Biblical Scenes And Angels

Engravings depicting biblical events with angels and figures such as the Annunciation, featuring dramatic lighting and emotional poses.

Annunciation, Jan Wandelaar, 1725 print Maria kneels, while the angel approaches Gabriel from a cloud. At the top right state: Page: 1. North Netherlands paper etching / engraving the Annunciation: Mary kneeling

Annunciatie.Maria kneels, while the angel approaches Gabriël her from a cloud. At the top right state: p .: 1.

Fiacrius of Meaux, saint.

Saul at the Witch of Endor; Saul, to rode with the toveresse in Endor, raises Samuel. Saul consults the witch from Endor on the eve of the battle against the Philistines. During the ritual, the Prophet Samuel appears in a vision, dressed in just a shroud. He predicts the defeat of the Israelites, the death of the children of Saul and the suicide of Saul. Saul begs at his knees for forgiveness.

Sen adama o mesjaszu osądzających I umarłych Adams dream of the day of the judgment, z: albumu Place the Dutch translation of Klopstock's Messiah by M. Johan Mehan Mehan, Lord of Dalem and Vuren: Drawn by John

Annunciation, Jan Wandelaar, 1725 print Maria kneels, while the angel approaches Gabriel from a cloud. At the top right state: Page: 1. North Netherlands paper etching / engraving the Annunciation: Mary kneeling

The saint Hieronymus with two angels, Pietro Monaco, After Giovanni Battista Tiepolo, 1717 - 1763 print Saint Hieronymus as a penitent in the Woenstijn. Behind him is the lion. Hieronymus looks up to two angels who point him to a book. Text in the lower margin. Italy paper etching the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone. angels

Saint Mary (the Blessed Virgin) with the Christ Child and Saint Stanislaus Kostka with Saint Aloysius Gonzaga. Etching.

Christ addresses believers, Conrad Meyer, 1650 print Christ on Mount Sion. paper etching

Saul consults the witch of Endor. Engraving by J. Mynde, c. 1737.

Margareta of Antioch, saints.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), The Resurrection, St. Mary Magdalene; and Mary, Mother of James. Engraving.

The Life of the Virgin: The Annunciation. Jacques Callot (French, 1592-1635). Etching;

Copper engraving and etching by Cornelis Visscher depicting the vision of Saint Francis of Assisi, created between 1638 and 1658.

Franciscus Ontvangt de Stigmatata, Francesco Villamen, After Federico Barocci, 1597 print The Holy Francis of Assisi sees his vision and receives the cross wounds (stigmata). On the left a Franciscan with a book. Assignment and Latin text in the lower margin. print maker: Italyafter design by: ItalyVaticaanstadItalyItaly paper engraving stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ

Christ rises from his grave. Next to his grave an angel. On the right soldiers flee or kneel in fear and in the background on the right the three women going to the tomb., Resurrection of Christ, print maker: Caspar Luyken, (mentioned on object), Jan Luyken, (mentioned on object), publisher: Willem Broedelet, Neurenberg, 1700, paper, etching, h 268 mm × w 180 mm

Holy Francis of Assisi with Crucifix, Willem Basse (attributed to), c. 1523 - 1672 print Saint Francis, lying with a crucifix in the hands. In the foreground a book and skull. Above three angels with a book. print maker: Netherlandsprint maker: Italy paper etching founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata. angels

A kneeling figure is purified by the sunlight which falls through a magnifying glass held by an angel, representing consideration (meditation). Etching by J. Clark, 1720.

Jacques Callot, The Annunciation, in or after 1630 The Annunciation

Christus in de hof van Getsemane.Christ buds to God. At the front Sleep Peter and the two sons of Zebede. At the top right state: p .: 118.

H. Bruno kneeling in a cave, Claude Mellan, 1636 - 1653 print France paper engraving the founder of the Order of the Carthusians, Bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s). cave, grotto

Personified soul sleeping on Christ 'shot during storm and storm; The soul with Jesus quiet sleeping in the midst of storm and storm.

Christ in the court of Gethsemane.

World view leads to where faith; Regt Gebruyk of the world's considerations; Title page for: Bernard Nieuwentyt, the Regt use of the world considerations, for conviction of anointing and unbelievers, 1727. On a pedestal the female personification world view (Rerum Magistra). She shows a man and a woman (humanity) in a vision of the true faith, a female personification with a palm branch and a Bible. In addition to the pedestal there are all kinds of scientific measuring instruments. In the background natural phenomena. By science and observations from nature, humans can understand and achieve true faith.

