Biblical Stories and Figures

This collection features religious narratives and biblical figures, highlighting scenes of the Passion, the Presentation of Mary, and iconic moments in art history.

Italy, Maratti, Carlo, Presentation of Mary in the Temple, Mary ascends the steps of the temple. At the bottom of the steps are her parents Joachim and Anna. Above is the high priest Zacharias. In the foreground on the right are two figures, one of whom is holding a basket of poultry., print, prent, prints, prenten, height 204 mm, width 136 mm, print maker, prentmaker, 1635 - 1713, paper, papier, etching, etsen, plaattoon, Work conception, Italian, 1625-05-15 - 1713-12-15

Amsterdam, Pietersz., Doen, Cornelisz. van Oostsanen, Jacob, The Little Passion, Crowning with Thorns, Cornelisz van Oostsanen, A soldier pushes the crown of thorns onto Christ's head with a stick. Another man gives him a reed staff. Pilate looks on from the left. The print is part of a book., print, book illustration, prints, height 113 mm, width 80 mm, height 141 mm, width 101 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1523 - 1523, paper, woodcut, Publication (Event), Publication, publisher

Italy, Maratti, Carlo, Presentation of Mary in the Temple, Mary ascends the steps of the temple. At the bottom of the steps are her parents Joachim and Anna. Above is the high priest Zacharias. In the foreground on the right are two figures, one of whom is holding a basket of poultry., print, prent, prints, prenten, height 204 mm, width 136 mm, print maker, prentmaker, 1635 - 1713, paper, papier, etching, etsen, plaattoon, Work conception, Italian, 1625-05-15 - 1713-12-15

Woodcut by Lucas van Leyden showing King Solomon practicing idolatry, depicting figures, gestures, and narrative composition around 1517.

Bliżej Kultury You, marten from (1532 1603)

Jacques Callot after Matteo Rosselli, Four Women, 1619 Four Women

Absalom inviting David, from the cycle: The History of Absalom. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Baptism of Christ. Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); Francesco Rosaspina (Italian, Montescudo 1762-1841 Bologna). Dimensions: sheet: 17 3/8 x 13 9/16 in. (44.2 x 34.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Holy Family with Saints. Dimensions: sheet: 22.5 × 14.8 cm (8 7/8 × 5 13/16 in.) trimmed to platemark. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jan de Bisschop, after Giorgio Vasari.

The idolatry of Solomo, Lucas van Leyden, 1515 - 1519 print Solomon kneeled in advance. One of his women points to the image. Low Countries paper Solomon's idolatry

Artist: Christoffel van Sichem II, Dutch, ca. 1581-1658, After: Hendrick Goltzius, Dutch, 1558-1617, TheCircumcision, Woodcut, sheet: 18.9 × 14.6 cm (7 7/16 × 5 3/4in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

TheCircumcision. Artist: Christoffel van Sichem II, Dutch, ca. 1581-1658 After: Hendrick Goltzius, Dutch, 1558-1617

Woodcut by Hans Schäufelin depicting the Last Judgement, created in 1513.

Amnon and Jonadab, from The Story of Amnon and Tamar. Artist: Heinrich Aldegrever (German, Paderborn ca. 1502-1555/1561 Soest). Dimensions: Sheet: 4 11/16 x 3 in. (11.9 x 7.6 cm). Date: 1540.Amnon, standing before a column at left, addresses the seated Jonadab at right. Plate 1 from a series of seven with the Story of Amnon and Tamar. Museum: Metropolitan Museum of Art, New York, USA.

Judith Attributed to Claes Jansz. Visscher Dutch. Judith 398706

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Tobias, Tobit's Blindness, On the left in the background Tobit buries the body of the murdered man, who Tobias found on the street. After the burial, Tobit falls asleep against the wall of his house. One of the birds in the nest above his head drops its bird droppings on Tobit's eyes, causing him to go blind. Below the scene is a reference in Latin to the Bible text in Tobit 2:10. This print is part of an album., print, album sheet, prints, height 197 mm, width 277 mm, Southern Netherlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, printmaker, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Pilate Washing His Hands, from The Little Passion Series, Albrecht Dürer, German, 1471-1528, Woodcut on paper, Pilate is seated on his throne at left, facing right. He washes his hands in a shallow basin, attended by a servant, who pours the water. Christ is shown being led away by soldiers, right. Monogram of Dürer, lower left., Germany, ca. 1509-1511, Print, Print

Saint Carlo Borromeo. Etching by P. Moreau after J.-A. David, 1764, after P. Puget.

