Biblical Historical Scenes

Engraved prints capturing biblical narratives, illustrating dramatic moments involving historic figures, ceremonies, and significant events.

Haarlem, Varlenius, Hieronymus, Heemskerck, Maarten van, Galle, Philips, History of King Josiah, King Josiah has the temple of Baal destroyed, King Josiah gives the order to destroy the temple of Baal and to kill the priests of Baal. All objects made in honor of the idol are burned outside the city by Josiah's soldiers. The fire can be seen in the background on the right., print, prints, height 203 mm, width 250 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1569 - 1569, paper, engraving, engraving (printing process), Work conception, North Netherlands, 1498 - 1574, after a design by, 1550 - 1600, writer

Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Muller, Harmen Jansz, History of Dina and Sichem, Circumcision of Sichem, verso - stamped, Sichem is circumcised. On the right, the recently circumcised Chamor, Sichem's father, is supported by a boy. At the bottom in the margin a reference in Latin to the Bible text in Gen. 34: 24., print, prints, height 202 mm, width 246 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1567 - 1571, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

To prove that it is not the image of the god Bel who consumes the food, but the priests, Daniel scatters ashes on the floor of the temple. King Cyrus has the door of the temple sealed so that no one can enter unnoticed, Daniel scatters ashes on the temple floor History of Daniel, Bel and the dragon , print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), publisher: Theodoor Galle, (mentioned on object), print maker: Haarlem, publisher: Antwerp, 1601 - 1633, paper, engraving, h 202 mm × w 246 mm

Haarlem, Varlenius, Hieronymus, Heemskerck, Maarten van, Galle, Philips, History of King Josiah, King Josiah has the temple of Baal destroyed, King Josiah gives the order to destroy the temple of Baal and to kill the priests of Baal. All objects made in honor of the idol are burned outside the city by Josiah's soldiers. The fire can be seen in the background on the right., print, prints, height 203 mm, width 250 mm, South Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1569 - 1569, paper, engraving, engraving (printing process), Work conception, North Netherlands, 1498 - 1574, after a design by, 1550 - 1600, writer

Aeneas Offert Aan Apollo, Giuseppe Maria Mitelli, After Agostino Carracci, After Annibale Carracci, After Ludovico Carracci, 1663 print Aeneas sacrifices Apollo. Aeneas is kneeling in front of an image of the God Apollo for a temple. Behind him a crowd in a landscape and two priests. print maker: Italyafter painting by: Italyafter painting by: Italyafter painting by: Italyprinter: RomeItalyItaly paper etching (story of) Apollo (Phoebus)

Ahasuerus gives his ring to Haman History of Ester (series title) Historia Asuerij (...) (series title) Thesaurus sacrarum historiaru m veteris testame n ti, elega n tissimis imaginibus expressu m excelle n tissimoru m in hac arte viroru m opera: now n c primu m in luce m editus (series title), King Ahasuerus gives his signet ring to Haman, with whom Haman can execute his plan in the name of the king to have all the Jews put to death. The decision is announced in the background. A group of Jews are grieving with ashes on their heads. On the right is Queen Esther in her room where she instructs a servant to bring Mordecai clothes so that he can wear them instead of his mourning garment. Still further in the background, Ester prays for a happy ending. Below the performance a reference in Latin to the Bible text in Est. 3. Print is part of an album, Haman entreats Ahasuerus to issue a decree that all the Jews are to be put to death, Ahasuerus consents and yields his s

Christ Crowned with Thorns, from The Passion, #7 in a series of 12engravings. Artist: Hendrick Goltzius, Dutch, 1558-1617

Alexander Enthroned ca. 1527 Attributed to Giulio Bonasone Italian In Mariette Album, folio 60. Alexander Enthroned 632350

Submission of six German cities, 1547, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1555 - 1556 print Six German cities submit to Karel V in 1547 after the Battle of Mühlberg. The leaders of the cities kneel in front of the throne of Karel V. in their hands the keys to their city. The print has a Latin, Spanish and French caption and is part of a twelve -part series about the victories of Karel V. print maker: Haarlemafter design by: Haarlempublisher: Antwerp paper etching / engraving surrender of keys. Battle of Mühlberg

Fortune teller, Cornelis de Wael, 1630 - 1648 print In the midst of farmers, a fortune teller reads the hand of a richly clad woman. The fortune teller looks at a farmer's wife who breastfeeds her child. On the right by a wall, a woman stirs in a cooking pot. Italy paper etching / engraving fortune-teller ~ pleasure fair and circus. contrast between rich and poor. nursing, suckling. kitchen-utensils: pot

The Visitation 1540-50 Giorgio Ghisi Italian. The Visitation 367408

Submission of six German cities, 1547; Victories of Charles V; Divi Caroli. V. Imp. opt. Max victoriae, ex multis praecipuae. Six German cities subject to Charles V in 1547 after the Battle of Mühlberg. The leaders of the cities kneel for the throne of Karel V. in their hands the keys of their city. The print has a Latin, Spanish and French caption and is part of a twellable series about the victories of Karel V.