Maria Magdalena at the grave of Christ, Giovanni Battista Pasqualini, After Guercino, 1622 print Maria Magdalena weeps by the grave of Christ. She is accompanied by two angels with passion tools: the crown of thorns and one of the nails with which Christ was crucified. At the top right two cherubs. In the lower margin a four -line text in Latin. paper engraving angel(s) addressing Mary Magdalene ~ Resurrection of Christ. cherubs, i.e. children's heads with wings

Christ runs over the water; Paintings and sculptures in Rome. Christ is on the water and gives Peter, who threatens to galle a hand in the waves. The other disciples are planning from a boat. This print is part of (the second state of) a series of 29 performances of paintings and sculptures in churches in Rome, numbered 1-16 and 1-13. (The first state of this series, in which the prints are unnumbered, also includes a title print.

Woman listening with outstretched arms to the choir of angels in the clouds above her, Jan Luyken, Gijsbert de Groot, 1691

H. Margaretha and De Draak, Anonymous, 1650 - 1750 print France paper engraving / etching the virgin martyr Margaret of Antioch; possible attributes: cross, crown, dragon (under feet or on chain), (chaplet of) pearls

Saint Melania de Jongere, Frederick Bloemaert, After Abraham Bloemaert, After 1636 - c. 1670 print Saint Melania, the wife of Saint Valerius Pinianus, kneels about a book here. Next to her a crucifix and a skull. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century. paper engraving female saints (with NAME)

Copper engraving by Jacob Matham from 1596 depicting the Annunciation to Maria, showing the angel Gabriel, Maria, and symbolic elements of Christian religious narrative.

H. Johannes Nepomucenus, Cornelis van Perlen, 1680 - 1723 print Saint John Nepomucenus standing on a cloud with a crucifix in his hand. Next to him an angel with a palm branch. A star wreath above his head. Antwerp paper engraving the martyr John Nepomuk; possible attributes: book, crucifix, nimbus or crown of five stars, padlock, palm, tongue

Visitation, Isaac Duchemin, After Adriaan de Weerdt, 1573 print Visit from Maria to her niece Elisabet. They reach each other's hand. Zacharias is in the doorway. In the background face on a hilly landscape. Numbered at the bottom: 2. In the margin a Bible quote from Luc. 1 in Latin. print maker: Southern Netherlandspublisher: Antwerp paper engraving Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

The angel leaves Tobias and his family. The angel Rafael disappears between the clouds and overlooks his shoulder to Tobias and his family standing in front of the door of their house with folded hands. The old Tobit was knocked down on the ground.

Allegory of Faith, Domenico Vito, 1579 print Allegory of the faith in which a winged woman with bare breasts, which was beamed by light, holds an open book up. She stands on a lying frame and leans with the elbow on a standing cross on which a horse bit (Breidel) hangs. Title in the middle. paper engraving Faith, 'Faith'; "Fed ',' Fede Catholic ',' Feddre Christian ',' Fedde Christian Catholic Church '(Ripa) ~ One of the Three Theological virtues. Death as Skeleton. Allegorical representation ~ Religion; 'Religion' 'religion of SS. Mauritio e Lazarus', 'religion True Christian' (Ripa). Bit

Wszyscy Święci w MNK Wagner, Joseph (1706 1780)

The church preaches; Title page for: G. Brandt, Fighting poems. Amsterdam, 1665. The personification of the church is on a base and preaching. An angel with laurel wreath on his head, kneels in front of her and holds a book for her.

H. Bruno kneeling in a cave, Claude Mellan, 1636 - 1653 print France paper engraving the founder of the Order of the Carthusians, Bruno; possible attributes: cross, finger at lips, lily, mitre at his feet, olive-branch, ray of light, skull, (seven) star(s). cave, grotto

Delphian Sibille, with the worship by the Kings, Gilles Rousselet, after Claude Vignon, 1635 - 1640 in the background print France paper engraving / etching sibyls. the story of the three Wise Men (kings or Magi) (Matthew 2:1-12)

Elia fed by the Raven. Elia is under a tree at the Kirit stream where Raven will bring him bread and meat. He sticks out his arm towards a raven with food in his beak.

