Biblical Scenes and Visions

Engravings depicting biblical narratives, including Peter's vision of unclean animals and the plagues of Egypt, illustrating historical religious themes.

Teasing of the frogs, mosquitoes and stitching flies, Johann Sadeler (I), After Marten van Cleve (I), 1585 print In the foreground the second plague that God brought over Egypt: a frog pest. A group of people are sitting at the table with frogs everywhere. In the background, the pharaoh is attacked by mosquitoes and flinges. In the background Aaron with his staff and Moses. Under the performance a reference in Latin to the Bible text in ex. 8. This print is part of an album. paper engraving the plague of frogs: Aaron stretches out his hand over the water of Egypt; frogs come out and cover the land. the plague of lice: Aaron strikes the ground with his rod and the dust turns into lice. the plague of flies which fill the houses of the Egyptians

Peter's vision of the unclean animals, 1643 print The Apostle Peter stays in the Huis van Simon de Leerlooier. Praying in his room Peter gets a vision. A large sheet appears in heaven, on which all kinds of animals of the world are located. This vision was symbolic, a sign of God that may also receive non-Jews Christ's message. In the background, the messengers of the Roman centurio Cornelius arrive at the house of Peter. Leather is tanned in the basement. Under the show a reference in Latin to the Bible text in hand. 10:11. This print is part of an album. Amsterdam paper engraving Peter's vision of the unclean beasts on the roof of the house of Simon the Tanner: a sheet descends from heaven full of four-footed beasts, creeping things and fowl of the air

Teasing of the frogs, mosquitoes and stitching flies, Johann Sadeler (I), After Marten van Cleve (I), 1585 print In the foreground the second plague that God brought over Egypt: a frog pest. A group of people are sitting at the table with frogs everywhere. In the background, the pharaoh is attacked by mosquitoes and flinges. In the background Aaron with his staff and Moses. Under the performance a reference in Latin to the Bible text in ex. 8. This print is part of an album. paper engraving the plague of frogs: Aaron stretches out his hand over the water of Egypt; frogs come out and cover the land. the plague of lice: Aaron strikes the ground with his rod and the dust turns into lice. the plague of flies which fill the houses of the Egyptians

Two performances from the life of Thoseus, Daniel Nikolaus Chodowiecki, 1794 print Left: The kidnapping of Helena. Right: Kimon carries the bones of Thoseus Athens. Berlin paper etching (story of) Theseus. Theseus and Pirithous abducting Helen. Cimon, the Athenian, brings Theseus' bones back to his city

Vision of the unclean animals, Philips Galle, After Jan van der Straet, 1582 print The apostle Peter, praying in his room, gets a vision. A large sheet appears in heaven, in which all kinds of animals of the world are located. This vision was symbolic, a sign of God that non-Jews were created by God to receive Christ's message. In the background, the messengers of the Roman centurio Cornelius arrive at the house of Peter. The print has a Latin caption and is part of a 34-part series on the subject of the actions of the apostles. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Peter's vision of the unclean beasts on the roof of the house of Simon the Tanner: a sheet descends from heaven full of four-footed beasts, creeping things and fowl of the air

Werther Omhelst Lotte, Daniel Nikolaus Chodowiecki, 1775 print Albert is on the left in the background, he brought the couple together again. Lotte's father is next to the table. Berlin paper etching (scenes from) specific works of literature: Goethe, Werther

The famous Mayieux, it is not rampacious, it is alive .... / No. 54. (registered title)

Esau sells his first burrow to Jacob; History of Jakob and Esau; Historia Jacobi et esau (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Esau has returned hungry from hunting. His hunting dogs are next to him. He sells his first crosship to his younger brother Jacob for a plate of lentons, which he already has in his hands. Jacob and Rebekka sit at the table. Under the show a reference in Latin to the Bible text in Gen. 25. Print is part of an album.

