Biblical Scenes and Figures

Dramatic engravings depicting biblical narratives such as the Flagellation of Christ and the Birth of John the Baptist, with elaborate details and historical settings.

Italy, Conte, Jacopino del, Bonasone, Giulio, Nativitas Beati Ioannis Baptistae, Birth of John the Baptist, verso - stamped, View of an interior with antique statues along the walls. On the right, Elizabeth lies in bed. She has just given birth to John the Baptist. In the foreground on the left, a group of women are busy caring for the newborn. In the center foreground, an old man with a beard is standing, writing on a tablet held up by a small boy (putto)., print, prent, prints, engravings, height 288 mm, width 451 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process), Work conception, 1510 - 1598-01-09

Amsterdam, Visscher, Claes Jansz. (II), Diepenbeeck, Abraham van, Conradus, Abraham J., Flagellation of Christ, Christ is tied to a half-high column in the house of Pilate. He is being beaten by three soldiers with scourging belts and rods. On the left and right behind are groups of soldiers watching the torture. Below the representation is the Bible verse Joh. 19:1 in Latin and Dutch., print, prent, prints, prenten, height 252 mm, width 313 mm, 1612 - 1661, print maker, prentmaker, 1627 - 1661, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1596-05-09 - 1675, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher

Italy, Conte, Jacopino del, Bonasone, Giulio, Nativitas Beati Ioannis Baptistae, Birth of John the Baptist, verso - stamped, View of an interior with antique statues along the walls. On the right, Elizabeth lies in bed. She has just given birth to John the Baptist. In the foreground on the left, a group of women are busy caring for the newborn. In the center foreground, an old man with a beard is standing, writing on a tablet held up by a small boy (putto)., print, prent, prints, engravings, height 288 mm, width 451 mm, Italian, 1510 - 1576, print maker, printmaker, 1501 - 1580, paper, papier, engraving, engraving (printing process), Work conception, 1510 - 1598-01-09

Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Galle, Philips, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of King Josiah, King Josiah leaves the temple of Destroying Baal, King Josiah gives orders to destroy the temple of Baal and to kill the priests of Baal. All objects made in honor of the idol are burned outside the city. The fire can be seen in the background on the right. Below the image is a reference in Latin to the Bible text in 2 Kings 23:4. This print is part of an album., print, prent, albumblad, prints, prenten, height 215 mm, width 256 mm, print maker, prentmaker, 1643 - 1643, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1537 - 1612-03-29, after print by, Noord-Nederlands, 1498 - 1574, after design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Nagel, Pieter, Werken van barmhartigheid, Bezoeken van degevangenen, Two men visit the prisoners. On the left, on the stairs, a visitor bent over and a soldier. On the right, two prisoners chained to the wall and other prisoners in the background. Below the image, an explanatory text in Latin. This print is part of an album., print, prent, albumblad, prints, height 200 mm, width 253 mm, Southern Netherlands, print maker, printmaker, 1571 - 1571, paper, engraving, engraving (printing process), 1515 - 1599, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

The Lost Son wasted his inheritance, Philips Galle, After Maarten van Heemskerck, 1596 - 1633 print The lost son wastes his inheritance in a brothel. Seven women turn him, make music for him and bring him food and drink. On the right you can see through the window how the lost son arrives, on the left you can see how, after the money is used up, the door is shown. print maker: Haarlempublisher: Antwerp paper engraving the parable of the prodigal son (Luke 15:11-32). the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. when all his money is squandered the prodigal son is chased away by the harlots

Pacifico, Orazio, Italy, Romano, Giulio, Mantuana, Diana, Sacrifice of a bull to Jupiter, recto lower left - handwritten in brown ink, In the center an altar with a statue of Jupiter with a thunderbolt. On the left are five figures with a bull, one of them with an axe. Right spectators and two men with shawms., print, prints, verso - stamped, 45, recto left - handwritten in brown ink, Raphael, height 221 mm, width 385 mm, Italian, 1547 - 1612, print maker, printmaker, 1557 - 1612, paper, engraving, engraving (printing process), 1499 - 1546-01-11, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1580 - 1637, publisher

Fortune teller, Cornelis de Wael, 1630 - 1648 print In the midst of farmers, a fortune teller reads the hand of a richly clad woman. The fortune teller looks at a farmer's wife who breastfeeds her child. On the right by a wall, a woman stirs in a cooking pot. Numbered in the bottom right: 13. Italy paper etching / engraving fortune-teller ~ pleasure fair and circus. contrast between rich and poor. nursing, suckling. kitchen-utensils: pot

. Odysseus, who killed the freecrus from Penelope, gives his feeder Eurykleia the assignment to bring all the unfaithful employees of Penelope together.

The Servant Inviting the Sick and the Poor to the Banquet. Dirck Volckertz. Coornhert (Holland, Amsterdam, 1522-1590). Holland, 1559. Prints; engravings. Engraving

Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Galle, Philips, Parable of the prodigal son, The eldest son is angry, The eldest brother of the prodigal son returns from work in the fields and hears from a servant on the bridge on the left that his brother has returned. He is angry about the festive reception of his brother who has already lost his money has squandered. The father calms the anger of the eldest son. Below the image is an explanatory text in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 205 mm, width 246 mm, Zuid-Nederlands, 1537 - 1612-03-29, print maker, prentmaker, 1562 - 1562, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1498 - 1574, after a design by, Publication (Event), Publicatie, 1518 - 1570-03-10, publisher

. After killing the free vanes, Odysseus and Telemachus are washed by servants.