Bishop Athanasius, Jan Punt, after Jacob de Wit, after Peter Paul Rubens, 1753 print Bishop Athanasius with staff and book; A text line under the octagonal performance. Amsterdam paper etching / engraving Athanasius the Great, bishop of Alexandria; possible attributes: book, heretic under feet, scroll Carolus Borromeuskerk

Christ and the personified soul contemplate the starry sky, Jan Luyken, Pieter Arentsz II, 1678-1687

Sibille van Erythrae, puts OP of Achtergrond Maria put Kind, Gilles Rousselet, After Claude Vignon, 1635 - 1640 print France paper engraving / etching Erythraean sibyl. Madonna: i.e. Mary with the Christ-child

Biblical plants and fruits including mandrake and melon. From Physique sacree, ou Histoire-naturelle de la Bible, 1732-1737, by Johann Jakob Scheuchzer (1672 - 1733), a Swiss scholar born at Zurich

Offer by Abraham, Egbert van Panderen, after Pieter de Jode (I), c. 1590 - 1637 print Abraham raises his sword to kill his son Isaac, who kneels with his hands tied up before the altar. An angel stops him and points to a ram that can be sacrificed. In the margin a four -line caption in Latin. Antwerp paper engraving the sacrifice of Isaac (Genesis 22)

The Holy Francis of Assisi, Annibale Carracci, 1585 print Saint Francis in prayer in a landscape. He holds a crucifix in his hands. There is a skull on his lap. Italy paper engraving founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata

Allegory on Old and New Testament, François van Bleyswijck, after Frans van Mieris, 1729 print Allegory on old and New Testament with father time and muses with different attributes such as Schrifrol, possibly with the Ten Commandments and globe. On the ground is a knocked down image of Pan as a sign of idolatry. Above this group, Christ as Salvator Mundi in Stralenkrans is surrounded by a few monstrous animals. Leiden paper etching / engraving 'Salvator Mundi', making a blessing gesture; an orb in his hand or at his feet. Father Time, man with wings and scythe. aspects of science in general (+ scholar or scientist with muse)

The Apparition of St. Michael the Archangel. Engraving by Capuz, 1852.

Allegory of true faith, Jan Caspar Philips, 1766 print The personification of divine love controls the New Testament and tramples a snake between a book, as a symbol for victory over sin. She looks up to heaven where a divine light shines. In the background a putto that drives away a devil with his bat. Amsterdam paper etching / engraving Allegorical Representations ~ Religion; 'Religione', 'Religione de SS. Mauritio e Lazarus', 'Religione Vera Christiana' (rippa). (Rays of) Light ~ Symbol of God the Father. Human-shaped devil

Boetvaardige Maria Magdalena, Francesco Villamen, After Giovanni Battista Lombardelli, c. 1576 - 1624 print Maria Magdalena kneeling with a crucifix in hand. In front of her are a gift jug, a skull and a book. A putto holds a flower wreath above her head. Italy paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Visitation. Visit of Maria to her niece Elisabet. They reach the hand each other. Zacharias is in the doorway. In the background face on a hilly landscape. Numbered at the bottom: 2. A Bible quote from Luc in the margin. 1 in Latin.

Martant of Henricus Turck; Famous Catholic martyrs. The torture of priest Henricus Turck. In the foreground the priest will be tied to a tree. On the left shoot a soldier with his musket on him. In the background the priest is then completed by soldiers armed with swords and lances. The print has a Dutch caption: 'P. Henricus Turch Lieve-Vrouwe-Brother, first passing through the Geusen with a musquet, ende sijne ghesontheyt obtained worshiped wort to ditches and stalkers uijt Haet to religion not surprised by Ypre. "

Rome, Lafreri, Antonio, Orlandi, Giovanni, Clovio, Giulio, Cort, Cornelis, Annunciation, lower left in the margin - engraved, Mary kneels on a prayer chair. Before her appears the angel Gabriel who offers her a lily. Above them the Holy Spirit in the form of a dove and God as an old man (half-figure) on a cloud., print, engraving, prints, verso - stamped, C. Cort f., lower right - engraved, Ant. Lafrerij, bottom center in the margin - engraved, Orlandij formis romae., bottom left in the margin - engraved, 1602, height 281 mm, width 210 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1602 - 1602, first quarter 17th century, paper, engraving (printing process), Work conception, Croatian, 1498 - 1578, after a design by, Publication (Event), Publication, Italian, publisher, 1512 - 1577

Dante and Vergilius enter hell through a gate. Dante and Vergilius in the cave that leads to hell. Both are dressed in Greek gowns with laurel wreaths on the head.