Pastor Gros en Christine, Daniel Nikolaus Chodowiecki, 1776 print Pastor Gros has finally found his mother. She has hired a new foster daughter. In her, Pastor Gros Christine, the daughter of De Waard, recognizes his life earlier in the story. Numbered at the top right: 10. paper etching Literature. sick-bed

Simon van Trent is kidnapped, Anonymous, 1550 - 1649 print The young Simon van Trent is on the street and is abducted by Tobias. In the background, Tobias arrives with the child with a group of Jewish men who have gathered under a column gallery. Italy paper etching colonnade. kidnapping

Marriage from self -interest, Daniel Nikolaus Chodowiecki, Daniel Nikolaus Chodowiecki, 1788 print Berlin paper etching betrothal and marriage. married couple of unequal wealth

Copper engraving print by Gerard de Jode illustrating the story of Joseph, created between 1535 and 1591.

Jozef explains the dreams of the Schenker and De Bakker, Hans Collaert (I) (attributed to), after Michiel Coxie (I), 1585 print Joseph explains the dreams of the donor and the baker of Pharaoh in prison. Above the donor's head, the dream of the donor is depicted: he pours wine in a cup for Pharaoh. Above the head of the baker's dream: birds pick the bread that he wears in a basket. Under the performance a reference in Latin to the Bible text in Gen. 40. This print is part of an album. paper engraving Joseph interpreting the dreams of the butler and the baker (the two dreams combined)

Etching by Battista Agnolo del Moro depicting the bathing of the infant Jesus, produced between 1515 and 1573.

Jakob receives the paternal blessing of Isaac, Cornelis Cort, after Frans Floris (I), After 1563 - Before c. 1601 print Ornament for dish edge. Isaac is in bed and gives his blessing to his son Jakob who kneels in front of the bed. Rebekka looks on the right. Left in the doorway Esau. With Latin caption in Cartouche. print maker: unknownpublisher: Antwerp paper engraving the wedding-feast; Laban substitutes Leah for Rachel. Isaac lying in bed blesses Jacob who, disguised in Esau's clothes, brings food to his father; Jacob's hands and neck are covered with goatskins. ornament ~ cartouche

Indifference, Daniel Nikolaus Chodowiecki, 1788 print Berlin paper etching betrothal and marriage. Indifference

Tobit beaten with blindness; Story of Tobias. Tobit is sleeping against the wall of his house. A bird is flying above his head and the bird poop falls on his eyes. There are a spa and Nap next to him. On the second plan his wife is Sara working ..

Title print with the Rafaël assistants who decorate the loggia in the Vatican, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print The Rafaël assistants make the reliefs for the loggia in the Vatican. In the lower margin in Latin. Print is part of an album. paper etching / engraving artist at work with assistants or pupils Vatican Museums

Marie-Catherine Cadière begs Jean-Baptiste Girard for Absolution, Jacques Gabriel Huquier (attributed to), c. 1735 print Marie-Catherine Cadière begs Jean-Baptiste Girard for absolution. Part of the series of 32, often erotic tinted, prints dedicated to the scandal around Marie-Catherine Cadière and the Jesuit Jean-Baptiste Girard in 1730-1731. paper etching sexual abuses of monks. witch, sorcerer with the devil and/or demons

Visits from the prisoners, in Or Before 1571 print Two men visit the prisoners. On the left of the stairs a bent visitor and a soldier. On the right two prisoners chained on the wall and other prisoners in the background. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving visiting or liberating the imprisoned, 'incarceratus solatur' ~ one of the (seven) Acts of Mercy

Title page for: Arend Fokke Simonsz., The engraver, one concise manual to the roofylioglyphia, or engraving art, 1796 ..

Two dwarfs for the month of January, 1720, Joost van Sassen, 1718 - 1720 Two dwarfs for the month of January (Louw month). Couple with fur coats and sleeve. In the caption verses in German, French and Dutch. Part of part III (a series of the twelve months) in the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving Two dwarfs for the month of January (Louw month). Couple with fur coats and sleeve. In the caption verses in German, French and Dutch. Part of part III (a series of the twelve months) in the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving

Copper engraving by Robert Willemsz. de Beaudoux depicting the biblical story of Joseph, showing figures, gestures, and narrative composition from 1590 to 1636.

