Blake's Poetic Illustrations

Color-printed relief etchings by William Blake, featuring angels, nature, and literary themes with intricate designs and vibrant colors.

Lord and young lady in a hug, 1653 Lord and young lady in a hug under a love complaint on the melody of Corante Munsuier. Zwolle paper. ink. watercolor (paint) brush / calligraphy Lord and young lady in a hug under a love complaint on the melody of Corante Munsuier. Zwolle paper. ink. watercolor (paint) brush / calligraphy

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience: Nurse's Song ca. 1825 William Blake British. Songs of Innocence and of Experience: Nurse's Song. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

Jerusalem, Plate 45, 'Bath, healing City!....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 3/8 inches (22.6 x 16.2 cm), branches, clouds, fish, literary theme, men, nudes, religious and mythological subject, serpent, snake, text, vegetation, women

Songs of Innocence, Plate 16, 'Night' (Bentley 20), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 3/8 x 2 5/8 inches (11.1 x 6.7 cm), and Plate: 4 1/4 x 2 5/8 inches (10.8 x 6.7 cm), angels, branches, garden, gowns, hills, leaf, literary theme, shrubberies, text, tree, vegetation, vines, wings, women

Young's Night Thoughts, Page 33, 'Like that, the dial speaks; and points to thee', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 3/4 x 12 1/2 inches (40 x 31.8 cm), beds, cups, dead, death, food, goblets, literary theme, men, pointing, reclining, serpents, snakes, text, wine

Young's Night Thoughts, Page 54, 'The Vale of Death! That Hush'd Cimmerian Vale', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 12 3/4 inches (42.5 x 32.4 cm), and Plate: 15 1/2 x 12 3/4 inches (39.4 x 32.4 cm), child, children, feathers, grass, literary theme, men, religious and mythological subject, river, river banks, water, wings, women

Young's Night Thoughts, Page 23, 'We Censure Nature for a Span Too Short', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 1/2 x 12 1/2 inches (39.4 x 31.8 cm), angels, baby, bed, bed, children, drapes, family, father, literary theme, man, men, mother, nudes, religious and mythological subject, text, wings, woman, women

Songs of Innocence and of Experience, Plate 30, 'Night' (Bentley 20), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), angels, branches, garden, gowns, hills, historical subject, leaf, text, trees, vegetation, vines, wings, women

Songs of Innocence and of Experience: Spring (second plate): Little Girl ca. 1825 William Blake British. Songs of Innocence and of Experience: Spring (second plate): Little Girl 347932

Lord and young lady in a hug, 1653 Lord and young lady in a hug under a love complaint on the melody of Corante Munsuier. Zwolle paper. ink. watercolor (paint) brush / calligraphy Lord and young lady in a hug under a love complaint on the melody of Corante Munsuier. Zwolle paper. ink. watercolor (paint) brush / calligraphy

Europe. A Prophecy, Plate 10, 'Enitharmon slept . . . . ' (Bentley 12), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm), Plate: 9 1/4 x 6 3/4 inches (23.5 x 17.1 cm), and Spine: 15 3/8 inches (39.1 cm), branches, leaf, men, nudes, religious and mythological subject, text, vines, women

Songs of Innocence and of Experience, Plate 42, 'The Tyger' (Bentley 42), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/8 x 2 1/2 inches (11.1 x 6.4 cm), branches, grass, historical subject, leaf, text, tiger, trees, vegetation, vines

The First Book of Urizen, Plate 23: 'The Ox in the slaughter house moans . . . .' (Bentley 25), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm) and Plate: 6 1/2 x 4 inches (16.5 x 10.2 cm), literary theme, nudes, serpent, snake, text, women

And I only am escaped alone to tell thee., 1825, William Blake, British, 1757-1827, 8 1/2 x 6 5/8 in. (21.59 x 16.83 cm) (sheet), Engraving, England, 19th century, Two messengers arrive left feet first to announce the disasters. For Blake, the right hand and foot symbolized the spiritual; the left evoked the material. Job and his wife are seated beneath a pair of heavy stone crosses. Above them is a tree with scant foliage and no fruit. To the left, the Gothic church appears for the last time in the series.