Heilige Apollo van Hermopolis; Kluizenaars: Thebaanse heiligen; Apollonius Hermopolitanus.The Holy Apollo of Hermopolis sitting in a cave with a small child on his shoulders. Print from a series of 80 prints and a title print with hermits from the 2nd to the 6th century.

Christ is correct on a wall behind which the personalized soul is; Jesus knocks on the wall to whose other side is the soul.

Allegorical title page with patriarch Abraham and truth, Jan Wandelaar, 1728 print Truth, a radiant sun above her head, sacrifices a lamb on an altar. In her hands she holds a sacrificial scale and a knife. Next to her the patriarch Abraham, who holds the chained vanity, idolatry and a man with a fee. Moderation kneels on his feet, with a horse toom on her arm. She grabs his winged foot. On the left in the background three shepherds with their herd of sheep. Print Maker: Northern Netherlands Publisher: Rotterdam paper etching / engraving story of Abraham. Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues. Frivolity. Paganism personified. Native peoples of the Americas. Truth; 'Verití' (Ripa). title-page

Ladislaus I, King of Hungary Saint.

Sacrifice of Abraham. Abraham is about to sacrifice his son Isaac as God has instructed him. An angel, however, stops Abraham. Instead of his own son, Abraham has a RAM, which is entangled in the blackberry bushes.

Raphael Sadeler I, after Bartholomaeus Spranger, Saint Luke Painting the Virgin, 1580s Saint Luke Painting the Virgin

Saint Teresa. Engraving after Sir P.P. Rubens.

. A performance in a cartouche of palm branches. Christ in the Hof van Getsemane. He wakes up the three sleeping students. The soldiers and Judas appear in the background.

Walking Soul finds Simon Cleophas, Jan Luyken, 1706 print Amsterdam paper etching the soul

Annunciation. Mary is kneeling her desk. She looks over her shoulder to the angel Gabriel. He tells her that she will bare a son who will be called Christ. Above them angels and the pigeon as a symbol of the Holy Spirit.

Neapolitan 17th Century, The Virgin and Child Appearing to Two Female Monastics, c 1700 The Virgin and Child Appearing to Two Female Monastics

Annunciation. The angel Gabriel announces Maria to become pregnant. Mary is kneeling on a pillow at a desk, on which a sloping book is located. In the upper right corner the Holy Spirit descends as a pigeon. In the air putti and cherubs.

Gesluierde vrouw voor het vagevuur.A veiled woman stands for hell fire and looks anxiously to the angels that still fly above her. Above her head a flame lights up, symbol of belief. At her feet a flames sea with a devil beast that spits a fire towards two angels. In the distance, right Christ seats as a judge in the clouds, left the dead with a scythe and an hourglass on a tombstone.

Biting H. Augustinus, Anonymous, After Claude Mellan, 1608 - 1688 print paper engraving Augustine, bishop of Hippo; possible attributes: arrows piercing his breast, book, child with spoon, flaming heart, heart (pierced with arrows), pen

Clergy in 1790. (IT)

Archangel Michaël, Nicolo Billy, After Pietro da Cortona, 1637 - 1691 print The Archangel Michaël in fight with a six -member dragon. On top of clouds, Christ and God are the Father, surrounded by Putti. In the middle above the Holy Spirit floats in the form of a pigeon. In the background a gate with an angel. paper engraving the Archangel Michael fighting the dragon (devil, Satan). the Holy Trinity, 'Trinitas coelestis'; Father, Son and Holy Ghost ~ Christian religion. representations of the Trinity. angels

The Virgin Mary presenting Saint Francis of Assisi with the infant Christ. Etching after () P. Faccini.