Suicide of Lucretia; The history of Lucretia. Lucretia is in her bedroom in the presence of a number of men in the chest with a dagger. Under the show six lines of Latin. This print is part of a series of four prints that depict the history of Lucretia.

Title print for part 2 of 'mirror of state' by Romeyn de Hooghe; Mirror of state. Variously the power of the general ityyt. Classic temple in which various classical figures are located, including Perserseus with Medusa on his shield, Mercury with his winged hat, a flow god and a Sater. Re-and in the performance of the Rebelse Nederlanden symbols: freedom hat, arrows bundle, lion with arrows bundle, spell 'Concordia res Parvae Crescunt'.

Title page for "Sesostris, King of Egipte, Treurspel", Balthasar Bernards, After Bernard Picart, 1711 - 1737 print The king is stabbed in the Royal Palace of Egypt. He lies on the floor and points to his murderer. paper etching / engraving murder

Venus Attiring by the Graces, Print made by Bernard Lens, 1659-1725, British, after Francesco Albani, 1578-1660, Italian, undated, Mezzotint with line engraving on moderately thick, moderately textured, cream laid paper, Sheet: 11 1/8 × 13 7/8 inches (28.3 × 35.2 cm), Plate: 10 × 12 13/16 inches (25.4 × 32.5 cm), and Image: 9 5/8 × 12 5/8 inches (24.4 × 32.1 cm), beauty, braid, cherubs, chest, clouds, columns, combing, dressing, flowers, fountain, garden, goddesses, harp, mirror, music, nudes, palace, pearls, reflection, religious and mythological subject, statues, vase, watching

Hercules roars the cattle of Geryon. Hercules runs to the left with three cattle and a herd of sheep. On the right is a group of women (possibly the Hesperides) that look to Hercules and gestures. Italian verse under the show.

Plate 7: Joseph Making Himself Known to his Brothers, from Genesis 45, after a lost fresco in the basamento of Bay 7 of the Vatican Loggia 1650-77 Pietro Santi Bartoli Italian This plate is bound with three series after Raphael's designs for the Vatican Stanze.. Plate 7: Joseph Making Himself Known to his Brothers, from Genesis 45, after a lost fresco in the basamento of Bay 7 of the Vatican Loggia. Series of 44 plates depicting the stucco medallions by Raphael's workshop designed for the Vatican Loggie. Pietro Santi Bartoli (Italian, Perugia 1615-1700 Rome). 1650-77. Etching. Giovanni Giacomo De Rossi (Italian, Rome 1627-1691 Rome). Prints

Antwerp, Galle, Theodoor, Heemskerck, Maarten van, Haarlem, Philips, Parable of the prodigal son, The eldest brother of the prodigal son is furious, verso - stamped, The eldest brother of the prodigal son returns from working in the fields and hears from a servant that his brother has returned. He is angry about the warm welcome of his brother who has squandered all his money. The father calms the anger of the eldest son., print, engraving, engraving (printing process), print maker, printmaker, 1596 - 1633, paper, Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, Southern Netherlands, 1571 - 1633, publisher

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Apollo and his muses on Mount Parnassus, Gabriël François Louis Debie, 1729 print Apollo is sitting on Mount Parnassus, standing around him and his muses with their attributes at the Source Castalia. While Amor plays on a winch, Apollo is embraced by a muse. Above them, fame floats with praise on a cloud. In the Dutch Vers in two couplets of four lines about these goddesses of poetic inspiration and fine arts. Amsterdam paper etching Apollo and the Muses, Apollo Musagetes

Reconciliation between the Sabines and the Romans, Pieter Jalhea Furnius, after Jan van der Straet, 1573 print The Sabine women were kneeling down with Roman and Sabine soldiers on horseback and beg them to strike the fight. In the margin under the show is a text in Latin, numbered at the bottom right: 2. The print is part of a series of prints that depict events from Roman history. Antwerp paper engraving (story of) the Sabine women

The school of Athens: a gathering of Greek philosophers disputing with Saint Paul the Apostle. Engraving by G. Ghisi, 1550, after Raphael.