William Blake, 1757-1827, British, Plate 2 (page 1): 'Swift on his downy pinion flies from woe', 1797. Engraving.

Songs of Innocence and of Experience, Plate 51, 'London' (Bentley 46), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), cane, child, children, fire, house, literary theme, man, men, stone, vines, walking sticks

Young's Night Thoughts, Page 10, 'Disease Invades the Chastest Temperence', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 12 7/8 inches (42.5 x 32.7 cm), and Plate: 16 1/4 x 12 3/4 inches (41.3 x 32.4 cm), crook, shepherd's, disease, dog (animal), literary theme, men, nudes, religious and mythological subject, sheep, shepherd, sleeping, text, vial, women

Der Abend. Josef Albert (German, 1825 - 1886)

Very Extravagant Verses 1906-1913 México. Relief print on paper . José Guadalupe Posada

Print made by William Blake, 1757-1827, British, The Book of Thel, Plate 7, "But he that loves the lowly.. .", 1789. Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience: The Angel. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Young's Night Thoughts, Page 4, 'What, though my soul fantastick measures trod', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 15 3/4 x 12 1/2 inches (40 x 31.8 cm), book, branches, leisure, literary theme, men, nudes, quill pen, sleeping, swimming, text, trees, women

Klingholz Fritz (1861-1921): Illustration with song text

Waare afbeelding van den vermaarden Heer Quinquenpoix True portrait of the renowned Mr. Quinquenpoix. Duvivier, Guillaume, active approximately 1650. 1720 - 1721. Anonymous. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 10, "Disease invades the chastest temperence", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Daniel Lysons, 1762-1834, British, Memorial to William Thompson, and to Elizabeth and Samuel Wegg, and Sarah Leheup, from Acton Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Jerusalem, Plate 40, "Los shudderd at beholding Albion....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

Europe. A Prophecy, Plate 16, 'Ethinthus queen of waters . . . . ' (Bentley 17), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm), Plate: 9 1/8 x 6 1/2 inches (23.2 x 16.5 cm), and Spine: 15 3/8 inches (39.1 cm), birds, flowers (plants), leaf, religious and mythological subject, serpent, snake, text, vines

Songs of Innocence and of Experience, Plate 25, 'The Voice of the Ancient Bard' (Bentley 54), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/4 x 2 1/2 inches (10.8 x 6.4 cm), and Spine: 7 3/8 inches (18.7 cm), beard, branches, children, harp, kneeling, leaf, literary theme, man, standing, text, vines, women

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 4, "Silent as despairing love....", 1793. Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Vos in Monnikspij (Reinaert) with Haas (Cuwaert) near Vossin (Hermeline) and Cubs in Vossenhol, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Photo production of a painting from a scene from Der Trompeter von Säkkingen, representing the trumpeter next to his horse who says goodbye to his mouth with his trumpet, Anonymous, After Carl Schweninger (II), c. 1880 - in or before 1890 photograph photographic support albumen print picture, painting. horn, trumpet, cornet, trombone, tuba. horse

Memorial to John Beard from Hampton Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm), architectural subject, church, memorial, England, Greater London, Hampton, London, St Mary's Parish Church, United Kingdom

The two goats; La Fontaine Fabel; Imagerie Artistique / Série 6. Leaf with a big representation from Jean de la Fontaine Fabel, of the two goats. At the top right a text block with a verse. Numbered top left: Série 6. - No. 14.

Jerusalem, Plate 62, 'Repose on me....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 1/4 x 5 7/8 inches (21 x 15 cm), feathers, fire, flames, literary theme, men, nudes, peacock (bird), religious and mythological subject, text

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 5, "Ode on the Spring.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Print made by William Blake, 1757-1827, British, There Is No Natural Religion, Plate 8, "VI The desires & perceptions.. " (Bentley a9), ca. 1788. Color-printed relief etching on moderately thick, slightly textured, cream wove paper.

