Biblical Scenes in Art

Engravings depicting key biblical moments, including the birth of Mary, Christ teaching, and significant events from his life. Rich in detail and historical context.

Birth of Maria, Hans Collaert (I), after Chrispijn van den Broeck, 1576 print Saint Anna is sitting on the ground. A midwife offers her a cup to drink out. In addition to her, two other midwives take care of the newborn Maria. In the background the holy Anna in bed. The print has a Latin caption and is part of a series about the life of Maria. paper engraving birth of Mary

Birth of Maria, Hans Collaert (I), after Chrispijn van den Broeck, 1576 print Saint Anna is sitting on the ground. A midwife offers her a cup to drink out. In addition to her, two other midwives take care of the newborn Maria. In the background the holy Anna in bed. The print has a Latin caption and is part of a series about the life of Maria. paper engraving birth of Mary

Christ as a twelve-year-old in the temple; Life of the Virgin Mary; Vita Deiparæ Virginis Mariæ. Christ is in the temple on a throne, behind him two angels. He explains the Scripture to the scribes. Joseph and Maria walk in the temple and find their twelve-year-old son among the scholars. In the margin a six-line caption, in two columns, in Latin. Below labeled: fol. 23.

Copper engraving by Marcantonio Raimondi, early 16th century, depicting Christ teaching among the scribes, illustrating biblical narrative and educational scene.

This woodcut by Albrecht Dürer, part of the Small Passion series (1509-1511), depicts the foot washing scene, showing Christ washing the feet of his disciples with figures, gestures, and drapery.

The thorn crown. In a room with Romance window, Christ is bound by hands. Two men hit him the thorns crown on the head, a man is kneeling for him. Three other men look at the whole. On the ground a branch with thorns.

The Healing of Eneas by Saint Peter. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Philip Galle after Maerten van Heemskerck.

Foot Wasting of Peter, 1585 print Christ is kneeling for the apostle Peter and washes his feet. Peter protests. The other apostles are barefoot in the departure. Under the show a four -line verse in Latin. This print is part of an album. paper engraving Christ washes Peter's feet

Foot washing of Peter; Life and passion of Christ; Thesaurus Novi Testamenti Elegantissimis Iconibus Expressus Continens Historias Atque Miracula Doni Nostri Iesu Christi. Christ is kneeling for the apostle Peter and washes his feet. Peter protests. The other apostles are exposed in departure. Under the show a four-line verse in Latin. This print is part of an album.

The twelve-year-old Christ in the temple; Life of Mary. The young Christ is behind a guy at an increase. He discusses with a number of scribes, while a group of people listens. Left at a pillar are Maria and Joseph. This print is part of a series of 20 prints, consisting of a title print and 19 prints with scenes from the life of Mary.

Copper engraving by Marcantonio Raimondi depicting the birth of Christ, showing the nativity scene with Mary, Joseph, and infant Jesus, early 16th century.

H. Clara van Assisi; Virgo Religiosa S. Clara; Specvlvm Virginitatis.The Saint Clara, dressed in the Habij of the Franciscan Order, in worship for the Monstrans with the host during the Mass. She is accompanied by a priest and sisters of her order. In the background the death of Clara. Christ and Maria appear as a vision above her bed. In the margin a three-legged bible quote from way. 4 in Latin.

Christ's feet anointed by a sinner; Conversions of sinners; Theatrum Biblicum (...). Christ is a guest for the meal in the house of Simon de Fareeër. A sinnerarius scarves the feet of Christ and dries them with her hair. In addition to her, the ointment is. Christ is talking to Simon. Under the show a reference in Latin to the Bible text in Luc. 7:37.

David plays on his harp for King Saul; Praise to music; Encomium Musices. The young David plays on his harp for King Saul. The Harpspel drives away the evil spirit that Saul taps. He is in a crazy situation on his throne and is held by three men. Left at a table watching a man with squeeze glasses and a dog carefully. The print has a Latin caption with verses. At the bottom right The reference to Bible book 1 Samuel 16.

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Erhardvs episcopvs ratisbon, Saint Odilia kneels before Saint Erhard, verso lower left - stamped, Saint Odilia of Odilienberg kneels before the hermitage of Saint Erhard, Bishop of Regensburg. He blesses her. Next to her stands a crippled beggar. The print has a Latin caption and is the twenty-second print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Christ as a twelve year old in the temple, print maker: Hieronymus Wierix, 1563 - before 1619

Saints Peter and John Heal a Cripple at the Gate of the Temple. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Philip Galle after Maerten van Heemskerck.