Allegory of the judicial trial, Jan van Vianen, After Jan Goeree, 1705 print Allegorical representation on the judicial process. Delft paper etching / engraving symbols and allegories of jurisprudence. symbols and allegories of law; 'Legge', 'Legge civile' (Ripa)

Lost son wasted his money, Anonymous, After Marten van Cleve (I), 1547 - 1591 print The lost son sits in the midst of prostitutes and musicians at the table in the outdoors. A woman with bare breasts fills his drinking scale. There are food and dice on the table. At the back left he eats with the pigs from a trough and he kneels for his father when he returns home. In the margin a single -line caption from Luc. 15 in Latin. print maker: Low Countriesafter design by: Antwerppublisher: Antwerp paper engraving the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. the prodigal son tends the swine and eats from their trough. the prodigal son returns home, where his father awaits him

Antwerp, Jode, Pieter de (I), Heinz Helvet, Jos, Italy, Sadeler, Aegidius, Holy family with Elizabeth and John the Baptist as a child, verso lower left - stamped, The Holy Family with Elizabeth and John the Baptist as a child. Two angels in the air bring Mary and the Christ Child fruit and provide them with shade. The print has a Latin caption., print, prent, prints, prenten, height 342 mm, width 259 mm, Zuid-Nederlands, 1570 - 1629, print maker, prentmaker, 1593 - 1593, paper, papier, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, 1570 - 1634-08-09, publisher

Den Haag, Hondt, Pieter de, Hoet, Gerard (I), Amsterdam, Blois, Abraham de, Samson's eyes are gouged out, Philistines gouge out the eyes of chained Samson, The Hague, verso lower right - stamped, The Philistines hold the chained Samson in check and blind him by gouging out his eyes, his hair has already been cut off. Below the image is the title in six languages., print, book illustration, prints, pictures, height 348 mm, width 219 mm, - 1717-10-06, print maker, printmaker, 1679 - 1717, paper, engraving, engraving (printing process), 1648-08-22 - 1733-12-02, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

The birth of Saint John the Baptist ca. 1538-45 Giulio Bonasone Italian. The birth of Saint John the Baptist 392926

Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Galle, Philips, History of Susanna, Elders try to seduce Susanna, Susanna bathes at a fountain in a garden. Two elders approach her and try to seduce her. There are some care products by the fountain. A large building in the background. An explanatory text in the text below the image Latin. This print is part of an album., print, album sheet, prints, height 205 mm, width 255 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1563 - 1563, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Pallas Praises Nature at the Birth of the Infantes, Promising to Protect Them from Evil. Antonio Tempesta (Italy, Florence, 1555-1630). Italy, 1612. Prints; etchings. Etching

Antwerp, Jode, Gerard de, Vos, Maerten de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Tobias, Departure of the Angel Raphael, The angel Raphael makes himself known to Tobit, Anna, Tobias and Sara. They kneel on the ground. Tobit has returned home and is received on the left by his parents Tobit and Anna. Further in the background the reception of Tobias' wife Sara. On the right in the house the healing of Tobit. At the bottom in the margin an explanatory text in Latin. After Tobit 11-12. This print is part of an album., print, album leaf, prints, height 209 mm, width 296 mm, Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, fourth quarter 16th century, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Coat of arms Geelvinck family surrounded by allegorical figures, Gerard de Lairesse, 1675

Germany, Passion scenes in frames with animals, Passion scene in frame with peacocks, owls and swans, print, prent, ornamental print, prints, ornamental prints, height 63 mm, width 82 mm, print maker, printmaker, 1600 - 1699, 17th century, 17e eeuw, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Florimi, Matteo, Boscoli, Andrea, Italy, Jode, Pieter de (I), Passionis et resurrectionis, Passion of Christ, Christ Crowned with Thorns, verso - stamped, Christ, naked except for a loincloth and seated, is bound with ropes by two soldiers. A third soldier is about to hit Christ in the face with his fist. A fourth soldier pushes the crown of thorns onto Christ's head with two sticks. Thorns lie in the foreground. In the margin a five-line caption in Latin. Print from a series of fifteen with the passion of Christ., print, prints, height 182 mm, width 123 mm, Southern Netherlands, 1570 - 1634-08-09, print maker, printmaker, 1590 - 1632, paper, engraving, engraving (printing process), etching, Work conception, 1560 - 1607, after a design by, Publication (Event), Publication, Italian, publisher

Heliogabalus and the Wise Women. Dated: 1589. Dimensions: plate: 22.2 x 28.5 cm (8 3/4 x 11 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Raphael Sadeler I after Joos van Winghe.