Amsterdam, Visscher, Claes Jansz. (II), Straet, Jan van der, Galle, Philips, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Acts of the Apostles, Acta Apostolorum, Paul appears before King Agrippa and his wife, Paul is brought before King Agrippa and Bernice by Festus. It is decided to send Paul to Rome. Below the image is a reference in Latin to the Bible text in Acts 25:25. However, the verse mentioned is Acts 24:24. It is possible that Visscher refers to another theme in this print: Paul brought before Felix and his wife Drusilla. This print is part of an album., print, prent, albumblad, prints, prenten, height 205 mm, width 266 mm, print maker, prentmaker, 1643 - 1643, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1537 - 1612-03-29, after print by, 1523 - 1605-11-02, after design van, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Punishment of the servants of Penelope, Theodoor van Thulden, after Francesco Primaticcio, 1632 - 1633 print Odysseus, who killed Penelope's vovers, instructs his nurse Eurykleia to bring all unfaithful employees of Penelope together. Paris paper etching / engraving the punishment of the guilty servants ~ Ulysses back in Ithaca

Massacre of theInnocents. Engraver: Marcantonio Raimondi, Italian, ca. 1480-ca. 1534 After: Raphael, Italian, 1483-1520

Antwerp, Jode, Gerard de, Junius, Hadrianus, Heemskerck, Maarten van, Galle, Philips, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Jonah, Jonah predicts the downfall of Nineveh, Jonah stands in a square in Nineveh and predicts the downfall of their city to the inhabitants. The people kneel in horror and remorse. Below the representation is an explanatory text in Latin. Print is part of an album., print, album sheet, prints, height 206 mm, width 248 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1566 - 1566, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, 1511-07-01 - 1576-06-16, writer, Publication (Event), Publication, 1509 - 1591-02-05, publisher

Wijngaerde, Frans van den, Rubens, Peter Paul, Antwerp, Panneels, Willem, Esther before Ahasuerus, verso lower left - stamped, Esther, accompanied by her maidservants, kneels before King Ahasuerus. The king steps down from his throne and hands her a scepter, as a sign that he is willing to receive her., print, prints, height 178 mm, width 240 mm, South Netherlands, 1600 - 1632, print maker, printmaker, 1610 - 1634, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, 1614-07-08 - 1679-03-17, publisher

Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Haarlem, Galle, Philips, History of Peter and John, Peter healing a lame man, verso - stamped, Peter and John want to enter the temple and are stopped at the gate by a lame beggar. Peter takes the beggar's hand and helps him up. The beggar can walk again immediately., print, prints, height 206 mm, width 250 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1558 - 1558, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Italy, Vasari, Giorgio, Vico, Enea, Lamentation, verso - stamped, At the foot of the cross, the body of Christ is mourned by the Marys and other followers. The cross is flanked by the two crucified criminals., print, prent, prints, height 539 mm, width 401 mm, Italian, 1523 - 1567, print maker, printmaker, 1533 - 1567, paper, papier, engraving, engraving (printing process), plaattoon, Work conception, 1511-07-30 - 1574-06-27

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Groot, Hugo de, Mander, Karel van (I), Dolendo, Zacharias, Den Grooten Figuer-Bibel, Scènes uit het apocryphal Bijbelboek 3 Esdras, Krachten over de wereld rulsen, Van Zorobabel ende sijn Raetsel, Macht van wijn, bottom right - handwritten in brown ink, De wijn als ruler of the world. Men are drinking wine around a table. A king, on the left, is also under the influence of wine. Drunken figures surround him. Bottom left a reference to the text in 3 Esdras 3-4. Below the representation verses in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, 276, height 209 mm, width 292 mm, Noord-Nederlands, 1561 - 1604, print maker, printmaker, 1595 - 1596, paper, papier, engraving, graferen (drukprocedé), Work conception, Zuid-Nederlands, 1548-05 - 1606-09-11, after a design by, 1583-04-10 - 1645-08-28, writer, Publication (Event), Publication, 1586 - 1652-06-19, publisher, uitgever, Publicat

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Muller, Harmen Jansz, Den Grooten Figuer-Bibel, History of Judah and Tamar, Of Iuda and Thamar, Tamar shows Judah's staff and ring, bottom right - handwritten in brown ink, Judah has a fire stoked to burn his daughter-in-law Tamar. He wants to punish her because she has behaved like a whore and has become pregnant as a result. Tamar, however, shows him his staff and signet ring, with which she proves that he has made her pregnant. Judah then admits that he is guilty and Tamar is not. At the bottom in the margin a reference in Latin to the Bible text in Gen. 38:24. This print is part of an album., print, prent, albumblad, prints, prenten, 58, height 212 mm, width 251 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1564 - 1568, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Pub

King Cyrus accuses Daniel of not honoring the deity Bel. He asks his priests to prove that Bel does indeed eat the food placed before him every night. In front of the throne, two jesters play on the floor. On the right are the priests, on the left is Daniel pointing to the temple of Bel. Daniel refuses to honor the deity Bel History of Daniel, Bel and the Dragon , print maker: Philips Galle, Maarten van Heemskerck, (mentioned on object), publisher: Theodoor Galle, (mentioned on object), print maker: Haarlem, publisher: Antwerp, 1601 - 1633, paper, engraving, h 200 mm × w 248 mm

Italy, Boldrini, Nicolò, Venice, Titian, Samson fighting Philistine soldiers, verso - stamped, The bald Samson fighting Philistine soldiers, after his hair has been cut off. On the left Delilah with a large pair of scissors and Samson's hair in her hands., print, prent, prints, engravings, height 306 mm, width 500 mm, Italian, 1488 - 1576-08-27, print maker, printmaker, 1540 - 1545, second quarter 16th century, paper, papier, houtnijd, 1500, block cutter