Bologna, Reni, Guido, Italy, Massacre of the Innocents at Bethlehem, verso - stamped, Desperate mothers try to protect their children from Herod's soldiers. Buildings in the background. Top left two putti with bunches of palm branches on clouds., print, prent, prints, height 365 mm, width 254 mm, print maker, prentmaker, 1585 - 1692, paper, papier, etching, etsen, plaattoon, Italian, 1575-11-04 - 1642-08-18

Les Festes du mois de Feburier (February: the Purification of the Virgin). Dated: 1603. Dimensions: plate: 19.1 × 13.1 cm (7 1/2 × 5 3/16 in.) sheet: 29.1 × 20.4 cm (11 7/16 × 8 1/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Léonard Gaultier.

Susanna Accused of Adultery. 1555. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Poet Virgil Suspended in a Basket, 1525. Lucas van Leyden (Dutch, 1494-1533). Engraving;

Domenico Campagnola (1500-1564). "The Blessed Virgin surrounded by saints". Bartsch 5, Bartsch illustrated volume 25 (volume 13, 2nd part), page 260. Etch. 1517. Museum of Fine Arts of the City of Paris, Petit Palais. 112276-7 Etching, 16th XVI 16th 16th 16th century, engraving

Vatican City, Raphael, Italy, Borgianni, Orazio, Paintings in the Loggia of Raphael, Adoration of the Magi, verso - stamped, In front of a stable the three kings, Mary and Joseph adore the Christ Child. The kings offer gifts., print, prent, prints, height 140 mm, width 260 mm, 1578 - 1616-01-11, print maker, printmaker, 1615 - 1615, paper, papier, etching, etchings, 1483-04-07 - 1520-04-07, after a painting by

Judit for Holofernes; Judit and Holofernes. Judit is kneeling for Holofernes and begs to grace. Holofernes saves her. The print is part of an eight-language series that tells the story of Judit and Holofernes.

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Emperor, 1651 Emperor

Antwerp, Vrints, Johannes Baptista (I), Calvaert, Denys, Wierix, Hieronymus, Holy Family with Elisabeth and John the Baptist, verso - stamped, Mary sits on a throne with the Christ Child on her lap. The Child hands a palm branch to a saint. Behind the throne, Joseph looks on from a distance. An angel leans on the back of the throne and holds flowers above Mary. Elisabeth and the young John the Baptist are kneeling in the foreground. John points to the Christ Child. In the frame in the margin a two-line caption in the Latin., print, prints, height 283 mm, width 193 mm, Southern Netherlands, 1553 - 1619-11-01, print maker, printmaker, 1563 - 1611, paper, papier, engraving, engraving (printing process), Work conception, 1540 - 1619-03-17, after a design by, Publication (Event), Publication, 1555 - 1610, publisher

Christ among the Doctors, from The Life of the Virgin, Latin Edition, 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 17 5/16 x 12 in. (43.9 x 30.5 cm)block: 11 3/4 x 8 3/16 in. (29.9 x 20.8 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Lucas van Leyden, Saint Christopher at the Border of a River, c 1505 1506 Saint Christopher at the Border of a River

Healing of Tobit, Cornelis Massijs, 1544 - 1556 print When Tobias and the Engel return home, Tobias puts the bile of the fish on the eyes of his blind father Tobit. Then Tobit can see again. Anna looks left. Antwerp paper engraving the healing of Tobit: Tobias puts the gall of the fish on his father's eyes

Saint George, the princess whom he has rescued, and his fight with the dragon. Engraving after L. van Leiden.

Copper engraving by Monogrammist AC from the first half of the 16th century depicting Lot and his daughters, illustrating the biblical narrative.

Joseph tells his dreams to Jacob; History of Joseph. Joseph stands for his father Jacob and tells him his dreams, the brothers listen to. Jozef is sleeping in his bed in the back of the room. His dream about the corn scissors and the sun, moon and stars that bend before him is visible through a window. First print of three with the story of Jozef.