Complaint from the South Sea Compagnie, 1720, 1720 Complaint from the South Sea Company, 1720. The female personification of the South Sea Company with its children lying between books with debts on a sofa. Against a background with books indicated as: library of a sad actionist. With small scenes from other failed companies, on the top left, actions are eaten by a man. Under the show a caption with a verse printed in three columns of a separate plate. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Complaint from the South Sea Company, 1720. The female personification of the South Sea Company with its children lying between books with debts on a sofa. Against a background with books indicated as: library of a sad actionist. With small scenes from other failed companies, on the top left, actions are eaten by a man. Under the show a caption with a verse printed in th

A black and red chalk drawing showing Ulysses performing a sacrifice to Hades, holding bloodied animals with a raised sword, with light brownish dirt in upper corners.

Minerva tramples fire-accelerating sea monster; Niew Nederduitsch and Fransch dictionary; Title page for: François Halma, Dictionary of the Nederduitsche en Fransche Langleen, 1710. Minerva, worn by Apollo with Zegspalm, tramples a fire-saving sea monster. Left holding a man and putto's hands before the mouth. Right scholars around a globe.

Title sheet for the pamphlet: Nebucadnezzars image to Versailles to be set to be set up to Madrid, 1702, Romeyn de Hooghe, 1702 print A woman between two men in conversation about the statue. In the background, an image of Louis XIV is worshiped on his throne. Cartoon on the establishment of a statue for the French king and the proclamation of the son of the Dauphin (the Duke of Anjou) as king of Spain (Philip V). Title is on a separate text sheet. Netherlands paper etching / engraving

The slander of Apelles. On a throne a king whose stupidity is shown by his donkey ears. He is assisted by two women (ignorance and suspicion). An old man (envy) brings a beautiful young woman with a torch (slander) for the king. There are a number of women behind the woman, including betrayal, deception and repentance.

Amsterdam, Luyken, Jan, Simon murdered at a banquet on the orders of his son-in-law Ptolomaeus, verso - stamped, print, prints, height 76 mm, width 87 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching

Abraham Bosse after Claude Vignon, Illustration to Jean Desmarets' L'Ariane, published 1639 Illustration to Jean Desmarets' L'Ariane

Gheyn, Jacob de (II), Hogerbeets, Petrus, Mander, Karel van (I), Leiden, The prodigal son squanders his money, verso - stamped, In the foreground a merry company. There is drinking, singing and music playing. On the left in the foreground a jester with a jester's cap. The prodigal son squanders all his money by leading a dissolute life in this merry company. In the background he is chased out of an inn by three women. The print has a Latin caption., print, prints, height 410 mm, width 662 mm, 1565 - 1629-03-29, print maker, printmaker, 1596 - 1596, paper, engraving, engraving (printing process), Work conception, South Netherlandish, North Netherlandish, 1548-05 - 1606-09-11, after a design by, Dutch, 1542 - 1599, writer, Publication (Event), Publication, publisher

Antwerp, Galle, Theodoor, Heemskerck, Maarten van, Haarlem, Philips, Parable of the Prodigal Son, The prodigal son squanders his inheritance, The prodigal son squanders his inheritance in a brothel. Seven women care for him, make music for him and bring him food and drink. On the right, through the window, we see the prodigal son arriving; on the left, after the money has run out, he is shown the door., print, prent, prints, prenten, height 207 mm, width 250 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, printmaker, 1596 - 1633, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1498 - 1574, after a design by, Publication (Event), Publicatie, 1571 - 1633, publisher

Music, Cornelis schut (I), 1618 - 1655 print With a fountain, three women make music on string instruments. Musica is behind them. Two men watch from a balustrade. On the ground are instruments and a book with sheet music. paper etching / engraving 'Musica' (~ quadrivium); 'Musica' (Ripa). listening to music - CC - out of doors. notation of music - CC - out of doors