Italy, Alberti, Cherubino, Polidoro da Caravaggio, Frisians after Polidoro da Caravaggio (copies), Quod vultus mutent homines in sacra medusae. Hoc adversa facit forma pudicitae, Phineus and his followers turned to stone, verso - stamped, Perseus shows Phineus and his followers the severed head of Medusa, which turns them to stone. Below the representation the title., print, prent, prints, height 125 mm, width 225 mm, 1553 - 1615, print maker, printmaker, 1563 - 1615, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1490 - 1543, after a design by

Antwerp, Jode, Gerard de, Heemskerck, Maarten van, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Tobias, Return of Tobias, Tobias embraces his mother Anna upon returning home. Behind her, a boy leads the blind Tobit outside. The archangel Raphael points in the direction of Sarah and the animals laden with gifts. Below the image is a reference to the Bible text in Tobit 11 in Latin. The print is part of an album., print, prent, albumblad, prints, prenten, height 200 mm, width 244 mm, print maker, prentmaker, 1556 - 1556, paper, papier, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1498 - 1574, after a design by, Publication (Event), Publicatie, 1509 - 1591-02-05, publisher

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Collaert, Hans (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Solomon, Solomon has the temple built, King Solomon has the temple built in Jerusalem. He is standing in the left foreground with a scepter his hand. In the background the construction site. Below the representation is a reference in Latin to the Bible text in 1 Kings. 6. This print is part of an album., print, album sheet, prints, height 192 mm, width 246 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Amsterdam, Covens & Mortier, Werff, Adriaen van der, Vermeulen, Cornelis Martinus, Title page for: Isaac de Larrey, Histoire d'Angleterre d'Ecosse et d'Irlande, sa, Abduction of Europa watched by Britannia, attachment sheet - stamped, The abduction of Europa by Jupiter in the guise of a bull. Britannia, personified by Themis as the personification of Justice, sits enthroned with scales and sword between two columns under a drapery and watches. On the left sits a woman next to a burning altar. On the right stands a woman with a lance and a liberty cap. In the background a fleet., print, engraving, title page, prints, verso - stamped, JA Frederiks architect Middelburg, height 352 mm, width 232 mm, Southern Netherlands, 1644 - 1709, print maker, printmaker, 1697 - 1697, paper, etching, etchings, engraving (printing process), stippelets, Northern Netherlands, 1659-01-21 - 1722-11-12, after, after painting by, Publication (Event), Publication, Dutch, publisher

Torture, beating, gouging out eyes and chopping off limbs, Historical, digitally restored reproduction from a 19th century original.

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Muller, Harmen Jansz, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, The history of Joshua, Rahab lets the spies escape through the window, The prostitute Rahab stands in her doorway and sends the soldiers who sent to find Joshua's spies in the wrong direction. On the right we see Rahab letting the two spies escape from her window with a rope. Below the image is a reference in Latin to the Bible text in Josh. 2:1. This print is part of an album., print, prent, albumblad, prints, prenten, height 209 mm, width 288 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1567 - 1570, paper, papier, engraving, graveren (drukprocedé), Work conception, Zuid-Nederlands, 1515 - 1599, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Antwerp, Jode, Gerard de, Cleve, Marten van (I), Sadeler, Johann (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia plagarum in Aegijpto, History of Moses before the Exodus, Plagues of the locusts and the hail, In the foreground the eighth plague that God let come upon Egypt: a plague of locusts. The pharaoh orders one of his soldiers to kill the locusts. On the left a servant fills a jar with water. In the background on the left the seventh plague of Egypt: hailstones. In the background on the left and right Aaron and Moses who evoke the plagues. Below the representation a reference in Latin to the Bible text in Ex. 9 and 10. Print is part of an album., print, album page, prints, height 201 mm, width 287 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, 1527 - 1581, after

Rome, Parmigianino, Italy, Trento, Antonio da, Martyrdom of Saints Peter and Paul, verso attachment sheet - stamped, On the right sits the Roman emperor Nero on his throne. In front of him the Saints Peter and Paul. While a soldier is about to behead Paul, another soldier grabs Peter by his beard. Several bystanders look on and in the air flies an angel. Behind the throne of Nero a sculpture of Jupiter with an eagle., print, prent, prints, height 284 mm, width 472 mm, Italian, 1510 - 1550, print maker, prentmaker, 1520 - 1550, first quarter 16th century, second quarter 16th century, paper, chiaroscuro woodcut, 1503-01-11 - 1540-08-24, intermediary draughtsman

Antwerp, Jode, Gerard de, Francken, Ambrosius (I), Collaert, Hans (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Jeroboam and Rehoboam, Stoning of Adoniram, King Rehoboam sent Adoniram, his overseer of the corvée, to the rebellious Israelites. The people stone Adoniram, who holds his hand on a stick purse, which he probably wanted to use to collect taxes. In the background, King Rehoboam escapes to Jerusalem in his carriage. Below the scene is a reference in Latin to the Bible text in 1 Kings. 12. This print is part of an album., print, album page, prints, height 206 mm, width 297 mm, South Netherlands (before 1775), 1540 - 1581, print maker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1544 - 1618-10-16, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

The Massacre of the Innocents, 1520s, engraving on laid paper.

