Biblical Themed Prints

Illustrations based on biblical narratives featuring characters and scenes, incorporating symbolic imagery and decorative borders, capturing religious themes in print art.

Veith Knollinger von Pinkfeldt, Sackhtrager und Vorgeher der neu eingerichten Flegl Bruderschafft, Pl. 44. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

John on Patmos; Revelation of John on Patmos; Icone Revelationum S Johs Evangeliste in Pathmo. Landscape with the apostle and evangelist Johannes, with the eagle, his symbol. Johannes writes in a book and looks at an appearance in the air. A four-line caption in Latin in the margin. First print from a series of twenty-four with the Revelation of John on Patmos.

Monsieur le Marquis de Sauterelle, Pl. 20. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

Veith Knollinger von Pinkfeldt, Sackhtrager und Vorgeher der neu eingerichten Flegl Bruderschafft, Pl. 44. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

Tegenspoed geeft de mens de kroon van Glorie; Tegenspoedt geeft ons de Kroone der glorie; Voorwinckel van Patientie in den droeven tegenspoedt.Page from a book (p.198) with text and pressure kersvignet on the verso. In an oval cartouche in the foreground two putti cutting twigs of a bay leaf tree. In the background a triumphal of a ruler and his army. Above the cartouche the title (motto) of the print and a quote from the Bible (2 Timothy). Under the print a caption: 'Sijnen wages is the crown' and a description that declares the print. One only deserves a bay leaf of victory if one has known war and has nevertheless obtained victory. People therefore also deserves only a reward if he has experienced and has continued.

Vijfde engel blaast op bazuin; Openbaring van Johannes op Patmos; Icones Revelationum S Iohs Evangeliste in Pathmo; Thesaurus novi Testamenti elegantissimis iconibus expressus continens historias atque miracula doni nostri Iesu Christi.The fifth angel blows on the trumpet and a falling star opens the bottomless pit, from which smoke and grasshopping emerges that pains the people without stamp on their forehead. Under the show a reference in Latin to the Bible text. 8. This print is part of an album.

Two women in a chicken with chicks on the water, Anonymous, After Adriaen Pietersz van de Venne, 1625 - 1635 print Two women with a chicken with chicks on the water. Right in the background women under a shelter with two columns. Middelburg paper engraving / letterpress printing

Nuremberg, Bussemacher, Johann, Solis, Virgil, Portrait of Chlothar II, King of the Franks, verso - handwritten in brown ink, print, book illustration, prints, verso - stamped, 158, height 117 mm, width 79 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1598 - 1598, paper, papier, etching, etchings, engraving, engraving (printing process), plate tone, Publication (Event), Publication, German - 1627, publisher

Two women at a chicken with chicks on the water. Two women at a chicken with chicks on the water. On the right in the background women under a shelter with two columns.

Cartouche with allegorical figures, Simon Frisius, 1602 print Cartouche with the title of the publication, decorated with fruits and floral motifs. Above three allegorical figures. In the middle is the personification of peace with a caduceus and an olive wreath. In her left hand she has an open book. On the left a undressed man with a palm branch, victory symbol, and an hourglass, symbol of transience. On the right a woman with a palm branch and a smoking barrel in the form of a shell as a vanitas symbol. print maker: Northern Netherlandspublisher: The Hague paper etching symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). smoking pot as symbol of 'Vanitas'. trees: palm-tree (+ plants as attributes)

Illustration from Metamorphosis by Ovidius, plate 72 from Woodcuts from Books of the XVI Century 1575 France. Woodcut on paper . Unknown artist

Illustration of the rat king

Zurich, Meyer, Conrad, Nützliche Zeitbetrachtung, The Ages of Man, Zehen Jahr, Praying Family, In a room a woman sits on a chair next to a table. She shows the three children standing in front of her how to fold their hands. On the right a child in a baby walker. Murals with the theme of spring., print, prent, prints, prenten, height 235 mm, width 121 mm, Swiss, 1618 - 1689, print maker, printmaker, 1675 - 1675, paper, papier, etching, etchings, writer, Publication (Event), Publication, publisher