The Crowning with Thorns, from The Passion of Christ. Artist: Hendrick Goltzius (Netherlandish, Mühlbracht 1558-1617 Haarlem). Dimensions: Sheet: 7 11/16 x 5 1/16 in. (19.5 x 12.9 cm). Date: 1597.Between 1596 and 1598 Goltzius engraved this series of twelve prints illustrating the Passion of Christ. They reflect the influence of the Netherlandish artist Lucas van Leyden, in both the figure types and the actual engraving technique. In contrast to his normal graphic style, which was characterized by a dramatic line that swells and tapers around the figures and background, here Goltzius uses thin even lines crossed with long straight hatching lines that are typically found in Lucas's prints. In Northern Europe at the end of the sixteenth century there was a revival of interest in the works of Lucas and this series can be seen within that larger context. So, too, can Goltzius's famous Pietà modeled after Albrecht Dürer and the Circumcision and the Adoration of the Magi from his series the

Statue of Niobe and her Worshippers, with Apollo and Diana and other Figures, after Polidoro da Caravaggio 1543-47 Anonymous, School of Fontainebleau Forms a complete composition with 51.501.622b.. Statue of Niobe and her Worshippers, with Apollo and Diana and other Figures, after Polidoro da Caravaggio 698815

Some people attract their house to a cord; The harmful trouble.

Emperor Heliogabal In Debate with the Philosophers, Raphaël Sadeler (I), After Joos van Winghe, 1589 print Emperor helioga ball in the midst of his female court. He is portrayed as a young prince and is in conversation with two learned philosophers who seem to want to change his mind. There is a monkey in front of the throne. In the background on the right the fate of Emperor Heliogabal: he is castrated. Cologne paper engraving male persons from classical history (ELAGABALUS). castration. discussion, dialogue, dispute ~ scholar, philosopher. pernicious influence of women, 'femmes fatales'

Vestal Virgin Tuccia wears water in a colander to prove her innocence, Raffaello Guidi, after Jacob Matham, after Bartholomeus Spranger, 1613 print The Vestal Virgin Tuccia, at the Tiber River, depicted by a river god, carries water in a colander to prove its innocence. In the foreground are Romulus and Remus with a woolvin, the Lupa Capitolina. Illustration of the story of Pliny, Naturalis Historia. Fresh in Latin in three columns in the lower margin. print maker: Romepublisher: RomeVaticaanstad paper engraving the Vestal virgin Tuccia, accused of fornication, carries water in a sieve to prove her chastity. personification of river Tiber; 'Tevere' (Ripa). kitchen-utensils: sieve. Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana' Tiber

Francesco Fontebasso, Alexander the Great and Campaspe in the Studio of Apelles, 1744 Alexander the Great and Campaspe in the Studio of Apelles

Sextus Tarquinius and the caution (Prudentia), Hans Collaert (I), After Chrispijn van den Broeck, 1576 print Allegory of caution and light skills. At the back left the Roman people are thrown by Lucretia's husband to resist the Tarquinius Dynasty. The print has a Latin, French and Dutch caption and is part of a series about the seven virtues. paper engraving Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. 'Sapientia', Wisdom; 'Sapienza divina' (Ripa) ~ one of the seven gifts of the Holy Ghost. the rape of Lucretia: Sextus Tarquin threatens her with a dagger or a sword

Untitled: Classical scene, Arthur Pond, ca. 1705-1758, British, after Giovanni Paolo Panini, Italian, 1691-1765, Italian, 1740, Sheet: 8 1/8 x 10 1/2in. (20.6 x 26.7cm)

King of Israel by Anonymous artist, print, Private Collection, 13, 4x18

Philip Galle after Jan van der Straet, The Fall of Euthychus The Fall of Euthychus

Alcohop met jupiter a sellele, Jean lepautre, c. 1662 - c. 1670 print In an alcove Semele lies on an ornamental four -poster bed. Putti open the curtains of the four -poster bed. Jupiter comes to the left of heaven with a bundle of lightning bolts in hand. print maker: Franceafter own design by: Francepublisher: Paris paper etching Jupiter kills Semele by coming to her with his lightning and thunderbolts

Pier Francesco Mola, Joseph Identifying Himself to His Brothers Joseph Identifying Himself to His Brothers