Christ's feet anointed by a sinner, 1643 print Christ is a guest for the meal in the house of Simon de Pharisee. A sinner is anointing the feet of Christ and dries them with her hair. The ointment pot is next to her. Christ is in conversation with Simon. Under the show a reference in Latin to the Bible text in Luc. 7. This print is part of an album. Amsterdam paper engraving a woman washes Christ's feet with her tears, and wipes them with her hair

Baptism of Thursday, 1535, 1612 - 1614 print Meeting of the re -buyers in a house where the re -baptism is applied. Print cut out of the book. Without the fresh under the show. Northern Netherlands paper engraving Baptism ~ Protestant service Amsterdam

Christ Washing the Feet of the Disciples, from The Small Passion ca. 1508 Albrecht Dürer German. Christ Washing the Feet of the Disciples, from The Small Passion 387409

Footswassing, Philips Galle, After Maarten van Heemskerck, 1563 print Christ washes the feet of his disciples. He kneels for a container with water and washes one of them the feet. The disciples are divided into the room in groups. Under the show a Latin and a Dutch verse by Hadrian Junius. Haarlem paper engraving Christ washes Peter's feet

Worship by the shepherds; Spacious bible. The shepherds worship the Christ child in the manger. Joseph is standing next to Mary. An old woman is sitting in kneaded attitude for the manger. Behind her three shepherds and a young shepherdess with a jug on her head. Right rear the proclamation to the shepherds. Under the show four four-line verses in Dutch and a reference to the Bible text in Luc. 2: 7.

Adoration of the Shepherds, Anonymous, After Rafaël, 1563 print A few shepherds bow and kneel with Mary, who holds the Christ child. Joseph points to the Christ child. In the stable are the donkey and the ox. Two more shepherds arrive on the right. Behind the stable another building and some columns. In the air God surrounded by angels. Under a two -line caption in Latin from 1 John. 4. print maker: Low Countriesafter design by: Italypublisher: Antwerp paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

Wedding of Prince Ruy Velazquez with Doña Lambra; Historia Septem Infantium de Lara / Historia de los Siete Infantes de Lara; The seven infants of Lara. Explanatory numbers in the show. Caption in Spanish and Latin.

Philip Galle after Maerten van Heemskerck, Saints Peter and John Heal a Cripple at the Gate of the Temple Saints Peter and John Heal a Cripple at the Gate of the Temple

The Crown of Thorns; men putting crown of thorns on Christ who blesses kneeling man, after Dürer ca. 1500-1534 Marcantonio Raimondi Italian. The Crown of Thorns; men putting crown of thorns on Christ who blesses kneeling man, after Dürer 342724

A 1507 woodcut by Hans Schäufelin showing Pontius Pilate washing his hands, emphasizing gestures, composition, and verso type printing.

Israhel van Meckenem, Christ before Pilate, c 1480 Christ before Pilate

Mary and Joseph bring their son to the temple. Simeon holds the Christ child in his arms above the altar. Between the clouds the Holy Spirit in the guise of a dove. Christ with Mary and Joseph in the temple, publisher: Joannes Galle, (mentioned on object), print maker: anonymous, Antwerp, c. 1626 - c. 1676, paper, engraving, h 72 mm - w 50 mm

Severance of the hungry, David Custos, 1625 - 1629 print print maker: Venicepublisher: Italy paper engraving feeding the hungry, 'ESURIENS CIBATUR' ~ One of the (seven) Acts of Mercy - VV - Christ presentation

Holy Family, Bartholomeus Willemsz. Dolendo, Claes Jansz. Visscher (II), 1589 - 1626

Paul speaks to a cripple and then he can walk again. The people from the village of Lystra think that Barnabas and Paul must be Gods. The priest of a nearby temple brings two decorated bulls to the city gate to sacrifice them. Print from a series of 10 prints with scenes from the life of the apostle Paul, Paul cures a cripple The life of Paul (series title), print maker: Cornelis Bos, (mentioned on object), Groningen, 1547, paper, engraving, h 83 mm × w 115 mm

Circumcision of Christ. Copy to the woodcut by Jan Swart van Groningen

Christ sits at the table eating in the house of Simon the Pharisee. Mary Magdalene kneels on the floor anointing his feet and drying them with her hair, Christ anointed by Mary Magdalene, print maker: Christoffel van Sichem (II), Amsterdam, 1581 - 1658, paper, letterpress printing, h 115 mm × w 87 mm

Farewell to Tobit and Anna; Story of Tobias. The Archangel Rafael shakes the hand of the blind Tobit. Next to him is Anna. Tobias looks. His dog is at his feet. Right right hand over Tobit Tobias a document. The window shows how the archangel and Tobias go out together. At the bottom of the margin a single-line caption in Latin from Tobit 3.