Abraham drives Hagar and Ismaël, 1740 print Abraham sends Hagar and his first son Ismaël away with a water bag at the request of his wife Sara. With the youngest son Isaac, Sara is on his arm in the doorway. A title above the show. Below six verses and a reference to Genesis 21:14. The print is part of an album. paper letterpress printing the banishment of Hagar and Ishmael (Genesis 21:9-21)

Portrait of Lodewijk, count of Nassau, Anonymous, 1600 - 1699 print Portrait of Lodewijk in an oval with edge. Low Countries paper engraving / letterpress printing

Woman climbs through a window at night, Anonymous, After Adriaen Pietersz van de Venne, 1625 - 1635 print A woman climbs through a window of a house by night, in front of the door is a couple and a boy with a lanta tan in the hand watching. In the house a man. Middelburg paper engraving / letterpress printing open window. climbing - AA - female human figure. lantern

Elderly couple hiding by young couple, Conrad Meyer, 1675 print Zurich (Stad) paper etching human life and its ages (young, adult, old, etc.). person with a physical disability

Frontispiece, from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Frontispiece, from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Cartouche flanked by two female upper bodies, anonymous, c. 1654 print On top of the cartouche is the award -winning French coat of arms. France paper engraving

Titelpagina voor Chronique ofte Historische Geschiedenisse van Vrieslant, 1622.A man spreads a cloth with text. In addition to him, two female personifications are; One with a sword, the other blindfold with books and a goose feather. In addition to a round arch father time and fame. Bottom two cartouches with a battle and a siege. On the back text. Title page for Chronique of the historic history of Vrieslant, from Pierius Winsemius, Franeker, 1622.

Noah puts a vineyard; History of Noah. Noah was a farmer and laid a vineyard first. Grapes are picked and pressed in the foreground. In the background Noah tent. The performance has been caught in a circular frame with a peripheral panel.

Justice sitting on the Hollandse Leeuw, Noah van der Meer (I), 1741 print Ornamental frame crowned by a coat of arms and two putti, one with the sword of justice, the other with the mirror and snake of caution. On the left the coat of arms of Leiden. At the bottom, fame blows on the trumpet and holds a horn of abundance under her arm. In front of her is justice on the Hollandse Leeuw. Left and right the busts of two scholars. Leiden paper etching Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues - MM - triumph. beasts of prey, predatory animals: lion. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa)

Title print with ruin, Johann Heinrich Roos, c. 1668 - c. 1670 print paper etching landscape with ruins

Cartouche with lobe ornament in German style. Both top left and right are tritons, Title page: Verscheijden Compertementen dienstich voor Schilders Plaetsnijders, Beelthouwers, Glasschrijvers (...) Verscheijden Compertementen dienstich for Schilders Plaetsnijders, Beelthouwers, Glasschrijvers (...) (series title on object) Verscheijden Compertementen dienstich for Schilders Plaetsnijders, Beelthouwers, Glasschrijvers (...) (series title), Lucas Kilian, print maker: anonymous, publisher: Claes Jansz. Visscher (II), (mentioned on object), Amsterdam, 1626, paper, engraving, h 156 mm × w 106 mm

6 AOUST / J.E. Guignard and J. Chatel (TI)

Title print with cartouche with text; Various figures and scribbles; Diverses figures et cliffs. .

Title page of 'Les oeuures dAmbroise Pare?' 1585 by Ambroise Pare?, 1510-1590 French surgeon and anatomist

Blaßl Broatgosch Juramentirter Nachtwachter undt Rumorwachs Adjunct in würklicher function, Pl. 45. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

Coat of arms of Jan van Beaumondt, Hendrik Jacobsz Soeteboom, 1658 print Coat of arms with two red lions, quoted with two white. The white are on a red and the red on a white field. Below and above the print text in book print. Zaandam paper etching / engraving / letterpress printing armorial bearing, heraldry

Copper engraving by Barthel Beham depicting Hieronymus Baumgartner's book sign, showing symbolic motifs, lettering, and ornamental design.