Italy, Penni, Luca, Ghisi, Giorgio, The Calumny of Apelles, verso - stamped, On a throne sits a king whose stupidity is shown by his donkey ears. He is assisted by two women (Ignorance and Suspicion). An old man (Envy) brings a beautiful young woman with a torch (Calumny) before the king. Behind the woman are a number of women, including Treason, Deceit and Remorse., print, engraving, prints, height 368 mm, width 319 mm, Italian, 1520 - 1582-12-15, print maker, printmaker, 1560 - 1560, paper, engraving (printing process), Work conception, 1500 - 1556

Visitie, Bartolomeo Passarotti, After Francesco Salviati, 1539 - 1592 print Maria's visit to her niece Elisabet. A large number of figures watch from the street and from the surrounding buildings. On the left, a woman gives the breast to a small child. On the right a woman wears a bag on her head. Italy paper etching Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56) Church of San Giovanni Decollato

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history LXV. A woman greets her lover in her bedroom. Her husband unsuspectingly keeps watch in the hallway., print, engraving, book illustration, prints, engravings, height 73 mm, width 79 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, Work conception, after own design by

Amsterdam, Visscher, Claes Jansz. (II), Cleve, Marten van (I), Antwerp, Sadeler, Johann (I), Historia plagarum in Aegijpto, History of Moses before the Exodus, Plague of frogs and gnats, In the foreground the second plague that God let come upon Egypt: a plague of frogs. A group of people at a table with frogs all around them. In the background the pharaoh is attacked by a group of gnats: the third plague of Egypt. Also in the background Aaron and Moses who evoke the plagues. The print has a Latin caption., print, prints, height 202 mm, width 288 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1527 - 1581, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Razet, Jacques, Sovius, Simon, Bloemaert, Abraham, Haarlem, Matham, Jacob, Adoration of the Shepherds, verso lower left - stamped, print, prints, height 228 mm, width 291 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1604 - 1607, paper, papier, engraving, engraving (printing process), 1566-12-25 - 1651-01-27, intermediary draughtsman, after a drawing by, writer, Publication (Event), Publication, publisher

Haarlem, Casteleyn, Abraham, Northern Netherlands, Hooghe, Romeyn de, Title page for the Hollandsche Mercurius about the year 1684, Title page for the Hollandsche Mercurius about the year 1684. The personifications of the battle between Austria and the Turks in Hungary are central. In the foreground Mercury and an armored female figure personification., print, title page, prints, Frederik Muller History plates, height 162 mm, width 120 mm, Northern Dutch, 1645-09-10 - 1708-06-15, print maker, 1685 - 1685, fourth quarter 17th century, paper, etching, etchings, Publication (Event), Publication, 1628 - 1681-01, publisher

Ester for Ahasveros, Philips Galle, After Maarten van Heemskerck, 1564 print Ester kneels for King Ahasveros and invites him for a banquet. Ahasveros sits on his throne and touches Esters Kin with his scepter. Haarlem paper engraving Esther approaching the throne

Elisa and the Sunnemitic woman travel back, Hans Collaert (I), After Maerten de Vos, 1643 print Together with Elisa, the Sunnemitic woman travels back home. Elisa sends his servant with his staff towards her house, with the order to lay the staff on the child's death bed. The print has a Latin caption and is part of a series about Elisa and the Sunnemite woman. print maker: Antwerpafter design by: Antwerppublisher: Amsterdam paper engraving Gehazi is sent to the house with Elisha's staff; he attempts unsuccessfully to revive the child of the Shunammite woman

Etching and copper engraving by Francesco Mazzola, circa 1527-1530, depicting the biblical scene of the healing of a lame person at the temple gate, including two sound panels.

The wedding of thetis and peeled, according to Rubens (Dutuit 41) The wedding of thetis and peeled, according to Rubens (Dutuit 41). Forte and chisel, 17th century. Museum of Fine Arts of the city of Paris, small palace.

. Salomé presents scale with the head of John the Baptist to Herodes and Herodias and their guests. In margin among fresh rules in four languages and fragment of Bible text Marcus 6, verse 27.