Two performances from the stories of Wilhelm Gottlieb Becker, Daniel Nikolaus Chodowiecki, 1798 print Numbered at the top right: 5 and 6. Berlin paper etching portrait, self-portrait of artist. staircase. shaking hands, 'dextrarum junctio'

Two performances from the stories of Wilhelm Gottlieb Becker, Daniel Nikolaus Chodowiecki, 1800 print The prints are numbered at the top right. With caption and page reference in German. Berlin paper etching garden. functionaries and dignitaries ~ Protestant churches. garland, wreath. gifts being accepted

Happiness of domestic life, Daniel Nikolaus Chodowiecki, 1773 print The baron is provided by his wife. His son sits on a chair in front of the bed. The doctor is writing behind the table. Numbered in the bottom right: 11. paper etching nursing, tending the sick. child(ren) with one or both parents and one or more members of the preceding generation (family group)

Copper engraving by Cornelis Cort from 1561-1565 depicting the Three Fates (Parzen) and a representation of Dialectica, showing allegorical figures and symbolic attributes.

Lucretia begs the governor for the freedom of her husband, 1700 - 1759 print Scene from a play to the story of the judiciary of Charles the Bold about the governor of Zeeland, ca. 1474. Also known as the story of Rhynsault and Saphira. In this operation such as the governor and Lucretia. With links of the performance six lines of accompanying text. Northern Netherlands paper etching / engraving / letterpress printing juridical examples; exemplary judges; 'Gerechtigkeitsbilder' Netherlands

Cartoon in portrait art, Anonymous, 1709 print paper engraving / etching artist's model, sitter. artist (in general) working from clothed model. parody on art

Collective scene, illustration to the art "Der Zerbrochene Krug"; Kaeseberg & Oerntel, R. Klepsch und Anderer (Leipzig; Drzewytownia; 1880-), Menzel, Adolph (1815-1905); 1877 (1877-00-00-1905-00-00);

Jupiter and Juno consult Tiresias, 1615 print Juno and Jupiter do not agree on the answer to the question of which of the sexes the greatest pleasure in love. That is why they present the issue to Tiresias, who was once a woman for seven years, and can therefore weigh both sides of the case against each other. In the lower margin a four -line explanation, in two columns, in Latin. paper engraving (story of) Tiresias. transgender, transsexual

Orange coffee in Plymouth. (IT)

Lady Milford expresses her horror about the expensive gift, Daniel Nikolaus Chodowiecki, 1785 print paper etching Literature. necklace. Disapprobation, Disapproval, Rebuking. ornament ~ medallion (+ framing decorations)

Third pretext: the man who was just married; Van D'inrydingh Iesu, and some histories as a matter of the scope; Parable of the Royal Wedding Party; Den Grooten Figuer Bibel (...). A servant of the king comes to the third guest and invites him to the wedding party. The guest apologizes itself with the excuse that it is only married. He points to his bride. Under the show a reference in Latin to the Bible text in Luc. 14. This print is part of an album.

Bliżej Kultury Unknown, Blanchon, Jean Andre

Pastor Gros's wife on her death bed, Daniel Nikolaus Chodowiecki, 1776 print Numbered in the top right: 7. paper etching Literature. deathbed

Violin playing man and block -playing boy, Carl Friedrich Holtzmann, 1750 - 1811 print Dresden paper etching one person playing string instrument (bowed). violin, fiddle. flute, aulos, tibia

Medical foolishness, Daniel Nikolaus Chodowiecki, 1782 print paper etching quack, charlatan, mountebank, 'saltimbanco'. medicine, medical science. patient, sick person

Scheiding, Daniel Nikolaus Chodowiecki, 1788 print Berlin paper etching betrothal and marriage. divorce

Eight performances from the history of the Bartholomesnacht, Daniel Nikolaus Chodowiecki, 1797 print The prints are numbered at the top right. With caption and page reference in German and French. Berlin paper etching on fire, ablaze. execution ~ military disciplinary punishment. introducing. kneeling figure. (military) espionage. battle. murder Paris. Vassy

Allegorical show with a sick woman, a piskike and death. A sick woman lies laid out on a stone bed with a family crest on it. Above the bed hangs a canopy with a pentagram. A man is worried next to the bed one gives herbs to the patient. Next to the bed is a doctor who studies the urine from the woman in a bottle. From behind the Curtain of the Baldakijn Diving two skeletons that predict the death of the woman.

Wood engraving, England, by Thomas Bewick.