Lazio Roma Rome Palazzo Venezia, Museo2. Hutzel, Max 1960-1990 Post-medieval: Tapestry collection in the "Sala Regia" Object Notes: Occupying the rooms of the Balbo apartment, where Paul II lived and gathered together his collections. German and French tapestries of the 16th century, all manufactured at Brussels, and five Italian tapestries by Riviera after cartoon drawings by Giov. Franc. Romanelli in 1637-42. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Virgin Seated with the Child Hans Burgkmair German. The Virgin Seated with the Child 430708

Amsterdam, Paets, Pieter Jacobsz., Goltzius, Hendrick, Sichem, Christoffel van (II), Entombment of Christ, verso lower left - stamped, Christ is laid in a grave in a cave by a number of men. In the foreground the crown of thorns and the ointment jar of Mary Magdalene., print, engraving, book illustration, prints, engravings, height 113 mm, width 72 mm, Noord-Nederlands, 1581 - 1658-07-02, print maker, printmaker, 1648 - 1648, paper, papier, houtsnede, Work conception, 1558-01 - 1617-01-01, after a design by, Publication (Event), Publication, 1587 - 1667, publisher

Warrior near a witch, Arnold Houbraken, 1681 - 1683.

The Descent from the Cross, from The Fall and Salvation of Mankind through the Life and Passion of Christ, plate 27. Artist: Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda); After Maarten van Heemskerck (Netherlandish, Heemskerck 1498-1574 Haarlem). Dimensions: Sheet: 9 9/16 x 7 5/8 in. (24.3 x 19.3 cm). Series/Portfolio: The Fall and Salvation of Mankind Through the Life and Passion of Christ. Date: 1548. Museum: Metropolitan Museum of Art, New York, USA. Author: Dirk Volckertsz Coornhert. After Maarten van Heemskerck.

Georg Pencz, To Nurse the Sick To Nurse the Sick

John Baptist Jackson, 1701-1780, British, Everado Fawkener, 1741. Chiaroscuro woodcut printed in brown on heavy laid paper.

Martin Schongauer, Death of the Virgin, c 1470 1475 Death of the Virgin

Reconciliation of Jakob and Esau, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, 1549 print Esau and Jakob embrace each other in the foreground and decide to make the two brothers peace. Being behind Jakob are his wives and children. His soldiers stand behind Esau. The print is part of a series about the history of Jakob. paper etching the meeting between Esau and Jacob

Rebecca and Eleazar at the Well, c. 1540s, School of Fontainebleau; Artist: After Francesco Primaticcio, 1504 - 1570, 14 1/4 x 12 3/4 in. (36.2 x 32.39 cm) (plate)15 x 13 3/8 in. (38.1 x 33.97 cm) (sheet), Etching and engraving, Italy, 16th century, The lavish decorative program at France's Fontainebleau palace was driven by Italians, in particular Rosso Fiorentino and Primaticcio. Today Primaticcio's eloquent inventions are known largely through scarce prints such as this. Here a monumental Rebecca offers a drink amid a rhythmic array of water jugs, alluding to France's riches and the generosity of its kings. Primaticcio knew these classical forms well: he went to Rome to make casts of ancient statues for his royal patrons back in France.

Lucas Hugensz. van Leyden's 'Joseph Tells Jakob His Dreams' (1512) is a copper engraving depicting Joseph narrating his prophetic dreams to his father Jacob, highlighting posture, gesture, and interaction.

Mary with Child, Mary Magdalen and Jerome, Cristofano Cartaro, Baptista Parmiensis, 1586

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Duke, 1651 Duke

Christ in the house of Martha and Maria, Lucas van Leyden (School of), 1499 drawing paper. ink pen / brush Christ in the house of Martha and Mary (Luke 10:38-42)

St. John on Patmos ca. 1508-1532 Ludwig Krug. St. John on Patmos. Ludwig Krug (German, Nuremberg ca. 1488-1532 Nuremberg). ca. 1508-1532. Engraving; third state of three. Prints

The Sacrifice of Abraham. Dated: 1586. Dimensions: sheet: 31.2 × 20.2 cm (12 5/16 × 7 15/16 in.). Medium: pen and black ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Daniel Lindtmayer.