Achitofel and Chusai at Absalom, Johannes Wierix, After Maerten de Vos, 1585 print Achitofel and the Arkiet Chusai advise Absalom about the martial plan against King David. In the background, Jonatan and Achimaäs - who would convey the news about the plan to King David - hide in a well in the yard of the house of a man from Bachurim. His wife lays a hatch over the opening of the well, so that nothing can be seen. Under the show a reference in Latin to the Bible text in 2 SAM. 17. Antwerp paper engraving Absalom takes counsel with Ahitophel. Hushai called for counsel. pursued by Absalom's soldiers Ahimaaz and Jonathan hide in a pit in a house at Baharim; a woman spreads a cover with corn over the pit

Judgment of Cambyses, Anonymous, Hans Weiditz (II), 1514 - 1532 print Cambyses appoints the bending Otanes as a judge. His throne is covered with the skin of Otanes' father: sisamnes. Print is part of an album. paper letterpress printing judgement of Cambyses: he appoints Sisamnes' son to succeed his father, whose skin is nailed onto the judgement-seat (possibly flaying of Sisamnes visible)

H. Joris. Joris drops slightly through his knees at the foot of a statue of Apollo. Behind it flies the fire-breathing dragon. The king focuses half of his throne that is placed under a canopy. People watch all around. In the foreground two frightened sighting boys with a dog. In the air a putto and an angel who holds Joris a laurel wreath above the head.

Fortune teller; Genre scenes. In the middle of farmers, a reminded fortune teller reads the hand of a richly dressed woman. The fortune teller looks to a farmer's chest that breasts her child. A woman in a cooking pot stirs right at a wall.

Tsar Fedor Borissowitz dies poisoned in prison, 1605, Jan Luyken, 1698 print print maker: Amsterdampublisher: Leiden paper etching / letterpress printing prison, jail. violent death by poison

Hercules consults with Mars and Minerva, Pieter Nolpe, After Claes Moeyaert, 1638 print Tableau Vivant. Hendrik IV, who is dressed as Hercules, consults with Mars and Minerva about the way to make France a whole again. Mercury points to the gods on the clouds. The justice is still stuck under the globe of the split French empire and is assisted by peace. Presentation used in the water theater on the Rokin. Numbered at the bottom right: 11. Plate 11 of the illustrations in the description of the festivities around the visit of Maria de 'Medici to Amsterdam from 31 August to 5 September 1638. Amsterdam paper etching / engraving triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. 'tableau vivant'. personifications of countries, nations, states, districts, etc.. (story of) Mars (Ares). (story of) Minerva (Pallas, Athena). (story of) Mercury (Hermes) Amsterdam

Sinorix is carried away after his poisoning. The Tetrarch Sinorix is poisoned by Camma, a woman whose husband he had killed. Sinorix is worn to his car ready to the right. On the left a round temple of Diana. Scene from Plutarch's' 'De Mechanic Virtutibus'.

Indians wear Columbus a cabin; Designs for the attraction-made (...) sea and land trips. Design for a book illustration.

Minerva and the Arms of François Sublet de Noyers Painted by the Genius of Painting mid to late 17th century Abraham Bosse French. Minerva and the Arms of François Sublet de Noyers Painted by the Genius of Painting 387604

Death of Cato. In his dorm there, the Staatsman Cato has perpeden himself. Lying on a bed he pulls guts out of his body. A group of bystanders overwhelmed. Seven lines of Latin text in undermarge.

DIOS SE APARECE EN UNA NUBE A ESDRAS - HISTORIA DE ESDRAS - XVI/XVII - GRABADO FLAMENCO. Author: JODE GERARD / VOS MARTEN / VISSCHER CLAES JANSZ. Location: PRIVATE COLLECTION.

Lazarus begs in the house of the rich man; Feria V. Post Domin. II. Qvadrages. Departure with the rich man and his company, partying to a richly filled table. Above the seat of the rich man flying devils. The poor Lazarus is located at the door on the ground. Dogs lick his wounds. A servant threatens to hit him with a stick. At different elements from the show are letters that correspond to the legend in the margin.

In the foreground, the clerk is attacked by four men dressed as devils. They beat him with whips. In the background a woman in a bed. A scene from Francisco de Quevedo's work 'The Nightcrawler,' The Registrar Is Attacked by Four Men Dressed as Devils The Registrar Is Maltreated by Four Made Duyvels , print maker: Caspar Luyken, (mentioned on object), bookseller: Jan Claesz ten Hoorn, Leiden, 1699, paper, etching, h 136 mm × w 80 mm

Hooghe, Romeyn de, Netherlands, Illustration for the Decameron by Boccaccio, history XI. Martelino is attacked and dragged away by the crowd., print, engraving, book illustration, prints, engravings, height 74 mm, width 78 mm, Northern Netherlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1697 - 1697, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by

Dead is about to decrease the life wire of a dying man who tries to stop him; The death bed, of the vice.