Rachab lets the spies escape through the window, Harmen Jansz Muller, after Gerard van Groeningen, 1585 print The Rachab prostitute is in her doorway and sends the soldiers sent to find Joshua's spies in the wrong direction. On the right you can see how Rachab lets the two spies with a rope escape from her window. Under the performance a reference in Latin to the Bible text in JZ. 2. This print is part of an album. paper engraving Rahab, questioned by the king's men about the Israelite spies, sends them on a false track. Rahab, whose house was built in the city wall, lets the spies down from the window by means of a red rope

Kimon carries the bones of Thoseus Athens, Daniel Nikolaus Chodowiecki, 1794 print Numbered at the top right: 6. With caption in German. Berlin paper etching (story of) Theseus. Cimon, the Athenian, brings Theseus' bones back to his city

Catharina de 'Medici and Karel van Lotharingen try to convince Karel IX, Daniel Nikolaus Chodowiecki, 1790 print Berlin paper etching conversation, dialogue; conversation piece Paris

Philinde and her brother; Philinde. Philinde looks at himself in the mirror. Her brother blames her vanity.

Eight illustrations from the cycle: Les Cérémonies des Petites Messes representées en 35 Figures Avec Leurs Conformitéz a La Passion de Notre Seigneur Jesus Christ.; Le Clerc, Sébastien (1676-1763; young); 1722 (1722-00-00-1722-00-00);

Departure of the Engel Rafaël, Anonymous, Maerten de Vos, 1646 print The Engel Rafaël is familiar with Tobit, Anna, Tobias and Sara. They kneel on the floor. Tobit has returned home and is received on the left by his parents Tobit and Anna. Even further in the background the reception of Tobias' wife Sara. On the right in the house the healing of Tobit. Under the performance a reference in Latin to the Bible text in Tobit. 12: 4. This print is part of an album. paper engraving the meeting of parents and son ~ Tobias' return. the healing of Tobit: Tobias puts the gall of the fish on his father's eyes. Sarah's arrival ~ Tobias' return. the angel Raphael disappears into the sky

The punishment for high treason, 1713, 1713 print The beheading of John the Baptist in prison. The story uses as an illustration of the punishment for high treason in connection with the Peace of Utrecht, 1713. In the album verses in Dutch and French. Part of a group of 28 new and old records adapted to illustrate the Peace of Utrecht in 1713. Part of the print work published under the collection title 't Lust-Hof of Momus with the bundled series of cartoons during the years 1701-1713 of the Spanish Succession War. print maker: Northern Netherlandspublisher: Amsterdam paper engraving the beheading of John the Baptist

Writer; Der Schreiber. .

Foolishness of love, Daniel Nikolaus Chodowiecki, 1782 print paper etching Couple of Lovers. Folly, Foolishness; 'Pazzia', 'nonsense', 'Staltitia' (Ripa)

Revolutions of France and Brabant () (TF)

A farmer hires a pedagogue to teach his two sons The farmer points out to the pedagogue his children, who are sitting by the window, Pedagogue and the farmer The pedagogue , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 246 mm × w 157 mm

Bas -relief with muse playing a winch, 1636 - 1647 print Bas-relief with a muse, perhaps Erato, who plays a winch. A woman assists her with holding the winch. On the right a saat. In the middle of the relief the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. single Muses. satyr(s) (in general). lyre, cithara, psaltery - CC - out of doors

48. Salomon on the throne; 49. Elijah victim; Kosicki, Ludwik (1793-1846); 1840 (1840-00-00-1840-00-00);

Gallery of the Palace of Justice in Paris, 1744 - 1774 print View of a bookstore and a store for women's clothing in the covered gallery of the Palace of Justice in Paris. The print illustrates a scene from the play La Galerie du Palais (1634) by Pierre Corneille. Dorimante, in conversation with the bookseller, points to Hippolyte who is in conversation with the owner of the store in women's clothing. Around the scene a decorated border with flowers, animals and books. paper etching / engraving book-shop, bookseller. merchant, salesman. underclothes and nightwear Courthouse

Feast of Belsassar, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, 1585 print The festival of Belsassar, King of Babylon, with his courtiers and women. Belsassar, seen on the back of the table, sees a writing hand appear. On the table are the stolen cups and scales from the Temple of Jerusalem. At the top right are trumpeters on the balcony. Under the show a reference in Latin to the Bible text then. 5. This print is part of an album. paper engraving during Belshazzar's banquet a hand appears and writes on the wall (MENE, MENE, TEKEL and PARSIN (UPHARSIN)); King Belshazzar is frightened