Christ Crowned with Thorns. Dated: 1550s. Dimensions: sheet: 32.6 x 22.2 cm (12 13/16 x 8 3/4 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: Andrea Meldolla, called Schiavone, after Titian.

Christ appears as a gardener with kick for Maria Magdalena, Marcantonio Raimondi, After Albrecht Dürer, 1510 - 1515 print paper engraving Mary Magdalene kneeling before Christ, who is usually represented as a gardener with a hoe and/or a spade; 'Noli me tangere'

Telemachus entreats Hazael to receive him as a slave with Mentor. Copperplate engraving by W. Walker after an illustration by C. Monnet from The Copper Plate Magazine or Monthly Treasure, G. Kearsley, London, 1778.

Allegorie op de Handel puts Mercurius, Gerard de Lairese (rejected attribution), 1600 - 1699 print Mercury stands on a pedestal that is decorated with the Wapen van France, the trumpet -blazing fame flies next to his head. In the foreground is on the right the personification of work and diligence, dressed in a rug set with ants. She points to a wreath surrounded by the inscription "Aul", in her left hand she holds a horn filled with money. On the left is an Eastern merchant at fabrics and packaged merchandise, two camels are waiting behind him. paper etching / engraving (story of) Mercury (Hermes). allegory of trade; 'Commertio della vita humana' (Ripa). Labour. hoofed animals: camel

Woman and three men. Below the trees is a woman surrounded by three men. The one gives them a hand, the second touches with her foot and to the third she laughs. The print is inspired by a German proverb: Mitt Fusz barrels handles tricken undt laugh can Ich Disze Dreij zu narren Machen, a warning against the lisio of the woman.

Heilige Notburga van Eben, Raphaël Saddleer (II), After Johann Mathias Cakes, 1627 print H. Notburga van Eben in the foreground, one sickle and two loaves in her hands. Next to her two beggars to whom she will hand out the bread. In the background the Rattenberg Castle. The print has a Latin caption. München paper engraving female saints (with NAME). river. rocky coast. agricultural implements: sickle. beggar. giving alms or other charity, e.g.: handing out food

Three Muses and a GesturingPutto. Engraver: Giorgio Ghisi, Italian, 1520-1582 After: Francesco Primaticcio, Italian, 1504-1570

Allegorie op Leidens ramp, 1807.The city mawn of Leidend writing writing over her disaster between the ruins after the gunpowder cramp in Leiden on January 12, 1807. She finds comfort in two Dutch men in Roemein's clothing. Reaching on the arm of Leiden and reaching each other in friendship. Hand reaching each other. The alloying eye can be found from heaven. At the bottom of a four-line verse.

Allegory of Marital Strife. Pieter Serwouters (Flemish, 1586-1657); after David Vinckboons I (Flemish, 1576-1632). Date: 1607. Dimensions: 171 × 220 mm (image); plate mark not visible; 172 × 220 mm (sheet). Etching on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

The Doctor and Death. Wenceslaus Hollar (Czech, 1607-1677); after Hans Holbein the younger (German, c.1497-1543). Date: 1651. Dimensions: 71 × 52 mm (sheet, trimmed within plate mark). Etching on ivory wove paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.

The Fall and Redemption of Man: The Visitation, c. 1515. Albrecht Altdorfer (German, c. 1480-1538). Woodcut;

Christ in Limbo, from The Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 4 11/16 × 3 1/16 in. (11.9 × 7.7 cm). Date: 1512. Museum: Metropolitan Museum of Art, New York, USA.

Clair-obscur woodcut by Giuseppe Nicola Vicentino (Rossigliani) from around 1539/1540 depicting the worship of the psyche using three plates with symbolic figures.

Albrecht Dürer, The Passion: Christ Crowned with Thorns, 1512, engraving on paper.

After Albrecht Dürer, The Ill-Assorted Couple, engraving on paper.