Tableau des curiositée et spectacles de Paris offert aux etrangers par L'Hotel Terminus. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; engravings. Wood engraving ()

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Photo production from a print to a fresco, representing the Last Supper, Anonymous, After Leonardo da Vinci, c. 1865 - c. 1870 photograph S. Maria delle Grazie photographic support albumen print the episode of the Last Supper

Hektors Abschied. Josef Albert (German, 1825 - 1886)

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 21, "O Vala! O Jerusalem....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Sampler. Dated: c. 1941. Dimensions: overall: 61.1 x 45.7 cm (24 1/16 x 18 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: MAX UNGER.

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 3, "Ode on the Spring.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Jerusalem, Plate 70, "And this the form of mighty Hand....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 222 mm (8.74 in); Width: 162 mm (6.37 in). Author: William Blake.

Illustration for 'An Island Garden' by Celia Thaxter , Poppies, Initials. Childe Hassam (1859-1935). Prints and Drawings

Etching from "Visions of the Daughters of Albion" ca. 1793 William Blake (1757-1827 British) The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California, USA

Songs of Innocence and of Experience, Plate 41, 'A Poison Tree' (Bentley 49), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), branches, dead, historical subject, men, nudes, text, trees

William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40), 1794. Color-printed relief etching with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Photo production of a painting of presumably a siren, anonymous, After Wilhelm Kray, c. 1880 - in or before 1890 photograph photographic support albumen print Sirens (classical mythology)

Illustration, Margery Brown on the top of the hill ... looking over to London town. Date: first published 1879

Woman with two baskets of fruit and a cherry branch. Draughtsman: Gesina ter Borch. Dating: c. 1652. Place: Zwolle. Measurements: h 301 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

Woman in a hood. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1652. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Lord and a lady standing in front of a poor mother and her children, 1654 - 1655 A gentleman and a lady standing in front of a poor mother and her children, next to a poem on the melody of sweet locksters of that min. Under the drawing, Gesina has written a text by Ovidius. Zwolle paper. ink. watercolor (paint) brush / calligraphy A gentleman and a lady standing in front of a poor mother and her children, next to a poem on the melody of sweet locksters of that min. Under the drawing, Gesina has written a text by Ovidius. Zwolle paper. ink. watercolor (paint) brush / calligraphy

Siege at Badajoz, Henry Aston Barker, 1774-1856, British, ca. 1813, Pen and black ink, pen and red ink, gray wash and graphite on medium, sligtly textured, beige wove paper, Sheet: 14 3/4 × 12 1/2 inches (37.5 × 31.8 cm), military art

Sampler. Dated: c. 1936. Dimensions: overall: 28 x 23 cm (11 x 9 1/16 in.) Original IAD Object: 23 1/2" long; 21 1/4" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Eva Wilson.

Robin and his mother go to Nottingham Fair. Creswick, Paul, 1866-1947. Illustrations. 1917. General Research Division. Robin Hood (Legendary character)

Vanitasymbols and all -seeing eye, Philippus Velijn (Possible), 1820 - 1822 print A skull, a scythe, an hourglass and a extinguished torch under a text on the death of Elias Anna Borger. Above it the all -seeing eye and two palm branches between the clouds. Netherlands paper etching the all-seeing eye, triangle with eye ~ symbol of God the Father. 'Vanitas' symbols

Le jugement de Paris 1914. still image. Art reproductions. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Homer. Iliad, Athena (Greek deity), Paris (Legendary character), Aphrodite (Greek deity), Decoration and ornament , Greece, Hermes (Greek deity), Hera (Greek deity)

Songs of Innocence and of Experience, Plate 31, 'Introduction' (Bentley 30), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and blue ink, black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 7/8 x 2 7/8 inches (12.4 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), bed, blanket, clouds, literary theme, man, night, nude, pillow, sky, stars, text

Songs of Innocence and of Experience: London. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

William Blake, 1757-1827, British, Book of Job, Plate 7, Job's Comforters, 1825. Line engraving on medium, slightly textured, cream wove paper.

