Biblical Scenes and Characters

A collection depicting biblical narratives featuring characters in emotional or dramatic interactions, featuring a mix of dark and earthy tones in various styles.

CASTELLANO, Manuel (1826-1880). Murder of Count of Villamediana, 21st August 1622. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Museo de Historia.

A Scene from the Story of Tobit ca. 1834-82 Henri Lehmann. A Scene from the Story of Tobit 337662

Deceit and Guile Depart Not From Her Streets James Tissot (1836-1902 French) Jewish Museum, New York City

A Seated Woman with Figures in an Interior, John Phillip (Aberdeen, Scotland, 1817 - 1867)

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo81. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

The Departure of the Shunamite Woman, Rembrandt, Harmensz van Rijn, 1640.

Young man before gathering of the Liberal Arts (sometimes identified as Lorenzo Tornabuoni), fresco from Villa Lemmi, Chiasso Macerelli, near Florence, Italy

Author: GUSTAVE DORÉ.

Wszyscy Święci w MNK Paris, Leroy, Paul (1860 1942)

The Holy Women Watch from Afar (Les saintes femmes observent de loin) James Tissot (French, 1836-1902). The Holy Women Watch from Afar (Les saintes femmes observent de loin), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 6 7/8 x 9 1/4 in. (17.5 x 23.5 cm). European Art 1886-1894

CASTELLANO, Manuel (1826-1880). Murder of Count of Villamediana, 21st August 1622. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Museo de Historia.

The Raising of Lazarus. Follower of Rembrandt Harmenszoon van Rijn; Dutch, 1606-1669. Date: 1630-1635. Dimensions: 43.5 x 36.8 cm (17 1/8 x 14 1/2 in.). Oil on panel. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Follower of Rembrandt Harmenszoon van Rijn.

GOYA, FRANCISCO DE. PINTOR ESPAÑOL. FUENTETODOS 1746-1828. ORACION DEL HUERTO , 1819. DEPOSITO DEL COLEGIO PADRES ESCOLAPÌOS DE SAN ANTON. MADRID . JESUCRISTO.

The Vine Dresser & The Fig Tree James Tissot (1836-1902 French)

Maćko Borkowic. Matejko, Jan (1838-1893), painter

Portrait of David. Painting by Fragonard. Jean-Honore Fragonard (5 April 1732 - 22 August 1806) was a French painter and printmaker whose late Rococo manner was distinguished by remarkable facility, exuberance, and hedonism

Semiramis Building Babylon by Degas, Edgar (1834-1917) / Musee d'Orsay, Paris / 1861 / France / Oil on canvas / Mythology, Allegory and Literature,History / 151x258 / Impressionism

EL BAUTIZO-OLEO/LIENZO 77X93,5 CM. Author: EUGENIO LUCAS VELAZQUEZ. Location: MUSEO NACIONAL DE BELLAS ARTES. LA HABANA. CUBA.

David plays the harp before Saul / Zick

Painting titled 'The Conspiracy of the Batavians under Claudius Civilis' Painted by Rembrandt Harmensz van Rijn (1606-1669) Dutch painter and etcher. Dated 17th Century

La Balada de las siete torres/1857. Museum: THE TATE GALLERY / LONDRES / G. BRETAÑA. Author: DANTE GABRIEL ROSSETTI.

Stories of St John, 1502 fresco by Filippino Lippi (1457-1504), detail. Strozzi Chapel, Church of Santa Maria Novella, Florence. Italy. 16th century.

Teaching the art of the coroner, ca 1750, attributed to Francesco Guardi (1712-1793), oil on canvas, 54.3x106 cm.

Scene from the myth of Cupid and Psyche, 1794, by Felice Giani (1758-1823), tempera wall painting, Palazzo Laderchi, Faenza, Emilia-Romagna. Italy, 18th century.

Asleep under the stars. A group of homeless people resting and sleeping on a stone seat on a bridge in London in the 19th century. After an illustration by Gustave Doré in the 1890 American edition

Pilate Washing his Hands, Stomer, Matthias, 1640.

Franciszek Murko (1859-1910), Sielanka; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, W Adys Aw Ludwik and Spóka (Kraków; Drukarnia; 1875-1948); around 1908 (1903-00-00-1913-00-00);

The Dead Appear in Jerusalem (Les morts apparaissent dans Jérusalem) James Tissot (French, 1836-1902). The Dead Appear in Jerusalem (Les morts apparaissent dans Jérusalem), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 10 7/8 x 7 1/2 in. (27.6 x 19.1 cm). European Art 1886-1894

The Last Supper (La Cène légale) James Tissot (French, 1836-1902). The Last Supper (La Cène légale), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 8 9/16 x 12 1/16 in. (21.7 x 30.6 cm). European Art 1886-1894

COBBLER. Egypt, engraving 1879

Karlis Huns (1831-1877). Baltic German painter. Italian Courtyard, 1871. Oil on canvas (39,5 x 23,6 cm). Latvian National Museum of Art. Riga, Latvia.