Cock, Hieronymus, France, Androuet, Jacques, Roman ruins, Praecipva Aliqvot Romanae Antiqvitatis Rvinarum Monimenta Vivis Prospectibus Ad Veri Imitationem Affabre Designata, Title print for a series of Roman ruins, Title print for a series of Roman ruins. This print is part of an album., print, frontispiece, album page, prints, height 152 mm, width 187 mm, French, 1515 - 1584, print maker, printmaker, 1551 - 1584, paper, papier, etching, etchings, Work conception, South Netherlands, 1518 - 1570-03-10

Matrona Belgica primaria (Belgian Matron of the First Rank) from Gynaeceum, sive Theatrum Mulierum, plate 53 from Woodcuts from Books of the XVI Century 1586 Switzerland. Woodcut on paper . Jost Amman

The Kandelguesser

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Virtue and Pomone. Thirty-fifth number of a suite of 48 pieces. (A. de Vesme 498; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Orpheus taken by new time on board, 1625. Political allegory with orpheus taken by the new time on board a ship. On the left a city with defense walls and guns. A hand with lightning rays in the air.

Frontispiece with Putti and Animals 1653 Valerio Spada Italian. Frontispiece with Putti and Animals 399599

Eyn Newe kunstlich moetdelboech alle kunst. Dimensions: Overall: 5 11/16 x 8 1/16 in. (14.5 x 20.5 cm). Publisher: Peter Quentel (German, active Cologne, 1518-46) , Cologne. Date: 1532.Published by Peter Guentel, Cologne.The only recorded copy (incomplete) of Peter Guentel's second edition of this model book. Illustrated title page and 31 pages of designs.The first edition of this second book of Peter Guentel appeared in 1529 according to Lotz who records 2 complete copies- 24 leaves, sigs. a - f 4. Althought incomplete, this is the only recorded copy of the second edition. A number of the patterns are copied fom the second edition of Schonsperger's first book (Lotz 1 b) after Schonsperger had abandoned printing on only one half of the page. Several more were adaptations of patterns in Schonspereger's last book (Lotz 5) drawn by Anton Woensam von Worns according to Lotz as are also the scrolling leaves and flowers and renaissance ornament on the verso of the title, leaves 2 - 5. Amo

. Two prints on one leaf in oval. On the left the city gate where Joseph watches how his brothers create choirs in bags (Gen. 42-6). On the right an interior with the Pharaoh sitting on his throne and Joseph who explains him his dream. Spectators in the background (Gen. 41-14). In the margins caption in Dutch. Ninth and tenth print (9 and 10) from a series of twelve with scenes from Joseph's life.

Roos, Johann Heinrich, Sheep, goats and cows, Title print with ruin, verso - stamped, print, title print, prints, height 202 mm, width 170 mm, German, 1631-10-27 - 1685-10-03, print maker, printmaker, 1668 - 1670, paper, papier, etching, etchings

"Chronica del Inclito Emperador de España, Don Alonso VII deste nombre Rey de Castilla y Leon, hijo de Don Ramon de Borgoña, y de Doña Hurraca, Reyna propietaria de Castilla" (Chronicle of the Illustrious Emperor of Spain, Don Alonso VII of this name King of Castile and Leon, son of Don Ramon of Burgundy, and Doña Urraca, Proprietary Queen of Castile). Descendants of the House and family of the Guzman, Lords of the Castle of Aviados and Toral. By Prudencio de Sandoval (ca. 1552-1620). Published by Luis Sanchez in Madrid, 1600. Author: Fray Prudencio de Sandoval (ca. 1552-1620). Spanish Benedictine monk and historian.

Woman with candle in a dark room, Arnold Houbraken, 1682 print A woman with a candle in her hand opens a door to a dark departure. Print from a book in which 36 prints with sentences. Print used in: F. van Hoogstraten, The School of the World, 1682. Northern Netherlands paper etching / letterpress printing candle. darkness

Jacques Callot (1592-1635). "The life of the Blessed Virgin, frontispiece: first issue of a series of 14 pieces" (Lieure 1357, Meaume 76). Etching. 1631. Museum of Fine Arts of the City of Paris, Petit Palais. 99590-27 Etching, engraving

Title Page. Dated: published 1551. Dimensions: sheet (trimmed to plate mark): 19.5 x 27.7 cm (7 11/16 x 10 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hieronymus Cock.