Antwerp, Fruytiers, Philip, Kneeling Dominican before an altar, probably Hendrik Seuse, verso - stamped, The Dominican is kneeling before an altar with two angels flying above it. He is dressed in a habit on which the letters IHS - Iesus Hominum Salvator, or: Jesus, savior of mankind - shine at the height of his heart. His head is adorned with a wreath of flowers. In the air above the Jesuit, angels with various attributes fly. To the right of this sits Aeterna Sapientia, God's eternal wisdom, with an open book in her left hand and a staff above which shines the All-Seeing Eye in her right hand., print, prent, prints, prenten, height 550 mm, width 365 mm, 1610-01-10 - 1666-06-19, print maker, prentmaker, 1620 - 1666, paper, papier, etching, etchings, engraving, graveren (drukprocesde)

Take of Christ, Anonymous, After Jan Luyken, 1720 print paper etching 'command these stones to become loaves of bread' ~ temptation of Christ in the wilderness

L'Enfance du Christ. Repos de la Sainte Famille (2e planche) , Families, Angels, Saints, Spiritual leaders, Jesus Christ, Mary, Blessed Virgin, Saint, Joseph, Saint, Berlioz, Hector, 1803-1869. Enfance du Christ. Repos de la Sainte Famille.. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Saint Francis receiving the stigma after Abraham Bloemaert (Dutuit P.33, White 44) Cornelis II Bloemaert, said the young person (1603-1692). St. Francis receiving the stigma after Abraham Bloemaert (Dutuit P.33, White 44). Burin, 1622-1630. Museum of Fine Arts of the city of Paris, small palace.

Annunciation, Raphaël Sadeler (II), After Peter de Witte, 1594 - 1632 print On the right the Virgin Mary, kneeling for an altar. The angel Gabriel appears on the left. He proclaims her the birth of a son that will be called Christ. The pigeon descends from heaven as a symbol for the Holy Spirit. München (possibly) paper engraving the Annunciation: Mary sitting - AA - Mary to the left, the angel to the right (+ Holy Ghost (as dove))

Angel praying with outstretched arms to God, Jan Luyken, Barent Bos, 1693.

Lazarus revival: large plate.

Coat of arms of Oranje-Nassau worn by putti, 1751 print The crowned weapon of Oranje-Nassau is worn by two putti and flanked by a veiled woman with incense barrel and a harp playing lady dressed in a star rug and crowned with a laurel wreath. Above the weapon the all -seeing eye shines, on the left is a second veiled woman next to a stork, an eagle and a lion. In the foreground is next to a burning sacrifice with the inscription "Christ merits" an open book with the words "thanks stuck and prayer sacrifice by I. Maan". paper etching coat of arms (symbol of sovereignty). cupids: 'amores', 'amoretti', 'putti'. the all-seeing eye, triangle with eye ~ symbol of God the Father

L'Enfance du Christ. Repos de la Sainte Famille (2e planche) , Families, Angels, Saints, Spiritual leaders, Jesus Christ, Mary, Blessed Virgin, Saint, Joseph, Saint, Berlioz, Hector, 1803-1869. Enfance du Christ. Repos de la Sainte Famille.. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Maria Magdalena at the grave of Christ, Giovanni Battista Pasqualini, After Guercino, 1622 print Maria Magdalena weeps by the grave of Christ. She is accompanied by two angels with passion tools: the crown of thorns and one of the nails with which Christ was crucified. At the top right two cherubs. In the lower margin a four -line text in Latin. print maker: Italyafter painting by: RomeRomeItaly paper engraving angel(s) addressing Mary Magdalene ~ Resurrection of Christ. cherubs, i.e. children's heads with wings

Hagar and Ismaël in the wilderness. An angel points his way to a source. In the background her son is Ishmael on the floor.

Allegory of the path of true love. A young man with a torch is accompanied by faith, also with a torch in hand and a crucifix. The road leads to Caritas, in the clouds, although to see above and subsequently devils. Right Diogenes with a lantern.

Matthew and the Engel, Isaac Duchemin (attributed to), after Adriaan de Weerdt, 1563 - 1590 print The evangelist Matthew is on his lap opened. The angel shows him the dining of the law. Above the head of Matthew the pigeon of the Holy Spirit. Angels fly through the air. In the margin a four -line caption, in two columns, in Latin. print maker: Southern Netherlandsafter design by: Brusselspublisher: Antwerp paper engraving the apostle and evangelist Matthew (Mattheus); possible attributes: angel, axe, book, halberd, pen and inkhorn, purse, scroll, square, sword. Holy Ghost represented as a dove (in flames)

Manoach and his wife see the angel take off in the flame of their sacrifice, Caspar Luyken, 1712 print Amsterdam paper etching Manoah's sacrifice; the angel ascends in the flames

Copper engraving by Gilles Rousselet from 1620-1686 depicting Saint Paul, showing figure, posture, and robes.