MARTI i MONZO, Josep (1840-1912). Third Council of Toledo. 1862. Scene of the conversion of Recared. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Senate Palace.

Morozov, Alexander Museum of Palekh Russian Lacquer Art, Palekh 1982 Tempera on varnished Applied Arts Russia, School of Kholuy History

Pilgrim Sleeping, by Ceruti Giacomo known as il Pitocchetto, 18th Century, oil on canvas, cm 214 x 138

Peter Paul Rubens (1577-1640). Flemish painter. The Stigmatisation of Saint Francis, 1615-1616. Wallraf-Richartz Museum. Cologne. Germany.

Elena Brockmann Elena Brockmann, The Patio of an Inn, 1887 ,oil on canvas, museo nacional del Prado Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21930921

Karl d, Great in a boys school blame the careless students, oil painting by Carl v, Blaas,

THE PUNISHMENT OF FLATTERERS, BY GUSTAVE DOR. Gustave Dore, 1832 - 1883, French. Engraving for The Divine Comedy, Divina Commedia, by Dante. 1870, Art, Artist, romanticism, colour, color engraving

Austria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Purgatory, Song XIII) by Franz von Bayros, detail

Jesus Went Out into a Desert Place (Jésus va dans un endroit désert) James Tissot (French, 1836-1902). Jesus Went Out into a Desert Place (Jésus va dans un endroit désert), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 6 5/16 x 10 7/16 in. (16 x 26.5 cm). European Art 1886-1896

Antonio Ortiz Echagüe, the red chest or bread seller, 1930,, oil on canvas, Alava Fine Arts Museum, Vitoria, Basque Country, Spain

MASCARAS - SIGLO XX. Author: JOSE GUTIERREZ SOLANA (1886/1945). Location: PRIVATE COLLECTION. MADRID. SPAIN.

The First Shall Be Last (Le premier sera le dernier) James Tissot (French, 1836-1902). The First Shall Be Last (Le premier sera le dernier), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 6 3/4 x 9 3/16 in. (17.1 x 23.3 cm). European Art 1886-1896

They Dressed Him in His Own Garments (On remet à Jésus ses vêtements) James Tissot (French, 1836-1902). They Dressed Him in His Own Garments (On remet à Jésus ses vêtements), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 8 1/2 x 6 3/16 in. (21.6 x 15.7 cm). European Art 1886-1894

Kullervo cursing. Date/Period: 1899. Painting. Oil on canvas. Height: 184 cm (72.4 in); Width: 102.5 cm (40.3 in). Author: AKSELI GALLEN-KALLELA.

The Legend of Siegfried, wood panel, 1890. Museum: NEUSCHWANSTEIN CASTLE, Schwangau, GERMANY. Author: Ferdinand Piloty. SIGFRIDO.

Lord, I Am Not Worthy (Domine Non Sum Dignus) James Tissot (French, 1836-1902). Lord, I Am Not Worthy (Domine Non Sum Dignus), 1886-1896. Opaque watercolor over graphite on gray wove paper, image: 10 1/4 x 5 11/16 in. (26 x 14.4 cm). European Art 1886-1896

Wincenty Wodzinowski (1866-1940), the wedding goes; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939); 1908 (1908-00-00-1908-00-00);

RECAREDO I. REY VISIGODO DE 586 a 601. " III CONCILIO DE TOLEDO". OLEO DE JOSE MARTI Y MONSO. PALACIO DEL SENADO . MADRID.

PINTURA. Author: FRANCISCO MATEOS (1894-1976). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Doge of Venice in Council of Ten. Republic of the Venice, Italy. Drawing by J. Villegas. La Ilustración Artística, 1885, Spain. Later colouration.

The caption for this image by NC Wyeth that accompanies the tale of Robinson Crusoe by Daniel Defoe reads: ' In the morning I took the Bible. and beginning at the New Testament I began seriously to read it. Robinson Crusoe is a novel written by the English novelist Daniel Defoe and published in 1719. A fictional autobiography, it tells the tale of an English castaway named Robinson Crusoe (seen here with his dog and cat) who spent 28 years on a remote tropical island near Venezuela before he was rescued. Newell Convers Wyeth, known as N. C. Wyeth, was an American artist and illustrator. He was the pupil of artist Howard Pyle and became one of America's greatest illustrators.

Francisco Iturrino, harem, around 1912, oil on canvas, Alava Fine Arts Museum, Vitoria, Basque Country, Spain.

The washing of feet, the end 15th century, by Giovanni Agostino da Lodi, oil on panel.