Ludwig the iron landgrave in thuringia in a village tie. Illustration No. 5 (from 12) to the history of the Middle Ages, posted in: Gothaisches Paperback on 1794. With Copper. Gotha, with Carl Wilh. Ettinger (copy) Henne, Eberhard Siegfried (1759 1828), Chodowiecki, Daniel Nikolaus (1726 1801)

Hans Holbein the Younger, Die Greffinn Die Greffinn

Hans Holbein the Younger, Die Hertzoginn Die Hertzoginn

Soldier kneeling on a Stone embracing a Woman, Soldiers in Background, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after unknown artist, undated, Engraving

Schout van Dordrecht betaalt de boer schadevergoeding. De rechtspraak van Graaf Willem III de Goede, eerste reeks (series title). Draughtsman: Willem Pietersz. Buytewech. Dating: 1618. Measurements: h 159 mm × w 107 mm. Museum: Rijksmuseum, Amsterdam.

Bliżej Kultury unknown

Joseph explains his dream to his brothers and father in an interior setting; the sun, moon, and stars above a landscape in the portal beyond, from the series 'The Story of Joseph' 1544 Georg Pencz German. Joseph explains his dream to his brothers and father in an interior setting; the sun, moon, and stars above a landscape in the portal beyond, from the series 'The Story of Joseph' 399032

Triumphant David with the head of Goliat, Anonymous, After Jan Saenredam, After Lucas van Leyden, 1599 - 1634 print David is on the right with a large sword. Goliat's head is spied on the sword. There are some singing and musician women in front of him. Under the show a two -line, Latin text with a description of the scene from 1 Samuel 18. paper engraving David's triumph: the women of Israel come out to welcome David, singing, dancing, and playing tambourines and lyres; David holding the head of Goliath

Susanna and the Two Elders Lucas van Leyden Netherlandish ca. 1508

Tamar shows the collateral, Dirck Volckertsz. Coornhert (attributed to), after Maarten van Heemskerck, c. 1549 print On the way to the stake, Tamar shows the ring, bracelet and staff that she received from Judah as collateral. As a result, she proves that Judah is responsible for her pregnancy. The print is part of a series about the history of Judah and Tamar Haarlem paper etching the burning of Tamar being ordered, she shows the signet(-ring), bracelets and staff to Judah, who recognizes them as his

Return of the Lost Son, Theodoor van Thulden, 1616 - 1669 print The lost son returns home and is welcomed by his father, who takes him in his arms. Antwerp paper etching / engraving the prodigal son kneels before his father who takes him in his arms

Unknown, The Small Passion: The Deposition, c. 1630-50, engraving on paper mounted on laid paper.

The Death of Saint Hilary; verso: Sketch of an Arm. Artist: Jan van Scorel (Netherlandish, Schoorl 1495-1562 Utrecht). Dimensions: 9 5/16 x 7 7/8 in. (23.7 x 20 cm). Date: early 16th-mid 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Birth of the Virgin (copy). Artist: After Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42-1609 Ancona); After Cornelis Cort (Netherlandish, Hoorn ca. 1533-1578 Rome); Julius Goltzius (Netherlandish, died ca. 1595). Dimensions: sheet: 10 13/16 x 7 15/16 in. (27.4 x 20.2 cm). Publisher: Caspar Rutz. Date: 1581. Museum: Metropolitan Museum of Art, New York, USA.

The Hague, Leers, Arnout (II), Hooghe, Romeyn de, Northern Netherlands, Arrival of King William in Holland, Allegorical frontispiece with portrait of William III, Allegorical frontispiece with portrait of stadtholder-king William III. The Dutch Virgin with personifications of Concord, Architecture, Painting and Fame., print, picture, news print, frontispiece, prints, Frederik Muller History plates, height 323 mm, width 212 mm, 1645-09-10 - 1708-06-15, print maker, printmaker, 1691 - 1691, fourth quarter 17th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Beggars Leyden, Lucas van (1494 1533)

Judge who points out a judgment, Battista Franco, 1520 - 1561 print A judge is on an elevation. He is flanked on either side by two men. A level lower are two men, two women and a child. Italy paper etching magistracy, judges. administration of justice, trial

Christ before Pilate Made 1470-1480 Germany. Engraving on paper . Martin Schongauer

Wijngaerde, Frans van den, Rubens, Peter Paul, Antwerp, Panneels, Willem, Elijah visited by an angel, verso lower left - stamped, Landscape with Elijah and an angel who hands him a piece of bread and a chalice., print, prints, height 149 mm, width 115 mm, Southern Netherlands, 1600 - 1632, print maker, printmaker, 1610 - 1634, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, 1614-07-08 - 1679-03-17, publisher

Prophets with three angels; Dome decorations by Correggio in the S. Giovanni Evangelista in Parma. Two prophets for a balustrade. On and for the balustrade are three young naked figures (angels).