Junius, Hadrianus, Heemskerck, Maarten van, Haarlem, Galle, Philips, Geschiedenis van Jona, Jona voorspelt de ondergang van Nineve, Jona stands on a square in Nineve and predicts the inhabitants of the downfall of their city. The people kneel in horror and remorse. Below the representation an explanatory text in Latin. This print is part of an album., print, picture, album sheet, prints, pictures, height 207 mm, width 249 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1566 - 1566, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, 1511-07-01 - 1576-06-16, writer

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Junius, Hadrianus, Heemskerck, Maarten van, Muller, Harmen Jansz, Den Grooten Figuer-Bibel, Geschiedenis van Joas en koningin Atalja, Gheschiedenissen in Juda, van Athalia en Joas, Verdestructing van de tempel van Baal, lower right - handwritten in brown ink, In the temple of Baal people are tearing down the idols. In front of the altar the priest of Baal is killed with a halberd. The high priest Jehoiada looks on with the seven-year-old king Joas by the hand. At the bottom in the margin a verse in Latin and a reference to the Bible text in 2 Kings 11:18. This print is part of an album., print, prent, albumblad, prints, 210, height 187 mm, width 244 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1565 - 1569, paper, engraving, engraving (printing process), Work conception, Northern Netherlands, 1498 - 1574, after a design by, 1511-07-01 - 1576-06-16, writer, Publication (Event), Publication, 1586 - 1652-0

The Entombment ca. 1552-61 Battista Franco Italian. The Entombment 371910

Amsterdam, Hoorn, Jan Claesz ten, Luyken, Jan, Haelwegh, Adriaen, Title page for: E. Benoist, History of the Reformed Churches of France, 1696, History of the Reformation, and persecution of the reformed churches in France, French Reformed Church attacked by man with whip, verso - stamped, The personification of the French Reformed Church, the Huguenots, is attacked by a savage with a whip. This takes place with the approval of personifications of the French monarchy and the French Catholic Church. Below is a representation of the persecution and expulsion of the Huguenots., print, title page, prints, height 293 mm, width 183 mm, 1637 - 1696, print maker, printmaker, 1696 - 1696, third quarter 17th century, paper, etching, etchings, engraving, engraving (printing process), Northern Netherlands, 1649-04-16 - 1712-04-05, intermediary draughtsman, after

Flagellation. Johannes Sadeler I (Flanders, Brussels, 1550-circa 1600). Flanders, 1582. Prints; engravings. Engraving

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Holofernes, History of Judith and Holofernes, Holofernes before Nebuchadnezzar, The king of the Assyrians Nebuchadnezzar sits on a throne and summons his commander-in-chief Holofernes. He orders him to go into battle against the neighboring peoples. Below the depiction is a reference in Latin to the Bible text in Judith 2:4. Print is part of an album., print, album page, prints, height 203 mm, width 265 mm, Work conception, South Dutch, 1544 - 1638-10-01, after a design by, 1579 - 1579, paper, engraving, engraving (printing process), print maker, Publication (Event), Publication, Northern Dutch, 1509 - 1591-02-05, publisher

Italy, Carracci, Annibale, Reni, Guido, Saint Roch distributing alms, verso - stamped, View of a building with columns and round arches. On a platform on the left, Saint Roch is distributing alms to a crowd of men, women, children and cripples., print, prints, height 290 mm, width 460 mm, print maker, printmaker, 1585 - 1585, paper, papier, etching, etchings, Italian, 1575-11-04 - 1642-08-18, 1560-11-03 - 1609-07-15

Rhetoric; The seven liberal arts. A group of people look at a play. On the stage, rhetorics are on a chair. She has a caduceus in hand and let her feet rest on a landscape child. A man in soul dating is in conversation with her. A woman sitting on the ground with a scroll looks at them. There are some books behind her.

unknown, Antwerp, Cock, Hieronymus, Heemskerck, Maarten van, Cort, Cornelis, Netherlands, Story of Tobias, Tobit's blindness, recto top right - handwritten in brown ink, In the background on the left Tobit buries the body of the murdered man, who was killed by Tobias found on the street. After the funeral, Tobit falls asleep on some sacks of grain. One of the birds in the nest above his head drops its bird droppings into Tobit's eyes, causing him to go blind. In the middle background he gives clothes to the poor and on the right he is sitting at the feast. At the bottom in the margin a one-line caption in Latin from Tobit 2., print, prints, verso bottom center - stamped, 21, height 199 mm, width 244 mm, print maker, printmaker, 1556 - 1556, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1533 - 1578, Work conception, 1498 - 1574, after a design by, Publication (Event), Publication, Zuid-Nederlands, 1518 - 1570-03-10, publisher, uitgever van privilege

Netherlands, Schoonebeek, Adriaen, Allegory of the Christian Faith, verso middle - stamped, Allegory of the Christian Faith. In the foreground the river god the Tiber in front of the arms of Rome, an orb in his hand. Various gods and goddesses around him. In the middle an open space., print, title page, prints, height 252 mm, width 156 mm, Noord-Nederlands, 1661 - 1705, print maker, printmaker, 1682 - 1682, paper, papier, etching, etchings, engraving, engraving (printing process), Expression creation

a drawing by, Publication (Event), Publication, Southern Netherlands, 1537 - 1612-03-29, publisher, uitgever" Antwerp, Galle, Philips, Heemskerck, Maarten van, Reward for labor and diligence, Labor and Diligence enjoying a simple meal, Antwerp, Labor and Diligence are sitting at a table. They are served with a laurel wreath crowned and served by the virtues Appetite (Orexis), Strength (Firmitas), Health (Sanitas) and Thrift (Parsimonia). These virtues bring their attributes to the table. Below the representation a four-line verse in Latin and two verses in French and Dutch in letterpress. This print is part of an album., print, prent, albumblad, prints, prenten, height 208 mm, width 248 mm, height 264 mm, width 340 mm, Zuid-Nederlands, print maker, printmaker, 1572 - 1572, paper, papier, engraving, engraving (drukprocedé), letterpress printing, letterpress, Work conception, Noord-Nederlands, 1498 - 1574, after a design by

Achilles with a corpse of Hector behind his victor. The naked Achilles standing on his victor. The body of Hector is tied to the car and drags over the ground. In the background Hectors Woman Andromache and three buildings, possibly the Colosseum, the Torre delle Milzizie and the Pantheon in Rome.