Frontispiece for 'Instructions for Chancellors' (Instruzione a' Cancellieri): Medici coat of arms at top center, below two allegorical females, between them a dove holding olive branches in its mouth, Florentine landscape at bottom center 1635 Stefano della Bella Italian. Frontispiece for 'Instructions for Chancellors' (Instruzione a' Cancellieri): Medici coat of arms at top center, below two allegorical females, between them a dove holding olive branches in its mouth, Florentine landscape at bottom center 412687

A woodcut by Lucas Cranach the Younger from 1563 showing text on the portrait of Ernst, Elector of Saxony, highlighting figure, composition, and German Renaissance printmaking techniques.

Sennete, Daniel.

Eight Duiven, Wenceslaus Hollar, 1662 print paper etching

Title page for: J.B. Houwaert, the trade of the amoureheyt, 1621. Oval cratouche with the title, surrounded by four scenes in medallions. Top left the meeting between Dido and Aeneas, at the top right of Narcissus, bottom left Mars and Venus surprised by Vulcanus and Straighter Hero and the Drowned Leander.

Title Page for the Mysteries of the Passion of Jesus Christ, and the Life of the Virgin, c. 1635-1640, Abraham Bosse; Artist: or François Collignon, French, 1602-1676, 3 1/2 × 3 in. (8.89 × 7.62 cm) (sheet)18 7/8 × 22 7/8 × 3/4 in. (47.94 × 58.1 × 1.91 cm) (outer frame), Etching, France, 17th century

The Royal French standard takes place at the Battle of Seneffe, 1674; L'Estaart Royal Blanc de France, Dict Le Soleil, PRIS and LA Fameuse Journée de Senef, et Present Par Le Duc de Villahermosa (...) à nostre Dame du pilier, dance l'Eglise des rr.pp. Carmes Déchauffez de Bruxelles, and Septembre 1674. The Royal French Standard with a radiant sun, Baked at the Battle of Seneffe on July 11, 1674 between the Allied Spanish, Imperial and State Fredges under Willem III on the one hand and the French under the Prince of Condé on the other . The standard is offered to the Duke of Villahermosa in Brussels in Brussels. With a Sonnet in French and an epigram and time verses in Latin.

Cartouche with title, Hieronymus Wierix, 1611 - 1615 print Antwerp paper engraving ornament ~ cartouche

Scenic with Sater wearing world globe on shoulders and a soldier threatening with sword raised; Title page for: Comediae, Leiden 1645; Comediae. Scenic with Sater that is wearing a globe on shoulders and a soldier threatening with sword raised. Title stands on canvas that depends on the stage.

Aminta sacrifices herself instead of Lucina, Richard van Orley (II), c. 1695 - c. 1705 print The Shepherd Aminta would sacrifice his beloved Lucina for the goddess Diana. Instead of Lucina, he sacrifices himself and puts a knife in the chest. Print from a series of 12 prints that illustrate the play Il Pastor Fido, 2nd scene from the 1st deed. Brussels paper etching / engraving (scenes from) specific works of literature: Guarini, Pastor Fido. self-sacrifice, death in the service of a higher purpose

Antwerp, Cnobbaert, Jan, Title page for: Jeremias Drexel, Rosae selectissimarum virtutum, 1636, Madonna and standing women with wreaths, verso - stamped, Above the title Madonna and child surrounded by cherubs. Left and right putti with a wreath with the numbers 1 to 5 and the words Filio Deo and Mari Dei. Next to the title two women with wreaths with the numbers 6 to 7 and 11 to 15. On their chests hearts with the words Deo Proximo. With them a pelican feeding its young and putti. At the bottom a globe and a star globe., print, title page, prints, height 88 mm, width 47 mm, print maker, printmaker, 1636 - 1636, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Ceres. Sixteenth number of a suite of 48 pieces. (A. de Vesme 538; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Abraham Jansz. van Diepenbeeck, Proprium missarum de tempore, engraving.