Meal in Emmaus, Antonie Wierix (II), After Bernardino Passeri, 1593 print Christ and two apostles sit around a table. Christ breaks the bread and thus announces his identity. In the background other scenes from the story. Various elements from the performance are letters that correspond with the legend in the margin. Antwerp paper engraving the supper at Emmaus: Christ is recognized while blessing or breaking the bread

Meal in Emmaüs. Christ and two apostles sit at the table. Christ breaks the bread and thus announces his identity. Other scenes from the story in the background. With various elements from the show are letters. The print is part of an album.

Coronation of cosimo de 'medici in 1569; Family history of the genus de 'medici; Mediceae Familiae Rerum Feliciter Gestarum Victoriae et Triumphi. In the Sistine Chapel, COSIMO is the 'Medici in 1569 by Pius V crowned to Grand Duke of Tuscany. In the background the last judgment of Michelangelo. The print has a Latin caption and is part of a series about the family history of the genus De 'Medici.

Religious offering by Anonymous artist, print, Private Collection, 20, 5x28, 7

Izebel lets letters send to the elders and significance; History of Achab and Nabot. Queen Izebel sends letters to the elders in Name of King Achab in Nabotss City. She asks them to announce a fast day, accusing nabot of blasphemy and majesty bias and let him stony. Writers sit at the table and write the letters. Izebel puts the royal seal among the letters.

Ananias baptized Paulus, 1546 print Paul kneels on the floor and Ananias baptized him by pouring water on his head. Print from a series of 10 prints with scenes from the life of the apostle Paulus. Groningen paper engraving Saul is baptized by Ananias

The Lamentation. Dated: c. 1480. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem.

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Wierix, Johannes, Miracles of Christ, Wedding at Cana, Christ gives the order to fill jars with water at the wedding at Cana. The bridal couple and the guests are sitting at the table. Mary is sitting at the table on the left. In the background on the left the master of ceremonies tastes the water that has changed into wine. Below the image a reference in Latin to the Bible text. This print is part of an album., print, picture, album leaf, prints, pictures, height 205 mm, width 258 mm, Southern Netherlands, 1549 - 1618, print maker, printmaker, 1572 - 1576, paper, engraving, engraving (printing process), Work conception, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Maria Magdalena Oints the feet of Christ, 1629 print Christ is a guest at Simon de Pharisee and is sitting at the table. Maria Magdalena is kneeling next to Christ. She washes his feet with her tears, dries off with her hair and she oints. In the circle the portrayal of the parable of the two debtors. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Christ's feet are anointed by Mary (Magdalene)

Christ at Emmaus Artist's working dates 1465-1503 Germany. Engraving on ivory laid paper . Israhel van Meckenem, the younger

Clair-obscur woodcut by Giuseppe Nicola Vicentino (Rossigliani) from around 1525-1527 depicting the Presentation of Jesus in the temple using four plates.

Christ Washing the Feet of Disciples, 16th century, Albrecht Dürer, German, 1471-1528, 4 7/8 x 3 13/16 in. (12.38 x 9.68 cm) (sheet), Woodcut, Germany, 16th century

John the Baptist in prison; The life of John the Baptist. Prison with Johannes sitting and chained. Two students visit him.

Bruiloft Te Kana, Virgil, 1552 print Nuremberg paper Christ orders (six) jars to be filled with water ~ marriage-feast at Cana

Christ Tells His Disciples of the Last Judgment. Dated: published 1630. Dimensions: sheet: 10.5 x 14.5 cm (4 1/8 x 5 11/16 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Christoph Murer.