Antwerp, Jode, Gerard de, Heemskerck, Maarten van, Amsterdam, Galle, Philips, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of King Josiah, King Josiah has the horses and chariots removed in honor of the sun, King Josiah stands on a staircase in the square in front of the temple and watches as statues of horses and chariots of the sun are pulled from the temple entrance and burned in the square. The statues had been erected in honor of the sun. Below the representation is a reference in Latin to the Bible text in 2 Kings. 23. Print is part of an album., print, album sheet, prints, height 205 mm, width 252 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1567 - 1571, paper, engraving, engraving (printing process), Northern Netherlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1509 - 1591-02-05

Emblem: hook, A garden with a pond. In the foreground, a putto puts a worm on a hook. In the center a putto fishes in the garden pond and in the background a fish is caught. In the foreground left a vase on a pedestal with the representation of Adam and Eve in the garden. On the pedestal a representation of the personification Fraud. In the foreground on the right also a vase with the representation of the Judas kiss. The pedestal carries a representation of the Deception personification. In the background a monument with a depiction of the Jewish Exile, cupids: 'amores', 'amoretti', 'putti', angling, angling (fishing-rod), angling (float), Cheat, Deceit, 'Fraud', 'Inganno' (Ripa), Mendacity, the Babylonian Captivity of the Jews, the kiss of Judas: accompanied by soldiers with torches and lanterns, the kisses Christ, Eve offers the fruit to Adam, Jan Goeree (mentioned on object), 1723, paper, engraving, w 168 mm × h 120 mm

King Josia has the horses and wagons removed in honor of the sun, Philips Galle, After Maarten van Heemskerck, c. 1569 print King Josia stands on a staircase on the square in front of the temple and looks at how statues of horses and solar wagons are pulled from the templetingang and burned on the square. The statues were established in honor of the sun. Haarlem paper engraving Josiah removes the horses and burns the chariots used in the worship of the sun-god

This copper engraving by Giovanni Giacomo Caraglio depicts the marriage of Mary, showing figures, architectural elements, ceremonial setting, and symbolic objects.

The Calumny of Apelles 1500-1506 Italy. Although he probably never met Andrea Mantegna, the Venetian painter-engraver Girolamo Mocetto nevertheless based this print on a drawing (now in the British Museum, London) by the older artist. Later, Rembrandt also copied the same drawing, and may have owned it for a time. Mocetto altered the composition by placing the scene, an allegory of calumny (or false accusation), in the Campo de Santi Giovanni e Paolo in Venice, with Andrea del Verrocchioís famous equestrian monument to Bartolomeo Colleoni in the background. This print is a unique early state before final shading was added to the basilica dome.. Engraving in black on ivory laid paper . Girolamo Mocetto

Antwerp, Jode, Gerard de, Vos, Maerten de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of David and Abigail, Abigail gathers food, Abigail, Nabal's wife, has donkeys loaded with loaves of bread and jars of wine. She will bring the food to David. Abigail speaks with one of her servants, who is a shepherd. Below the image is a reference in Latin to the Bible text in 1 Sam. 25. This print is part of an album., print, album leaf, prints, height 197 mm, width 258 mm, Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Copper engraving from 1510-1530 depicting Alexander the Great preserving Homer's works, showing scrolls, figures, and interior architecture.

An etching by Augustin Hirschvogel from 1550 depicting the resurrection of Christ, illustrating figures, composition, and mid-16th-century German printmaking techniques.

The Calumny of Apelles. Artist: After Luca Penni (Italian, Florence 1500/1504-1557 Paris); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: sheet: 12 15/16 x 12 1/2 in. (32.8 x 31.7 cm) trimmed inside borderline. Date: 1560.This proof demonstrates Ghisi's working method as he translated a complex drawing of a classical scene by the artist Luca Penni on to the engraving plate. Much of the composition has been engraved, but several areas are drawn in pen and a grid remains over the lower right quadrant. Twelve of Ghisi's proof impressions have survived, and this sheet belonged to the English artist Sir Peter Lely in the seventeenth century. Museum: Metropolitan Museum of Art, New York, USA.

Ulysses depicted washing hands and feet. Drawn in black chalk with a minor outline in the lower left corner.