Schöne Figuren vor alle Fabeln Esopi (Aesop's Fables), plate eleven from Woodcuts from Books of the XVI Century 1566 Germany. Woodcut on paper . Virgilius Solis, the Elder

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 18 (recto). Designer: Cesare Vecellio (Italian, Pieve di Cadore 1521-1601 Venice) , Venice. Dimensions: Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm). Publisher: Alessandro de' Vecchi (Italian, active Venice, 1570-1629) , Venice. Date: 1620.Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de' Vecchi, Italian, active 17th century, Venice.From top to bottom, and left to right:Design composed of 2 horizontal registers. Top register is decorated with 3 rounded triangles that are each ornamented with various musical instruments. Bottom register is decorated in the center with a flower that is flanked on both sides by a grotesque figure playing a horn that transforms into a curving vine, upon which a monkey playing a tambourine sits. Museum: Metropolitan Museum of Art, New York, USA.

Emblem with allegory on friendship; Friendship. Emblem with allegory on friendship. There is a poem under the show and on the Verso.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Pyrama and Thisbée. Twenty-fourth issue of a series of 52 pieces. (A. de Vesme 514; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Count Godfried III with the bump; Comfort and short history of the graves of Hollandt Zeelandt Ende Vrieslandt; Graves and gravingen from Holland. Count Godfried III with the Bump (as Regent for Dirk V), for the feet turned out and left. His weapon is a combination of a climbing lion and a shield with crossbar (the weapon of Lorraine). He has a spear in his right hand. At the bottom of part of the old numbering: 3. The print is part of a book with descriptions and shows of the graves of Holland, Zeeland and Friesland.

Henricus Slatius, With Hand and Foots, 1623, 1623 print Portrait of Henricus Slatius, one of the conspirators against Maurits, with hand and footcuffs, in the clothing in which he was imprisoned, 1623. On the ground the beer jug, in the background Coevorden. To the left of the plate a verse, on the right the 'aenspraecke and dese cruel conspirators', in Dutch. Northern Netherlands paper engraving / letterpress printing arrest (of criminal) Coevorden

Title print with allegorical edge list and calligraphy title, 1605 print Title print with an allegorical edge list and a calligraphy title. Mecury is on the left side of the title. On the right side the goddess of writing art with a goose pen and a roll of paper in her hands. In the middle of a round shield with the motto as a border shield: Vive La Plume. Inside a crown with two crossed goose pins. In addition to this shield two writing older bearded men: Pisistratus on the left, king of Athens, and on the right the Greek philosopher Anaxagorus. In addition, two putti writing attributes and a lamp offer. In the shield in the middle of an oak wreath and a pen above an ear pointing hand. Two putti pens from the wing of a goose pull to the left. On the right a putto with ruler, passer and triangle. The right side and bottom of the print are damaged. As a result, the image of a putto is missing at the bottom right that cuts a geese spring to a pen on a stone block with a pennen knife, and

Flood; Doe came across the men. The flood flooded the country. Noah's ark floats on the water. In the foreground people try to put itself in safety. With a title above the show. There are six fresh rules and a reference to Genesis 7: 10-12. The print is part of an album.

unknown, Paris, Grass, Henry le, Bella, Stefano della, Jeu des reynes renommées, Card game with renowned queens, Cleopatre, Cleopatra, Playing card with a representation of Cleopatra, falling against a tomb. Text in bottom margin. Numbered top left: 5., print, playing card, prints, height 90 mm, width 55 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, publisher, granter of privilege

Title sheet: Verscheyde Pleured T 1690 - c. 1702 print Title in Cartouche, flanked by two half -naked women: an allegory of music and painting. paper engraving

Portrait of Hendrick ter Brugghen. Portrait of the painter Hendrick ter Brugghen with palette and brushes in his hand. In the background a curtain with his coat of arms. Under the portrait the life story of Ter Brugghen in Dutch, and under the plate edge in letterpress a Dutch fresh on the image by Willem Everwyn.

Le Corbeau et ses Petits (The Raven and its Young), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 5 1621-35 Jacques Callot French. Le Corbeau et ses Petits (The Raven and its Young), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 5. Lux Claustri ou La Lumière du Cloitre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1621-35. Etching and letterpress; second state of two (Lieure). François Langlois (French, baptized Chartres, 1588-1647 Paris). Prints

Emblema XXXVII: Tria sufficiunt ad magisterium, fumus albus, hoc est, aqua, leo viridis, id est, aes Hermetis, and aqua foetida. Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 37, located on page 109.