France, Paris, Garrotte

The Scape-Goat James Tissot (1836-1902 French)

Charles Emile Hippolyte Lecomte-Vernet, known as Émile Vernet-Lecomte (1821-1900). "Sketch for the Saint-Louis-en-l'Ile church, let small children come to me". Oil on canvas. 1862-1892. Museum of Fine Arts of the City of Paris, Petit Palais. Figurative art, religious art, holy history, Christian iconography, religious iconography, saint

Homer and his Guide , Fine Art

Peasants with brushwood by Jean-Francois Millet, oil on canvas, circa 1852, 1814-1875, School of Barbizon, Russia, St Petersburg, State Hermitage, 37, 5x29, 5

Elena Brockmann, The Patio of an Inn, 1887 ,oil on canvas, museo nacional del Prado.

'Samoyeds', Russia, 19th century. Artist: Coqueret

Scene in the Jewish Quarter of Constantine. Artist: Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819-1856 Paris). Dimensions: 22 3/8 x 18 1/2 in. (56.8 x 47 cm). Date: 1851.Chassériau witnessed this scene and sketched it in his notebook during a trip to Algeria in 1846. From the ancient town of Constantine he wrote, "I have seen some highly curious things: primitive and overwhelming, touching and singular. At Constantine, which is high up in some enormous mountains, one sees the Arab people and the Jewish people living as they were at the beginning of time." The Jewish women of North Africa were especially attractive subjects for European painters because they did not wear veils. Museum: Metropolitan Museum of Art, New York, USA.

Defeated. Requiem by Vasily Vereshchagin 1890s

Spanish school. Sacrifice of Mosaic Law. Sacrificio de la Ley Mosaica. Oil on canvas (59 x 33 cm). Madrid, El Prado. Author: FRANCISCO BAYEU Y SUBIAS (1734-1795). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. AARON SUMO SACERDOTE. MOISES HERMANO. Harun. Jehova.

Johann Wolfgang von Goethe (1749-1832). German writer. Wilhelm Meister's Apprenticeship. Book II. Chapter XIII. Engraving depicting old man playing harp. Edition of 1837.

The snake charmer. Date/Period: 1889. Painting. Oil on canvas. Height: 1,765 mm (69.48 in); Width: 1,804 mm (71.02 in). Author: Etienne Dinet.

Andromache Mourns, Leighton, Frederic

DUBOIS. "France receives the wishes of the whole nation from the three orders and presents them to Louis XVI and to Mr. Necker". Oil on canvas. Paris, Carnavalet museum. 39431-13 Allegory, clergy, financial, Swiss state man, nobility, order, French revolution, king France, third state, wishes, oil on canvas

Antoine-Jean Gros (1771-1835). "Clovis and Clotilde", sketch. Museum of Fine Arts of the City of Paris, Petit Palais. 26975-9 Crown, wife, sketch, woman, queen, king -firing kingvingian, couple

MESTIZAJE - DE LOBO Y DE INDIA : ALBARAZADO - MEXICO - 1763- PINTURA COLONIAL S XVIII. Author: MIGUEL CABRERA (1695-1768). Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Merson, Luc-Olivier (n.1846-05-21-D.1920-11-14), Bossue, Borgne, Boiteruse (book IX, CHAIN II) (Factical title), 1888. House of Victor Hugo-Hauteville House.

Italy - Lombardy Region - Chiaravalle Milanese (Milan province) - 12th century. Abbey of Chiaravalle, Jacob's ladder. Fresco

Baksheev, Vasili Nikolayevich (1862-1958) State Art Museum, Dnepropetrovsk 1908 113x100 Oil on canvas Russian End of 19th - Early 20th cen. Russia Bible

Jose Echenagusia - Echena-, the pacification of the Oñacino and Gamboino sides before the magistrate Gonzalo Moro in 1394, around 1902, oil on canvas, Alava Fine Arts Museum, Vitoria, Basque Country, Spain

MUJER ANTE LA TUMBA (1886) OLEO/LIENZO 50*18. Author: REGOYOS DARIO. Location: PRIVATE COLLECTION, MADRID.

Wincenty Wodzinowski (1866-1940), Wit Stwosz; Stella (Bochnia; Publisher; 1908-1932); around 1910 (1905-00-00-1915-00-00);

Return of the Dove to the Ark, John Everett Millais, 1851,

The Last Supper (La Cène légale) James Tissot (French, 1836-1902). The Last Supper (La Cène légale), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 8 9/16 x 12 1/16 in. (21.7 x 30.6 cm). European Art 1886-1894

La Compagnia dei sacconi al Colosseo (Penitents Praying at Altars in the Colosseum). Dated: 1829. Dimensions: sheet: 24.2 x 29.9 cm (9 1/2 x 11 3/4 in.). Medium: watercolor over black chalk and graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Bartolomeo Pinelli.

Ramon Gimena being cured of a strong sickness. Oil painting by a Spanish painter, 1861.