Major of Tellheim en de Weduwe Marloff, Daniel Nikolaus Chodowiecki, 1769 print First deed, sixth scene from the play Minna von Barnhelm. Numbered in the bottom right: 2. Major von Tellheim refuses the money that the widow Marloff wants to repay to him. paper etching literary characters and objects. window

Iscrizioni e frammenti delle camere sepolcrali della Famiglia Arrunzia ec. , Inscriptions, Architectural decorations & ornaments, Archaeological sites, Tombs & sepulchral monuments, Containers, Arruntius, L. Lucius, active 43 B.C.-17 B.C.. The Antonio Cardinal Tosti Collection

Portrait of Francesco Barbarigo and Brescia and Bergamo personifications; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. Then a medallion with the portrait of Francesco Barbarigo on the front. Peace burns a weapon equipment on the back. There are two hearted men on the pedestal. They give each other a bay branch. The left has a shield with the weapon of the Italian province of Brescia in his hands. The judge holds the weapon of the Italian province of Bergamo. Brescia and Bergamo came under Venetian governance in the fifteenth century. The print is part of an album.

Old reading man and young handicraft -performing woman in a cell, Reinier Vinkeles (I), 1782 print Amsterdam paper etching / engraving prison, jail. reading. needle ~ sewing

Interior of a Prentatelier, Jan Chalon, 1748 - 1795 print A work studio, possibly from the print maker himself. A man is making a print on the left in the foreground. Someone looks over his shoulder. A woman is drawing in the background in the middle of the print. On the right two women who eat a dog. Northern Netherlands paper etching / drypoint art (+ in workshop or studio). printing ~ applied arts. drawing, sketch

Old Man and Death, Rudolph Meyer, 1650 print An old man sits by the fire in a departure. Death stands for him. A man's portrait hangs on the wall. paper etching dance of Death; Death together with one or more human beings. personifications of Death; 'Morte' (Ripa)

The painting shows Hercules as a baby killing two snakes with his bare hands to protect his twin brother Iphicles, while his mother Alcmene watches distraught. Amphitryon, a prince of Argos, clutches his sword, while a teacher in slave robes clutches the terrified Iphicles. Copperplate engraved by Tommaso Piroli from his own "Antichita di Ercolano" (Antiquities of Herculaneum), Rome, 1789. Italian artist and engraver Piroli (1752-1824) published six volumes between 1789 and 1807 documenting the murals and bronzes found in Heraculaneum and Pompeii.

Peter the Great Bij His Daughters, Daniel Nikolaus Chodowiecki, 1789 print The prints are numbered at the top right. With caption and page reference in German. print maker: Berlinpublisher: Göttingen paper etching History. emperor. father and daughter(s) (family group)

Crievers (Dutuit 1) Dusart, Cornelis. The criers (Dutuit 1). Etching. 1685-1685.

Interior with sleeping woman, William Baillie, After Antoine Lenain (L'Aîne), 1774 An interior with two soldiers with a plumy hat. The right man keeps his pipe at the flame of a candle. The other keeps his pipe under the nose of a sleeping woman or tickles her with a straw. Left in the foreground is a lamp. The print is part of an album. paper An interior with two soldiers with a plumy hat. The right man keeps his pipe at the flame of a candle. The other keeps his pipe under the nose of a sleeping woman or tickles her with a straw. Left in the foreground is a lamp. The print is part of an album. paper

Aritmetica, Jacques -Antoine Friquet de Vauroze, After Sébastien Bourdon, 1663 - 1716 print Papyrius, sitting on a writing table on the Campo Marzio, with goose feather and book, surrounded by three Romans. Back right two riders. print maker: Franceafter design by: Parispublisher: FranceFrance paper engraving / etching Arithmetic '(~ quadrivious); "Aritmetic '(Ripa)

Copper engraving and etching by Enea Vico from 1548 showing Christ being mourned at the grave, depicting figures, expressions, and funerary setting.

