da (1440-/43-1499). Italian painter. Madonna and Dead Christ. Tempera on wood. Museum of Fine Arts. Budapest, Hungary.

FLORENCE, TUSCANY/ITALY - OCTOBER 19 : The penitent St Jerome painting in the Uffizi gallery in Florence on October 19, 2019

Allegory of the Pesaro Family, by Bambini Niccolo, 1651 - 1736,, . Italy: Veneto: Venice: Ca' Pesaro: soffitto. Whole artwork. Allegory Pesaro Family light blue/azure red cloud cherub/putto lion helmet gold

Christ as the Man of Sorrows; about 1470 Oil on panel Jan Gossaert Flemish; 1478-1532

'Vision of Saint Sebastian de Aparicio', ca. 1789, Oil on canvas, 172 cm x 123 cm, P02484. Author: MARIANO SALVADOR MAELLA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN SEBASTIAN DE APARICIO.

S JERONIMO PENITENTE. Author: JUAN FERNANDEZ DE NAVARRETE (1526-1579) EL MUDO. Location: MONASTERIO-PINTURA. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. SAN JERONIMO (347-420).

Ramon Llull, Miquel Bestard, 17th Century, oil on canvas, Museo diocesano de mallorca, palma, Mallorca, Balearic Islands, Spain

Descent from the cross by Filippino Lippi, tempera on panel, 1503-1506, 1457-1504, Italy, Florence, Galleria dell'Accademia, 333x218

'Doubting Thomas', 1601-1602, Oil on canvas, 107 x 146 cm. Author: MICHELANGELO MERISI DA CARAVAGGIO (1573-1610). Location: NEUES PALAIS. Postdam. GERMANY. JESUS. CRISTO RESUCITADO. SANTO TOMAS APOSTOL.

Old man with bullets (Archimedes); Coques, Gonzales (Ca 1614-1684); XVII century (1601-00-00-1700-00-00);allegories, bullet, Flemish painting, old people, purchase (provenance)

Saint Jerome (ca. 347-420). Father and Doctor of the Church. Penitent Saint Jerome. Painting attributed to Giovanni Secchi (Cremona, active during the first half of the 16th century). Oil on panel. Ala Ponzone Civic Museum. Cremona. Italy.

Pieta, 1510, by Girolamo Romanino (ca 1484-after 1562), oil on canvas, 183x185 cm.

Jan Cossiers / 'Prometheus Carrying Fire', 1637, Flemish School, Oil on canvas, 182 cm x 113 cm, P01464. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Judith with the Head of Holofernes (- around 1500), Judith with the Head of Holofernes, painting by Sandro Botticelli (1445 - 1510), one of the most important Italian painters and draftsmen of the early Renaissance, historical, digitally restored reproduction from an original.

Pietà, Fouquet, Jean, 1455

St. Luke; Simone Martini (Italian (Sienese), about 1284 - 1344); Siena, Tuscany, Italy; 1330s; Tempera and gold leaf on panel; Panel: 67.5 × 48.3 × 3.8 cm (26 9,16 × 19 × 1 1,2 in.)

Narcissus looking at his reflection in a fountain, by Jan Roos (1591-1638), oil on canvas, 170x120 cm.

Italy, Novara, Painting of Saint Brunone

EYCK, Hubert van (1370-1426). The Ghent Altarpiece or Adoration of the Mystic Lamb. 1425-1432. BELGIUM. Ghent. Saint Bavo Cathedral. Saint John the Baptist, upper half of central pannel. Flemish art. Oil on wood.

Saint Barthlomew. Artus Wolffordt (1581-1641). Oil on canvas. 115.6 x 99.1cm.

Self-Portrait. Artist: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Dimensions: 39 x 31 1/4 in. (99.1 x 79.4 cm). Date: ca. 1647.One of the most fascinating and complex personalities in seventeenth-century Italy, Salvator Rosa was an accomplished painter, printmaker, poet, and actor. Here he shows himself inscribing a skull with the Greek words: "Behold, whither, when." The wreath of cypress is an emblem of mourning, while on the table is a book by the Roman stoic philosopher Seneca. According to the inscription, the picture was a gift to Rosa's friend Giovanni Battista Ricciardi (1624-1686), a brilliant man of letters from Pisa. Museum: Metropolitan Museum of Art, New York, USA.

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