Lazarus begs at the door of the rich man; Parable from Lazarus and the rich man. The rich man at the table with his wife and three men, wine is poured and a man wears two scales. On the ground for the room lies Lazarus, in his hand a bowl for alms, dogs lick the wounds on his legs. Under the show the text: Erumnos 'HIC Lazar' Iaces Ad Ianva Divites Micas Etia Canibus Obiectas de Mesa Epulonis Petit Lu 16. Second print from a series of five copies.

Adoration of the Magi Adoration of the Kings. 1500 - 1550. Pencz, Georg, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Last Supper, Anonymous, After Cornelis Cort, After Livio Agresti, in or after 1578 - c. 1628 print In a room with twisted columns, Christ with his apostles is sitting at a round table at the Last Supper. On the table a bowl with a lamb. John is right next to Christ, his head on the hands. Judas right with a fair in his hand. In the background between the row of columns, the foot wash can be seen. paper engraving Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38). Christ washes the feet of the apostles (John 13:1-20)

Winthir van Neuhausen preaches for a crowd, Raphaël Sadeler (I), after Johann Mathias Kager, 1615 print The English monk Winthir van Neuhausen preaches for a farming community. In the background he floats a few mules. The print has a Latin caption and is the seventeenth print of a 60-part series on the subject of the saints of Bavaria. München paper engraving / etching saints. farmers. preaching (in general). ass, donkey Bavaria

Antwerp, Sadeler, Vos, Maerten de, Raphael (I), Vita I. Christi, Life of Christ, Wedding at Cana, verso center bottom - stamped, At the wedding at Cana Christ orders six jars to be filled with water. This happens in the background. Christ then changes the water into wine (John 2:1-11). The print has a Latin caption. The print is part of a series on the life of Christ., print, prints, verso bottom center - stamped, height 196 mm, width 145 mm, Southern Netherlands, 1560, print maker, printmaker, 1583 - 1588, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Moses and the crown of the pharaoh. One day the pharaoh puts his crown on the head of Moses. Immediately, Moses throws the crown on the floor and kicks it out. Right looks at the throne pharaoh, flanked by servants, the scene thoughtful. Behind Moses is the daughter of the Pharaoh who also gave Moses. Under the show there is a line of text in Latin.

Dress the nudes, Crispijn van de Passe (I), After Maerten de Vos, 1580 - 1588 print A woman helps a child in a jacket. A man is in a stable where all kinds of items of clothing are offered. A naked man lifts his arm to heaven in despair. The print has an ornamental edge that is decorated with all the necessities for producing wool. Print from a series of eight with the last judgment and the seven works of mercy. paper engraving clothing the naked, 'nudus vestitur' ~ one of the (seven) Acts of Mercy. wool (material ~ textile industry) (+ labourers ~ crafts, industries, agriculture)

Young Maria as seamstress, 1629 print The Young Virgin Mary is sewing along with four other young women. There are two angels behind her. Under the print numbered V and four lines of text: a stern woman ... The print is part of an album. paper letterpress printing other scenes ~ education of Mary (+ angel(s)). sewing

Christ at the meal in Simon's house in Betania, Boëtius Adamsz. Bolswert, 1622 print paper engraving meal in Bethany (at the house of Simon the Leper) (Matthew 26:6-13; Mark 14:3-9; John 12:1-11)

Young Mary as a seamstress; Life of Mary. The young virgin Mary is sewing along with four other young women. There are two angels behind her. Under the print numbered V and four lines text: a Stercke woman ... The print is part of an album.

Last Supper. Christ is in the midst of his disciples during the last supper. Johannes is against his chest. Christ holds the bread and speaks his blessing over the bread and the wine.

Antwerp, Jode, Gerard de, Vos, Maerten de, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, History of Jacob and Esau, Isaac Blesses Jacob, The old and blind Isaac blesses Jacob, who is kneeling by the bed. With the help of his mother Rebekah, who is sitting on the edge of the bed, he has disguised himself as his brother Esau in order to receive the blessing. Jacob wears the skin of a kid on his neck and over his hands to resemble his hairy brother. In the background Esau is returning from the hunt. Below the image is a reference in Latin to the Bible text in Gen. 27. This print is part of an album., print, album leaf, prints, height 218 mm, width 268 mm, South Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, 1585 - 1585, paper, papier, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Ne

The Nativity (copy) n.d. Marcantonio Raimondi Italian. The Nativity (copy) 387743

Visit the prisoners; The last judgment and the seven works of mercy. Men come to visit a prison. A man is hung in the background. The print has an ornamental edge decorated with weapons, torture tools and a prisoner being tortured. Print from a series of eight with the final judgment and the seven works of mercy.