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 73, "The Fatal Sisters.", between 1797 and 1798. Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

The Shepherd and the Sea, 1890 print Leaf with a large performance from the fable of Jean de la Fontaine, from the shepherd and the sea. At the top right a text block with verse lines. Numbered in the top left: Série 8. - No. 1. Paris paper letterpress printing fables. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. herd, flock

Scholander, Fredrik Wilhelm, work, The Tale of King Svegder, 1880, drawing, 44.5 cm x 30.3 cm

Print made by William Blake, 1757-1827, British, There Is No Natural Religion, Plate 9, "Therefore God becomes.. " (Bentley b12), ca. 1788. Color-printed relief etching on moderately thick, slightly textured, cream wove paper.

Photo production of a painting of a scene from Der Trompeter von Säkkingen, representing Maria with a trumpet in a garden with the trumpetter, anonymous, after Carl Schweninger (II), c. 1880 - in or before 1890 photograph photographic support albumen print picture, painting. horn, trumpet, cornet, trombone, tuba. garden

James Jacques Joseph Tissot, Frontispiece, 1882 Frontispiece

Scene 5, from Jack and the Giant Killer, Scenes for a Toy Theater 1870-90 Benjamin Pollock. Scene 5, from Jack and the Giant Killer, Scenes for a Toy Theater 683007

Europe. A Prophecy, Plate 17, "Shot from the heights . " (Bentley 18). Date/Period: 1794. Print. Brown print, pen, black ink and oil on cream-colored paper (Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper). Height: 375 mm (14.76 in); Width: 267 mm (10.51 in). Author: William Blake.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 14, "The Shepherd" (Bentley 5), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

The bubble boy on yacht, 1720; The bubble boy on the jagt; The great scene of foolishness. The bubble boy hunting. A naked boy died by windwalking hunts a torch on a lion and unicorn. In a decorative frame with lions and deer. In the caption a verse of four lines. Printed on the leaf around and below the plate are five verses. Print 44 in the series The large scene of foolishness with cartriders on the 1820 wind trade.

Edward Goodall, 1795-1870, British, Summer Eve - the Rainbow, 1837. Line engraving.

Plate One from Evenings in Rome. Hubert Robert; French, 1733-1808. Date: 1763-1764. Dimensions: 125 × 83 mm (image); 153 × 100 mm (plate); 157 × 103 mm (primary support); 218 × 141 mm (secondary support). Etching in black on off-white laid paper, tipped onto tan laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 38, "His face and bosom....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

There was a gallant vessel.. Boutet de Monvel, Louis-Maurice (1851-1913). Illustrations. 1917. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Nursery rhymes, Beaches, Love, Crying, Arrivals & departures, Children , Clothing & dress , France , Brittany, Sailors

Fraktur - Birth and Baptismal Certificate. Dated: 1935/1942. Dimensions: overall: 37.6 x 50 cm (14 13/16 x 19 11/16 in.). Medium: watercolor, colored pencil, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Emma M. Krumrine.

Jerusalem, Plate 54, 'In Great Eternity....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 3/8 x 5 7/8 inches (21.2 x 14.9 cm), bats (animals), birds, children, heads, literary theme, men, nudes, religious and mythological subject, sphere, stars, sun, text, women

Queen Victoria in hell and Gezina Kruger in heaven, Anonymous, Jean Veber, 1901 photomechanical print Print is part of a magazine with cartoons on the Second Boer War. With two -way caption: glorious queen. Your government has ended in injustice and blood. Had you ever thought that in the other world only the good one. Mrs. Krüger you would open her arms. You would speak printer: Parispublisher: Amsterdam paper letterpress printing political caricatures and satires. hell and purgatory. heaven, celestial paradise, New Earth

The princesses under the apple tree, Lucien Pissarro, 1904 print Three princesses are under an apple tree. Illustration with a poem by Ben Jonson. Hammersmith paper princess. trees: apple-tree

Sampler. Date/Period: 1838. Sampler. Medium: silk embroidery with beads on wool foundation. Technique: embroidered in cross, stem, buttonhole, and satin stitches on plain weave foundation; beads sewn on with half cross stitches. Height: 420 mm (16.53 in); Width: 330 mm (12.99 in). Author: Elizabeth Scull.