Raphael Sadeler I after Joos van Winghe, Delilah Cutting Samson's Hair, 1589 Delilah Cutting Samson's Hair

Italy, Raphael, Dente, Marco, God appears to Isaac, verso - stamped, who is kneeling in a landscape. God tries to warn Isaac not to go to Egypt. On the left is Rebekka. In the background a city wall., print, prent, prints, height 199 mm, width 232 mm, Italian, 1486 - 1527, print maker, printmaker, 1498 - 1532, paper, papier, engraving, engraving (printing process), Work conception, 1483-04-07 - 1520-04-07

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Patientiae Trivmphvs, Triomf van de lijdzaamheid, Triomf van Job, verso bottom left - stamped, In the foreground Job, riding on a turtle. In his right hand a cross with a banner. On the banner a pair of scales, a winged heart and a flaming sword that cuts the heart loose from the world. Behind Job follow: the devil who tries to turn him away from his faith with all kinds of plagues, his wife who urges him to abandon his faith and his three friends who do not believe in him. In the background the trials that Job underwent: the death of his flock, the death of his children and Job on the dunghill, covered with sores. The print has a Latin text of six lines on a separate piece of paper and is part of an eight-part series on the triumph of Patience., print, prints, verso bottom center - stamped, height 208 mm, width 257 mm, Noord-Nederlands, 1522 - 1590-10-29, print maker, printmaker, 1559 - 1559, paper, papier, etching, engra

Cesari, Giuseppe, Rome, Sadeler, Aegidius, Flagellation of Christ by the Soldiers, verso lower left - stamped, Christ, tied to a pillar, is being flagellated by soldiers. Below the print a banderole with a caption, in the middle of the print a coat of arms., print, prints, height 523 mm, width 395 mm, Work conception, South Netherlands, 1570 - 1629, after print by, 1593 - 1679, paper, engraving, engraving (printing process), print maker, printmaker, Italian, 1568-02 - 1640-07-03

A man woos a woman in a garden; representing the sanguine temperament. Engraving by R. Sadeler after M. de Vos.

Cranach, Lucas the elder, work, Jesus before Caiaphas, (1000 - 2000), woodcut, graphics, plate width 16, 8 cm, plate height 24.7 cm, leaf width 17.4 cm, leaf height 25.2 cm, image width 16.6 cm, image height 24.5 cm

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Goltzius, Hendrick, Collaert, Hans (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Martyrdom of Christ and the Apostles, Martyrdom of Bartholomew, Bartholomew is skinned by Indians. To the left of the scene of his martyrdom he is depicted again, with a knife in his hand. Below the scene is an explanatory text in Latin. This print is part of an album., print, album sheet, prints, height 208 mm, width 283 mm, Southern Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1576 - 1580, paper, engraving, engraving (printing process), Northern Netherlands, 1558-01 - 1617-01-01, Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, 1586 - 1652-06-19, publisher

Clair-obscur woodcut by Ugo da Carpi depicting Ananias, created after 1518 using four plates.

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Wierix, Johannes, History of the Maccabees, Cleaning the temple in Jerusalem, Judas Maccabeus orders a number of law-abiding priests to cleanse the sanctuary and to carry the stones that have desecrated the altar to an unclean place. The desecrated altar of burnt offering is broken off. Below the image a reference in Latin to the Bible text in 1 Macc. 4. This print is part of an album., print, prent, albumblad, prints, prenten, height 204 mm, width 288 mm, Zuid-Nederlands, 1549 - 1618, print maker, prentmaker, 1572 - 1576, paper, papier, engraving, engraving (printing process), Work conception, 1515 - 1599, after a design by, Publication (Event), Publication, Noord-Nederlands, 1509 - 1591-02-05, publisher

Father of Psyche consults the Oracle, Agostino Veneziano, After Michiel Coxie (I), 1500 - c. 1536 print Psyche's father consults the oracle of Apollo. On the right a number of men with animals that are ready to be sacrificed. Italian text in two cartouches in STUDMARGE. Numbered twice in the bottom left: 4. Italy paper engraving Psyche's father consults the oracle

Submission of six German cities, 1547, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1555 - 1556 print Six German cities submit to Karel V in 1547 after the Battle of Mühlberg. The leaders of the cities kneel in front of the throne of Karel V. in their hands the keys to their city. The print is part of a twelve -part series about the victories of Karel V. paper etching / engraving surrender of keys. Battle of Mühlberg

Antwerp, Jode, Gerard de, Vos, Maerten de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Gideon, Gideon and the sheepskin, Gideon kneels down by the sheepskin. The dew only falls on the sheepskin. On the right in the background Gideon kneels for the second time by the sheepskin. This time the dew only falls around the sheepskin and not on the sheepskin. Gideon's men look on in amazement. Below the representation a reference in Latin to the Bible text in Judg. 6. This print is part of an album., print, album page, prints, height 194 mm, width 263 mm, Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Copper engraving by Sebald Beham, 1547, showing Job seated with his friends, detailed figures, expressions, and interior setting.

Huwelijk van Vertumnus en Pomona.View in a temple with vertumnus and pomona, surrounded by putti, behind an altar. Women bring baskets with flowers and fruit towards the altar.

Hercules before the Temple of Janus, Print made by Abraham Blooteling, 1640-1690, Dutch, after Gerard de Lairesse, 1640-1711, Flemish, Published by Abraham Blooteling, 1640-1690, Dutch, between 1680 and 1690, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 13 11/16 × 10 11/16 inches (34.8 × 27.1 cm), aggressive, unfriendly activities and relationships of Hercules, architectural subject, club (weapon), death, door, fighting, harpies, hero, man, mythology, nude, relief, religious and mythological subject, temple, togas, wings (costume accessories), women, wreaths, Italy, Lazio, Roma, Roman Forum, Rome, Temple of Janus

Society of Christ, Anonymous, After Michelangelo, After Sebastiano del Piombo, 1650 - 1700 print print maker: Francepublisher: Lille paper engraving flagellation by soldiers, Christ usually tied to a column (Matthew 27:26; Mark 15:15; John 19:1)