Revival of the son of the widow from Niïn; Miracles of Christ; Theatrum Biblicum (...). Christ wakes the son of the widow from Niïntig. The boy sit on his actual and looks at Christ. The funeral procession leaves the gate of the city. Under the show a reference in Latin to the Bible text in Luc. 7:11.

H. Ildephonsus from Toledo. The Holy Ildephonsus of Toledo kneeling for the altar, for him his bishop's staff and miter. He is covered by Maria with a kazufel. She is accompanied by angels.

Lazarus begs at the door of the rich man; Parable from Lazarus and the rich man. The rich man at the table with his wife and three men, wine is poured and a man wears two scales. On the ground for the room lies Lazarus, in his hand a bowl for alms, dogs lick the wounds on his legs. Among the show the text: Erumnos 'HIC Lazar' Iaces ad Ianva Divites MICAS ETIA Canibus Obiectas de Mesa Epulonis Petit Lu 16. Second print from a series of five

Last Supper, Albrecht Dürer, 1523 print Christ and his disciples use a meal on a robust wooden table. John flatters at the chest of Christ. In the foreground a bowl, a basket with bread and a gift jug. Nuremberg paper Last Supper (in general) (Matthew 26:21-35; Mark 14:18-31; Luke 22:3, 22:15-23; John 13:21-38)

Meal in Emmaus, 1629 print Christ and two apostles are sitting at the table. Christ breaks the bread and thus announces his identity. In the background other scenes from the story. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing Cleopas and Peter meet Christ (sometimes they are dressed as pilgrims). the supper at Emmaus: Christ is recognized while blessing or breaking the bread

Annunciatie, 1599 print The angel Gabriël proclaims, coming from heaven on a cloud and accompanied by little angels and by the Holy Spirit in the form of a pigeon, the birth of Christ to Mary, who is in a sleeping room on an elevation to a reader. In the foreground slippers, a stew and a basket of sewing. Under the performance four lines of Latin text. print maker: Netherlandspublisher: Amsterdam paper engraving the Annunciation: Mary sitting

Holy family with Anna, Elisabet and John the Baptist as a child, sitting in the middle of a departure. Right Christ as a child, with a pigeon in the hands, for a high priest. In the foreground a woman sitting on the floor with a braked baby on the arm and a child with textbook to her lap. On the left a mother gives a child's chest, sit two children to eat and a child is liven.

Reapicity slave brought to the king; Parable of the marriarity slave; Thesaurus Sacrarum historiarum Veteris Testamenti (...). The marriarized servant stands in an open room for the throne of the king and must account for his behavior. His debts had lost him by the king, but then he had put another slave in prison, because it in turn was guilty of him. The king is evil because the slave has not shown as he has shown pity. On the table cash books and an ink set. In the foreground a dog. Under the show a reference in Latin to the Bible text in mat. 18. The chapter number is incorrectly mentioned: 3 instead of 18.

Kitchen with the rich man and poor Lazarus, Johann Sadeler (I), after Jacopo Bassano, 1593 - 1598 print Interior of an outdoor kitchen where a chicken on the spit is roasted on the left. In the middle a table where poultry is prepared. In the foreground on the right is the poor Lazarus begging. Two dogs lick its wounds. The rich man is at the back right. The second print of a three -part series. Italy (possibly) paper engraving the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31). kitchen-interior with foodstuffs in foreground (Dutch: 'keukenstuk'). kitchen

Antwerp, Galle, Theodore, Miracula et Beneficia SS. Rosario, Fifteen miracles of the rosary, Meretrix ad vitae sanctitatem convertitvr, Miracle of the prostitute from Rome, verso bottom center - stamped, A woman of easy virtue receives an unknown youth into her home. During supper he cuts the food. The woman notices that he is bleeding. Later in the evening the youth shows his true form, namely that of Christ carrying the cross. In the background on the left Christ, Mary and Saint Catherine who convince the woman to improve her life. The print has a Latin caption with legend and is part of a fifteen-part series on the miracles of the rosary, print, prints, height 150 mm, width 89 mm, South Netherlands, 1571 - 1633, print maker, printmaker, 1610 - 1610, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

Passover meal; Feria V. Maioris Homdom. On the first day of the feast of the undesemed bread, Christ is wearing his students to prepare for the Passover meal. They are all around the table. At different elements from the show are letters that correspond to the legend in the margin.