Woman from Hungary; Hongrie; Card game Geography; Jeu de la Géographie.playing Card with a Representation of a standing woman with coat or arms from hungary. Text in undermarge. Numbered Top Left: 5.

Vrouw uit Polen; Pologne; Kaartspel geografie; Jeu de la géographie.Playing card with a representation of a standing woman with a coat of arms from Poland. Text in undermarge. Numbered top left: 6.

Woman from Greece, Stefano della Bella, 1620 - 1664 print. playing card Play card with a performance of a sitting Greek woman, leaning against a building with a half moon on the door. Next to her are a shield, music and scientific instruments and a laurel wreath. A ship at sea in the background. Text in STUDMARGE. Numbered in the top left: 3. Paris paper etching Europeans. sitting figure Greece

Catharina saves a woman from the rubble of her house; The life of Siena H. Catharina. After a heavy storm, a woman is buried under the rubble of her house. Catharina saves the woman. Above left a devil that flight for the saint. Part of a series about Catharina van Siena consisting of a title print, a portrait and 32 numbered scenes from her life.

Kojak, Johan Sofron

Four secret hidden silhouettes

Countess Ada van Holland, 1586 - 1587 Countess Ada van Holland, in full, with the coat of arms of a climbing lion. At the bottom of a number: 4. De print is part of a book with descriptions and performances of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving Countess Ada van Holland, in full, with the coat of arms of a climbing lion. At the bottom of a number: 4. De print is part of a book with descriptions and performances of the graves of Holland, Zeeland and Friesland. print maker: Haarlemafter drawing by: Haarlempublisher: Amsterdam paper engraving

Xli Non Odit tampen. Xli Non Odit tampen. Third shock. Part of 'SinnePops', R. Visscher, 1614.

Bliżej Kultury Voysard, Etienne Claude (1746 Ca 1812), Borel, Antoine (1743 Post 1810), Blanchon, Jean Andre

Portraits of Emperor Louis II of Italy and his brothers; Les Images Presque de Tous les Emperurs. Portraits of Emperor Louis II of Italy and his brothers Karel van Provence and Lotharius II, together on a coin with a peripheral. The print is part of a book about the emperors from Julius Caesar up to and including Charles V and his brother Ferdinand.

Emblem with allegory on gratitude, François van Bleyswijck, 1737 print Emblem with allegory on gratitude depicts as a woman who sacrifices the contents of a horn of abundance on an altar. The stork is a symbol of gratitude and snakes wriggle on the ground. The poem on Recto and Verso encourages gratitude. Leiden paper etching Gratitude; 'Gratitude', 'Grateful memory of benefits received' (Ripa). Shore-Birds and Wading-Birds: Stork

Wenzel, king.

Frontispiece. Dated: published 1625. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: British 17th Century.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Forty-fifth number of a suite of 48 pieces. (A. de Vesme 539; Dutuit 116) (main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

Illustration from 'Les oeuures díAmbroise Pare' 1585 by Ambroise Pare, 1510-1590 French surgeon and anatomist

The charitable. / 47. (Registered title) | Almanach useful and pleasant from the lottery of the Royal Military School. (title of all)

Koning David speelt harp; David disgracié; David Profugus.King David is sitting on a throne and plays Harp. The print is part of an album.

De la philosophie de la nature, ou, Traité de morale pour le genre humain, ... , Frontispiece & title page. Sales, J. de (Jean), 1741-1816. Title pages, Frontispieces, Illustrations. 1789. General Research Division. Philosophy

Luiz Mercado, Instituciones que Su Magestad...

Love (charitas) with two children in medallion. Love (charitas) with two children in medallion in rectangular frame. The medallion has a caption in Latin.

Portrait of the King Nebuchadnezar II; From d'Assyrian monarchy; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Portrait of Sultan Selim I, used in this album as an image of Nebuchadnezar II. The accompanying text starts with a small decorated initial D. The magazine is part of an album.