Gabriel Jacques de Saint Aubin, Laban cherchant ses dieux, 1753 Laban cherchant ses dieux

. Semele lies on an ornamental four-poster bed in an alcove. Putti open the curtains from the four-poster bed. Left from heaven comes to Jupiter flying with a bundle of lightning bolts in hand.

Man Assisted by Faith, Hope and Charity. Dated: 1562. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: after Maerten van Heemskerck.

The Martyrdom of Saint James Minor. Dated: c. 1634/1635. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Antwerp, Collaert, Guillaume, Rubens, Peter Paul, Lommelin, Adriaen, S. Franciscus de Paula, Ordinis Minimorum Fundator, H. Franciscus van Paola heals the sick, verso - stamped, Saint Francis of Paola, founder of the Order of the Minims, has appeared to a group of people to heal the sick among them. On the right a king and queen look from a bordes toe. In the margin a three-line caption in Latin and Dutch., print, prent, prints, prenten, height 225 mm, width 146 mm, print maker, prentmaker, 1630 - 1651, paper, papier, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, Northern Netherlands, 1600 - 1651-03, publisher

Golden era; Ætas Avrea. Presentation of the golden age. Life is good and the people are happy. They celebrate the party in honor of the goddess flora and decorate their homes with flowers and garlands and collect fruit. On the right side of the cloud is Saturn, as a patron of this happy time.

Alexander Preserving the Works of Homer. Raphael, 1483-1520. 1501 - 1534. Raimondi, Marcantonio, approximately 1480-approximately 1534. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The murder of the De Witt brothers and two portraits, 1672, Anonymous, 1672 print Portraits of Johan and Cornelis de Witt above a combined representation of the murder, dragging the bodies to the seesaw and the mutilation of the corpses, August 20, 1672. Northern Netherlands paper etching / engraving attempt, political murder. violent death, being killed; being mishandled and maltreated; seeking death (+ death by lynching). lynching. mutilation of the corpse The Hague

Samson and Delilah. Dated: c. 1540. Dimensions: sheet: 30.7 x 49.7 cm (12 1/16 x 19 9/16 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Niccolò Boldrini after Titian.

Illustration for Boccaccio decamerone. Illustration for the Boccaccio decamerone, History LXV. A woman greets her lover in her bedroom. Her husband keeps unsuspecting in the hallway.

The Mouth of Truth, c. 1533-34. Georg Pencz (German, c. 1500-1550). Engraving;

Aeneas flees with his family from Troy, Agostino Carracci, After Federico Barocci, 1595 print Aeneas wears his father Anchises on his back. Ascanius runs on the left and a woman on the right. The burning Troy in the background. Text in STUDMARGE. print maker: Italyafter design by: Italypublisher: VeniceItalyItaly paper engraving 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way Three

The Triumph of Love, plate one from The Triumphs of Petrarch. Georg Pencz; German, c. 1500-1550. Date: 1534-1544. Dimensions: 152 x 210 mm (image/plate/sheet). Engraving in black on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Uytrecht Herstelt (The Recapture of Utrecht, 1673). Dated: 1674. Dimensions: plate: 40.6 x 51.7 cm (16 x 20 3/8 in.) sheet: 41.2 x 52.1 cm (16 1/4 x 20 1/2 in.). Medium: etching with engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: ROMEYN DE HOOGHE.

Sinorix is carried away after his poisoning, Pietro Testa, c. 1640 print The Tetrarch Sinorix was poisoned by Camma, a woman whose husband he had killed. Sinorix is worn to his car that is ready on the right. On the left a round temple of Diana. Scene from Plutarchus' 'De Mulierum Virtutibus'. Italy paper etching to avenge the death of her husband upon his murderer Sinorix, Camma feigns consent to marry him, pours poison into the nuptial bowl and hands it over to Sinorix: the dying Sinorix is seen struggling out of the temple of Diana and trying to reach his carriage

Aeneas flees with his family from Troy, Agostino Carracci, After Federico Barocci, 1595 print Aeneas wears his father Anchises on his back. Ascanius runs on the left and a woman on the right. The burning Troy in the background. Text in STUDMARGE. print maker: Italyafter design by: Italypublisher: VeniceItalyItaly paper engraving 'Pius Aeneas': Aeneas, leading Ascanius, escapes from burning Troy, carrying his father Anchises with the Penates; his wife Creusa, who sets out with them, is lost on the way Three

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