Dress the nudes; The last judgment and the seven works of mercy. A woman helps a child in a jacket. A man stands in a stable in which all kinds of clothing are offered. A naked man raises his arm in despair. The print has an ornamental edge decorated with all the supplies for producing wool. Print from a series of eight with the final judgment and the seven works of mercy.

Christ heals Petrus' Mother-in-law. Christ is at the Petrus's bed "mother-in-law, who is sick. He bless her while Peter supports her. Around them a few figures, including apostles and a small child that comes running. On the left a woman at a pot above a fire and a few figures, possibly apostles, at a table. Under the margin a single caption in Latin from Luc. 4:38.

Izebel lets letters send to the elders and significance; History of Achab and Nabot. Queen Izebel sends letters to the elders in Name of King Achab in Nabotss City. She asks them to announce a fast day, accusing nabot of blasphemy and majesty bias and let him stony. Writers sit at the table and write the letters. Izebel puts the royal seal among the letters. Under the show a verse in Latin.

Solomo follows David as king of Israel; History of David. Solomon is on the throne and talks to his mother Batseba. Right the dying king David Solomon appoints his heir. In the background, Solomo Jerusalem drives inside a mule, while the crowd celebrates its kingship. The print has a Latin caption with an explanation and right in the corner a verse from Psalm 17.

Worship by De Herders, Anonymous, After Lucas Vorsterman (I), After Peter Paul Rubens, 1630 - 1702 print The shepherds worship the Christ child in the manger. Joseph is next to Maria. An old woman is in a kneeling position for the manger. Behind her three shepherds and a young shepherdin with a jug on her head. Rear right the proclamation to the shepherds. Under the show four four -line verses in Dutch and a reference to the Bible text in Luc. 2: 7. paper engraving adoration of the Christ-child by the shepherds; Mary and Joseph present

The Presentation of the Virgin in the Temple, 1503 - 1504, Woodcuts, 11 5/8 x 8 1/4 in. (29.5 x 21 cm), Paper/Sheet 11 5/8 x 8 1/4 in. (29.5 x 21 cm), Cream laid

Christ anointed by Maria Magdalena, Harmen Jansz Muller, after Maarten van Heemskerck, 1564 - 1568 print Christ is eating at the table in the house of Simon de Pharisee. Maria Magdalena kneels on the floor oints his feet and dries with her hair. Print is part of a series about the eight Baves of Christ and illustrates the blessing: Blessed The Griezenden. In the lower right corner this text from matt. 5: 4 in Latin. At the bottom of the margin a verse in Latin over the blessing and the show. print maker: Amsterdampublisher: Antwerp paper engraving Christ's feet are anointed by Mary (Magdalene). blessed are those who mourn

In a small garden under the trees, a family sits at a set table praying before dinner. The parents and eldest daughter are seated. Two small children, seen from the back, are standing., Prayer Before Meal, print maker: Claes Jansz. Visscher (II), (mentioned on object), publisher: Johannes de Ram, (mentioned on object), Amsterdam, 1608 - 1610, paper, etching, engraving, h 127 mm × w 93 mm

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, S. Rvpertvs, Saint Rupert baptizing the people of Salzburg, verso lower left - stamped, Saint Rupert, the first bishop of Salzburg, stands next to an ornamental baptismal font in a church and baptizes an old man. Behind him are other citizens of Salzburg. The print has a Latin caption and is the fifteenth print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Circumcision of Christ in the temple; Youth of Christ. The priest performs the procedure by Christ. On the left are Maria and Joseph.

Lazarus begges in the house of the rich man, Crispijn van de Passe (I), After Maerten de Vos, 1589 - 1611 print The rich man sits around a richly filled table with his company. Musicians play in the background. The poor Lazarus is in the foreground, with a charm in his hand. Dogs lick are wounds. A servant threatens to hit him with a stick. Print from a series of four with the parable of the rich man and the poor Lazarus. Cologne paper engraving the rich man (Dives) is feasting, while poor Lazarus is starving at the gate (dogs licking Lazarus' sores) (Luke 16:19-31)