The Berggeist by Horschelt Gallerie Droller scenes, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Sampler, 1779. England, late 18th century. Embroidery; silk on woolen canvas; overall: 32.2 x 30.5 cm (12 11/16 x 12 in.).

J'peux pas l'dire , Meadows, Couples. Théophile Alexandre Steinlen (1859-1923). Lithographs

William Blake, 1757-1827, British, The Poems of Thomas Gray, Design 49, "The Progress of Poesy.", between 1797 and 1798. Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page.

Departure of the Nieuwe Don Quixot, 1826, Anonymous, 1826 print A harnessed knight leaves with a banner on horseback and is done out by a crowd and whistled out by school boys. Possibly the departure of the unpopular local commander General Vauthier from Brussels or the elderly professor P. Lesbroussart from Leuven. With Frans Vers in four couplets. Southern Netherlands paper Don Quixote. waving farewell ~ departure on a journey Brussels. Louvain

Design for a certificate, awarded by the city of Vienna for the most beautiful floral balcony decorations (balcony above text). Artist: Erwin Puchinger (Austrian, Vienna 1875-1944 Vienna). Dimensions: Sheet: 11 5/8 × 8 1/4 in. (29.5 × 21 cm). Museum: Metropolitan Museum of Art, New York, USA.

The Queen of the Fishes: Plate 1, 1894. Lucien Pissarro (British, 1863-1944). Color woodcut; book page: 19.2 x 13.3 cm (7 9/16 x 5 1/4 in.). Pissarro, son of the French Impressionist artist Camille Pissarro, moved to England in 1890. By 1894 he and his wife, Esther Bensusan Pissarro, had bought a printing press and established the Eragny Press. Influenced by William Morris, they were involved in every step of the production process: designing, cutting the woodblocks, setting type, and printing. The first book published by Ergany Press, The Queen of the Fishes, is based on an old fairy tale in which a peasant boy and girl escape the hardships of their lives by fantasizing that they have been turned into a giant oak and a splendid fish, respectively.

Untitled Made 1855-1868 England. Ink and watercolor on paper . Georgina Cowper

Skeletons hawking their wares and shouting about teetotalers, drunkards, old men and kids, tomcats and working girls. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 15 9/16 × 11 7/16 in. (39.5 × 29 cm). Publisher: Antonio Vanegas Arroyo (1850-1917, Mexican). Date: ca. 1900-1910. Museum: Metropolitan Museum of Art, New York, USA.

A Dead Hunter. Florence Kingsford Cockerell (English, 1871 - 1949)

This wood engraving by Moritz von Schwind illustrates 'The Third Laughing' from Eduard Mörike's 'The History of the Beautiful Lau', showing figures, expressive gestures, and narrative scene after 1868.

When I was a farmer, a farmer's boy, .... Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection

The fortune-teller and the ant and the dove., 1480, Florence

Venlo, Bontamps, widow H., The resurrection of Christ, verso - stamped, Sheet with a large representation of the resurrection of Christ. Christ with palm branch and shawl, rising from his grave. In the foreground three soldiers, two of whom are turning away and one is raising his sword. On either side Bible text and prayer in letterpress., print, picture, popular print, popular prints, prints, pictures, height 380 mm, width 328 mm, Publication (Event), Publication, Dutch - 1817-09-10, publisher, 1818 - 1818, paper, woodcut, colors, letterpress printing, letterpress, print maker, printmaker

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 94, "Albion cold lays on his Rock....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Seagull, Kingfisher. Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 8 x 5 3/8 in. (20.3 x 13.7 cm). Date: August 18, 1874. Museum: Metropolitan Museum of Art, New York, USA.

Women in the Woods (Femme dans un bois). Dimensions: 18.5 cm x 13.5 cm, 17.3 cm x 11.4 cm. Museum: Van Gogh Museum, Amsterdam. Author: PAUL SERUSIER.

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