The Children of Medea and Jason Give Creusa the Fatal Present (Par ses deux fils à l'épouse nouvelle envoyé en don la couronne mortelle...) 1563 René Boyvin Plate 24 of 26. Medea's children bringing the poisoned gown to Creusa; on the left, the preceding scene, with Medea entrusting the chest to her children; and on the right, the consequences, with Creusa running away as the gown has caught fire; within an ornate border. One of a set of illustrations to the Livre de la Conqueste de la Toison d'or, published in Paris in 1563 and engraved by René Boyvin based on drawings by Léonard Thiry. Jason, the famous hero of antiquity, sets off on a quest to find the Golden Fleece which leads him to meet Medea with whom he has a love affair ending in tragedy.. The Children of Medea and Jason Give Creusa the Fatal Present (Par ses deux fils à l'épouse nouvelle envoyé en don la couronne mortelle...). Jason and the Golden Fleece (Livre de la Conqueste de la Toison d'or par le Prince Jason de Tessalie

Antwerp, Jode, Gerard de, Coxie, Michiel (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Josephi, History of Joseph, Joseph and Potiphar's wife, Joseph flees from Potiphar's wife, who is lying in bed and is trying to seduce him. She grabs his garment. Below the image is a reference in Latin to the Bible text in Gen. 39. The print is part of an album., print, album leaf, prints, height 211 mm, width 264 mm, Work conception, Southern Netherlands, 1499 - 1592-03-10, after a design by, 1579 - 1579, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

The Massacre of the Innocents (Without the Fir Tree), about 1511-12. Marcantonio Raimondi (Italian, 1470/82-1527/34), after Raphael (Italian, 1483-1520). Engraving; Raphael drew this composition to be engraved by Marcantonio Raimondi while working in the Vatican apartments adjacent to Michelangelo, who was then painting the Sistine Chapel ceiling. The emotive scene portrays a moment from the biblical Book of Matthew when King Herod, hearing of the birth of a savior, ordered the execution of all male children under two years of age. Known for the clarity and balance of his forms and compositions, the younger Raphael may have found inspiration for this composition in Michelangelos narrative intensity and active, twisting nude forms.

Italy, Franco, Battista, The Scourging, verso - stamped, Christ, tied to a column, is being scourged by five men., print, engraving, prints, engravings, height 414 mm, width 537 mm, Italian, 1510 - 1561, print maker, printmaker, 1520 - 1561, paper, papier, etching, etchings

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Job is scourged by Satan, verso bottom center - stamped, On the right in the foreground Job sits on a stone. Satan scourges him with a rod and gives him sores. On the left, Job is mocked by his wife. In the background lie the corpses of Job's children among the rubble and columns of his house., print, prent, prints, prenten, width 384 mm, height, 255 mm, Noord-Nederlands, 1522 - 1590-10-29, print maker, prentmaker, 1548 - 1550, paper, papier, etching, etsen, 1498 - 1574, intermediary draughtsman

The Blinding of Elymas dated 1516 Agostino Veneziano (Agostino dei Musi) Italian. The Blinding of Elymas. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). dated 1516. Engraving. Prints

Martyrdom of three saints, bound to a post and tortured with hooks. Woodcut.

Kindermoord Te Betlehem, Marco Dente (Possibly), Marcantonio Raimondi, After Rafaël, 1514 - 1527 print paper engraving the massacre of the innocents

Amsterdam, Wit, Frederik de, Nederland, Frankrijk, Lepautre, Jean, Alkoven, Alkoof with variant for right half, Netherlands, France, On the left is a servant with a basket of laundry on her head., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 141 mm, width 215 mm, Work conception, Frans, 1618-06-28 - 1682-02-02, after a design by, 1665 - 1690, third quarter 17th century, derde kwart 17e eeuw, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1631 - 1706, publisher

The philosopher Diogenes and the allegory of astronomy, by Antonio da Trento 1508-approximately 1550, d 1530 and 1550

Amsterdam, Blaeu, Cornelis, Johannes Willemszoon, Moeyaert, Nicolaes, Nolpe, Pieter, Festivities during the visit of Maria de' Medici to Amsterdam in 1638, Hercules consults with Mars and Minerva, Claes, Tableau vivant. Hercules (Henry IV) consults with Mars and Minerva about the way to make the country whole again. Justice is still stuck under the globe of the divided French Empire. Representation in the water theatre on the Rokin. Plate no. 11 in the illustrations in the description of the festivities during the visit of Maria de' Medici to Amsterdam, 31 August - 5 September 1638., print, engraving, book illustration, prints, engravings, Frederik Muller Historieplaten, Tableau vivant. Henry IV, dressed as Hercules, consults with Mars and Minerva about the way to make France whole again. Mercury points to the gods on the clouds. Justice is still stuck under the globe of the divided French Empire and is assisted by Peace. Representation used in the water theatre on the Rokin. Bottom ri

Plate 21: Female personifications of Sorrow and Pain at right punishing Psyche at the behest of Venus, who sits at right, from the Story of Cupid and Psyche as told by Apuleius 1530-60 Master of the Die Italian This book contains 32 plates bound together, 3 of which are by Agostino Veneziano.. Plate 21: Female personifications of Sorrow and Pain at right punishing Psyche at the behest of Venus, who sits at right, from the Story of Cupid and Psyche as told by Apuleius. The Story of Cupid and Psyche as told by Apuleius. Master of the Die (Italian, active Rome, ca. 1530-60). 1530-60. Engraving. Antonio Salamanca (Salamanca 1478-1562 Rome). Prints

Ongeloof van Thomas, Gérard Audran (Awarded to), After Nicolas Poussin, 1650 - 1703 print print maker: Francepublisher: Paris paper etching / engraving the incredulity of Thomas

Print, Dance of the Daughters of Herodias; Print Maker: Israhel van Meckenem (German, ca. 1440 - 1503); Germany; engraving on white paper; 21.4 x 31.8 cm (8 7/16 x 12 1/2 in.); 1958-122-5