Christ heals the sick person of Betzata (Bethesda), Johannes Wierix, after Gerard van Groeningen, 1585 print Christ heals a man who has been sick for thirty -eight years, at the bath of Betzata. A man is immersed in the bath. Sick, blind, cripple and deformed are around the water. An angel flies in the air. Under the show a reference in Latin to the Bible text in John. 5. Antwerp paper engraving Christ says to a paralytic man: 'Rise, take up your pallet (bed)'. sick people lying near the pool of Bethesda ~ Christ healing paralytics (John 5:1-9)

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Wierix, Johannes, Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi, Miracles of Christ, Wedding at Cana, Christ gives orders to fill jars with water at the wedding at Cana. The bridal couple and guests are seated at the table. Mary is seated at the table on the left in the back. In the background on the left, the master of ceremonies is tasting the water that has turned into wine. Below the image is a reference in Latin to the Bible text. This print is part of an album., print, prent, albumblad, prints, prenten, height 204 mm, width 255 mm, Zuid-Nederlands, 1549 - 1618, print maker, prentmaker, 1585 - 1585, fourth quarter 16th century, vier kwart 16e eeuw, paper, papier, engraving, engraving (printing process), Work conception, 1515 - 1599, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1509 - 1591-02-05, publisher

Copper engraving by Cornelis Cort depicting the Last Supper, created in 1578. The print shows Jesus with his twelve apostles at a table during the final meal before crucifixion.

A 1507 woodcut by Hans Schäufelin depicting Christ appearing to Maria Magdalena (Noli Me Tangere), showing gestures, posture, and verso type printing.

Swap of Hagar and Ismaël, Willem Thibaut, 1580 print Abraham sends Hagar and Ismaël away, after he has given them a jug of water and a bread. In the background they leave the gate. To the Bible text in Gen. 21: 14. At the bottom right a two -line explanation in Latin. Haarlem paper etching / engraving Hagar and Ishmael (often with bow and arrow) depart

Verbeelding van de belangrijkste religies ter wereld; Tafereel van de voornaamste godsdiensten der waereldt; Titelpagina voor: A. Moubach, Naaukeurige beschryving der uitwendige godtsdiens-plichten, kerk-zeden en gewoontens van alle volkeren der waereldt, 1727.Allegorical performance with the feminine personification of the Roman church in the middle, crowned with the papal tiara. She trambles a rabbi who holds a Hebrew text and the personification of the Roman Empire, which holds a picture of Victoria. Superstition (Idolatria) tries to take the image of her. Left at a tree The female personification of the Christian faith with a blessed bible in the hands. For her a priest who baptizes a woman. In the foreground some Muslims looking at a preaching man. One of them holds a tablet on which eight rules from the Quran. In the background, temples and rituals of pagan religions are depicted.

Wedding in Kana, Anonymous, Anonymous, 1536 print paper the marriage-feast at Cana (John 2:1-11)

Circumcision of Christ; Life of Christ.

Christ's feet anointed by a sinner; Conversions of sinners; Thesaurus Sacrarum historiarum Veteris Testamenti (...). Christ is a guest for the meal in the house of Simon de Fareeër. A sinnerarius scarves the feet of Christ and dries them with her hair. In addition to her, the ointment is. Christ is talking to Simon. Under the show a reference in Latin to the Bible text in Luc. 7.

Copper engraving by Marcantonio Raimondi, circa 1522-1524, depicting Jesus at the meal in the house of Simon the Pharisee, illustrating biblical narrative and religious scene.

Foot washing of Peter; Of the Lyden and Passion Christi; Passion of Christ; Den Grooten Figuer Bibel (...). Christ is kneeling for the apostle Peter and washes his feet. Peter protests. The other apostles are exposed in departure. Under the show a four-line verse in Latin. At the bottom right of the letter: b. This print is part of an album.

Gravestone of Christ; Vita, Passio et Resvrrectio IESV Christi; Life, passion and resurrection of Christ. Christ is laid by his family and friends in a graftombe (Matthew 27: 59-61). The print has a Latin caption. The print is part of a series about the life of Christ.

The life of the virgin, Christ among the doctors in the temple, woodcut by Albrecht Durer, historical, digital improved reproduction of an old woodcut..

Last Supper; The little passion. Christ is with his students to the last supper. Johannes put his head against Christ's chest. The Easter lamb is on a bowl on the table. In the foreground Judas with the bag with silver pieces in his hand. Print is part of a book.

Martin Luther is taken by his father to school at Mansfeld Date: 1492

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