Queen Anna picks the French rooster, 1706; Nadeen n of d'eclipse of the French sun darkened by the British moon and the unpased planets / mauvaises consequences The L'Eclipse du Soleil François (...); 24. 't fire, or sewing of the sun eclipse; Bycup to the Koninglyke Almanach, called the Gulde-Year of Allies, 1706 / 't Lusthof by MoMus. Cartoon in which the English Queen Anna sat on her throne The French cockifies the French prisoners caught on either side. Above the throne The solar eclipse of 12 May 1706. With three small scenes of the French defeats and Louis XIV together with Madame de Maintenon on the throne. In the plate 3 columns in Dutch and French. Leaf No. 24 (numbered at the top right) in the series of 25 blades entitled: Bycup to the Koninglyke Almanach, called the Gulden-Year of Allies, 1706. Part of the print work is published under the collective title: 't Lust-Hof van Momus, with The bundled Series of spot prints during the 1901-1713 of the Spanish Succession War.

Print, Rocaille Ornament Design; Designed by François-Thomas Mondon (French, ca. 1709 - 1755); Print Maker: Antoine Aveline (French, 1691 - 1743); France; etching on laid paper

Bad historian, 1796, Pieter van Woensel, 1795 - 1796 print Cartoon of a writer who is desperately sitting in the glowing axis on the floor in front of the fireplace. He raises his hands in the air and holds a writing spring in his mouth. On both sides of him two books on chairs: on the left the truth, on the right the opinion. Netherlands paper etching writer, poet, author

Van Eupen caught by Van der Noot, Anonymous, 1787 - 1791 print Cartoon on the leaders of the Brabant Revolution, Petrus van Eupen and Hendrik van der Noot. Van der Noot as a corner (the cheated husband) caught the priest of Eupen with his hand under the skirts of women Republica. Hereby the date January 23, 1791 written by hand. Part of a large group of prints relating to the events of the Brabant Revolution and the period 1787-1790. Southern Netherlands paper etching / engraving with the unwanted third party Brabant

Francesco I d'Este Speaks About his Victories with an Honest Comportment, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este Speaks About his Victories with an Honest Comportment, from L'Id

District and modesty, Daniel Nikolaus Chodowiecki, 1784 print Numbered at the top right: 8 and 11. With caption in German and French. paper etching Good and Bad Behaviour, Moral Qualities

Jozef for Pharaoh, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 print The pharaoh is sitting on a throne and looks at Joseph who is kneeling in front of him. Left and right groups of men watching. Title and reference to Bible text in Submarga. Print is part of an album. paper etching / engraving story of Joseph (part I)

Allegorie op treurige toestand van Oostenrijk, 1742.Allegory stressing of Austria in the Austrian Succession War and the possible financial assistance from the Netherlands, 1742. In a room, a man writes seated at a table, on the walls of the pope, cardinal and bishop between allegorical performances. Signature at the top right: Pag. 15.

Ungent Visit, Daniel Nikolaus Chodowiecki, 1779 print Due to financial problems, Baron von Ilow and Luise have moved to a provincial village. Both spouses start drinking to better tolerate the visit of the provincial visitors. Numbered at the top right: 10. paper etching conversation, dialogue; conversation piece

Batseba submits Adonia's request to Solomon, 1643 print Batseba is sitting on the right hand of her son, King Solomon, and conveys the question of Solomon's brother Adonia to him. She asks for Adonia for the hand of Abisag. Solomon becomes furious and instructs Adonia to kill. In the background, Adonia is pierced with a lance. Under the show a reference in Latin to the Bible text in 1 Kon. 2:19. This print is part of an album. Amsterdam paper engraving Solomon and Bathsheba. Bathsheba brings Adoniah's request to Solomon. Adoniah is killed by Benaiah

The four ages of man: old age Abraham Bosse (1602-1676). The four ages of man: old age.

Rome produces fame and art; Varie Antiquates Romanae; Roman ruins and coastal landscapes (series 2). A stone with the map of Rome has been crowned with three crowns and is based on a base, where Roman devies s.p.q.r. is chiseled. The stone is flanked by the fame with a trumpet, dressed as a Roman soldier, and by painting, with painting stick, brushes and palette, who crown the stone with a laurel wreath. Print is part of a series of Roman ruins and coastal landscapes to the prints of Willem van Nieulandt. This series is a copy of the series, who made Claes Jansz Visscher to Van Nieulandt.