Philippus, Holy Apostle.

Archangel Michael kills Satan and weighs a soul. The winged Archangel Michael has to kill his sword to satan, represented like a dragon. Satan is sitting on one of the scales of the scale that is held by Michael, in the other bowl is a soul of a dead. Left and top right the shields with the judicial and ducal weapon of Saxony are depicted. In the margin under the show is a Latin text in six rules: Ad Imaginem S. Michaelis ... Caputq; Chori. I.L.C.

Saint Blaise. Line engraving by B. Eredi.

Christ in the court of Getsemane, Hieronymus Wierix, 1563 - Before 1619 print Christ prays in the court of Getsemane. An angel with a chalice appears from heaven. His students are sleeping in the background. Judas enters the garden through the gate and the soldiers points the place where Christ prays. In the margin a three -fitting Bible quote from Luc. 22 in Latin. Antwerp paper engraving Christ's prayer in the Garden of Gethsemane during the night

Saint Judas Taddeüs, Anonymous, After Monogram FP (Italy; 16th century), After Parmigianino, 1520 - 1600 print paper etching the apostle Jude Thaddaeus; possible attributes: book, club, halberd, scroll

Resurrection, Carl Ernst Christoph Hess, After Rembrandt van Rijn, 1765 - 1828 print paper etching frightened and/or sleeping soldiers at the tomb of Christ. angel(s) opening the tomb of Christ, e.g.: by rolling aside the stone

Maria Met de Heiligen Antonius en Joris, Giovanni Domenico Tiepolo, After Giovanni Battista Tiepolo, 1743 - 1747 print paper etching the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword. the hermit Antony Abbot (Antonius Abbas) of Egypt, also called the Great; possible attributes: bell, book, T-shaped staff, flames, pig. Mary (without Christ-child), together with others

Saint Mary of Egypt as a hermal; Kluizenaars; Sacra Eremus Ascetriarum ..

Christ in the Hof van Olives, Albert Flamen, 1648 print The French caption is a part of prayer the Lord's Prayer. print maker: ParisFrance paper etching 'thy will be done on earth, as it is in heaven' ~ the Lord's prayer. agony of Christ: to comfort him one or more angels appear to Christ with chalice and/or cross

Engel prays with spread arms to God, Jan Luyken, 1693 print print maker: Amsterdampublisher: Rotterdam paper etching angels. one person praying

Monument to Wilhelmus Somveen. Grave monument for the Roman Catholic priest Wilhelmus Somveen from Haarlem. There is a smoking censer for the monument. Besides the monument are sad women. On the base of the monument there is a verse to sums living by Jan Severeinse.

. The personification of faith is chained to the ground. In her hands a cross and a Bible. In addition to her on the floor, the passions are. An angel appears in the air and shows her a print with the crucifixion of Christ surrounded in the middle, surrounded by different smaller representations of the martyrdom of the twelve apostles.

Emblem with father time as a symbol for ignoring the time; Den Wech des century life. Father time with hourglass and Zeis is a symbol of passing the time, something that the Christian must be constantly aware of.

Christ and the personalized soul see the emerging sun; Jesus and the soul in entering the sun.

Saint Francis receives the Stigmata, Agostino Carracci, After Ludovico Carracci, 1586 print Saint Francis is kneeling in a landscape. In the background on the left is another spiritual. An angel appears in the air whom Francis receives the stigmata. print maker: Bolognaafter painting by: Italypublisher: Bologna paper engraving stigmatization of St. Francis of Assisi: in retreat on Mount Alverna, he beholds a vision of Christ on the cross enveloped by wings (like a seraph with six wings); rays passing down to the body of the kneeling saint form the marks of the five wounds of Christ

Etching and copper engraving by Cornelis Visscher from 1638-1662 depicting the vision of Saint Francis of Assisi, showing the saint, angels, and religious symbolism in a European 17th-century style.

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