Still Life with Bible, Van Gogh, Vincent Willem, 1885

King Lear Act III, Scene II - 'He that has a house to put his head in (and Libby, McNeill & Libby's canned meats to eat) has a good head (and stomach) piece.' , Men, Theatrical productions, Meat, Canned foods, 19th Century American Trade Cards

Spanish school. Saint Sebastian and Saint Polycarp destroy idols - Detail: cobbler. S Sebastian y S Policarpo destruyen idolos - Detalle: zapatero. Oil on canvas (160 x 68 cm). Madrid, El Prado. Author: GARCIA DE BENABARRE PEDRO SIGLO XV. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN SEBASTIAN. SAN POLICARPO.

Concert at the villa, by Antonio Visentini (1688-1782), Italy 18th century, detail.

The Voyage of St. Brandan by Edward Reginald Frampton, 1908

Louis Welden Hawkins (1849-1910). "My boss". Oil on canvas, around 1903. Museum of Fine Arts of the city of Paris, Petit Palais. 36415-6 Tree, aurele, calm, moonlight, crepuscule, extent water, woman, impressionism, light, night, shadow, landscape countryside, holy, alone, silence, silhouette, solitude, symbolism, quiet, XXth XX 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20th 20 Central, oil on canvas, bridge

Moses Breaking the Table of the Law, painting, Rembrandt Harmenszoon van Rijn (* 15 July 1606 4 October 1669), known by his given name Rembrandt, is considered one of the most important and best-known Dutch artists of the Baroque period, Historic, digitally restored reproduction of an original 19th century original, exact original date unknown

SODOMA, Giovanni Antonio Bazzi, also called Il (1477-1549). Life of St. Benedict. 1505. ITALY. SIENA. Abbey of Monte Oliveto Maggiore. Fresco painting placed in Chiostro Grande. 'Come Benedetto ottiene farina in abbondanza e ne ristora i monaci'. Detail depicting a cat anda dog fighting. Renaissance art. Fresco.

William Cowper (born 26 November 1731 in Berkhamstead, Hertfordshire, died 25 April 1800 in East Dereham, Norfolk) was an English poet, Historical, digitally restored reproduction from a 19th century original, Record date not stated

Italy, Sardinia, Tinnura. Mural detail.

Mariano Salvador Maella / 'The Last Supper', ca. 1794, Spanish School, Oil on canvas, 36 cm x 94 cm, P00876. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Barabbas James Tissot (French, 1836-1902). Barabbas, 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 3 3/4 x 3 3/4 in. (9.5 x 9.5 cm). European Art 1886-1894

Azulejos, ceramic art, Petrus, Villajoyosa, Costa Blanca, Spain, tiles, tiling, Europe

'The Marriage of Saitn George and Princess Sabra', 1857, Watercolour, 34 x 34 cm. Author: GABRIEL ROSSETTI DANTE (1828-1882). Location: TATE GALLERY. LONDON. ENGLAND. SABRA PRINCESA. SAN JORGE (305/311).

Illustration by Gustave Dore (1832-1883) for Dante's Inferno, the Divine Comedy by Dante Alighieri Canto, Inferno, Hell, Paradise, Angel, Damnation, Historical, digitally restored reproduction from an original from the 19th century, Record date not stated..

Rudolph Valentino in the Black Falcon. Federico Beltran Masses (1885-1949). Oil on canvas. Signed and dated 1925. 228.6 x 134.6cm. Commissioned by Valentino in 1925 for his home at Falcon Lair. It depicts him as a Persian War Lord at the time of the Crusades. The kneeling figure is Valentino's Second wife Natacha Rambova.

Monachum Non Facit Cucullus - The Cowl Does Not Make the Monk, Print made by Nathaniel Hone RA, 1718-1784, Irish, 1772, Mezzotint on moderately thick, moderately textured, cream, wove paper, Sheet: 14 × 18 inches (35.6 × 45.7 cm) and Image: 13 1/2 × 17 7/8 inches (34.3 × 45.4 cm)

The Return. William Cave Thomas (born 1820). Oil on canvas. 97.8 x 82.5cm.

Saint Bernardino of Siena. Dated: c. 1495/1500. Dimensions: overall: 148.9 x 57 cm (58 5/8 x 22 7/16 in.) framed: 64.3 x 44 x 20 cm (25 5/16 x 17 5/16 x 7 7/8 in.). Medium: oil () on panel. Museum: National Gallery of Art, Washington DC. Author: Vincenzo Foppa.

Cut flowers, the little corpse, 1903, by Giuseppe Pelizza da Volpedo (1868-1907), oil on canvas, 107x80 cm.

France, Paris, Claude Achille Debussy (1862-1918), Pelleas et Melisande, 1902. Illustration from ""Teatro"", 1902

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