Bliżej Kultury unknown

Francesco I d'Este Sentencing the Guilty with Great Difficulty, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este Sentencing the Guilty with Great Difficulty, from L'Idea di un Principe ed

Resting family, the man drinks water from a jug, Jean Couvay, After Abraham Bloemaert, 1632 - 1675 This print is part of an album. paper etching This print is part of an album. paper etching

Medical foolishness, Daniel Nikolaus Chodowiecki, 1782 print paper etching quack, charlatan, mountebank, 'saltimbanco'. medicine, medical science. patient, sick person

Four performances about the characteristics of the soul, Plate 3, Jan Evert Grave, 1786 - 1806 print Four representations with regard to the soul of man. Top left, marked I. 33-36: A bedroom with a sick man in bed, provided by his wife. Two children at the fireplace. Above right, marked K. 37-40: Two women talk in a conservatory. In the background an open door to the garden, where a man embraces a woman. Under left, marked L. 41-43: a living room with four children who study. Under the right, marked M. 44: a man who buries a treasury. Amsterdam paper etching / engraving child. the soul during lifetime. hiding, concealing, burying a treasure. sick-bed. (lovers) kissing each other. education

Karel I van England crowned by justice; Histoire de l'Entrance de la Reine Mere du Roy Tres Chrestien, Dans La Grande Brittany. Portrait of King Charles I from England, for feet. In his hands he has the sword and the scales of justice that stands next to him. She holds the kingceping into her hand and crown the king with a laurel wreath. In the bottom margin four lines text in two columns, in French. The print is part of a book about the receipt of the French king mother Maria de "Medici to England.

Robert discusses the proposal of Gurli, Daniel Nikolaus Chodowiecki, 1790 print Numbered at the top right: 9. With caption and page reference in German. print maker: Berlinpublisher: Lauenburg paper etching Literature

Cook, Thomas, inventor: William Hogarth, Character & Carcatura 5-6, 1802, copperplate, graphics, plate width 44.2 cm, plate height 22 cm, width 19.6 cm, leaf width 54.7 cm, leaf height 35.9 cm, image width 15 cm, image height 17.3 cm, height 17.2 cm

Drawing (Italy); Designed by Felice Giani (Italian, 1758-1823); pen and brown ink over traces of graphite on cream laid paper

The stone virgin, Magic game of the same theatrical picture gallery for the theater newspaper, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Boullogne, Bon (1649 1717), Blanchon, Jean Andre

Caroline speaks with her father about her wedding possibilities, Daniel Nikolaus Chodowiecki, 1786 print In the top left numbered: 1. Berlin paper etching Literature. afternoon tea. conversation, dialogue; conversation piece

Witches dancing around the kettle, Daniel Nikolaus Chodowiecki, 1784 print paper etching Macbeth. Literature. witch(es), sorcerer(s) at work

De Nege of Stellces, 1675 print A stingy man (Avaro) with glasses weighs coins in his office, with a foot on a stew. In the foreground a path or frog. Garlic strands on the wall. A safe for the wall. With two four -line verses in Italian. Numbered at the top right: 2. Part of the series 'The twenty -four hours of human happiness'. paper etching / engraving personifications ~ the life of man. the 24 hours of day and night. scenes symbolizing 'Vanitas'. Covetousness; 'Avaritia' (Ripa) ~ personification of one of the Seven Deadly Sins. weighing gold or money. coin. safe, strongbox. tailless amphibians: frog. tailless amphibians: toad

Béfort case (IT)

Anton hits Matthes with his stick, Daniel Nikolaus Chodowiecki, 1786 print paper etching Literature. hitting at something. aggressive relationships, enmity, animosity. dog

William Blake, The Wrath of Elihu, 1825 The Wrath of Elihu

The Judgment of Clare ca. 1815 French, Nantes or Rouen. The Judgment of Clare 219474

Album Drawing, Thomas Bardwell, 1704-1767, British, Previously attributed: James Wills, Active 1740-died 1777, British, ca. 1730, Gray and brown wash with pen and brown ink, over graphite on laid paper, Sheet: 5 1/8 x 3 1/2in. (13 x 8.9cm)

Lanassa's old love returns, Daniel Nikolaus Chodowiecki, 1782 print Up to the top left: 4. paper etching Literature. temple, shrine ~ non-Christian religions. arrival and return ~ travelling. commander-in-chief, general, marshal

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