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Futility of hope for money, Once rich, man places his hope in wealth, recto bottom left - written, Aided by a devil, man places the image of Hope (Spes) on a large bag filled with coins. Once man has become rich Once man has become rich, man thinks only of wealth. In a cartouche at the bottom of the print a Dutch caption in rhyme. The print is part of a four-part series on the futility of hoping for money and other worldly things., print, prints, verso lower left - stamped, D. 73, height 198 mm, width 275 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1550 - 1550, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1498 - 1574

Amsterdam, Luyken, Caspar, Joseph makes himself known to his brothers, verso - stamped, print, prints, height 76 mm, width 89 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1698 - 1698, paper, papier, etching

Copper engraving by Philippe Thomassin from 1589 depicting the martyrdom of St. Sebastian, showing detailed figures, arrows, and religious iconography.

Amsterdam, Visscher, Claes Jansz. (II), Francken, Ambrosius (I), Collaert, Hans (I), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Parables from the New Testament, Parable of the Wise and Foolish Virgins, The ten wise and foolish virgins are waiting for the bridegroom in the foreground. The five wise virgins on the left keep their oil lamps burning. The five foolish virgins on the right are making music, drinking and sleeping while leaving their oil lamps behind. In the background, Christ as the bridegroom receives the wise virgins. The foolish virgins knock on the door in vain. Below the image is a reference in Latin to the Bible text in Mat. 25:1. This print is part of an album., print, album leaf, prints, height 222 mm, width 280 mm, South Netherlands (before 1775), 1540 - 1581, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1544 - 1618-10-16, after design of, Publication (Event

. The interior of a dormitory in Zierikzee. Armed men storm through the door and kill the temple ridders to sleep in the room.

Drawing by Giovanni Maria Falconetto depicting the meal of Ikarus, executed in pen and brush with white highlights on gray-primed paper.

Copper engraving by Matthäus Zasinger (Meister MZ) around 1500 depicting the inheritance dispute of royal sons, showing detailed figures, composition, and medieval narrative engraving style.

Ulysses and Circes, Print made by Bernard Lens, 1659-1725, British, after Annibale Carracci, 1560-1609, Italian, undated, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 9 3/4 × 12 11/16 inches (24.8 × 32.2 cm) and Image: 9 1/2 × 12 11/16 inches (24.1 × 32.2 cm), dish, garlands, god, goddess, headdress, helmets, herb, love, magic, protection, religious and mythological subject, romance, sculpture, spear, wand

Susanna before Daniel, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 3 1605-6 Willem van Swanenburg Netherlandish This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606.. Susanna before Daniel, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 3 650785

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo42. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Antwerp, Jode, Gerard de, Cleve, Marten van (I), Wierix, Johannes, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Moses before the Exodus, Moses and Aaron with the Pharaoh, Moses and Aaron speak with the Pharaoh and ask him to let the people of Israel go. Aaron has thrown his staff on the ground and it has turned into a snake. The Pharaoh's court looks on in amazement. Below the image is a reference in Latin to the Bible text in Ex. 7. This print is part of an album., print, prent, albumblad, prints, prenten, height 200 mm, width 284 mm, Zuid-Nederlands, 1549 - 1618, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, 1527 - 1581, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Slaves wear a sail; Ports with slaves and sailors. Slaves wear the sail from a ship the quay. Two sailors. One of them keeps his stick in threatening.

Massacre of the Innocents, Marcantonio Raimondi, after Rafaël, 1511 - 1512 print paper engraving the massacre of the innocents

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Den Grooten Figuer-Bibel, Typus Divinae indulgentiae atqz misericordiae, erga eos quibus ex toto corde transgressionum poeni tet et ad dnm deum se convertunt, Penance and Repentance in the Old and New Testaments, Of Hezekiah and Manasseh, King Manasseh in Prison, lower right - handwritten in brown ink, King Manasseh of Judah converts in the dungeons of Babylon. He prays to God and is heard. Below the representation is a reference in Latin to the Bible text in 2 Chron. 33:11. This print is part of an album., print, album sheet, prints, 215, height 205 mm, width 237 mm, print maker, printmaker, 1643 - 1646, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Dubourg, Louis Fabritius, Northern Netherlands, Tanjé, Pieter, Charles the Simple grants Dirk I the title of Count of Holland, 922, On 15 June 922, King Charles the Simple grants Dirk I the title of Count of Holland and gives him the church of Egmond with all associated estates. In fact, Dirk I calls himself Count of West Friesland., print, picture, historical print, prints, pictures, Frederik Muller Historical plates, height 181 mm, width 203 mm, 1706-02-15 - 1761-06-29, print maker, printmaker, 1747 - 1749, second quarter 18th century, third quarter 18th century, paper, etching, etchings, 1693 - 1775-09-16, intermediary draughtsman

Antwerpen, Jode, Gerard de, Groeningen, Gerard van, Antwerp, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Abrahami, History of Abraham, Abraham's meeting with Melchisedek, Melchisedek, the high priest and king of Salem (Jerusalem), gives Abraham bread. A servant pours wine. Abraham, dressed in armor and with a helmet on his head, stands opposite Melchisedek, while his soldiers stand behind him. Below the representation is an explanatory text in Latin and an erroneous reference to a Bible text in Gen. 18. Print is part of an album., print, album page, prints, height 201 mm, width 249 mm, print maker, 1579 - 1579, fourth quarter 16th century, paper, engraving, engraving (printing process), South Netherlands, 1515 - 1599, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

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