Title page for: J. de Deckers Rym-Oeffensen, 1659, Cornelis Visscher (II) (Possible), 1659 print Title page for J. de Deckers Rym-Oeffensingen. The title is flanked by Hercules and a woman with donkey ears and a laurel wreath. Above the title a woman with harp and scepter. The sun shines behind her. Amsterdam paper etching / engraving attributes of Hercules. ass, donkey (+ ears of an animal). crowning with laurel. sun as celestial body

FUEROS DE VIZCAYA - 1643 - PRIVILEGIOS FRANQUEZAS Y LIBERTADES DE LOS CABALLEROS DEL SEÑORIO DE VIZCAYA. Location: PRIVATE COLLECTION. AZCOITIA. Guipuzcoa. SPAIN.

Woman from Arabia; Arabia Troglodytique; Card game Geography; Jeu de la Géographie.playing Card with a Representation of a Standing Woman in Traditional Pregnancy from Arabia. Text in undermarge. Numbered at the top left: 9.

Pedestal with inscription, flanked by Achilles and Hector. Above a representation of the destruction of troy with portrait medallions from Agamemnon and Priamus. Under a similar representation of the destruction of Troy with the death of priamus.

Val van Phaëthon, Abraham Bloteling (attributed to), after Antonio Tempesta, 1671 print Page from a book with text on Recto and Verso, and an image at the beginning of Book 2. The horses of the solar wagon go ahead and Phaëthon falls out of the car. Due to the warmth of the sun, the earth is in danger of being set on fire. Jupiter throws a lightning bolt to the car to save the earth. Amsterdam paper etching fall of Phaethon; he is struck by a thunderbolt of Jupiter

A laurel-wreathed portrait of Maurice, Prince of Orange flanked by two female personifications. To the left in a niche is the personification of the church, to the right that of politics, in imperial dress with sword and imperial apple. Around it four personifications of Europe, Asia, America and Africa. Below the title a portrait of Emanuel van Meteren at the age of 76. At the top and bottom a row of five depictions of kings and emperors. Title page for Emanuel van Meteren, Historien der Nederlanden en haar naburen wars. Amsterdam, 1652, Allegorical representation on the principalities of the world Title page for: E. van Meteren, Historie der Nederlanden en haar naburen wars, 1652, print maker: Adriaen Matham, David Vinckboons (I), Emanuel van Meteren, (mentioned on object), Amsterdam, 1652, paper, engraving, h 298 mm × w 181 mm

Portrait of herod; Van den Grooten Herod, and his sex; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. Portrait of Albrecht Achilles van Brandenburg, used in this album as an image of Herod. The accompanying text starts with a small decorated initial O. The magazine is part of an album.

Portraits of Jan van Wely and his both murderers, 1616, Crispijn van de Passe (I), 1616 print Portraits of Jan van Wely and his both killers Jan de la Vigne and Jan van Paris. On the right in the background, the murderers bury the corpse of Jan van Wely. On the left in the background the radio vessels of the murderers. Under the print a poem in book print in Dutch that refers to the profession of the victim and the murder. Utrecht paper engraving / letterpress printing historical persons. neck-gear ~ clothing (with NAME) (+ men's clothes). head-gear: hat (+ men's clothes). cape (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). jeweller, goldsmith, silversmith. violent death by breaking on the wheel. murderer. violent death, being killed; being mishandled and maltreated; seeking death Netherlands

Armenie 1644 Etched by Stefano della Bella Italian. Armenie 382667 Artist: Etched by Stefano della Bella, Italian, Florence 16101664 Florence, Artist: Designed by Jean Desmarets de Saint-Sorlin, French, 15951676, Publisher: Published by Henri Le Gras, French, Dedicatee: Made for Louis XIV, King of France, French, Saint-Germain-en-Laye 16381715 Versailles, Patron: Commissioned by Cardinal Jules Mazarin, Italian, Piscina 16021661 Vincennes, Armenie, 1644, Etching, state iii. The Metropolitan Museum of Art, New York. Gift of the Estate of James Hazen Hyde, 1959 (59.654.19(22))

Roof from Proserpina; Ruiten four; Proserpine; Card game with mythological performances; Jeu des Fables. Playing card with a presentation of Pluto that Proserpina abuses to the underworld. Text and diamond in the undermarge.

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