Depicts the meeting or adjoining of kings, showing regal figures, crowns, gestures, and courtly interaction, executed as a woodcut cut to the edge of the plate by Albrecht Dürer in 1511.

Saint Anthony and Saint Paul in the Desert ca. 1503 Albrecht Dürer German. Saint Anthony and Saint Paul in the Desert 388387

This late 15th to early 16th-century copper engraving by Giovanni Antonio da Brescia depicts two Sibyls and an angel, showing figures, gestures, clothing, and religious narrative.

Holy Family with Saint John the Baptist Adored by an Figure; Bartolomeo Cesi (Italian, 1556 - 1629); Italy; about 1590s; Black chalk; 28.9 × 25.7 cm (11 3,8 × 10 1,8 in.)

Abraham van Diepenbeeck drawing of Christ before Kaiphas, executed in black, brown, and gray pen with gray-brown wash, minor paper damage and brown spot.

Sacred Conversation. Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); Léon Davent (French, active 1540-56). Dimensions: Sheet (trimmed): 9 1/2 × 7 3/16 in. (24.1 × 18.3 cm). Date: ca. 1550-56. Museum: Metropolitan Museum of Art, New York, USA.

Nicolaus Alexander Mair (active around 1485-1510). "La Nativity. (Bartsch 4)". Chisel. 1499. Museum of Fine Arts of the City of Paris, Petit Palais. 123105-8 Chisel, 15th xve XV 15th 15th 15 CENTURY

Saint Francis Receiving theStigmata. Artist: Albrecht Dürer, German, 1471-1528

Joseph Wagner (publisher) after Giuseppe Zocchi, The Blind Tobias, c 1745 The Blind Tobias

Nawiedzenie. Maratti, Carlo (1625-1713), engraver, Sandrart, Jakob von (1630-1708), publisher

If the ham is on, then the bare legs must be dragged away; Proverbs to Karel van Mander. Three men for a fireplace. A man stands with his hands in her, the second man prays, the third man sits at the table and shakes his exhibition as a sign that it is empty. A woman and a boy bite a bone. A dog barks and looks angry to the bone. Under the show an explanatory latin fresh from Franco Estius.

Haarlem, Matham, Jacob, Tintoretto, Jacopo, Braeu, Nicolaas, Adoration of the Magi with Angels, verso - stamped, Adoration of the Magi in a stable with six angels in the air., print, prints, recto lower right - stamped, height 336 mm, width 403 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1601 - 1605, paper, papier, engraving, engraving (printing process), Work conception, Italian, 1519 - 1594, after a design by, Publication (Event), Publication, publisher

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the Blessed Virgin appears to André while he said his first mass. Sixth issue of a sequence of 20 pieces (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Allegory in the province of Gelderland, Jan Caspar Philips, 1741 print Landscape with the Gelderse Virgin in conversation with the Stedensmaag van Nijmegen. At their feet a putto with the map of the province. On the right in the foreground a river god. In the background a face on the Waal and Nijmegen. In the margin a seven -line caption in Dutch. Amsterdam paper etching / engraving coat of arms (as symbol of the state, etc.) (+ province; provincial). maps, atlases. city represented symbolically. river personified, 'Fiumi' (Ripa) Gelderland. Nijmegen. Waal

Saint Christopher Facing Right 1521 Albrecht Dürer German. Saint Christopher Facing Right 391281

Albrecht Glockendon dit l'Aîné (born around 1432). "The passion of Jesus Christ: the burial, n ° 10 of a series of 12 numbers. (Bartsch 11, volume VI, page 348)". Chisel. 1470. Museum of Fine Arts of the City of Paris, Petit Palais. 123105-16 Chisel, 15th xve XV 15th 15th 15 CENTURY

Wenceslaus Hollar after Hans Holbein the Younger after Abraham van Diepenbeeck, Merchant, 1651 Merchant

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